Popularity: 3 (history)
Director: | Elizabeth Banks |
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Writer: | Jimmy Warden |
Staring: |
Inspired by a true story, an oddball group of cops, criminals, tourists and teens converge in a Georgia forest where a 500-pound black bear goes on a murderous rampage after unintentionally ingesting cocaine. | |
Release Date: | Feb 22, 2023 |
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Director: | Elizabeth Banks |
Writer: | Jimmy Warden |
Genres: | Comedy, Crime, Thriller |
Keywords | cocaine, georgia, animal attack, based on true story, rampage, duringcreditsstinger, woman director, black bear, apex predator, casual |
Production Companies | Universal Pictures, Brownstone Productions, Lord Miller, Jurassic Party |
Box Office |
Revenue: $88,314,672
Budget: $32,500,000 |
Updates |
Updated: Jul 28, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Keri Russell | Sari |
Alden Ehrenreich | Eddie |
O'Shea Jackson Jr. | Daveed |
Ray Liotta | Syd |
Isiah Whitlock, Jr. | Bob |
Brooklynn Prince | Dee Dee |
Christian Convery | Henry |
Margo Martindale | Ranger Liz |
Jesse Tyler Ferguson | Peter |
Kristofer Hivju | Olaf |
Hannah Hoekstra | Elsa |
Ayoola Smart | Officer Reba |
Aaron Holliday | Stache |
J.B. Moore | Vest |
Leo Hanna | Ponytail |
Kahyun Kim | Beth |
Scott Seiss | Tom |
Matthew Rhys | Andrew Thornton |
Shane Connellan | Ray the Pediatrician |
Conor Lambert | Trucker |
George Kerslake | Gabe |
New York | Rosette |
Paris | Rosette |
Allan Henry | Bear Performer |
Ian Dillon | Hospital Cleaner (uncredited) |
David Duggan | Cinemagoer (uncredited) |
Keith Gallagher | Police Officer (uncredited) |
Chloe Harris | Citizen in Police Station (uncredited) |
Christopher Livingstone | Detective (uncredited) |
OisĂn Nolan | Henry's Dad (uncredited) |
Chris Valor | Police Officer (uncredited) |
Name | Job |
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Riley Flanagan | Second Assistant Director |
Matthew Smith | Special Effects Makeup Artist |
Dylan Jury | Casting |
Debra Zane | Casting |
Ethan Van der Ryn | Sound Designer, Supervising Sound Editor |
Erik Aadahl | Sound Designer, Supervising Sound Editor |
Jimmy Warden | Writer |
Melissa R. Stubbs | Second Unit Director, Stunt Coordinator, Action Director |
Kelli Barksdale | Stunt Double |
Elizabeth Davidovich | Stunt Double |
Troy Faruk | Stunt Driver |
Ryan Green | Utility Stunts |
Mark Mothersbaugh | Original Music Composer |
Joel Erickson | ADR Supervisor |
Martin White | Stunt Double |
Joel Negron | Editor |
John Neligan | Set Decoration |
Jil Turner | Set Decoration |
Christine McDonagh | Art Direction |
Conor Dennison | Supervising Art Director |
Tiziana Corvisieri | Costume Design |
Aaron Haye | Production Design |
Liz Byrne | Makeup Designer |
Gary Cagney | Assistant Art Director |
Sarah Heath | Standby Art Director |
GrĂĄinne Smith | Set Designer |
Kevin O'Connell | Sound Re-Recording Mixer |
Gwen Jeffares Hourie | Costume Supervisor |
Frances O'Reilly | Line Producer |
Christian Sharaf | First Assistant Editor |
Petra Holtorf | Visual Effects Producer, Post Production Supervisor |
Brendan Byrne | Special Effects Supervisor |
Louise Gaffney | Script Supervisor |
Dominick Certo | Music Editor |
Julianne Jordan | Music Supervisor |
Richie Kohan | Additional Music |
Alan Tyler | Additional Music |
Robert Flanagan | Production Sound Mixer |
Dan O'Connell | Foley Artist |
Jason Oliver | ADR Mixer |
Emma Present | ADR Supervisor |
Tom Sichel | ADR Recordist |
Nick Sjostrom | ADR Mixer |
Katie Derwin | Key Makeup Artist |
Linda Gannon | Hair Designer |
Nicola Flynn | Set Costumer |
James David Leal | Set Costumer |
Dave Whitehead | Sound Designer |
Darren Maynard | Sound Effects Editor |
Julia Michels | Music Supervisor |
Richard Cosgrove | Second Assistant Director |
Cleta Elaine Ellington | Second Unit Director |
Nick Thomas | First Assistant Director |
David Clifton | VFX Artist |
Simon Deighton | VFX Artist |
Matthew Dravitzki | Visual Effects Producer |
Nathan Folsom | VFX Artist |
Matt Greig | Visual Effects Supervisor |
Jayne Herrmann | Visual Effects Producer |
Robin Hollander | Visual Effects Supervisor |
Kosta Lagis | VFX Artist |
Kevin McAllister | Visual Effects Producer |
L. Patrick McCormack | Visual Effects Producer |
Isaiah Strum | VFX Artist |
Jeffrey G. Barnett | Stunt Coordinator, Stunts |
Tola Bishi | Stunt Double |
Aoife Byrne | Stunt Driver, Stunt Double |
Philip Condron | Stunt Double |
Francesca Cozier | Stunt Double |
Stav Dvorkin | Stunt Double, Stunts |
Michael D. Jenkins | Stunt Driver |
Helen O'Dea | Stunt Double |
Donal O'Shea | Stunts |
