Popularity: 3 (history)
Director: | Sean Durkin |
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Writer: | Sean Durkin |
Staring: |
The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports. | |
Release Date: | Dec 21, 2023 |
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Director: | Sean Durkin |
Writer: | Sean Durkin |
Genres: | Drama, History |
Keywords | suicide, coma, 1970s, texas, brotherhood, biography, dallas texas, wrestling, sports, based on true story, grief, family relationships, curse, tragedy, family, death, mental illness, overbearing father, mourning, death of brother, 1980s, grim, toxic masculinity, brothers, intimate, world wrestling federation (wwf), depressing, adoring, compassionate, powerful, tragic |
Production Companies | BBC Film, A24, Access Entertainment, House Productions |
Box Office |
Revenue: $40,130,232
Budget: $15,900,000 |
Updates |
Updated: Aug 16, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Zac Efron | Kevin Von Erich |
Jeremy Allen White | Kerry Von Erich |
Harris Dickinson | David Von Erich |
Stanley Simons | Mike Von Erich |
Holt McCallany | Fritz Von Erich |
Maura Tierney | Doris Von Erich |
Lily James | Pam Adkisson |
Michael Harney | Bill Mercer |
Aaron Dean Eisenberg | Ric Flair |
Kevin Anton | Harley Race |
Scott Innes | Ring Announcer |
Cazzey Louis Cereghino | Bruiser Brody |
Maxwell Jacob Friedman | Lance |
Brady Pierce | Michael Hayes |
Ryan Nemeth | Gino Hernandez |
Jim Gleason | Doctor |
Chavo Guerrero Jr. | The Sheik Ed Farhat |
Garrett Hammond | Sportatorium Referee #1 |
Michael Papajohn | Olympic Coach |
Jullian Dulce Vida | Sound Man |
Leo Franich | Ross Adkisson |
Sam Franich | Marshall Adkisson |
Grady Wilson | Young Kevin |
Valentine Newcomer | Young David |
Silas Mason | The Fabulous Freebirds |
Devin Imbraguglio | The Fabulous Freebirds |
James Beard | Sportatorium Referee #2 |
Kristina Kingston | Teller |
Brian Hite | Sportatorium Referee #3 |
Chelsea Edmundson | Tania |
Romeo Newcomer | Jack Jr. |
Terry J. Nelson | Jerry |
Cassidy O'Reilly | Training Partner (uncredited) |
Brett Beoubay | Fritz's Friend (uncredited) |
Mike Dell | 1950s Referee (uncredited) |
Timothy Hinrichs | Photographer (uncredited) |
Ernest Marsh | Cowboy (uncredited) |
Dane Alexander Peplinski | Photographer (uncredited) |
Ronnie Yelverton | Wrestling Fan (uncredited) |
Name | Job |
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Jeff Levy | ADR Mixer |
Kade Stauduhar | VFX Editor |
Charlie Mascagni | Utility Sound |
Faustine Pelipel | Assistant Sound Editor |
Brent Pickett | Dialogue Editor |
Kevin Schultz | Foley Mixer |
Donovan Thibodeaux | Boom Operator |
Zack Beshears | VFX Editor |
Adam Broad | VFX Artist |
Kevin Conlon | Compositing Lead |
Arvid Cristina | VFX Editor |
Frank Dzidowski | 3D Supervisor |
Andrés Gaitán | I/O Manager |
Sean Durkin | Director, Writer |
Mátyás Erdély | Director of Photography |
Matthew Hannam | Editor |
Hiro Koda | Stunt Coordinator |
Kolby Kember | Visual Effects Supervisor |
Matthew Chan | Sound Re-Recording Mixer, Sound Supervisor |
Ted Barba | Stunt Driver |
Richard Reed Parry | Original Music Composer |
Joshwa Walton | VFX Artist |
Cazzey Louis Cereghino | Utility Stunts |
Tyler Galpin | Stunts |
Garrett Hammond | Stunts |
Ryan Nemeth | Utility Stunts |
Dann Fink | ADR Voice Casting |
Daphne Gaines | ADR Voice Casting |
Silas Borelly | Stunts |
Oscar Fenton | Sound Re-Recording Assistant |
Alan Freedman | ADR Mixer |
Martin Gwynn Jones | ADR Supervisor |
Kevin Jung | Foley Recordist |
Sammi Wallschlaeger | Art Direction |
Tim Cohn | Set Decoration |
Jennifer Starzyk | Costume Design |
Elle Favorule | Makeup Department Head |
Natalie Shea Rose | Hair Department Head |
Crystal Woodford | Key Hair Stylist |
Darla Edin | Makeup Artist |
Susan Shopmaker | Casting |
Randi Glass | Casting Associate |
Xavier Thompson | Steadicam Operator |
Ronald D. Renshaw jr. | Grip |
Brian Nault | Grip |
John S. Moyer | Steadicam Operator |
Criss Green | Grip |
Tanner Byle | Stunt Double |
Justin Chavers | Stunt Double |
Stephen W. Schriver | Stunt Double |
Jordan Scott | Stunt Double |
