Popularity: 2 (history)
Director: | Paul Andrew Williams |
---|---|
Writer: | Paul Andrew Williams |
Staring: |
Ten years after he was last seen, a vicious mob enforcer returns home to find his son and methodically track down the gang that double-crossed him. His quest for revenge soon leads to a savage showdown between his wife and her mob boss father. | |
Release Date: | Nov 05, 2021 |
---|---|
Director: | Paul Andrew Williams |
Writer: | Paul Andrew Williams |
Genres: | Horror, Crime, Thriller |
Keywords | shotgun, drug dealer, revenge, murder, rage, funfair, criminals |
Production Companies | Ingenious Media, Tea Shop & Film Company, Signature Entertainment, Particular Crowd, Signature Films, Giant Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Neil Maskell | Bull |
David Hayman | Norm |
Tamzin Outhwaite | Sharon |
Elizabeth Counsell | Marge |
Kellie Shirley | Cheryl |
Jay Simpson | Dave |
Chris Coghill | Driver |
Jake Davies | Trendy |
Kevin Harvey | Gary |
Lois Brabin-Platt | Gemma |
Ajay Chhabra | Mike |
David Constant | Carnie |
Robin Hellier | Fight Performer |
Laura McAlpine | Diane |
Jason Milligan | Marco |
Yassine Mkhichen | Ollie |
David Nellist | Beardy |
Janette Sharpe | Fairground Molly |
Mark Springer | Colin |
Name | Job |
---|---|
George Syborn | Production Design |
Oliver Cronk | Costume Design |
James Taylor | Editor |
Camille Nava | Makeup Department Head |
Jonay Sevillano Regalado | First Assistant Director |
Gareth Lewis | Second Assistant Director |
David Rigley-Williamson | Special Effects Technician |
Raffertie | Original Music Composer |
Barbara Maria Hauser | Production Manager |
Davide Marangoni | Production Coordinator |
Richard Juneman | Accountant |
Paul Hills | Production Accountant |
Rhian Dunkley | Payroll Accountant |
James Matthews Read | Third Assistant Director |
Ben Chads | Director of Photography |
Helena Jung | Script Supervisor |
Sara Romanelli | Script Supervisor |
Laura Dinnett | First Assistant Camera |
Sebastian Marczewski | First Assistant Camera |
Henry Vinten | Second Assistant Camera |
Cai Stephens | Camera Trainee |
Lily Archbutt | Digital Imaging Technician |
Luke Palmer | Second Unit Director of Photography |
Michael Wharley | Still Photographer |
Chris Gayne | Sound Recordist |
Rebekah Whelan | Standby Art Director |
Greg Lonsdale | Property Master |
Sally Endean | Art Department Assistant |
Leena Mistry | Costume Supervisor |
Jasmine Jalim | Costume Assistant |
Rachel McDonald | Makeup & Hair |
Gina Park | Makeup & Hair |
Max Elliot Lovell | Gaffer |
Vianney Kernanet | Best Boy Electric |
Christine Alexander | Electrician |
Zach Brown | Electrician |
Mo Yusuf | Electrician |
Jamie Monks | Key Grip |
Adam Greenfield | Key Grip |
Antonio Suviri | Location Manager |
Jaanus Murumaa | Location Assistant |
Marta Noguera | Casting Associate |
Rachel Bown-Williams | Fight Choreographer |
Ruth Cooper-Brown | Fight Choreographer |
Carmen Montanez-Callan | Music Supervisor |
Richard Blackburn | Visual Effects Supervisor |
Adam Sample | Online Editor |
Paul Conway | ADR Supervisor |
Blair Jollands | Sound Designer |
Vicente Villaescusa | Sound Effects Editor |
Amaya Soler Coca | Foley Artist |
Javier Delgado | Foley Editor |
Colin Jones | Casting |
Paul Andrew Williams | Director, Writer |
Vanessa Whyte | Director of Photography |
Rowley Irlam | Stunt Coordinator |
Dominic Preece | Stunts |
Andy Coles | Sound Re-Recording Mixer, Supervising Sound Editor |
Andy Lee | Colorist |
Name | Title |
---|---|
Leonora Darby | Producer |
Sarah Gabriel | Producer |
Marc Goldberg | Producer |
Peter Bevan | Executive Producer |
Marie-Elena Dyche | Co-Producer |
Mark Lane | Producer |
Dominic Tighe | Producer |
James Harris | Co-Producer |
Paul Andrew Williams | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 15 | 24 | 9 |
2024 | 5 | 16 | 25 | 10 |
2024 | 6 | 14 | 29 | 8 |
2024 | 7 | 15 | 32 | 7 |
2024 | 8 | 14 | 26 | 9 |
2024 | 9 | 11 | 16 | 6 |
2024 | 10 | 9 | 14 | 6 |
2024 | 11 | 9 | 15 | 5 |
2024 | 12 | 10 | 21 | 6 |
2025 | 1 | 11 | 18 | 5 |
2025 | 2 | 8 | 14 | 3 |
2025 | 3 | 7 | 25 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 3 | 4 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 6 | 15 | 2 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Neil Maskell makes for quite an effective, if unlikely looking, anti-hero in this brutal but well constructed British revenge thriller. He returns to his old stomping grounds bent on avenging himself on his erstwhile criminal colleagues who betrayed him, his wife and his young son. The film is bruta ... l, gory and the violence is not for the young or faint-hearted! Sadly, though, it's all rather predictable and the ending, well that's all all over the place. It could have been doing with some more roots to the story - we hit the ground running and though we do, gradually, learn what is driving "Bull", we are never quite clear who and why he is mowing down en route to the denouement. David Hayman is usually adequate in these type of hard-man roles, and he is here too leading a competent team of supporting talent. The narrative of film definitely benefits from this no-holds barred approach to the subject matter. It's just that it all becomes too processional, too quickly, and by the conclusion I had pretty much lost all sympathy for this wronged man. I saw this on a big screen and I think it added something - the style of photography is frequently intimate and works really effectively at times to augment the blood-curdling screenplay at times, but for me anyway, it needed more substance to the roles so at least I could associate with his plight a bit more.