Joette Nichole Orman | Stunt Double |
Tori Pratt | Stunt Double |
Robert Daniel Souris | Utility Stunts |
Daniel Barnwell | Second Assistant "B" Camera |
Tom Callander | Drone Operator |
Robert Flood | "B" Camera Operator |
Jenn Bowman | Hairstylist |
Farrah O'Brien | Hairstylist |
Kayleigh Bealin | Makeup Artist |
Owen Windsor | Special Effects Technician |
Stephen Sutton | Special Effects Technician |
J. Wheeler White | Producer's Assistant |
Elizabeth Banks | Director |
Tony Lamberti | Sound Re-Recording Mixer |
Franklin Mark Henson | Stunt Coordinator |
John Guleserian | Director of Photography |
Ray Liotta | In Memory Of |
Alan D'Antoni | Second Unit Director, Stunt Coordinator |
Conor Flannery | Third Assistant Director |
Adam Behan | Stunt Double |
Stephen Hall | Epk Camera Operator |
Emily Tebbitt | Production Accountant |
Mark Southworth | Stunt Coordinator |
Name | Title |
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Max Handelman | Producer |
Phil Lord | Producer |
Aditya Sood | Producer |
Robin Mulcahy Fisichella | Executive Producer |
Nikki Baida | Executive Producer |
Nancy Honeycutt | Associate Producer |
Alison Small | Executive Producer |
Elizabeth Banks | Producer |
Macdara Kelleher | Co-Producer |
John Keville | Co-Producer |
Christopher Miller | Producer |
Brian Duffield | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 86 | 207 | 59 |
2024 | 5 | 236 | 298 | 188 |
2024 | 6 | 130 | 232 | 54 |
2024 | 7 | 73 | 107 | 41 |
2024 | 8 | 53 | 77 | 38 |
2024 | 9 | 44 | 62 | 31 |
2024 | 10 | 49 | 80 | 30 |
2024 | 11 | 49 | 78 | 33 |
2024 | 12 | 45 | 92 | 32 |
2025 | 1 | 57 | 125 | 35 |
2025 | 2 | 34 | 53 | 7 |
2025 | 3 | 12 | 41 | 3 |
2025 | 4 | 5 | 8 | 4 |
2025 | 5 | 9 | 32 | 4 |
2025 | 6 | 10 | 33 | 4 |
2025 | 7 | 5 | 6 | 3 |
2025 | 8 | 4 | 6 | 4 |
2025 | 9 | 3 | 6 | 2 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 925 | 925 |
Year | Month | High | Avg |
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2025 | 9 | 366 | 760 |
Year | Month | High | Avg |
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2025 | 8 | 454 | 697 |
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2025 | 7 | 92 | 607 |
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2025 | 6 | 726 | 839 |
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2025 | 5 | 931 | 965 |
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2025 | 4 | 797 | 797 |
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2025 | 3 | 320 | 645 |
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2025 | 2 | 669 | 859 |
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2025 | 1 | 514 | 710 |
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2024 | 12 | 662 | 805 |
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2024 | 11 | 565 | 821 |
Year | Month | High | Avg |
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2024 | 10 | 713 | 830 |
Year | Month | High | Avg |
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2024 | 8 | 818 | 870 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/cocaine-bear-review "COCAINE BEAR offers what one expects from it: an absolutely INSANE bear wreaking gory, bloody havoc while also doing the stupidest things imaginable. A totally nonsensical yet extremely entertaining time wher ... e nothing else matters besides the bear who did cocaine." Rating: B-
OK, so the plot wears a little thin after a while but I really did quite enjoy this daft action adventure film. It all starts with a bloke tossing bags from an aircraft before he clonks his head on the door whilst leaving, mid-air, and next thing the police are identifying the body and a large duffl ... e bag of cocaine. Where's the rest of it? Well out near the original "glory hole" at Cagney's Cavern a bear is having the time of her life - and snacking on just about anything that crosses her path - including Scandi tourists as an appetiser! A couple of kids "Dee Dee" (Brooklyn Prince) and "Henry" (Christian Convery) bunk off school to visit a waterfall and pretty soon her mother and the feisty park ranger "Liz" (Margo Martindale) are all trying to find them and stay one step ahead of the increasingly stoned apex predator. It's got funny moments, scary moments - downright silly moments; Martindale and the young Convery are good fun too, and there is even a bit of a moral to the story from "Eddie" (Alden Ehrenreich) who is determined to opt out of the drug dealing business of his ruthless dad "Syd" (Ray Liotta). It's not often folks laugh out loud in a cinema these days and folks did - as did I - tonight. Rocket science it isn't, but entertaining it certainly is and the bear has some nifty moves, too!