Luke Sexton | Stunt Double |
CJ Cole | Visual Effects Producer |
R. Matthew Scheib | Stunt Double |
Jack Hale | Special Effects Technician |
Graham Rogers | Sound Re-Recording Mixer |
Brennan Mercer | Sound Designer |
Paul Ledford | Production Sound Mixer |
Paul Germann | Sound Designer |
Mark A. Terry | Assistant Art Director |
Alisa Fredericks | First Assistant Director |
Eric Scott Williamson | Second Assistant Director |
Crystal Fudge | Hairstylist |
Eva Guy-Reed | Hairstylist |
Ashley Kent Bolotte | Makeup Artist |
Courtney Lether | Key Makeup Artist |
Miki Sautbine | Makeup Artist |
Harrison Huffman | Production Manager |
Rebecca R. Ryan | Production Supervisor |
Ava Amundsen | Second Second Assistant Director |
Ashley De La Vina | Set Decorating Coordinator |
Russ Doyle | Greensman |
Cody Foret | Set Dresser |
Chad Harris | Assistant Set Decoration |
Ryan LeBlanc | Set Dresser |
Stephen P. Noell | Property Master |
Wilson Peery | Art Department Coordinator |
Rachel Perez | Assistant Property Master |
Zoë Reyes | Props |
Patrick Roig | On Set Dresser |
Trey Shows | Props |
Jeffrey Scott Thomas | Construction Coordinator |
Jason Gottlieb | Visual Effects Supervisor |
Evan Hirschberg | Compositing Supervisor |
David Hirsh | 3D Coordinator |
Madeline Kornman | Data Wrangler |
Sonia Kung | VFX Production Coordinator |
Reid Lauff | VFX Artist |
Ting-Ying Liao | Visual Effects Compositor |
Whitman Lindstrom | Matte Painter |
Jerson Nunez | Visual Effects Compositor |
Cain Rodriguez | VFX Editor |
Jack Runyon | VFX Editor |
Logan Sayres | Generalist |
Josh Seward | Visual Effects Producer |
Tim Spanjer | CG Artist |
Derek Spriggs | VFX Artist |
Martin Toby Watson | Matchmove Supervisor |
Charles Boyd Calvert | Stunts |
Niko Dalman | Stunts |
Aidan Elias | Stunts |
James Alexander Gazso | Stunt Double |
Brian Hite | Stunts |
Brooklyn Proctor | Stunts |
David Samonte | Stunts |
Jaden Spade | Stunts |
Maxwell Beard | Russian Arm Operator |
Christopher Brooks | Loader |
Quincy Cichosz | Lighting Technician |
Kenneth Coblentz | Dolly Grip |
Justin Cooley | First Assistant "B" Camera |
Edgar Gonzalez | Second Assistant Camera |
Darcy Lynne Jamison | Lighting Programmer |
Franklin Jones II | Key Rigging Grip |
Glenn Kaplan | First Assistant "A" Camera |
Jack Khorram | Second Assistant "B" Camera |
Richard Landry | Electrician |
Fernando MacFarlane | Drone Operator |
Cody Pollock | Best Boy Electric |
Brian Roedel | Still Photographer |
Derek A. Schwebel | Video Assist Operator |
Daniel Waghorne | Drone Pilot |
Joshua Walker | Lighting Technician |
Brent Caballero | Location Casting |
Charlotte Gale | Extras Casting |
Rikki Hegwood | Extras Casting Coordinator |
Aileen Abercrombie | Assistant Costume Designer |
CJ Carver | Set Costumer |
Rebecca Diaz | Costumer |
Cathy Grabowski | Truck Costumer |
Gayle Merindino | Ager/Dyer |
Sandra Algood | Costumer |
Emily Bailey | Color Assistant |
Thomas Kuo | Dailies Technician |
Jon Mendenhall | Dailies Manager |
Andrea Norby | Additional Editor |
Cooper Pagano | Dailies Operator |
Angel Bertacci | Assistant Location Manager |
Jami Bolin | Location Assistant |
Robert Guillotte | Assistant Location Manager |
Felix Mathieu Jr. | Location Assistant |
Aquiles Montalvo | Assistant Location Manager |
Lucy Bright | Music Supervisor |
Brett Pierce | Music Editor |
Tamara Hansen | Script Supervisor |
Jerry Barnum | Transportation Captain |
Joey Holmes | Transportation Co-Captain |
Willie D. Partin | Driver |
Michael Schlumbrecht | Picture Car Coordinator |
John R. Bennett II | Production Coordinator |
Kara Bowman | Set Medic |
Nathaniel Carota | Post Production Accountant |
Corey Deckler | Executive In Charge Of Production |
Erin Felentzer | Unit Publicist |
Elizabeth Himelstein | Dialect Coach |
Elisabeth Mourot | Assistant Production Coordinator |
Monica Woolsey | Production Coordinator |
Hollie Adkisson | Thanks |
Pam Adkisson | Thanks |
Kristen Rain | Thanks |
Jillian Lindsey | Thanks |
Chris Von Erich | In Memory Of |
Sebastian Pardo | Main Title Designer |
James Price | Production Design |
Tyler Hohmann | Location Manager |
Chavo Guerrero Jr. | Stunts |
