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Event Horizon Poster

Event Horizon

Infinite space. Infinite terror.
1997 | 95m | English

(209148 votes)

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Popularity: 6 (history)

Details

In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.
Release Date: Aug 15, 1997
Director: Paul W. S. Anderson
Writer: Philip Eisner, Andrew Kevin Walker
Genres: Science Fiction, Horror, Mystery
Keywords space marine, nightmare, hallucination, cryogenics, space travel, black hole, insanity, delusion, crew, alternate dimension, flashback, evil spirit, hellgate, gore, religion, explosion, burning man, rescue team, super power, trapped in space, distress signal, 2040s, spaceship
Production Companies Paramount Pictures, Impact Pictures, Lawrence Gordon Productions, Golar Productions
Box Office Revenue: $26,700,000
Budget: $60,000,000
Updates Updated: Aug 11, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Laurence Fishburne Miller
Sam Neill Weir
Kathleen Quinlan Peters
Joely Richardson Starck
Richard T. Jones Cooper
Jack Noseworthy Justin
Jason Isaacs D.J.
Sean Pertwee Smith
Peter Marinker Kilpack
Holley Chant Claire
Barclay Wright Denny
Noah Huntley Burning Man
Robert Jezek Rescue Technician
Teresa May Vanessa (uncredited)
Emily Booth Girl on Monitor (uncredited)
Name Job
Arthur Graley Second Assistant Sound
Martin Hunter Editor
Joseph Bennett Production Design
John Mollo Costume Design
David Allday Art Direction
Philip Elton Art Direction
Mark Harris Art Direction
Michael Lamont Art Direction
Simon Lamont Art Direction
Giles Masters Art Direction
Tony Reading Art Direction
Nuala Conway Hairstylist, Makeup Artist
Stephanie Kaye Hairstylist
Catherine Heys Makeup Artist
Pauline Fowler Makeup Effects
Waldo Mason Makeup Effects
Sara-Jane Valentine Art Department Coordinator
Harry Metcalfe Construction Coordinator
Sarah Horton Set Designer
Malcolm Middleton Supervising Art Director
Patrick Clayton First Assistant Director
Ross Adams Sound Effects Editor
Campbell Askew Sound Designer
Colin Chapman Dialogue Editor
Nick Lowe Dialogue Editor
Tony Message Dialogue Editor
Clive Beard Special Effects Supervisor
Paul Corbould Special Effects Supervisor
Katie Gabriel Special Effects Coordinator
Trevor Wood Special Effects Supervisor
Richard Yuricich Visual Effects Supervisor
Roderick Barron Camera Operator
Alf Tramontin Steadicam Operator
David Worley Camera Operator
Ken Crouch Wardrobe Supervisor, Costume Supervisor
Christopher Brooks Music Editor
Alex Gibson Music Editor
Graham Sutton Music Editor
Jo Beckett Script Supervisor
Caroline Sax Script Supervisor
David Rees Color Timer
Orbital Original Music Composer
Barbara Rutter Assistant Costume Designer
Pauline Heys Key Makeup Artist
Ben Link Unit Manager
Dusty Symonds Unit Production Manager
Paddy Carpenter First Assistant Director
Alastair Bullock Art Department Assistant
Kevin Herd Leadman
Arthur Wicks Property Master
David Ackrill Props
Kate Murray Sculptor
Peter Dansie Assistant Sound Editor
Tim Partridge Dolby Consultant
John Ireland Foley Editor, Foley Artist
Paul Conway Sound Editor
Chris Munro Sound Mixer
Mike Dowson Sound Re-Recording Mixer
Bob Keen Animatronic and Prosthetic Effects
Caimin Bourne Special Effects
Chas Cash 3D Animator
Nathalie Buce 3D Artist
Pat Conran CG Supervisor
John Schoonraad Visual Effects
Martin Gabriel Visual Effects Coordinator
