Popularity: 3 (history)
Director: | Nimród Antal |
---|---|
Writer: | Chris Salmanpour |
Staring: |
When a mysterious caller plants a bomb under his car seat, a bank executive begins a high-speed chase across the city to complete a specific series of tasks — all with his kids trapped in the back seat. | |
Release Date: | Aug 23, 2023 |
---|---|
Director: | Nimród Antal |
Writer: | Chris Salmanpour |
Genres: | Adventure, Action, Thriller |
Keywords | berlin, germany, bomb, assassination, remake, divorce, duringcreditsstinger, phone call |
Production Companies | Studio Babelsberg, TF1 Films Production, Ombra Films, The Picture Company, StudioCanal |
Box Office |
Revenue: $18,685,751
Budget: $20,000,000 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Liam Neeson | Matt Turner |
Lilly Aspell | Emily Turner |
Jack Champion | Zach Turner |
Matthew Modine | Anders Muller |
Noma Dumezweni | Angela Brickmann |
Embeth Davidtz | Heather Turner |
Arian Moayed | Sylvain |
Emily Kusche | Mila |
Luca Márkus | Kat |
Bernhard Piesk | Captain Dregger |
Michael S. Ruscheinsky | Man in the Blue Suit |
Antonije Stankovic | Young Protestor |
Christian Koerner | BPol Police Officer |
Gerhard Elfers | Male News Anchor |
Tine Gerhäeusser | Female News Anchor |
Peter Miklusz | Press Conference Reporter |
Luc Etienne | Pils Groger |
Nedy John Cross | Passerby (uncredited) |
Daniel Grave | Male Phone Voice (voice) (uncredited) |
Name | Job |
---|---|
Nimród Antal | Director |
Alberto Marini | Original Film Writer |
Steve Mirkovich | Editor |
Anette Czagany | Costume Supervisor |
Mona May | Costume Design |
Harry Gregson-Williams | Original Music Composer |
Flavio Martínez Labiano | Director of Photography |
Volkhart Buff | Stunt Coordinator |
Matteo Canalis Wandel | Production Manager |
Scott Kirby | First Assistant Director |
Dennis Becker | Second Assistant Director |
Sebastian Meuschel | "A" Camera Operator |
Adrian Cranage | "B" Camera Operator |
Anett Weber | Key Hair Stylist, Key Makeup Artist |
Chris Salmanpour | Screenplay |
Patrick Herzberg | Art Direction |
Adorjan Portik | Art Direction |
Ralf Schreck | Supervising Art Director, Art Department Manager |
Hanna Bowe | Set Decoration |
Jackson Milliken | Boom Operator |
Roxane Fechner | Visual Effects Supervisor, Visual Effects Producer |
Ron South | Visual Effects Editor |
Veronica Santos Ruiz | Costumer |
Suza Kohlstedt | Costume Coordinator |
Nick Angel | Music Supervisor |
Rori Bergman | Casting |
Luc Etienne | Unit Production Manager |
Sandra Leutert | Makeup Artist |
Björn L. Hübscher | Gaffer |
Manuel Vogt | Production Sound Mixer |
Lisa Strohbehn | Boom Operator |
Gero Renner | Boom Operator |
Christopher Ulrich | Storyboard Artist |
Julia Tiziana Dege | Production Coordinator |
Silke Engelhardt | Script Supervisor |
Stephan Rabold | Still Photographer |
Uli Nefzer | Special Effects Supervisor |
Shawn Montgomery | Post Production Supervisor |
Steven Korechoff | Assistant Editor |
Stephanie Flack | Supervising Sound Editor |
Julian Slater | Sound Re-Recording Mixer |
Andy Hay | Sound Re-Recording Mixer |
John Joseph Thomas | Sound Effects Editor |
David H. Price | Dialogue Editor, ADR Editor |
Terry Rodman | Foley Supervisor |
Alyson Dee Moore | Foley Artist |
Christopher Moriana | Foley Artist |
Darrin Mann | Foley Mixer |
Jason Oliver | ADR Mixer |
André König | ADR Mixer |
Chris Basta | ADR Mixer |
Adrian Guogov | ADR Mixer |
Aaron Southerland | ADR Mixer |
Don Hoffman | ADR Mixer |
Nick Roberts | ADR Mixer |
Tom Kontor | ADR Mixer |
Andrew Rice | ADR Mixer |
Dane A. Davis | Supervising Sound Editor, Sound Designer |
Tor McAfee Kingdon | ADR Mixer |
Richard Henderson | Music Editor |
Mitch Paulson | Digital Colorist |
David Scheunemann | Production Design |
Name | Title |
---|---|
Jaume Collet-Serra | Producer |
Christoph Fisser | Co-Producer |
Henning Molfenter | Co-Producer |
Ron Halpern | Executive Producer |
Shana Eddy-Grouf | Executive Producer |
Andrew Rona | Producer |
Juan Solá | Producer |
Alex Heineman | Producer |
Mercedes Gamero | Executive Producer |
Anna Marsh | Executive Producer |
Luc Etienne | Executive Producer |
Emma Lustres | Executive Producer |
Carl Woebcken | Co-Producer |
David Scheunemann | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 103 | 151 | 84 |
2024 | 5 | 101 | 144 | 69 |
2024 | 6 | 111 | 145 | 75 |
2024 | 7 | 104 | 139 | 79 |
2024 | 8 | 84 | 116 | 62 |
2024 | 9 | 65 | 85 | 49 |
2024 | 10 | 70 | 99 | 50 |
2024 | 11 | 65 | 115 | 47 |
2024 | 12 | 52 | 66 | 39 |
2025 | 1 | 62 | 106 | 41 |
2025 | 2 | 38 | 53 | 9 |
2025 | 3 | 15 | 47 | 3 |
2025 | 4 | 8 | 12 | 5 |
2025 | 5 | 8 | 12 | 6 |
2025 | 6 | 5 | 8 | 3 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 3 | 5 | 3 |
2025 | 9 | 5 | 7 | 3 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 313 | 676 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 285 | 705 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 25 | 388 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 660 | 808 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 937 | 937 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 801 | 897 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 847 | 921 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 993 | 996 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 937 | 937 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 421 | 802 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 940 | 942 |
"Matt" (Liam Neeson) is the high flying hedge fund partner who is taking his kids to school one morning when he gets a strange phone call from a strange phone. The voice at the end of the call warns him that he is sitting atop a weight-controlled bomb and that his family are in great danger should h ... e not do as he is told. Just to reiterate that threat, he is to rendezvous with his colleague "Sylvain" (Arian Moayed) who is soon no long a concern! To add to the poor man's woes, when he tries to contact his wife he discovers that she is off meeting a lawyer! Can he salvage anything from this perilous, meticulously planned, scenario before they are all chum? For a while, here, Nimród Antal sustains a degree of menace as the mystery unfolds, but sadly - once it does, it's pretty obvious whom the protagonist actually is and the proceeding car chases make the art of simple urban road-blocking by the German police look just a little amateurish! The last twenty minutes are especially disappointing with a denouement that's not short on pyrotechnics but is short on just about everything else. It's a very derivative television movie that if you enjoy the genre, you probably won't hate - the pace sees to that. You won't remember it for long afterwards, though.