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Bull Poster

Bull

2021 | 87m | English

(10191 votes)

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Popularity: 2 (history)

Details

Ten years after he was last seen, a vicious mob enforcer returns home to find his son and methodically track down the gang that double-crossed him. His quest for revenge soon leads to a savage showdown between his wife and her mob boss father.
Release Date: Nov 05, 2021
Director: Paul Andrew Williams
Writer: Paul Andrew Williams
Genres: Horror, Crime, Thriller
Keywords shotgun, drug dealer, revenge, murder, rage, funfair, criminals
Production Companies Ingenious Media, Tea Shop & Film Company, Signature Entertainment, Particular Crowd, Signature Films, Giant Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Job
George Syborn Production Design
Oliver Cronk Costume Design
James Taylor Editor
Camille Nava Makeup Department Head
Jonay Sevillano Regalado First Assistant Director
Gareth Lewis Second Assistant Director
David Rigley-Williamson Special Effects Technician
Raffertie Original Music Composer
Barbara Maria Hauser Production Manager
Davide Marangoni Production Coordinator
Richard Juneman Accountant
Paul Hills Production Accountant
Rhian Dunkley Payroll Accountant
James Matthews Read Third Assistant Director
Ben Chads Director of Photography
Helena Jung Script Supervisor
Sara Romanelli Script Supervisor
Laura Dinnett First Assistant Camera
Sebastian Marczewski First Assistant Camera
Henry Vinten Second Assistant Camera
Cai Stephens Camera Trainee
Lily Archbutt Digital Imaging Technician
Luke Palmer Second Unit Director of Photography
Michael Wharley Still Photographer
Chris Gayne Sound Recordist
Rebekah Whelan Standby Art Director
Greg Lonsdale Property Master
Sally Endean Art Department Assistant
Leena Mistry Costume Supervisor
Jasmine Jalim Costume Assistant
Rachel McDonald Makeup & Hair
Gina Park Makeup & Hair
Max Elliot Lovell Gaffer
Vianney Kernanet Best Boy Electric
Christine Alexander Electrician
Zach Brown Electrician
Mo Yusuf Electrician
Jamie Monks Key Grip
Adam Greenfield Key Grip
Antonio Suviri Location Manager
Jaanus Murumaa Location Assistant
Marta Noguera Casting Associate
Rachel Bown-Williams Fight Choreographer
Ruth Cooper-Brown Fight Choreographer
Carmen Montanez-Callan Music Supervisor
Richard Blackburn Visual Effects Supervisor
Adam Sample Online Editor
Paul Conway ADR Supervisor
Blair Jollands Sound Designer
Vicente Villaescusa Sound Effects Editor
Amaya Soler Coca Foley Artist
Javier Delgado Foley Editor
Colin Jones Casting
Paul Andrew Williams Director, Writer
Vanessa Whyte Director of Photography
Rowley Irlam Stunt Coordinator
Dominic Preece Stunts
Andy Coles Sound Re-Recording Mixer, Supervising Sound Editor
Andy Lee Colorist
Name Title
Leonora Darby Producer
Sarah Gabriel Producer
Marc Goldberg Producer
Peter Bevan Executive Producer
Marie-Elena Dyche Co-Producer
Mark Lane Producer
Dominic Tighe Producer
James Harris Co-Producer
Paul Andrew Williams Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 15 24 9
2024 5 16 25 10
2024 6 14 29 8
2024 7 15 32 7
2024 8 14 26 9
2024 9 11 16 6
2024 10 9 14 6
2024 11 9 15 5
2024 12 10 21 6
2025 1 11 18 5
2025 2 8 14 3
2025 3 7 25 1
2025 4 2 5 1
2025 5 3 4 1
2025 6 2 4 1
2025 7 1 2 0
2025 8 1 2 1
2025 9 6 15 2
2025 10 3 3 2

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Reviews

Geronimo1967
6.0

Neil Maskell makes for quite an effective, if unlikely looking, anti-hero in this brutal but well constructed British revenge thriller. He returns to his old stomping grounds bent on avenging himself on his erstwhile criminal colleagues who betrayed him, his wife and his young son. The film is bruta ... l, gory and the violence is not for the young or faint-hearted! Sadly, though, it's all rather predictable and the ending, well that's all all over the place. It could have been doing with some more roots to the story - we hit the ground running and though we do, gradually, learn what is driving "Bull", we are never quite clear who and why he is mowing down en route to the denouement. David Hayman is usually adequate in these type of hard-man roles, and he is here too leading a competent team of supporting talent. The narrative of film definitely benefits from this no-holds barred approach to the subject matter. It's just that it all becomes too processional, too quickly, and by the conclusion I had pretty much lost all sympathy for this wronged man. I saw this on a big screen and I think it added something - the style of photography is frequently intimate and works really effectively at times to augment the blood-curdling screenplay at times, but for me anyway, it needed more substance to the roles so at least I could associate with his plight a bit more.

Sep 04, 2022