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The Iron Claw

Sons. Brothers. Champions.
2023 | 132m | English

(111782 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Sean Durkin
Writer: Sean Durkin
Staring:
Details

The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports.
Release Date: Dec 21, 2023
Director: Sean Durkin
Writer: Sean Durkin
Genres: Drama, History
Keywords suicide, coma, 1970s, texas, brotherhood, biography, dallas texas, wrestling, sports, based on true story, grief, family relationships, curse, tragedy, family, death, mental illness, overbearing father, mourning, death of brother, 1980s, grim, toxic masculinity, brothers, intimate, world wrestling federation (wwf), depressing, adoring, compassionate, powerful, tragic
Production Companies BBC Film, A24, Access Entertainment, House Productions
Box Office Revenue: $40,130,232
Budget: $15,900,000
Updates Updated: Aug 16, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Zac Efron Kevin Von Erich
Jeremy Allen White Kerry Von Erich
Harris Dickinson David Von Erich
Stanley Simons Mike Von Erich
Holt McCallany Fritz Von Erich
Maura Tierney Doris Von Erich
Lily James Pam Adkisson
Michael Harney Bill Mercer
Aaron Dean Eisenberg Ric Flair
Kevin Anton Harley Race
Scott Innes Ring Announcer
Cazzey Louis Cereghino Bruiser Brody
Maxwell Jacob Friedman Lance
Brady Pierce Michael Hayes
Ryan Nemeth Gino Hernandez
Jim Gleason Doctor
Chavo Guerrero Jr. The Sheik Ed Farhat
Garrett Hammond Sportatorium Referee #1
Michael Papajohn Olympic Coach
Jullian Dulce Vida Sound Man
Leo Franich Ross Adkisson
Sam Franich Marshall Adkisson
Grady Wilson Young Kevin
Valentine Newcomer Young David
Silas Mason The Fabulous Freebirds
Devin Imbraguglio The Fabulous Freebirds
James Beard Sportatorium Referee #2
Kristina Kingston Teller
Brian Hite Sportatorium Referee #3
Chelsea Edmundson Tania
Romeo Newcomer Jack Jr.
Terry J. Nelson Jerry
Cassidy O'Reilly Training Partner (uncredited)
Brett Beoubay Fritz's Friend (uncredited)
Mike Dell 1950s Referee (uncredited)
Timothy Hinrichs Photographer (uncredited)
Ernest Marsh Cowboy (uncredited)
Dane Alexander Peplinski Photographer (uncredited)
Ronnie Yelverton Wrestling Fan (uncredited)
Name Job
Jeff Levy ADR Mixer
Kade Stauduhar VFX Editor
Charlie Mascagni Utility Sound
Faustine Pelipel Assistant Sound Editor
Brent Pickett Dialogue Editor
Kevin Schultz Foley Mixer
Donovan Thibodeaux Boom Operator
Zack Beshears VFX Editor
Adam Broad VFX Artist
Kevin Conlon Compositing Lead
Arvid Cristina VFX Editor
Frank Dzidowski 3D Supervisor
Andrés Gaitán I/O Manager
Sean Durkin Director, Writer
Mátyás Erdély Director of Photography
Matthew Hannam Editor
Hiro Koda Stunt Coordinator
Kolby Kember Visual Effects Supervisor
Matthew Chan Sound Re-Recording Mixer, Sound Supervisor
Ted Barba Stunt Driver
Richard Reed Parry Original Music Composer
Joshwa Walton VFX Artist
Cazzey Louis Cereghino Utility Stunts
Tyler Galpin Stunts
Garrett Hammond Stunts
Ryan Nemeth Utility Stunts
Dann Fink ADR Voice Casting
Daphne Gaines ADR Voice Casting
Silas Borelly Stunts
Oscar Fenton Sound Re-Recording Assistant
Alan Freedman ADR Mixer
Martin Gwynn Jones ADR Supervisor
Kevin Jung Foley Recordist
Sammi Wallschlaeger Art Direction
Tim Cohn Set Decoration
Jennifer Starzyk Costume Design
Elle Favorule Makeup Department Head
Natalie Shea Rose Hair Department Head
Crystal Woodford Key Hair Stylist
Darla Edin Makeup Artist
Susan Shopmaker Casting
Randi Glass Casting Associate
Xavier Thompson Steadicam Operator
Ronald D. Renshaw jr. Grip
Brian Nault Grip
John S. Moyer Steadicam Operator
Criss Green Grip
Tanner Byle Stunt Double
Justin Chavers Stunt Double
Stephen W. Schriver Stunt Double
Jordan Scott Stunt Double
Luke Sexton Stunt Double
CJ Cole Visual Effects Producer
R. Matthew Scheib Stunt Double
Jack Hale Special Effects Technician
Graham Rogers Sound Re-Recording Mixer
Brennan Mercer Sound Designer
Paul Ledford Production Sound Mixer
Paul Germann Sound Designer
Mark A. Terry Assistant Art Director
Alisa Fredericks First Assistant Director
Eric Scott Williamson Second Assistant Director
Crystal Fudge Hairstylist
