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Persuasion Poster

Persuasion

2022 | 108m | English

(38711 votes)

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Popularity: 1 (history)

Details

Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth - the dashing one she once sent away - crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.
Release Date: Jul 01, 2022
Director: Carrie Cracknell
Writer: Jane Austen, Ronald Bass, Alice Victoria Winslow
Genres: Comedy, Drama, Romance
Keywords england, based on novel or book, marriage, female protagonist, period drama
Production Companies Mad Chance, MRC, Bisous Pictures, Fourth & Twenty Eight Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Dakota Johnson Anne Elliot
Cosmo Jarvis Captain Frederick Wentworth
Henry Golding William Elliot
Richard E. Grant Sir Walter Elliot
Nikki Amuka-Bird Lady Russell
Ben Bailey Smith Charles Musgrove (as Ben Bailey-Smith)
Mia McKenna-Bruce Mary Musgrove
Izuka Hoyle Henrietta Musgrove
Nia Towle Louisa Musgrove
Edward Bluemel Captain Harville
Lydia Rose Bewley Penelope Clay
Yolanda Kettle Elizabeth Elliot
Jordan Long Debt Collector
Simon Paisley Day Mr. Shepherd
Agni Scott Mrs. Croft
Stewart Scudamore Admiral Croft
Eve Matheson Mrs. Musgrove
Gary Beadle Mr. Musgrove
Afolabi Alli Captain Benwick
Jenny Rainsford Mrs. Harville
Kate Ashcroft Innkeeper
Ali Ariaie Surgeon
Janet Henfrey Viscountess Lady Dalrymple
Sophie Brooke Miss Carteret
Name Job
Jane Austen Novel
John Paul Kelly Production Design
Pani Scott Editor
Keith Slote Supervising Art Director
Grace Averbuch Sound Effects Editor
Faye Brothers Set Decoration
Dillon Bennett Sound Re-Recording Mixer, Supervising Sound Editor
Des Anwar Visual Effects Supervisor
Joe Anderson Director of Photography
Marianne Agertoft Costume Design
Lucy Jordan Casting Associate
Matt Waites Sound Effects Editor
Stuart Earl Original Music Composer
Carrie Cracknell Director
Ronald Bass Screenplay
Alice Victoria Winslow Screenplay
Dixie Chassay Casting
Karen Hartley-Thomas Hairstylist, Makeup Artist
Ellis Mckenna-Bruce Makeup Artist
Erin Stoffer Makeup Artist
Name Title
Elizabeth Cantillon Executive Producer
Christina Weiss Lurie Producer
David Fliegel Executive Producer
Andrew Lazar Producer
Michael S. Constable Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 38 15
2024 5 26 49 16
2024 6 20 30 14
2024 7 25 39 16
2024 8 18 24 11
2024 9 16 28 11
2024 10 16 29 12
2024 11 16 27 11
2024 12 16 29 11
2025 1 18 28 12
2025 2 11 17 3
2025 3 6 19 1
2025 4 3 5 2
2025 5 2 5 1
2025 6 2 3 1
2025 7 2 2 1

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Reviews

msbreviews
6.0

MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Persuasion seems to be another typical case of book adaptations: anyone familiar with the original material will struggle to appreciate even the slightest change; those without previous knowledge of Jane Austen's novel might be able to enjo ... y the film for itself. As someone belonging to the latter group, I found myself surprisingly satisfied. Despite following all the narrative paths in the most predictable, cliche manner possible, Dakota Johnson's fabulous performance and some unexpectedly humorous interactions are enough to make the viewing rather pleasant. Far from being innovative or unique, but it still serves as a recommendation for fans of the genre." Rating: B-

Jul 20, 2022
narrator56
7.0

There are two groups of viewers who profess to hate this movie, and I have some sympathy for one of those groups. The Jane Austen purists are furious about it (“furious purists” - say that three times quickly). The story has been updated — sort of. That is, we find modern language and expressions po ... pping up here and there, but clearly it still takes place in the past. It possesses a modern sensibility but still resides in the past. There is more wit and humor in this version, and I am fine with that. And having Anne talk directly to the camera is something different for an Austen adaptation. I am usually not crazy about narration and voiceover, but again, it is witty and it works for me. If I feel like watching an adaptation closer to the original novel, there are the 1992 and 2007 versions to fall back on, after all. They will always be out there. Don’t get me wrong; there were one or two places where even I thought they had played too fast and loose with the characters: such as when Anne Elliot embarrasses her brother-in-law in front of a large gathering for dinner by saying he had been interested in marrying her before settling upon sister Mary. That seemed too mean-spirited for the character they were building and we came to know. So the Austen lovers are upset in the same way that historians were when most historical movies change history or the real life people involved. I get that feeling even if I don’t share it. The group I don’t sympathize with are the racists, aka the haters. They sometimes try to shield their racism by talking about “woke” culture, or whatever. But the simple fact that they can’t see past the race and skin color to the individuals’ performances is exactly why it is important to have non-whites playing some of these roles. Where are these hating snowflakes when talking about the thousands of movies over the decades where all roles were played by whites? Wait, what? That doesn’t offend them equally? Big surprise. It is a fine entry in the Austen adaptation collection. Do watch it without prejudice if you can.

Feb 17, 2023