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Desperado Poster

Desperado

He came back to settle the score with someone. Anyone. EVERYONE.
1995 | 104m | English

(205661 votes)

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Popularity: 6 (history)

Details

El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
Release Date: Aug 25, 1995
Director: Robert Rodriguez
Writer: Robert Rodriguez
Genres: Action, Crime, Thriller
Keywords gunslinger, anti terror, ambush, mexico, showdown, guitar, hitman, bartender, revenge, tragic hero, shootout, mariachi, explosion, brutality, drug lord, leg brace, concealed weapon, book store
Production Companies Columbia Pictures, Los Hooligans Productions
Box Office Revenue: $25,405,445
Budget: $7,000,000
Updates Updated: Jul 30, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Antonio Banderas El Mariachi
Salma Hayek Pinault Carolina
Joaquim de Almeida Bucho
Steve Buscemi Buscemi
Cheech Marin Short Bartender
Carlos Gómez Right Hand
Quentin Tarantino Pick-Up Guy
Tito Larriva Tavo
Angel Aviles Zamira
Danny Trejo Navajas
Abraham Verduzco Niño
Carlos Gallardo Campa
Albert Michel Jr. Quino
David Alvarado Buddy
Angela Lanza Tourist Girl
Mike Moroff Shrug
Robert Arevalo Opponent
Gerardo Moscoso Priest
Peter Marquardt Moco
Consuelo Gómez Domino
Jaime de Hoyos Bigoton
Cristos Cristos
Richie Gaona Case Opener
Tommy Nix Fighting Barfly
Patricia Vonne Bar Girl
Elizabeth Rodriguez Mariachi Fan
Mark Dalton Fighting Barfly
Reinol Martinez Guy Scolding Niño Outside Tarasco Bar (uncredited)
Diego Sandoval Empty Gun Man (uncredited)
Name Job
Troy Robinson Stunts
Richie Gaona Stunts
Gilbert Rosales Stunts
Robert Rodriguez Writer, Director, Editor, Steadicam Operator
Rico Torres Still Photographer
Mark Ulano Production Sound Mixer
Steve M. Davison Second Unit Director, Stunt Coordinator
Batan Silva First Assistant Director
David Alvarado Stunts
Henry Kingi Jr. Stunts
Frank Smathers Foley Editor
Allan A. Apone Makeup Designer
Robert Arevalo Stunts
Douglas Kirkland Still Photographer
Ethan Maniquis Assistant Editor
Tito Larriva Additional Music
Mark Gantt Driver
Kelly Frazier Assistant Production Coordinator
Cecilia Montiel Production Design
Graciela Mazón Costume Design
Bob Shelley Special Effects Coordinator
Robin Anderson Script Supervisor
B. Tennyson Sebastian III Sound Re-Recording Mixer
Sergio Reyes Sound Re-Recording Mixer
Dean Beville Supervising Sound Editor
Reuben Cannon Casting
Tony Mark Unit Production Manager
Luz María Rojas Unit Production Manager
Diego Sandoval Second Assistant Director
Karyn Rachtman Music Supervisor
Felipe Fernández del Paso Art Direction
Julian Bucio Stunts
Javier Lambert Stunts
Allan R.J. Joseph Stunts
Ricardo M. Kaplan Assistant Art Director
Fernando Moreno Chief Lighting Technician
Jesús Romero Key Grip
Joaquin Silva Second Second Assistant Director
Cheri Hall Production Accountant
Elsa Hermoso Production Accountant
Mariano Carranco Location Manager
Terry Haskell Property Master
Mark Green Assistant Property Master
Michael Connell Music Editor
Greg Hedgepath Sound Editor
Gary S. Gerlich Sound Editor
Matthew C. Beville Sound Editor
Pedro Mejía Boom Operator
Judee Flick ADR Editor
Charles Ewing Smith Dialogue Editor
Tamara Smith Post Production Supervisor
Don Levy Unit Publicist
David Orr Color Timer
Gloria Kaiser Color Timer
Donah Bassett Negative Cutter
Steve Berlin Original Music Composer
Rosie Duprat Fort Assistant Makeup Artist, Assistant Hairstylist
Ermahn Ospina Hairstylist, Makeup Artist
Douglas J. White Prosthetics, Special Effects Makeup Artist
Ernesto López Ríos Construction Coordinator
Eduardo Lopez Lead Set Dresser
Edmond J. Coblentz Jr. Assistant Sound Editor
Thomas Raymond Fabbricante Assistant Sound Editor
Tim Gomillion Sound Recordist
Larry Hopkins Sound Mixer
Derek Marcil ADR Mixer
Marvin Walowitz Sound Effects Editor
B.J. Shelley Special Effects Assistant
Malinda Shelley Special Effects Assistant
Steve Fink Prosthetics
Ramiro González Stunts
David Berryman Second Assistant Camera
Ricardo Oscar Fernández First Assistant Camera
Joaquin Gutierrez Second Assistant Camera
Gerardo Manjarrez First Assistant Camera
Marco Morales Echeverría Grip
Antonio Sánchez Romero Best Boy Electric
Juan Martín Electrician
David Giella Casting Assistant
Alana Caudillo Wardrobe Assistant
Ireri Mazón Salas Wardrobe Assistant
Carlos Mungia Rodríguez Wardrobe Supervisor
Adolfo Ramírez Wardrobe Supervisor
Erik C. Andersen Associate Editor
Daniel Fort Assistant Editor
Joaquin Gonzalo Avellán Assistant Location Manager, Assistant Editor
Darren Block Post Production Assistant
Steven Hufsteter Musician
Kenny Mason Transportation Coordinator
Fernanda Echeverria Production Coordinator
Pamela Jaeckle Production Coordinator
Barry Rosenbush Production Assistant
Daniel J. Shaw Production Assistant
Antonio Banderas Special Guest Director
Guillermo Navarro Director of Photography
David Hidalgo Original Music Composer
Louie Pérez Original Music Composer
Cesar Rosas Original Music Composer
Conrad Lozano Original Music Composer
Nick Glennie-Smith Musician
Name Title
Robert Rodriguez Producer
Carlos Gallardo Co-Producer
Elizabeth Avellan Co-Producer
Bill Borden Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 35 59 23
2024 5 38 69 22
2024 6 33 45 19
2024 7 36 54 26
2024 8 37 55 23
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2025 1 27 45 19
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2025 3 8 27 1
2025 4 6 9 3
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2025 8 4 6 3
2025 9 6 7 5
2025 10 6 6 5