Lisa Fisher Visual Effects Producer
Paul Jennings Stunts
Gary Nagle Electrician
Adam Biddle First Assistant Camera
Kevin Day Gaffer
Paul Hatchman Grip
John Flemming Key Grip
Eddie Done Lighting Technician
Michael Chambers Rigging Gaffer
Peter Hodgson Video Assist Operator
Alex Wald Casting Associate
Joe Gallagher Additional Editor
Derek Harrington Location Manager
Mark Berrow Musician
John Bellow Orchestrator
Ty Senior Propmaker
Jim Simpson Set Production Assistant
Nikki Inwood Stand In
Lubo Hristov Supervising Animator
Ian Fishlock Systems Administrators & Support
Muriel Gérard Unit Publicist
Don Miller Production Accountant
Maureen Blume Production Coordinator
Ed Hawkins Sequence Supervisor
Colin Brown Executive Visual Effects Producer
Jemma Scott-Knox-Gore Contact Lens Technician
Charlotte Cinalli Assistant Director
Sean Clayton Second Second Assistant Director
Peter Mitchell Rubin Concept Artist
Gary Fox Dressing Prop
Carol Kupisz Graphic Designer
Lucinda Sturgis Property Buyer
Richard K. Buoen Storyboard Artist
Richard Morrison Title Designer
Alastair Sirkett Assistant Dialogue Editor
Simon Harris First Assistant Sound Editor
Alex Burdett Special Effects Assistant
Simon Cockren Special Effects Technician
Dan Glass Visual Effects Designer
Courtney Vanderslice Visual Effects Production Manager
Mirjam Montandon Stunt Double
David Cozens Clapper Loader
Karl Morgan Focus Puller
Ashley Bond Second Assistant Camera
Dave Child CG Animator
Dayna Polehanki Casting Assistant
Adrian Trent Assistant Editor
Simon Astbury Colorist
Deborah Leakey Assistant Accountant
Robin Demetriou Catering
Olaf Przybyszewski CG Artist
Sonia Calvert Digital Compositor
Emma Ibbetson Digital Effects Producer
Dave Bonneywell Effects Supervisor
Michele Moen Matte Painter
Aron Clayton Production Assistant
Carlos Fidel Set Runner
Russ Woolnough Visual Effects Editor
Robert Jackson Carpenter
Dean Humphreys Sound Re-Recording Mixer
Craig Irving Sound Re-Recording Mixer
Mark Lafbery Sound Re-Recording Mixer
Phil Hartnoll Original Music Composer, Additional Music
Brigitte Arnold Dialogue Editor
Robin Vidgeon Second Unit Director
Anna Stacey Stunts
Mark Anthony Newman Stunts
Paul W. S. Anderson Director
Adrian Biddle Director of Photography
Michael Kamen Original Music Composer, Conductor
Philip Eisner Writer
Deborah Aquila Casting
John Hubbard Casting
Ros Hubbard Casting
Neil Corbould Special Effects Supervisor
Pete Tong Music Supervisor
Kim Libreri Digital Effects Supervisor
Mark Coulier Prosthetic Designer
Michael Stevenson Second Assistant Director
Stephen McLaughlin Music Producer
Paul Hartnoll Original Music Composer, Additional Music
Steen Young Stunts
Andrew Kevin Walker Writer
Tony Rimmington Draughtsman
Adam Somner Second Assistant Director
Chris Lyons Special Effects Makeup Artist
Crispian Sallis Set Decoration
Marc Boyle Stunt Coordinator
Duncan Jarman Prosthetic Makeup Artist
Lawrence Gordon Presenter
Mark Southworth Stunt Double
Name Title
Nick Gillott Executive Producer
Lloyd Levin Producer
Colin Brown Executive Producer
Jeremy Bolt Producer
Lawrence Gordon Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 67 34
2024 5 49 91 38
2024 6 43 79 27
2024 7 42 75 22
2024 8 41 60 30
2024 9 33 54 24
2024 10 46 91 24
2024 11 34 58 26
2024 12 33 39 26
2025 1 41 57 28
2025 2 33 58 5
2025 3 9 35 3
2025 4 9 14 5
2025 5 8 15 6
2025 6 6 9 5
2025 7 5 7 4
2025 8 5 7 3
2025 9 6 9 5
2025 10 5 6 5