Sofie Borup | Colorist |
Mike Von Erich | In Memory Of |
David Von Erich | In Memory Of |
Kerry Von Erich | In Memory Of |
Kevin Von Erich | Thanks |
Lacey Von Erich | Thanks |
Ross Von Erich | Thanks |
Marshall Von Erich | Thanks |
Jack Adkisson Jr. | In Memory Of |
Name | Title |
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Tessa Ross | Producer |
Danny Cohen | Executive Producer |
Len Blavatnik | Executive Producer |
Sean Durkin | Producer |
Juliette Howell | Producer |
Derrin Schlesinger | Producer |
Harrison Huffman | Executive Producer |
Eva Yates | Executive Producer |
Angus Lamont | Producer |
Maxwell Jacob Friedman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 98 | 153 | 75 |
2024 | 5 | 113 | 188 | 78 |
2024 | 6 | 79 | 121 | 55 |
2024 | 7 | 80 | 129 | 52 |
2024 | 8 | 49 | 65 | 34 |
2024 | 9 | 42 | 58 | 29 |
2024 | 10 | 36 | 51 | 26 |
2024 | 11 | 35 | 61 | 26 |
2024 | 12 | 36 | 48 | 23 |
2025 | 1 | 36 | 53 | 27 |
2025 | 2 | 29 | 42 | 5 |
2025 | 3 | 9 | 29 | 2 |
2025 | 4 | 8 | 16 | 4 |
2025 | 5 | 10 | 18 | 6 |
2025 | 6 | 8 | 12 | 6 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 8 | 3 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 10 | 667 | 803 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 592 | 830 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 298 | 724 |
Year | Month | High | Avg |
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2025 | 7 | 349 | 766 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 537 | 764 |
Year | Month | High | Avg |
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2025 | 5 | 452 | 773 |
Year | Month | High | Avg |
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2025 | 4 | 437 | 717 |
Year | Month | High | Avg |
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2025 | 3 | 488 | 796 |
Year | Month | High | Avg |
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2025 | 2 | 259 | 741 |
Year | Month | High | Avg |
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2025 | 1 | 180 | 688 |
Year | Month | High | Avg |
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2024 | 12 | 319 | 675 |
Year | Month | High | Avg |
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2024 | 11 | 631 | 835 |
Year | Month | High | Avg |
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2024 | 10 | 344 | 755 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 454 | 689 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 169 | 439 |
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-sean-durkins-the-iron-claw-turns-passion-into-obsession/ "The Iron Claw offers a compelling exploration of how strong passion can mutate into an unhealthy obsession and its impact on a legendary family, highly elevated by powerfu ... l, committed performances. Despite some questionable inaccuracies and omissions that punctuate the narrative, Sean Durkin is able to encourage reflection on the delicate balance between success and tragedy in pursuing a family legacy. Well-executed wrestling sequences bring some entertainment value to the big screen, but the profoundly sad story at the core of this film makes it an overall tough watch." Rating: B
<em>'The Iron Claw'</em> is quite the depressing watch! A lot of the story you can see coming from a decent ways away, even for someone like me who previously knew nothing about this family, but that only adds to the tinge of sadness that is present in the film from pretty much the get-go. The fi ... lm does a grand job at making sure that events onscreen move along at a good pace, especially as some parts could've (but don't) felt repetitive if told differently. There's an excellent showing from Zac Efron in this, such a great performance from that man. I also appreciated Holt McCallany, as well as the likes of Jeremy Allen White and Harris Dickinson. The Von Erich family are portrayed well, though it is a shame that I read that they left out brother Chris - I do get the reasoning as to why, but I feel like they should've found a way to at least acknowledge his existence. All things considered, though, this 2023 release is tremendous. Highly recommended.