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Reviews

talisencrw
9.0

This was a solid and highly enjoyable take on the spaghetti western by Rodriguez that rightfully put the director on the map and provided star Antonio Banderas the breakthrough he needed in the American marketplace. Though I love his work on the Sin City films, particularly the first, his incredible ... earlier trilogy will always hold a special place in my cinephilic heart. My recent project of coming to terms with classic Westerns has only further helped me enjoy these more recent contemporary releases.

Jun 23, 2021
FilipeManuelNeto
6.0

**Action, shots, bullets and… “latinxploitation”?** I confess that I expected something more from this film. I was left with the feeling that it has little to offer us other than two tons of spectacular action scenes, with explosions, hundreds of gunshots and some gratuitous destruction. Even mor ... e: it reminded me of those films from the 70s, which we call “blaxploitation” because they reinforced a series of stereotypes about the African-American community: if we pay attention, we have almost all the stereotypes attributed to Latinos and Mexicans-Americans. In general, I'm not a fan of political correctness and I don't care about stereotypes! I deal with this well, being a proud Portuguese who was born and lives in a Latin country, but I am in solidarity with those who, especially in the USA, suffer from prejudices about the Latin community, a vast community that encompasses Castilian and Portuguese speakers, forgetting, interestingly, that Italian Americans are also culturally Latino. Robert Rodríguez is Latino and makes films that reflect that. I think he must be a man proud of his roots, and I think that's magnificent. We must have this pride. Therefore, I think he made this film in that spirit, but my doubts lie in this: a film with so much violence, with so much to do with drugs and crime, was it good or bad for Latinos? António Banderas is one of the greatest Spanish actors of all time and easily transitioned to Hollywood, where his career took on stratospheric proportions. Here, he did an interesting job, mixing a bit of Latin lover with gangster and Zorro. He has the right profile and was a good choice. I also really enjoyed seeing Joaquim de Almeida, my compatriot, in what was the best North American film he has made to date (and I think that productions could really invest more in this actor, I think he has talent and ability). Steve Buscemi adds a friendly touch to the film, and Danny Trejo and Tarantino make brief, innocuous appearances. Salma Hayek, another good actress, unfortunately just has to be sexy and hot in bed. That's not enough. I don't know what the production budget was, but it doesn't seem like a cheap film to me because the number of strong names in the industry in this project is considerable and no one, nowadays, works for free. We also have a good special effects department, with great capacity and creativity: the sets are very realistic and the film's action scenes are very well thought out and executed. As an action film, it works impeccably and is a delight for fans. The script, unfortunately, is much less interesting, with too many stereotypes, weaknesses, clichés and insipid dialogues.

Sep 04, 2023