Popularity: 2 (history)
Director: | Todd Stephens |
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Writer: | Todd Stephens |
Staring: |
An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way. | |
Release Date: | Aug 06, 2021 |
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Director: | Todd Stephens |
Writer: | Todd Stephens |
Genres: | Comedy, Drama |
Keywords | hairdresser, small town, funeral, nursing home, lgbt, 1990s, gay theme, comforting, joyful |
Production Companies | Magnolia Pictures, Luna Pictures |
Box Office |
Revenue: $125,012
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Udo Kier | Pat Pitsenbarger |
Jennifer Coolidge | Dee Dee Dale |
Linda Evans | Rita Parker Sloan |
Michael Urie | Dustin |
Roshon Thomas | Shaundell |
Ira Hawkins | Eunice |
Annie Kitral | Miss Gertie |
Tom Bloom | Walter Shanrock |
Eric Eisenbrey | David |
Dave Sorboro | Josiah |
Bryant Carroll | Lyle |
Catherine Albers | Janie |
Shanessa Sweeney | Ro Ro |
Ray Perrin | Scottie |
Shelby Garrett | Evie |
Jonah Blechman | Tristan |
Stephanie McVay | Sue |
Thom Hilton | Gabriel |
Richard Strauss | Ransom |
Justin Lonesome | Miss Velma |
Rose Leininger | Vivante Lady |
Cheryl Talley-Sharp | Phylliss |
Tevis R. Marcum | Crusty Cab Driver |
Brandon Lim | Gay Dad |
Matthew Chojnacki | Gay Daddy |
Tim Murray | Nurse |
Phaylen Fairchild | Bar Patron |
Barbie Marie | Bar Patron |
Ember Holiday Monroe | Bar Patron |
Name | Job |
---|---|
Adam Keane | Visual Effects Coordinator |
Todd Stephens | Writer, Director |
Spencer Schilly | Editor |
Kassandra DeAngelis | Production Design |
Kitty Boots | Costume Design |
Arjun Sheth | Sound Designer |
Jackson Warner Lewis | Director of Photography |
Chris Stephens | Original Music Composer |
Teresa Strebler | Set Decoration |
Lydia Kane | Makeup Department Head |
Santiago Figueira W. | Editor |
Vince Calabrese | Art Direction |
Shawna-Nova Foley | Costume Design |
Name | Title |
---|---|
Drew Sklar | Executive Producer |
Jay Michael Fraley | Executive Producer |
Todd Stephens | Producer |
Rhet Topham | Executive Producer |
Eric Eisenbrey | Producer |
Stephen Israel | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 12 | 22 | 7 |
2024 | 5 | 15 | 22 | 9 |
2024 | 6 | 13 | 30 | 6 |
2024 | 7 | 14 | 22 | 6 |
2024 | 8 | 13 | 19 | 8 |
2024 | 9 | 7 | 9 | 4 |
2024 | 10 | 10 | 19 | 5 |
2024 | 11 | 8 | 17 | 4 |
2024 | 12 | 7 | 13 | 4 |
2025 | 1 | 7 | 13 | 5 |
2025 | 2 | 5 | 8 | 1 |
2025 | 3 | 3 | 8 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 334 | 658 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 172 | 537 |
I couldn't quite decide here whether the superb Udo Kier reminded me more of Curt Jürgens or Terence Stamp. He manages to bring shades of both to his own poignantly entertaining depiction of "Mr. Pat". Now living in a rest home, following a stroke, the retired hairdresser and bon viveur discovers th ... at his erstwhile patron "Rita Parker Sloan" (Linda Evans) has died, and that she has bequeathed him $25,000 on the condition that he does her hair for the funeral. What now ensues is a gently paced, frequently amusing but highly personal, reminiscence as we discover that they did not part company on friendly terms many years earlier. We learn that this man was once an hugely successful, flamboyant queen with a long term boyfriend ("David") who succumbed to AIDS leaving his partner of 33 years homeless and penniless. Michael Urie - her grandson "Dustin" and on-form Jennifer Coolidge ("Dee Dee Dale") and Ira Hawkins as his old cruising buddie "Eunice" all break up the intensity of the lead performance nicely from time time, allowing us to take a breather from his often downbeat, but sometimes uplifting life story. There are times when Todd Stephens steers a little too close to melodrama, but there is an integrity in Kier's performance here that is both touching and entertaining. At almost eighty years old, it is fun to see "Crystal Carrington" on screen again - and using some choice language too! The finale is entirely fitting for this character who lived his life his way, and although that life was not always a bed of roses, the conclusion has a vindication to it that made me smile.