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From Hell

More than the legend will survive.
2001 | 122m | English

(169445 votes)

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Popularity: 3 (history)

Details

Frederick Abberline is an opium-huffing inspector from Scotland Yard who falls for one of Jack the Ripper's prostitute targets in this Hughes brothers adaption of a graphic novel that posits the Ripper's true identity.
Release Date: Feb 08, 2001
Director: Albert Hughes, Allen Hughes
Writer: Rafael Yglesias, Terry Hayes
Genres: Horror, Mystery, Thriller
Keywords london, england, loss of loved one, drug addiction, jack the ripper, based on comic, united kingdom, macabre, aggressive, somber, absurd, sinister, admiring, adoring, defiant, enthusiastic, vibrant
Production Companies Amy Robinson Productions, Underworld Pictures, Don Murphy Productions, Jane Hamsher Productions
Box Office Revenue: $74,558,115
Budget: $35,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Johnny Depp Fred Abberline
Heather Graham Mary Kelly
Ian Holm Sir William Gull
Robbie Coltrane Peter Godley
Ian Richardson Sir Charles Warren
Jason Flemyng Netley
Katrin Cartlidge Dark Annie Chapman
Terence Harvey Ben Kidney
Susan Lynch Liz Stride
Paul Rhys Dr. Ferral
Lesley Sharp Kate Eddowes
Estelle Skornik Ada
Nicholas McGaughey Officer Bolt
Annabelle Apsion Polly
Joanna Page Ann Crook
Mark Dexter Albert Sickert / Prince Edward Albert Victor
Danny Midwinter Constable Withers
Samantha Spiro Martha Tabram
David Schofield McQueen
Bryon Fear Robert Best
Peter Eyre Lord Hallsham
Cliff Parisi Mac Bartender
Sophia Myles Victoria Abberline
Ralph Ineson Gordie
Amy Huck Gull's Maid
Rupert Farley Doss Landlord
Donald Douglas Hospital Director
John Owens Marylebone Governor
Liz Moscrop Queen Victoria
Ian McNeice Robert Drudge
Steve John Shepherd Special Branch Constable
Al Hunter Ashton Stonecutter
Poppy Rogers Alice Crook
Bruce Byron Ann Crook's Father
Melanie Hill Ann Crook's Mother
Andy Linden Carpenter
David Fisher Carpenter / Letter Writer
Gary Powell Constable #1
Steve Chaplin Constable #2
Vincent Franklin George Lusk
Louise Atkins Bold Hooker
Anthony Parker John Merrick
James Greene Masonic Governor
Dominic Cooper Constable #3
Carey Thring Police Photographer
Vladimír Kulhavý Rag & Bone Man
Graham Kent Records Clerk
Rupert Holliday-Evans Sailor
Simon Harrison Thomas Bond
Paul Moody Young Doctor
Glen Berry Young Labourer
Charles Parish Labourer #2
Gerry Grenn Funeral Minister / Letter Writer
Name Job
Rafael Yglesias Screenplay
Jindřich Kočí Art Direction
Sally Osoba Casting
Toni-Ann Walker Hairstylist
George Bowers Editor
Joyce Gallie Casting
Jiří Farkaš Makeup Artist, Hairstylist
Sarah Grispo Hairstylist
Beverley Binda Hairstylist
Pavla Lehnerova Art Department Coordinator
Vladislav Lew Scenic Artist
Tim Gedemer Sound Designer
James Bolt Sound Re-Recording Mixer
David Wolowic First Assistant Sound Editor
Fumi Mashimo Animation
Syd Dutton Visual Effects
Jayne Buxton Hairstylist
Patty York Makeup Artist
Steve Artmont Makeup Artist
Martin Vačkář Assistant Art Director
Roland N. Thai Sound Effects Editor
Steven D. Williams Supervising Sound Editor
Joanna Clack Visual Effects
Bill Taylor Visual Effects
Petr Konrád Gaffer
John Ward Steadicam Operator
Suzi Turnbull Costume Supervisor
Maria Hubackova Set Costumer
Renata Votrubová Set Costumer
Susan Lambie Script Supervisor
Larry Garrison Publicist
Tim Gomillion Sound Recordist
Matt Patterson Sound Recordist
Jim Brookshire Dialogue Editor
Josef Calta Property Master
Cine Jessy Casting
Vanessa Baker ADR Voice Casting
Kamila Skoblova Stunts
Dimo Lipitkovský Stunts
Blanka Jarošová Stunts
Rebecca Wright Casting Assistant
Tim Wooster Camera Operator
Jürgen Vollmer Still Photographer
Sabrina Calley Set Costumer
Stanislava Šlosserová Set Costumer
Alex Gibson Music Editor
Jaroslav Vaculík Location Manager
David Baxa Set Designer
Dennis Rogers Sound Recordist
Dave Kulczycki Dialogue Editor
Vanessa Lapato ADR Editor
Meg Morman Casting Assistant
Brendan Donnison ADR Voice Casting
Gerry Grennell Dialogue Coach
Dan Mottl Stunts
Robert Lahoda Stunts
Petr Hnětkovský Stunts
George Dean Painter
Albert Hughes Director
Allen Hughes Director
Terry Hayes Screenplay
Trevor Jones Original Music Composer
Peter Deming Director of Photography
Dan Lebental Editor
Martin Childs Production Design
Jill Quertier Set Decoration
Kym Barrett Costume Design
Steve Boeddeker Sound Designer
Doug Hemphill Sound Re-Recording Mixer
Paul Massey Sound Re-Recording Mixer
Alicia Stevenson Foley
Pavel Vokoun Stunt Coordinator
Alan Moore Graphic Novel
Eddie Campbell Graphic Novel
Name Title
Jane Hamsher Producer
Thomas M. Hammel Executive Producer
Don Murphy Producer
Amy Robinson Executive Producer
Allen Hughes Executive Producer
Albert Hughes Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 29 50 16
2024 5 28 54 17
2024 6 25 36 15
2024 7 29 42 16
2024 8 21 32 12
2024 9 15 19 9
2024 10 20 29 10
2024 11 20 46 13
2024 12 18 33 11
2025 1 20 47 11
2025 2 14 25 3
2025 3 6 17 1
2025 4 4 7 2
2025 5 3 7 2
2025 6 3 5 2
2025 7 2 3 2
2025 8 2 3 2
2025 9 3 4 3