Trending Position


Year Month High Avg
2025 10 316 623
Year Month High Avg
2025 9 377 765
Year Month High Avg
2025 8 305 766
Year Month High Avg
2025 7 495 789
Year Month High Avg
2025 6 413 720
Year Month High Avg
2025 5 305 770
Year Month High Avg
2025 4 222 707
Year Month High Avg
2025 3 384 698
Year Month High Avg
2025 2 747 923
Year Month High Avg
2025 1 294 725
Year Month High Avg
2024 12 646 825
Year Month High Avg
2024 11 473 752
Year Month High Avg
2024 10 291 727
Year Month High Avg
2024 9 640 835
Year Month High Avg
2024 8 722 862

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Reviews

FarSky
N/A

In the year 2040, a spacecraft called the Event Horizon was sent out to journey among the stars with an experimental gravity drive that purported to allow faster-than-light travel. On its maiden voyage, however, it vanished. Seven years later, it has returned, orbiting Neptune, and a rescue crew is ... sent out to investigate, along with the scientist responsible for the ship’s creation. The rescue crew of the Lewis and Clark are a group of no-nonsense blue-collar workers, led by Captain Miller (Laurence Fishburne), with Dr. William Weir (Sam Neill) along for his expertise. When they arrive at the Event Horizon, they find the crew long dead. “This ship is a tomb,” judges Captain Miller at one point. The rescue team begins to realize that the ship passed through a black hole created by the gravity drive, but didn’t return alone. The ship with a long-dead crew shows life signs. The rescue team begins to have terrifying visions. The gravity drive begins to spin of its own accord... Something is loose on the ship, and the rescue team has to not only unravel out what happened to the original crew, but also protect themselves from the horrors that returned with the ship. It’s a simple but sturdy setup, standard B-movie stuff. What elevates Event Horizon is its first-class production design and solid atmosphere. Paul W.S. Anderson (Mortal Kombat, Resident Evil, Alien vs. Predator) is not a name one would generally associate with good film product these days, but here he managed (in spite of himself, one may think given the rest of his output) to present a film steeped in suspense, with strong performances, gorgeous set pieces, and palpable horror. Let’s be honest: there’s nothing new here. The strength of this film lies in how it fits together the pieces it stole from other films. This is very much (and very completely) The Shining by way of Alien, even to the point of lifting the character archetypes directly from Ridley Scott’s 1979 masterpiece. The Event Horizon is the Overlook Hotel, teeming with supernatural power and malice. The film delves into gore in its last third, but it’s not quite proficient enough to have it enhance the scares (which were doing just fine before the blood started flowing so freely). However, the film is even structured like Alien and The Shining, all slow burn and building dread until things begin to go to hell (literally, perhaps). The cast have stock characters but they bring them to life admirably, particularly Neill and Fishburne; among the secondary characters, Kathleen Quinlan, Jack Noseworthy, and Sean Pertwee are particularly memorable. The script by Philip Eisner is derivative but effective, and Anderson was clearly at the peak of his directorial prowess here. Don't misunderstand me to say that the film's lifts from other works make it bad; it's certainly not. Originality is overrated as an attribute, and fairly value-neutral even on the best of days. I'd much rather have a tale well-told than one that does weird things simply for the sake of doing weird things (French sci-fi/fantasy directors, I'm looking at you. Yes, you, Jeunet), though the greatest films find a way to combine both sturdy storytelling and originality in the medium. In total, Event Horizon is a very effective sci-fi horror film, breaking no new ground but doing what it does very well. A minor classic of the sci-fi horror genre.