Eva Guy-Reed Hairstylist
Ashley Kent Bolotte Makeup Artist
Courtney Lether Key Makeup Artist
Miki Sautbine Makeup Artist
Harrison Huffman Production Manager
Rebecca R. Ryan Production Supervisor
Ava Amundsen Second Second Assistant Director
Ashley De La Vina Set Decorating Coordinator
Russ Doyle Greensman
Cody Foret Set Dresser
Chad Harris Assistant Set Decoration
Ryan LeBlanc Set Dresser
Stephen P. Noell Property Master
Wilson Peery Art Department Coordinator
Rachel Perez Assistant Property Master
Zoë Reyes Props
Patrick Roig On Set Dresser
Trey Shows Props
Jeffrey Scott Thomas Construction Coordinator
Jason Gottlieb Visual Effects Supervisor
Evan Hirschberg Compositing Supervisor
David Hirsh 3D Coordinator
Madeline Kornman Data Wrangler
Sonia Kung VFX Production Coordinator
Reid Lauff VFX Artist
Ting-Ying Liao Visual Effects Compositor
Whitman Lindstrom Matte Painter
Jerson Nunez Visual Effects Compositor
Cain Rodriguez VFX Editor
Jack Runyon VFX Editor
Logan Sayres Generalist
Josh Seward Visual Effects Producer
Tim Spanjer CG Artist
Derek Spriggs VFX Artist
Martin Toby Watson Matchmove Supervisor
Charles Boyd Calvert Stunts
Niko Dalman Stunts
Aidan Elias Stunts
James Alexander Gazso Stunt Double
Brian Hite Stunts
Brooklyn Proctor Stunts
David Samonte Stunts
Jaden Spade Stunts
Maxwell Beard Russian Arm Operator
Christopher Brooks Loader
Quincy Cichosz Lighting Technician
Kenneth Coblentz Dolly Grip
Justin Cooley First Assistant "B" Camera
Edgar Gonzalez Second Assistant Camera
Darcy Lynne Jamison Lighting Programmer
Franklin Jones II Key Rigging Grip
Glenn Kaplan First Assistant "A" Camera
Jack Khorram Second Assistant "B" Camera
Richard Landry Electrician
Fernando MacFarlane Drone Operator
Cody Pollock Best Boy Electric
Brian Roedel Still Photographer
Derek A. Schwebel Video Assist Operator
Daniel Waghorne Drone Pilot
Joshua Walker Lighting Technician
Brent Caballero Location Casting
Charlotte Gale Extras Casting
Rikki Hegwood Extras Casting Coordinator
Aileen Abercrombie Assistant Costume Designer
CJ Carver Set Costumer
Rebecca Diaz Costumer
Cathy Grabowski Truck Costumer
Gayle Merindino Ager/Dyer
Sandra Algood Costumer
Emily Bailey Color Assistant
Thomas Kuo Dailies Technician
Jon Mendenhall Dailies Manager
Andrea Norby Additional Editor
Cooper Pagano Dailies Operator
Angel Bertacci Assistant Location Manager
Jami Bolin Location Assistant
Robert Guillotte Assistant Location Manager
Felix Mathieu Jr. Location Assistant
Aquiles Montalvo Assistant Location Manager
Lucy Bright Music Supervisor
Brett Pierce Music Editor
Tamara Hansen Script Supervisor
Jerry Barnum Transportation Captain
Joey Holmes Transportation Co-Captain
Willie D. Partin Driver
Michael Schlumbrecht Picture Car Coordinator
John R. Bennett II Production Coordinator
Kara Bowman Set Medic
Nathaniel Carota Post Production Accountant
Corey Deckler Executive In Charge Of Production
Erin Felentzer Unit Publicist
Elizabeth Himelstein Dialect Coach
Elisabeth Mourot Assistant Production Coordinator
Monica Woolsey Production Coordinator
Hollie Adkisson Thanks
Pam Adkisson Thanks
Kristen Rain Thanks
Jillian Lindsey Thanks
Chris Von Erich In Memory Of
Sebastian Pardo Main Title Designer
James Price Production Design
Tyler Hohmann Location Manager
Chavo Guerrero Jr. Stunts
Sofie Borup Colorist
Mike Von Erich In Memory Of
David Von Erich In Memory Of
Kerry Von Erich In Memory Of
Kevin Von Erich Thanks
Lacey Von Erich Thanks
Ross Von Erich Thanks
Marshall Von Erich Thanks
Jack Adkisson Jr. In Memory Of
Name Title
Tessa Ross Producer
Danny Cohen Executive Producer
Len Blavatnik Executive Producer
Sean Durkin Producer
Juliette Howell Producer
Derrin Schlesinger Producer
Harrison Huffman Executive Producer
Eva Yates Executive Producer
Angus Lamont Producer
Maxwell Jacob Friedman Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 98 153 75
2024 5 113 188 78
2024 6 79 121 55
2024 7 80 129 52
2024 8 49 65 34
2024 9 42 58 29
2024 10 36 51 26
2024 11 35 61 26
2024 12 36 48 23
2025 1 36 53 27
2025 2 29 42 5
2025 3 9 29 2
2025 4 8 16 4
2025 5 10 18 6
2025 6 8 12 6
2025 7 5 7 3
2025 8 4 5 3
2025 9 5 8 3
2025 10 4 4 3