Oh well, looks like I might be in the minority here - but what is all the fuss about? A domineering patriarch (Holt McCallany) is determined that all four of his sons will succeed in a wrestling ring where he didn't. His sons "Kevin" (Zac Efron) and "David" (Harrison Dicksinson) are destined to work ... for a shot at the world title, "Kerry" (Jeremy Allen White) for Olympic glory and finally "Mike" (Stanley Simons) - the more creative, musically minded, one brings up the rear. President Jimmy Carter and the Soviet invasion of Afghanistan puts paid to the Olympic ambitions and so now the three siblings can work together to climb the rankings in Texas and maybe earn a shot at the world title. Meantime, plastic Zac falls in love with Pam (Lily James) and it's at their wedding that Kevin discovers his dad's favourite (David) might not be doing so well. Tragedy ensues, indeed an whole slew of tragedies follow the Von Erich family as their dogged pursuit of glory causes the family to reel from one disaster to another - without anyone seeming to learn from it! Now as family dramas go, it's a sad story - no doubt about that. As a piece of cinema, it merely marries a fairly mediocre script with living proof that the spirit of method acting is alive and well. Certainly these men have put their bodies through the mill, and the fight scenes do impress - but none of the rest of it looks or feels real. Their characters are under-cooked, the dynamic between the boys and the parents, their mother (Maura Tierney) especially, is scarcely addressed and by the time we reach the historically accurate conclusion, I found myself completely devoid of sympathy or empathy for a family that had no grasp of what was important. There's a touching line at the end about brotherhood, but it was all just too little too late in a story of obsession and ambition that just didn't engage me at all.
First things first: “The Iron Claw” isn’t so much a movie about wrestling as it is a movie about family. Those expecting a traditional, feel-good biographical sports film may be slightly disappointed by this heart wrenching, hard-hitting drama from writer / director Sean Durkin. He brings the true s ... tory of the Von Erich brothers to the screen in one of the saddest movies of the year, and this tragic tale will absolutely rip your heart out. In the competitive world of professional wresting in the early 1980s, West Texas family the Von Erichs were a household name. Led by their demanding father Fritz (Holt McCallany), the four brothers, Kevin (Zac Efron), David (Harris Dickinson), Kerry (Jeremy Allen White), and Mike (Stanley Simons) would often wrestle together and battle opponents in the ring. One of their main claims to fame was the popularization of the iron claw pro wrestling hold, a move that would almost always insure victory over the opposition. The family left a legacy in the sports world, but also had their share of personal demons. Over the years, the brothers had to fight something much more serious: years of misfortune and a string of personal tragedies that were believed to be a result of the “Von Erich curse.” Durkin’s film is one of tragedy and triumph, and it’s packed with unbridled masculinity. With a domineering father who was more of a coach than a caring dad to a quietly suffering mother (a wonderfully understated Maura Tierney), the Von Erich brothers turned to the biggest stage in sports to seek immortality as athletes. Some of the brothers took to the spotlight (and the sport) better than others, but all of them wrestled to earn their father’s approval. The story is a painful one, and it’s made even more so because the family is so likeable. These aren’t inherently bad people, but it’s a sad reality that really awful things happen to good people. The Von Erichs are a clan that suffered far, far more than their fair share of tragedies. Everything about the film clicks, with the directing, writing, storytelling, and acting working together in harmony. Efron is nothing short of breathtaking with a performance that is incredibly demanding both emotionally and physically (his physique is startling, and he’s so buff it’s borderline scary). White and Dickinson hold their own in equally strong supporting roles, and Simons’ gentle turn as their youngest, most sensitive brother is highly affecting. The film has its cliché-ridden moments, but Durkin’s vision is fully realized across the board. The wrestling scenes in the ring are perfectly edited and thrilling, and the highly emotional, dramatic scenes leave an impact. “The Iron Claw” definitely is not a feel-good movie, and it is at times unbearably sad. But this is a beautifully made film that chronicles the rise, fall, and unfathomable misfortune that befell one of the most influential families in the sport of wrestling. By: Louisa Moore / SCREEN ZEALOTS