Jun 23, 2021
John Chard
7.0

You know nothing. Hell is only a word. The reality is much, much worse. Event Horizon is directed by Paul W.S. Anderson and written by Philip Eisner. It stars Sam Neil, Laurence Fishburne, Joely Richardson, Kathleen Quinlan, Richard T. Jones, Sean Pertwee, Jason Isaacs and Jack Noseworthy. Music ... is by Michael Kamen and orbital and cinematography is by Adrian Biddle. 2047 and a group of astronauts are sent to investigate the 'Event Horizon' which disappeared mysteriously 7 years ago. It has returned minus its crew and now the crew of the 'Lewis and Clark' become exposed to horrifying secrets of the ghost ship... It is what it is, a haunted house chiller set on a space ship. It's derivative within the genre but it does the genre staples with no little amount of quality. The tone is set from the opening credits being accompanied by a ferociously foreboding musical score, and from there the pic delivers a "who is going to get killed and in what order" process - and why? Just what is the mystery at the core of it all?. A great cast has been assembled, which lifts it above its "B" movie roots, so with some thoughtful ideas within the narrative, it's easy to buy into the characterisations. Naturally the blood will flow, devilishly so, but the makers here put a different slant on the sci-fi/horror assailant thread. Of course it gets a bit by the numbers come the final quarter, arguably a bit hokey in fact, but it's very effective and perfect for a lights off viewing experience. Smart production design helps keeps up the chilly feel to proceedings, whilst the bleak tonal flows that director Anderson goes for really draws the engaged observer in. It's neither ground breaking or a top line film of its type, but holding up on repeat viewings it proves to be a sturdy and unsettling space based chiller. 7/10

May 16, 2024
repojack
8.0

A fantastic "horror in space" thriller led by an excellent assemble cast (Laurence Fishburne, Sam Neil, Kathy Quinlann). Do we really want to know what can be found at the edge (event horizon) of a black hole? ...

Jun 23, 2021
repojack
8.0

A fantastic "horror in space" thriller led by an excellent assemble cast (Laurence Fishburne, Sam Neil, Kathy Quinlann). Do we really want to know what can be found at the edge (event horizon) of a black hole? ...

Jun 23, 2021
JPV852
6.0

This is the third time seeing this one and my opinion pretty much remained the same. Some interesting ideas but not very well executed, though that's kind of Paul W.S. Anderson's style of filmmaking it would seem. Visual effects are at times iffy (the CGI in particuular) but the acting was okay and ... I can't say I ever was bored or mystified with what I was watching. **3.25/5**

Jun 23, 2021
Geronimo1967
7.0

Although this plot has been through the wringer a few times already, over the years, I still quite enjoyed it. A group of exploring astronauts set off to find out what happened to the eponymous spaceship that disappeared long since but has now returned! "Miller" (Laurence Fishburne) leads a team tha ... t also includes "Weir" (Sam Neill) who originally designed the enigmatic craft. Onboard, all seems fine until things start to go terrifyingly awry for this crew as they discover, quite literally, the remnants of the previous occupants floating around. Pretty quickly, they find themselves facing a shapeless foe of untold power that may well emanate from another time, certainly it does from another place. We are now presented with a creatively entertaining mix of sci-fi and light horror, with some good visual effects (especially the lighting) that complement, rather than overwhelm, the story. The acting - even from the usually stiff as a board Neill (and his creepy eyes) - makes for a well presented and exciting adventure that offers us menace, some decent dialogue and a genuine sense of peril as we edge nearer the quite uncertain denouement. Much better than I was expecting.

Jul 02, 2022
RalphRahal
8.0

"Event Horizon" is one of those movies that pulls you in with its eerie atmosphere and keeps you hooked with its intriguing premise. It’s a sci-fi horror that isn’t just about space exploration but dives into darker, more psychological territory. The visuals are haunting, the tension builds steadily ... , and the overall design of the ship itself adds so much to the unsettling vibe. From start to finish, the movie keeps you on edge, and the pacing ensures you’re never bored. What I really appreciate about "Event Horizon" is its ability to blend genres so seamlessly. It’s a sci-fi film at its core, but the horror elements are front and center, creating an experience that feels fresh and unique. The story is easy to follow, which makes the intense moments hit even harder. You’re not trying to untangle a complicated plot; you’re just along for the ride, which makes it even more effective when things start to unravel. While it could have benefited from a bit more character development to really drive that emotional connection, the film still manages to leave a lasting impression. It’s the kind of movie that grows on you the more you think about it. If you’re into suspenseful, atmospheric films that mix horror with sci-fi, "Event Horizon" is definitely worth checking out. It’s dark, it’s intense, and it’s an experience you won’t forget anytime soon.

Jan 08, 2025