After the initial hit of Cocaine Bear, the film left me scratching for something a little stronger. I think the main drawback of this film is that it is trying to do too much. There are seven to eight characters introduced throughout the course of the film, with each given significant time to dev ... elop their story and motivations. This takes a lot of time away from the main attraction, the cocaine bear. There is a period of almost 45 minutes where we are focused on these "secondary" characters, without any action or appearance of the cocaine bear. This section was pretty slow paced and started to lose me, but once the bear is re-introduced, the film gets significantly better. The paramedic scene was superb. The comedy was pretty lackluster as well. The entire theater was laughing aloud, but I found myself only chuckling at a few jokes. This left the script feeling somewhat bland. But the lack of humor is made up for by the absolute brutality on display. There are some really messed up kills that do not shy away from the blood and gore. Some of the effects looked to be prosthetics as well, which always have an especially disgusting appearance to them. The story overall was pretty decent, but the ending was atrocious and incredibly predictable. I found that it was really over the top and cheesy, but not in a good way. The visual appearance of the bear was pretty solid. The CGI was done well but is spotty in a couple of scenes. Overall, I was slightly entertained by this film, but I can't help but feel it did not live up to its full potential. Score: 55% | Verdict: Average
**Cocaine Bear delivers ridiculous creature violence on some goofy, short-lived characters, but its lack of consistent tone and identity kept it from being everything I had hoped.** Letâs start with this: I am a massive fan of lane creature movies - Ghost Shark, Sharknado, Lavalantula, The Sand - ... some of my favorites. So I expected to love Cocaine Bear. Sadly, I was a little underwhelmed. It wasnât bad for what it was, but it didnât dazzle me as I had hoped. Two things held it back for me: 1. The tone inconsistently switched from a Zombieland-style ridiculous violence to a goofy crime movie to an odd family drama. Cocaine Bear had a minor identity crisis from start to finish. 2. The movie tried to give each character a little backstory and development. While this is generally a good thing, in a low-budget creature movie, it slows down the nonsensical violence that the audience came for in the first place. Spend time on one or two characters but not all of them. I didnât need to know about the drug lordâs grandson or the detectiveâs dog. I just need to see more people get eaten đ. I appreciated the larger-budget kills and the oddball characters. If it continues, I will come back for a second try in this franchise, but ultimately I wasnât high on Cocaine Bear (get it? đ).
If you are viewing this film with some of the Oscar flicks in mind then you might see it as terrible. But if you are watching it for some good ole entertainment's sake, then this one is surely not a miss. A definite viewing which will make you smile and horrified at the same time. I loved it as a on ... e time watch. Not so much the 2nd time though. If you are one of those who like to go critical on not-so-logical jokes, then give this a miss. But if you find life good to have a hearty laugh, then this one's for you.