Trending Position


Year Month High Avg
2025 10 667 803
Year Month High Avg
2025 9 592 830
Year Month High Avg
2025 8 298 724
Year Month High Avg
2025 7 349 766
Year Month High Avg
2025 6 537 764
Year Month High Avg
2025 5 452 773
Year Month High Avg
2025 4 437 717
Year Month High Avg
2025 3 488 796
Year Month High Avg
2025 2 259 741
Year Month High Avg
2025 1 180 688
Year Month High Avg
2024 12 319 675
Year Month High Avg
2024 11 631 835
Year Month High Avg
2024 10 344 755
Year Month High Avg
2024 9 454 689
Year Month High Avg
2024 8 169 439

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Reviews

msbreviews
7.0

FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-sean-durkins-the-iron-claw-turns-passion-into-obsession/ "The Iron Claw offers a compelling exploration of how strong passion can mutate into an unhealthy obsession and its impact on a legendary family, highly elevated by powerfu ... l, committed performances. Despite some questionable inaccuracies and omissions that punctuate the narrative, Sean Durkin is able to encourage reflection on the delicate balance between success and tragedy in pursuing a family legacy. Well-executed wrestling sequences bring some entertainment value to the big screen, but the profoundly sad story at the core of this film makes it an overall tough watch." Rating: B

Dec 21, 2023
r96sk
9.0

<em>'The Iron Claw'</em> is quite the depressing watch! A lot of the story you can see coming from a decent ways away, even for someone like me who previously knew nothing about this family, but that only adds to the tinge of sadness that is present in the film from pretty much the get-go. The fi ... lm does a grand job at making sure that events onscreen move along at a good pace, especially as some parts could've (but don't) felt repetitive if told differently. There's an excellent showing from Zac Efron in this, such a great performance from that man. I also appreciated Holt McCallany, as well as the likes of Jeremy Allen White and Harris Dickinson. The Von Erich family are portrayed well, though it is a shame that I read that they left out brother Chris - I do get the reasoning as to why, but I feel like they should've found a way to at least acknowledge his existence. All things considered, though, this 2023 release is tremendous. Highly recommended.

