 
  Popularity: 3 (history)
| Director: | Anthony Hayes | 
|---|---|
| Writer: | Anthony Hayes, Polly Smyth | 
| Staring: | 
| In the not-too-distant future, two drifters traveling through the desert stumble across the biggest gold nugget ever found and the dream of immense wealth and greed takes hold. They hatch a plan to excavate their bounty, with one man leaving to secure the necessary tools while the other remains with the gold. The man who remains must endure harsh desert elements, ravenous wild dogs, and mysterious intruders, while battling the sinking suspicion that he has been abandoned to his fate. | |
| Release Date: | Jan 13, 2022 | 
|---|---|
| Director: | Anthony Hayes | 
| Writer: | Anthony Hayes, Polly Smyth | 
| Genres: | Adventure, Action, Thriller | 
| Keywords | paranoia, survival | 
| Production Companies | South Australian Film Corporation, Screen Australia, Stan, Deeper Water, Rogue Star Productions | 
| Box Office | Revenue: $176,048 Budget: $6,500,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Zac Efron | Virgil | 
| Anthony Hayes | Keith | 
| Susie Porter | The Stranger | 
| Andreas Sobik | Outpost attendant | 
| Akuol Ngot | Mother on train | 
| Thiik Biar | Baby on train | 
| Name | Job | 
|---|---|
| Jennifer Lamphee | Makeup Designer, Hair Designer | 
| Julian Ryan | First Assistant Director | 
| Frank Lipson | Dialogue Editor, Supervising Sound Editor, Sound Designer | 
| Andrew Neil | Sound Designer | 
| Paul Pirola | Sound Supervisor, Sound Re-Recording Mixer | 
| Marty Pepper | Thanks, Post Production Supervisor | 
| Bettina Hamilton | Production Manager | 
| Anthony Hayes | Screenplay, Director | 
| Sean Lahiff | Editor | 
| Polly Smyth | Screenplay | 
| Anna Borghesi | Costume Design | 
| Antony Partos | Original Music Composer | 
| Ross Giardina | Director of Photography | 
| Sam Wilde | Art Direction | 
| James Currie | Sound Recordist | 
| Sam Hobbs | Production Design | 
| Suriyna Sivashanker | Post Production Coordinator | 
| John Duong | Script Supervisor | 
| Sally Eccleston | First Assistant Camera | 
| Ian Routledge | Still Photographer | 
| Peter Barta | Camera Operator | 
| Jani Häkli | Second Unit Director of Photography | 
| Name | Title | 
|---|---|
| Anthony Hayes | Producer | 
| John Schwarz | Producer | 
| Michael Schwarz | Producer | 
| Julie Byrne | Co-Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 30 | 39 | 22 | 
| 2024 | 5 | 33 | 62 | 20 | 
| 2024 | 6 | 26 | 37 | 18 | 
| 2024 | 7 | 34 | 84 | 18 | 
| 2024 | 8 | 27 | 50 | 17 | 
| 2024 | 9 | 23 | 29 | 17 | 
| 2024 | 10 | 28 | 43 | 20 | 
| 2024 | 11 | 26 | 42 | 16 | 
| 2024 | 12 | 23 | 30 | 15 | 
| 2025 | 1 | 22 | 39 | 16 | 
| 2025 | 2 | 14 | 23 | 3 | 
| 2025 | 3 | 7 | 20 | 2 | 
| 2025 | 4 | 3 | 3 | 2 | 
| 2025 | 5 | 2 | 3 | 2 | 
| 2025 | 6 | 3 | 3 | 2 | 
| 2025 | 7 | 2 | 3 | 2 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 2 | 3 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 948 | 948 | 
No character has a name in this, but Clint Eastwood it isn't. Zac Efron is taking a pee out in the desert when he spots an uncommonly large deposit of gold. His pal Anthony Hayes and he try to move it, but it's just too big. Plan? Well Hayes decides to head to the nearest town to try and procure som ... e heavy lifting equipment and leaves Zac to keep watch. Hmmm? Well, anyway Hayes isn't exactly rushing back to his friend who is gradually running out of food, water, having hallucinations, fending off wild dogs and even a rogue Irish women as his grasp on reality starts to slip... Efron is actually not bad as the man who gradually succumbs to despair and dehydration, but the story plods along far too slowly for almost eighty minutes before the last ten minutes provide a denouement with a bit of a twist to the tale. It is good that Efron is pushing himself away from his pretty boy roles - indeed the make-up folks here do such a good job that I doubt even a biblical leper would welcome him into their home, but the story all takes way too long to get going and the it, quite literally, crawls along. The production does look good - the desert photography has an almost naturally sepia colour to it that emphasises just how hostile this terrain is and the narrative does say something about the degree to which greed is hard wired into our psyche though; and the perils we will endure or permit to obtain wealth. Thought provoking? Maybe, but it's still really quite a wearisome watch and I'm not sure I would bother again.