Thereâs a bear high on mass quantities of illegal drugs that is going on a murderous rampage in a Tennessee state park in âCocaine Bear,â an absolutely awful action / horror movie from director Elizabeth Banks. I understand with a premise like that, itâs supposed to be stupid. The problem is that th ... e movie isnât just dumb, itâs actually bad, with poor direction, acting, CGI, writing, and storytelling. Loosely based on true events (yes, really), the film is inspired by the 1985 story of a drug runnerâs plane crash. In order to save a large quantity of cocaine, the man threw out several duffel bags full of the stuff over Tennessee and then jumped to his death when his parachute didnât open. A black bear got into the drugs, consumed most of it and, according to experts, immediately died. This movie imagines what could have happened if the bear didnât die from ingesting all that booger sugar. In this bloody and gory version, the 500 pound apex predator goes bananas and kills everyone in sight. Itâs a fictional story that is stretched too thin, especially with the meager subplots about a single mom (Keri Russell), her missing daughter (Brooklynn Prince) and friend (Christian Convery), a group of criminals (Ray Liotta, OâShea Jackson Jr., Alden Ehrenreich), two park rangers (Margo Martindale, Jesse Tyler Ferguson), a police detective (Isiah Whitlock Jr.), and random tourists and teenagers that must think on their toes in order to avoid being the bearâs next victim. Jimmy Wardenâs script is atrocious because heâs trying to force a story thatâs not at all compelling nor complex. The actors give clunky performances and character-wise, there just isnât a whole lot to root for. Banks isnât the most skilled director, and a film like this certainly doesnât demand a whole lot of talent behind the camera. But thereâs something that consistently feels âoffâ with her style and tone, especially in the random, mostly unsuccessful jokes. The humor didnât work for me at all, and when I did muster a laugh, I wasnât doing so because the movie was good â I was laughing because the movie was so dumb. I understand that a movie about a huge bear ingesting a bounty of blow is supposed to be dumb, but it also has to be good in order to work, and this movie is not. To become a cult classic, a movie must be one that youâd want to watch on repeat. âCocaine Bearâ is simply not funny enough, not campy enough, and not kooky enough to succeed. Itâs nothing but a one-joke trainwreck. **By: Louisa Moore / www.ScreenZealots.com**
**_Not funny enough as a comedy and too silly to take serious_** In 1985, several bags of cocaine fall from a drug smuggling plane in the mountainous area of northern Georgia and eastern Tennessee. Near Blood Mountain, a mother black bear eats a lot of the cocaine and goes on a bloody spree as i ... t menaces hikers, rangers, thugs, EMTs and cops. âCocaine Bearâ (2023) is a campy creature feature inspired by the true story directed by, of all people, Elizabeth Banks. It was Ray Liottaâs second to last movie before his death on May 26, 2022. Keri Russell is on hand as the concerned mother of a tween hiker. In real-life the black bear weighed 175 lbs, but this was changed to almost 400 lbs for the movie. The production unbelievably cost $35 million. I say âunbelievablyâ because this is a decidedly throwaway creature feature of the semi-goofy SyFy variety. The CGI is a little superior, but not enough to make any appreciable difference. Iâm speaking as someone who enjoys some of the better SyFy flicks on occasion. A good example is âSasquatch Mountainâ (2006), aka âDevil on the Mountain,â which only cost $800,000. Except for the lush scenery (shot in Ireland, locations listed below), this is decent but generally meh. Itâs not humorous enough as a comedy, but you canât take it serious either because itâs too goofy. It doesnât help that Keri is the only female worth mentioning (as a footnote at that). How this garnered as much attention as it did is a great mystery. âGrizzly Parkâ (2008) treaded similar terrain and, while far from a great movie, is more entertaining than this (at a fraction of the budget). The film runs 1 hour, 35 minutes, and was shot south of Dublin, Ireland, in Barnaslingan, Powerscourt and, further south, Avoca. GRADE: C-
I got excited for this one, I mean it's 2023 and Cocaine Bear had the promise of NOT being political. It had the promise of NOT having meh message. It had the promise of NOT being serious. I mean, the bear was obviously the star. People were going to see it because they wanted to see a giant b ... ear high on coke killing people in a mindless and humorous way... ... but.... something happened with the direction. The humor was clearly there on paper. That was evident enough, but the delivery was... meh. The jokes didn't land because they ran too long, the timing was off, everything was there for it to be funny and fun... it just feels like it was made by a director that can't tell a joke. And it falls on the director, because the writer clearly can. Everything is there to make it work. But all the action is predictable and all the jokes are butchered. In the hands of anyone else, this would have been hysterical fun.
To say that Cocaine Bear isnât the usual style of movie I like to watch is an understatement. My wife thought it had been involved in Academy Award talk of some kind and suggested we give it a try. Not sure where the Oscar talk came from but we stuck with it, barely. The violence is that excessive s ... ort that horror fans demand, I guess. It was easy to get past it, once you internalize that it is all special effects and make believe, of course. There was just enough humor to keep us watching, though I am sure if they come out with a sequel, we wonât get drawn in a second time.
This movie wasn't great. Had a good sequence with the ambulance, but other than that it was pretty overhyped and was just trying to cash in on a provocative name. The ad campaign for this movie was successful so congrats to them on that. ...
Some good death sequences aside, <em>'Cocaine Bear'</em> largely bores. I do like how many of the characters go out, in ways that are quite creative in fairness. The rest of the 95 minutes though? Underwhelming. There are a few minorly amusing moments scattered in there, though for the majority i ... t kinda just meanders through its run time; whilst watching, I could feel myself losing interest fairly regularly throughout. The cast didn't do anything for me, either. Keri Russell and Brooklynn Prince are alright, though they and the rest don't provide anything worth remembering. They, naturally, aren't assisted well by the rest of the movie, the comedy is quite weak and the characters aren't made all that intriguing. It just has enough about it that I can see it working for some viewers in terms of mindless entertainment. I'm all for flicks that do that, but this one didn't really work me personally.