Popularity: 2 (history)
Director: | Catherine Hardwicke |
---|---|
Writer: | Debbie Jhoon, J. Michael Feldman |
Staring: |
A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business. | |
Release Date: | Apr 13, 2023 |
---|---|
Director: | Catherine Hardwicke |
Writer: | Debbie Jhoon, J. Michael Feldman |
Genres: | Comedy, Action, Crime |
Keywords | italy, mafia boss, mafia, camp, family, woman director, family establishment, heritage |
Production Companies | Ingenious Media, Lipsync Productions, New Sparta Films, Cornerstone Films, Vocab Films, Idea(L) |
Box Office |
Revenue: $3,900,000
Budget: $41,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Toni Collette | Kristin |
Monica Bellucci | Bianca |
Sophia Nomvete | Jenny |
Alessandro Bressanello | Don Giuseppe Balbano |
Eduardo Scarpetta | Fabrizio |
Tommy Rodger | Domenick |
Giulio Maria Corso | Rudy aka “Lorenzo” |
Francesco Mastroianni | Aldo |
Alfonso Perugini | Dante |
Giuseppe Zeno | Carlo Romano |
Vincenzo Pirrotta | "Mammone" Romano |
Dora Romano | Maria aka “Aunt Esmerelda” |
Tim Daish | Paul |
Alessandro Cremona | Bruno |
Yonv Joseph | Randy |
Jay Natelle | Hank |
Mitch Salm | Wayne |
Claire Palazzo | Tracy |
Stefano Militi | Priest |
Bruno Bilotta | Pallbearer |
Riccardo Martini | Carlo Romano's Son |
Gianpiero Zaino | Carlo Romano's Son |
Lana Gorianoy | Giannina |
Michelangelo Dalisi | Prosecutor |
Livia De Paolis | Judge |
Anna Duska Bisconti | Aldo's Mother |
Name | Job |
---|---|
Catherine Hardwicke | Director |
Amanda Sthers | Idea |
Alex Heffes | Original Music Composer |
Debbie Jhoon | Screenplay |
J. Michael Feldman | Screenplay |
Patrick Murguia | Director of Photography |
Waldemar Centeno | Editor |
Livia Borgognoni | Production Design |
Claudette Lilly | Costume Design |
Letizia Carnevale | Makeup Designer |
Elisabetta De Leonardis | Hair Designer |
Federico Laurenti | Makeup Designer |
Jo-Ann MacNeil | Makeup Designer |
Valentina Pignataro | Hairstylist |
Lona Vigi | Hairstylist |
Roy Bava | First Assistant Director |
Annamarie Dicesare | Assistant Director |
Alessandro Cardilli | Assistant Art Director |
Enzo Ferraro | Set Dresser |
Lilly Blazewicz | Foley Editor |
Daniel Bodsworth | Sound Re-Recording Mixer |
Emanuela Cotellessa | Sound Mixer |
Flavio Moro | Boom Operator |
Sven Taits | Sound Re-Recording Mixer |
Ian Wilson | Supervising Sound Editor |
Maurizio Corridori | Special Effects Supervisor |
Luigi Zanna | Special Effects Technician |
Bonita Nichols | Visual Effects Producer |
Sebastiano De Pascalis | Steadicam Operator |
Armando Pizzuti | Casting |
Alessandro Borgese | Stunt Coordinator |
Cédric Kerguillec | Hairstylist |
Name | Title |
---|---|
Amanda Sthers | Producer |
Toni Collette | Producer |
Kent Sanderson | Executive Producer |
Andrew Karpen | Executive Producer |
Simon Fawcett | Co-Executive Producer |
James Gibb | Co-Executive Producer |
Simon Baxter | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 31 | 52 | 18 |
2024 | 5 | 32 | 71 | 19 |
2024 | 6 | 23 | 34 | 15 |
2024 | 7 | 28 | 44 | 19 |
2024 | 8 | 24 | 36 | 16 |
2024 | 9 | 18 | 26 | 14 |
2024 | 10 | 19 | 29 | 13 |
2024 | 11 | 18 | 32 | 12 |
2024 | 12 | 22 | 43 | 15 |
2025 | 1 | 23 | 45 | 15 |
2025 | 2 | 13 | 18 | 4 |
2025 | 3 | 7 | 20 | 1 |
2025 | 4 | 3 | 6 | 2 |
2025 | 5 | 3 | 6 | 2 |
2025 | 6 | 4 | 6 | 2 |
2025 | 7 | 2 | 4 | 2 |
2025 | 8 | 2 | 3 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 639 | 828 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 748 | 852 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 658 | 749 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 877 | 877 |
It may still be early in the year, but “Mafia Mamma” is a definite contender for worst film of 2023. This vapid comedy (from director Catherine Hardwicke) feels like it was crafted by a soccer mom groupthink, with a ridiculous fantasy story that’s struggling to be hip and edgy. It’s a truly terrible ... movie that’s a complete waste of time for everyone but those who have the absolute lowest of low standards when it comes to their choice of entertainment. Like most women, American mom Kristin (Toni Collette) has a lot on her plate. She keeps her home running despite dealing with the double emotional punch of her son going off to college as well as discovering that her cheating husband is having an affair. Things aren’t going so well when she gets a mysterious phone call with a shocking message: she has inherited her grandfather’s mafia empire in Italy. Guided by the firm’s consigliere (Monica Bellucci), Kristin must gain the self-confidence to become the new leader of the (mafia) family business. Admittedly, the fish-out-of-water premise is a good one. The story outline is fine, but the execution is a debacle. Although they are working within a very broad parameter of mass appeal, the screenwriting trio’s (Amanda Sthers, J. Michael Feldman, and Debbie Jhoon) script feels like a struggle to stay above water. The writing talks down to the audience and narrative includes dumb scenarios that feel like a sad sack’s fantasy (the worst being a hunky local guy (Giulio Corso) who is instantly smitten by Kristin the second she lands in Rome, and the eventual “twist” that anyone with half a brain can see coming from a mile away). It’s also filled with tired Italian stereotypes and has such a strong desire to be a “cool and different kind of comedy” that it earns an R rating with bloody violence and a bunch of cursing. Even worse is Collette’s performance, which is an overblown exercise in desperation and overacting. Her take on the timeworn goofy, gullible American shtick feels like a huge stretch, to the point where her character becomes a weak caricature of a real woman. Kristin is a complete clown, even in a film that is trying (but not exactly succeeding) to tell a story of female empowerment. It’s a tragic waste of Collette’s talent. She is so much better than this. I can’t think of anything positive to say about “Mafia Mamma.” Even your worst enemy deserves better. ** By: Louisa Moore / SCREENZEALOTS / WWW.SCREENZEALOTS.COM**
A completely stupid comedy. It could have been an excellent film for having almost all the conditions for it. Scenography, photography, etc, etc. Catherine Hardwicke's direction is embarrassing. A senseless cinematographic expense, where it would have had the possibility of being a pleasant comed ... y and it is not for being "silly". it is a pity. SCORE: (0 to 10) : "2" ------------------- Una comedia completamente estúpida. Podria haber sido una excelente película por tener casi todas las condiciones para ello. Escenografía, fotografía,etc,etc. La dirección de Catherine Hardwicke da verguenza. Un gasto cinematográfico sin sentido, donde hubiese tenido la posibilidad de ser una comedia agradable y no lo es por ser "tonta". es una pena. CALIFICACIÓN: (0 a 10) : "2" .-