Popularity: 2 (history)
| Director: | Mike Flanagan |
|---|---|
| Writer: | Mike Flanagan |
| Staring: |
| Tricia's husband has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him 'dead in absentia'. Tricia is reluctant, always holding out hope, but Callie is practical and wants her to move on. As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house. | |
| Release Date: | Mar 03, 2011 |
|---|---|
| Director: | Mike Flanagan |
| Writer: | Mike Flanagan |
| Genres: | Horror, Mystery, Thriller |
| Keywords | grief, apparition, investigator, missing person, tunnel, declared dead, missing husband, returned alive, sister sister relationship, absent husband, underpass |
| Production Companies | Blue Dot Productions, FallBack Plan Productions |
| Box Office |
Revenue: $0
Budget: $70,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Katie Parker | Callie |
| Courtney Bell | Tricia |
| Morgan Peter Brown | Daniel |
| Dave Levine | Det. Mallory |
| Justin Gordon | Det. Lonergan |
| Doug Jones | Walter Lambert |
| Connie Ventress | Ruth |
| Ian Gregory | Mitch |
| Erin Cipolletti | Uniformed Officer |
| Damon Pfaff | Uniformed Officer |
| Peter Wylie | Uniformed Officer |
| Brandon Valley Jones | Uniformed Officer |
| Elisabeth Adwin | Lawyer |
| Mark Dumonski | Dr. Carpenter |
| Scott Graham | Dr. Elliott |
| Name | Job |
|---|---|
| Courtney Bell | Line Producer |
| Ryan David Leack | Original Music Composer |
| Adriana Lambarri | Costume Design |
| Chris Mills III | Makeup Effects |
| Drew Shirley | Second Unit, Assistant Director |
| Richard Ragon | Sound Designer |
| Dave Foster | Grip |
| Robert C. Yu | Production Manager |
| Liz Bradley | Production Design |
| Mackenzie Crosby | Wardrobe Assistant |
| Gaby Chavez | Makeup Artist, Script Supervisor |
| Amy Mills | Makeup Effects |
| Aristotle Kumpis | Sound Design Assistant |
| Mark Sniffen | Visual Effects |
| Brooks Halladay | Camera Operator |
| Rustin Cerveny | Director of Photography |
| Mike Flanagan | Writer, Director, Editor |
| Aaron Moorhead | Color Timer |
| Name | Title |
|---|---|
| Morgan Peter Brown | Producer |
| Rich Cleary | Producer |
| Kevin Kale | Producer |
| Jason Poh | Producer |
| Joe Hollow | Producer |
| Laura L. Little | Producer |
| Joe Wicker | Producer |
| Mike Flanagan | Producer |
| Justin Gordon | Producer |
| Organization | Category | Person |
|---|
Popularity History
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| 2024 | 4 | 13 | 21 | 8 |
| 2024 | 5 | 14 | 25 | 10 |
| 2024 | 6 | 14 | 23 | 8 |
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| 2024 | 10 | 11 | 25 | 5 |
| 2024 | 11 | 12 | 33 | 5 |
| 2024 | 12 | 9 | 17 | 5 |
| 2025 | 1 | 11 | 15 | 8 |
| 2025 | 2 | 8 | 14 | 3 |
| 2025 | 3 | 4 | 10 | 1 |
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| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
Trending Position
Three Billy Goats Gruff. Written and directed by Mike Flanagan, Absentia finds Tricia (Courtney Bell) and Callie (Katie Parker) as two sisters who come to believe that the underpass nearby could be linked to the many disappearances in the area. A slow burn indie horror is not everybody's idea ... of a good time, but Flanagan has crafted a smart atmospheric chiller, one with a nifty fairy tale fantasy bubbling away under the surface. Narratively it's low-key, though the air of grief and terror is palpable. The setting is a low rent area of Los Angeles, a place where the girls are told to always keep the doors locked, with the ominous underpass haunting the edges of every other frame. Flanagan filters his story through the urban locale while populating it with characters who are haunted by something unseen, or by others who are troubled by personal issues (Tricia's husband disappeared 7 years ago and Callie is fighting a needle habit). The formula scares are kept to a minimum, Flanagan choosing to imbue the story with a sense of dread, toying with the sisters and us the viewers that there just may be something truly awful lurking just out of the eye line. This is not a creature feature, like The Relic or Mimic, this is a different horror film to those. The horrors are born out of what you don't see, or what you barely glimpse, just like the classic horrors of yesteryear, with Flanagan cheekily dangling ambiguity into the bargain. It's unnerving and sad, creepy yet cunning, and a refreshing experience for those tired of big effects driven horror movies. If you like the slow burn less is more approach, with well written human drama in the bargain? Then give this a chance. 8/10
Pure filmmaking. Has the atmosphere that is by and large missing from the horror genre, opting for character development, tension, engagement and grounding rather than jump scares and gross-out gore effects. Still a horror movie, to be sure (and therefore not for everybody) but one that stands on it ... s own. _ Final rating:★★★½ - I strongly recommend you make the time._
I watched this film without knowing it was actually directed by Mike Flanagan. When I saw his name in the beginning of the film, I immediately knew I was in for a treat! I was not wrong! There is something special about the way he tries to scare people who watch his films. I can't tell you exactl ... y what that is. All I know is that he is bloody good at it! You could see the film had a limited budget but actually the fact that its budget was limited made the film even better. Its atmosphere was unique. The "jump scares" were not really a traditional jump scare but rather an amazing collection of moments where you wished you were so glued to the screen. Would I watch it again? Definitely! Would I make my friends watch it? ASAP!
Fantastic watch, would watch again, and do recommend, especially for horror fans. This is a movie that took from "Alien" and "Jaws" significantly in regards to seeing the danger. Admittedly, this movie does have some ramp up time where it spends a lot of time establishing the setting in the 1s ... t act, but it (mostly) comes into play as somewhat important as the 2nd and 3rd as the story progresses. Once it starts getting creepy it increases exponentially throughout the movie, and with such a great concept and even execution. This is probably my favorite low budget horror movie, and while the movie looks a little grainy in parts, and it's a cast of (mostly) unknowns, you can tell exactly where the majority of their budge went, and it was worth it. If you have ever liked a creepy horror movie, then give this a go.