Feb 09, 2024
Geronimo1967
6.0

Oh well, looks like I might be in the minority here - but what is all the fuss about? A domineering patriarch (Holt McCallany) is determined that all four of his sons will succeed in a wrestling ring where he didn't. His sons "Kevin" (Zac Efron) and "David" (Harrison Dicksinson) are destined to work ... for a shot at the world title, "Kerry" (Jeremy Allen White) for Olympic glory and finally "Mike" (Stanley Simons) - the more creative, musically minded, one brings up the rear. President Jimmy Carter and the Soviet invasion of Afghanistan puts paid to the Olympic ambitions and so now the three siblings can work together to climb the rankings in Texas and maybe earn a shot at the world title. Meantime, plastic Zac falls in love with Pam (Lily James) and it's at their wedding that Kevin discovers his dad's favourite (David) might not be doing so well. Tragedy ensues, indeed an whole slew of tragedies follow the Von Erich family as their dogged pursuit of glory causes the family to reel from one disaster to another - without anyone seeming to learn from it! Now as family dramas go, it's a sad story - no doubt about that. As a piece of cinema, it merely marries a fairly mediocre script with living proof that the spirit of method acting is alive and well. Certainly these men have put their bodies through the mill, and the fight scenes do impress - but none of the rest of it looks or feels real. Their characters are under-cooked, the dynamic between the boys and the parents, their mother (Maura Tierney) especially, is scarcely addressed and by the time we reach the historically accurate conclusion, I found myself completely devoid of sympathy or empathy for a family that had no grasp of what was important. There's a touching line at the end about brotherhood, but it was all just too little too late in a story of obsession and ambition that just didn't engage me at all.

Feb 15, 2024
screenzealots
8.0

First things first: “The Iron Claw” isn’t so much a movie about wrestling as it is a movie about family. Those expecting a traditional, feel-good biographical sports film may be slightly disappointed by this heart wrenching, hard-hitting drama from writer / director Sean Durkin. He brings the true s ... tory of the Von Erich brothers to the screen in one of the saddest movies of the year, and this tragic tale will absolutely rip your heart out. In the competitive world of professional wresting in the early 1980s, West Texas family the Von Erichs were a household name. Led by their demanding father Fritz (Holt McCallany), the four brothers, Kevin (Zac Efron), David (Harris Dickinson), Kerry (Jeremy Allen White), and Mike (Stanley Simons) would often wrestle together and battle opponents in the ring. One of their main claims to fame was the popularization of the iron claw pro wrestling hold, a move that would almost always insure victory over the opposition. The family left a legacy in the sports world, but also had their share of personal demons. Over the years, the brothers had to fight something much more serious: years of misfortune and a string of personal tragedies that were believed to be a result of the “Von Erich curse.” Durkin’s film is one of tragedy and triumph, and it’s packed with unbridled masculinity. With a domineering father who was more of a coach than a caring dad to a quietly suffering mother (a wonderfully understated Maura Tierney), the Von Erich brothers turned to the biggest stage in sports to seek immortality as athletes. Some of the brothers took to the spotlight (and the sport) better than others, but all of them wrestled to earn their father’s approval. The story is a painful one, and it’s made even more so because the family is so likeable. These aren’t inherently bad people, but it’s a sad reality that really awful things happen to good people. The Von Erichs are a clan that suffered far, far more than their fair share of tragedies. Everything about the film clicks, with the directing, writing, storytelling, and acting working together in harmony. Efron is nothing short of breathtaking with a performance that is incredibly demanding both emotionally and physically (his physique is startling, and he’s so buff it’s borderline scary). White and Dickinson hold their own in equally strong supporting roles, and Simons’ gentle turn as their youngest, most sensitive brother is highly affecting. The film has its cliché-ridden moments, but Durkin’s vision is fully realized across the board. The wrestling scenes in the ring are perfectly edited and thrilling, and the highly emotional, dramatic scenes leave an impact. “The Iron Claw” definitely is not a feel-good movie, and it is at times unbearably sad. But this is a beautifully made film that chronicles the rise, fall, and unfathomable misfortune that befell one of the most influential families in the sport of wrestling. By: Louisa Moore / SCREEN ZEALOTS

Jul 16, 2024