Trending Position


Year Month High Avg
2025 1 555 638

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Reviews

Dark Jedi
7.0

I cannot say that I am an outright fan of old era British crime stories but I do fancy them now and then. This one is a rather dark, grim and gloomy story perfectly suitable as a evening movie at this time of the year when darkness already starts to come quickly and matches the candlelight mood of V ... ictorian London. I found this a quite nice movie. Well up to its very end which I have to admit is way too tragic for my taste. The voyage to the end was well worth watching though. The dark scenery is very well done. Beautiful and depressing at the same time. It is yet another Jack the Ripper based story and it is pretty much pure fiction loosely based on the character of Jack the Ripper. It is a good and well implemented story though and it was enjoyable to follow Inspector Abelard unravel to true reason behind the murders. As far as I am concerned the acting was without any major faults and generally of high standard although it is perhaps a bit sad that Johnny Depp again proves that he plays best in roles that portrays a more or less crazy, even insane, character. The movie is not as gory as one perhaps and it certainly would not classify as a horror movie. Most of the violence is hidden from the viewer although there are a couple of scenes which are a wee bit “splattery” but only if you really have a weak stomach for these things and if you do perhaps you should not watch serial killer movies in the first place. The ending took a star or two off this movies rating but otherwise it was surprisingly enjoyable.

May 16, 2024
talisencrw
8.0

I went into this having only seen 'The Book of Eli' by these directors, The Hughes Brothers. I quite liked that film, although I did feel their vivacious stylizations interfered with the telling of the story. Seeing this earlier film of theirs confirmed that suspicion, though it's still a fine film. ... Though Johnny Depp (the brothers' 5th choice for the lead) does a fine job as the film's protagonist (I haven't read Alan Moore's graphic novel yet, so I can't say how this filmic adaptation compares), it certainly would have been interesting to see how any of their previous choices would have done (in order of their preference): Daniel Day-Lewis, Sean Connery, Jude Law and Brad Pitt (but especially either of the first two). It has a fine supporting cast, is beautiful to look at and is consistently intriguing. I especially liked Heather Graham (I think this is solidly amongst her best work), Ian Holm, Robbie Coltrane and, most significantly, Katlin Cartlidge. Boy, do I ever miss her in films made ever since.

Jun 23, 2021
Wuchak
7.0

From Alan Moore, the Hughes brothers and Johnny Depp RELEASED IN 2001 and directed by the Hughes brothers, "From Hell" details the Jack the Ripper slayings in the slummy Whitechapel district of London in autumn, 1888. Johnny Depp plays an opium-addicted detective while Robbie Coltrane appears as ... his colleague. Heather Graham is on hand as a prostitute that captures the Detective’s interest. The film was based on Alan Moore’s graphic novel of the same name. Moore condemned the change of his "gruff" version of Frederick Abberline with an "absinthe-swilling dandy,” referring to the protagonist played by Depp. In real life, there’s no evidence that Abberline “chased the dragon” or that he had “psychic visions.” Speaking of real life, Moore’s graphic novel was based in large part on the royal conspiracy theory popularized in Stephen Knight's 1976 book “Jack the Ripper: The Final Solution.” This is one of several theories on the identity of the slayer. True or (probably) not, it makes for a good story. “From Hell” plays like a Hammer film, but with a blockbuster budget in the modern era. A couple of comparable Hammer flicks are “Frankenstein Must Be Destroyed” (1969) and “Taste the Blood of Dracula” (1970). “From Hell” even shares a minor subplot with the latter (high society ‘gentlemen’ in the Victorian era secretly partaking of taboo hedonistic pleasures). Like Hammer’s Gothic horror catalog, you can expect top hats & black coats, cobblestone streets, alluring women, a ghastly killer (or monster) and lush colors. THE MOVIE RUNS 2 hours, 2 minutes and was shot in Prague, Czech Republic, and England (Boscastle & Goldings). GRADE: B

Jun 23, 2021
Kamurai
8.0

Great watch, would watch again, and can recommend. If you're accepting or even intrigued by the case of Jack the Ripper, then this should be a great murder mystery for you. Johnny Depp, opinions aside, does confused, drug-addicted, and detective all well. Heather Graham is able to emote and e ... levate her role wonderfully, despite it basically being a damsel role. Almost everyone else is old British guy, and it really feels like the complex mystery and drip-fed information investigation is really what makes the movie stand out. Fortunately, despite the movie still being somewhat gruesome, it's not a complete gore-fest, so there is very little to distract from the investigation aspect of the movie except for a ill-found romantic entanglement.

Jun 23, 2021