Popularity: 3 (history)
| Director: | Nikyatu Jusu |
|---|---|
| Writer: | Nikyatu Jusu |
| Staring: |
| Aisha, a Senegalese immigrant who takes a job as a nanny for a wealthy white family in New York City, finds herself consumed by unsettling visions and a growing rage. | |
| Release Date: | Nov 23, 2022 |
|---|---|
| Director: | Nikyatu Jusu |
| Writer: | Nikyatu Jusu |
| Genres: | Drama, Horror |
| Keywords | new york city, emigration, nanny, american dream, hallucination, son, undocumented immigrant, senegalese, woman director |
| Production Companies | Blumhouse Television, Stay Gold Features, Topic Studios, LinLay Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Anna Diop | Aisha |
| Michelle Monaghan | Amy |
| Sinqua Walls | Malik |
| Morgan Spector | Adam |
| Rose Decker | Rose |
| Leslie Uggams | Kathleen |
| Olamide Candide Johnson | Mariatou |
| Jahleel Kamara | Lamine |
| Princess Adenike | Nikki |
| Mitzie Pratt | Florence |
| Keturah Hamilton | Cynthia |
| Anna Quirino | Filipina Nanny |
| Stephanie Jae Park | Christie |
| Zephani Idoko | Sallay |
| Ebbe Bassey | Aunt Sarah |
| Alina Carson | Annoyed American Girl |
| Nate Archibald | Red Headed Boy |
| Michael Cuomo | Bob |
| Gisela Adisa | Sandra |
| Rich Graff | Friend #1 |
| Meghan Noone | Friend #2 |
| Landrea Murray | Counselor |
| Regina Ohashi | Airline Representative |
| Kimberly Divad | Yasmine |
| Billy Griffith | Cook |
| Nicole Powell | Hostess |
| Richard Haddad | Passerby at Pier |
| Niahlah Hope | Mami Wata |
| Kairo Jayesinghe | Baby Boy |
| Gaia Durosinmi | Baby Girl |
| Julie Chateauvert | Hotel Guest (uncredited) |
| Name | Job |
|---|---|
| Nikyatu Jusu | Screenplay, Director |
| Bartłomiej Gliniak | Original Music Composer |
| Madeline Rocco | Set Dresser |
| Skip Lievsay | Sound Mixer, Sound Re-Recording Mixer |
| Damali Ross | Stunt Double |
| Emily Fleischer | Casting Associate |
| Caroline B. Scott | Set Decoration |
| Risha Rox | Makeup Department Head |
| Dave Flynch | Supervising Sound Editor |
| Kate Branom | First Assistant Director |
| Adam Clairmont | ADR Recordist |
| Nina Leitenberg | Sound Re-Recording Mixer |
| Andrew Hubbard | Gaffer |
| Jessica Beirne | Visual Effects Producer |
| Jonathan Guggenheim | Production Design |
| Joseph Feld | Assistant Art Director |
| Paul Hsu | Sound Designer |
| Matt Perry Thomas | Sound Recordist |
| Carly Krim | Second Assistant Director |
| Ruth Hernandez | ADR Editor |
| Benjy Harris | Special Effects Coordinator |
| Spencer Barnes | Utility Stunts |
| Daniel L. Maldonado | Grip |
| Oliver Bleich | Visual Effects Editor |
| Ari Rubenstein | Visual Effects Supervisor |
| Robert Mead | Editor |
| Chloé Seytre | Art Direction |
| Stella Bouzakis | Makeup Artist |
| Belinda Anderson | Hair Department Head |
| Ian L'Ecuyer | Second Second Assistant Director |
| Lawrence Zipf | Sound Re-Recording Mixer |
| Nick Negersmith | Grip |
| Hetal Jain | VFX Artist |
| Danielle James | Visual Effects Producer |
| Neyza Honore | Visual Effects Coordinator |
| Rina Yang | Director of Photography |
| Tanerélle | Original Music Composer |
| Kim Taylor-Coleman | Casting |
| Charlese Antoinette Jones | Costume Design |
| Manny Siverio | Stunt Coordinator |
| Rafael Rivera | Location Manager |
| Name | Title |
|---|---|
| Ryan Heller | Executive Producer |
| Nikyatu Jusu | Executive Producer |
| Daniela Taplin Lundberg | Producer |
| Bill Benenson | Executive Producer |
| Jason Blum | Executive Producer |
| Rebecca Cammarata | Executive Producer |
| Jeremy Gold | Executive Producer |
| Nikkia Moulterie | Producer |
| Laurie Benenson | Executive Producer |
| Maria Zuckerman | Executive Producer |
| Grace Lay | Executive Producer |
| Michael Bloom | Executive Producer |
| Sumalee Montano | Executive Producer |
| Chris McCumber | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 29 | 9 |
| 2024 | 5 | 26 | 42 | 12 |
| 2024 | 6 | 14 | 27 | 10 |
| 2024 | 7 | 15 | 22 | 9 |
| 2024 | 8 | 11 | 21 | 8 |
| 2024 | 9 | 10 | 15 | 8 |
| 2024 | 10 | 12 | 23 | 7 |
| 2024 | 11 | 12 | 20 | 7 |
| 2024 | 12 | 10 | 14 | 8 |
| 2025 | 1 | 16 | 37 | 9 |
| 2025 | 2 | 9 | 14 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 660 | 770 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/nanny-spoiler-free-review-sundance-2022 "Nanny boasts an intriguing story about maternal instincts that will also touch the hearts of many immigrants. Anna Diop probably delivers her career-best performance, commanding the screen ... in an almost mesmerizing manner. The enclosed location is gorgeously handled by Rina Yang's remarkable cinematography, but the admittedly significant supernatural elements become too repetitive and too heavy throughout the runtime. The ending saves an impactful yet underwhelming revelation that warrants the eerie atmosphere, but the inevitable pacing issues may leave the audience too tired by that point. Still, Nikyatu Jusu shows tremendous skill and braveness by tackling one of the most demanding filmmaking tasks while carrying a unique voice. One to look out for." Rating: C+
_Nanny_ is a peculiar debut for Nikyatu Jusu. The performances in the film are decent, but Aisha’s experience in America feels like a terrible scavenger hunt with the world’s worst Cracker Jack prize as its reward. Other than forgetting your family forever and completely starting over from scratch i ... n a new land, what _Nanny_ stands for is questionable as well. It’s essentially a pointless excursion into surreal nonsense. **Full review:** https://reelrundown.com/movies/Nanny-2022-Review-Babysitting-the-Persnickety
Nanny is dark psychological trip that takes a brutal look at the "American Dream" and deconstructs it in a brilliant way. The performances are spectacular all around, with Anna Diop absolutely shining and stealing the show. She was incredible, her range was fantastic and played the role with nuance ... it needed. The horror elements are nice, but this is more of a psychological thriller. The finale felt a bit rushed and some of the themes are slightly spoon-fed to the audience, but I thoroughly enjoyed every minute of the film. Score: 82% Verdict: Great