The Parenting
Meeting the parents... it's a necessary evil.
2025 | 94m | English
Popularity: 6 (history)
| Director: | Craig Johnson |
|---|---|
| Writer: | Kent Sublette |
| Staring: |
| Boyfriends Josh and Rohan plan a weekend getaway to introduce their parents, only to discover that their rental is home to a 400-year-old poltergeist. | |
| Release Date: | Mar 12, 2025 |
|---|---|
| Director: | Craig Johnson |
| Writer: | Kent Sublette |
| Genres: | Comedy, Horror |
| Keywords | poltergeist, gay theme, gay couple |
| Production Companies | New Line Cinema, Good Fear |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Sep 28, 2025 Entered: Sep 28, 2025 |
| Name | Character |
|---|---|
| Brandon Flynn | Josh |
| Nik Dodani | Rohan |
| Brian Cox | Frank |
| Edie Falco | Sharon |
| Lisa Kudrow | Liddy |
| Dean Norris | Cliff |
| Vivian Bang | Sara |
| Parker Posey | Brenda |
| Kate Avallone | Donna |
| Elle Kaye | Zombie Donna |
| Chloe Sciore | Allie |
| Keith R. Beck | Zombie Jamie |
| Johnny Hawe | Jamie |
| McKhelen Alcindor | Dancer (uncredited) |
| Evonne Archer | Wedding Guest (uncredited) |
| Peter Brownlee | Wedding Guest (uncredited) |
| Brendan Edwards | Bartender (uncredited) |
| Heidi Garza | Wedding Guest (uncredited) |
| Bhanu Gopal | Wedding Guest (uncredited) |
| Josh Habib | Wedding Guest (uncredited) |
| Carolyn Holland | Wedding Guest (uncredited) |
| Ian Dylan Hunt | Wedding Guest (uncredited) |
| Erica Misilo | Dancer (uncredited) |
| Nick Silva | Dancer (uncredited) |
| Name | Job |
|---|---|
| Nicole Ezell | Set Designer |
| Andrew Juhl | First Assistant "A" Camera |
| Alex Worster | First Assistant "B" Camera |
| Tom Williams | Sound Mixer |
| Luciano Vignola | Supervising Sound Editor, Sound Re-Recording Mixer |
| Lazslo Horvath | ADR Editor |
| Hilary Taillie | Property Master |
| Ed Ryan | Second Second Assistant Director |
| Seacia Pavao | Still Photographer |
| Craig Johnson | Director |
| Virginia B. Johnson | Costume Design |
| Paul E. Short | Stunts, Stunt Double |
| Allen Lau | Assistant Sound Editor |
| Susan Jacobs | Music Supervisor |
| Adam Lagattuta | Visual Effects Producer |
| Rich Delia | Casting |
| Josh Crockett | Editor |
| Richard L. Fox | First Assistant Director |
| Ken Barefield | Stunt Coordinator |
| Hannah McFarland | Stunts |
| Kent Sublette | Writer |
| Mark White | Production Design |
| Matt Rigby | Dialogue Editor |
| Nathan Larson | Original Music Composer |
| Cary Lee | Second Assistant Director |
| Jodi Michelle Pynn | Stunts |
| Adie Kaplan | Set Designer |
| Yale Gropman | Second Assistant "A" Camera |
| Anjela Coviaux | Second Assistant "B" Camera |
| Joel Reidy | Boom Operator |
| Jahn Sood | Music Editor |
| Jairo Garcia | Sound Mix Technician |
| Maeve Pages | Assistant Property Master |
| Jenna Dayton | Script Supervisor |
| Scott Levine | Unit Publicist |
| Colin Fowler | Conductor |
| Sean Barrett | Orchestrator |
| Christine Torto | Choreographer, Stunts |
| Nelse Clark | Assistant Location Manager |
| Jennifer Engel | Set Decoration |
| Brett Duffy | Extras Casting |
| Martin Czembor | Sound Re-Recording Mixer |
| Hillary Spera | Director of Photography |
| Jared Ian Goldman | Unit Production Manager |
| Don Lee | Stunt Coordinator |
| Patrick Scalise | Art Direction |
| Sam Ellison | "A" Camera Operator |
| Denny Kortze | "B" Camera Operator, Steadicam Operator |
| McKenzie Raycroft | Camera Loader |
| Jaime Sukonnik | First Assistant Editor |
| Jake O'Brien | Foley Editor |
| Valerie Velez | Hair Department Head |
| Kit Conners | Second Second Assistant Director |
| Angela Peri | Local Casting |
| Amy Costa | Casting Assistant |
| Edward Trybek | Orchestrator |
| Jamie Thierman | Orchestrator |
| Alex Bickel | Digital Intermediate Colorist |
| Paul Richards | Supervising Art Director |
| Sean Hoschek | Art Department Coordinator |
| Patrick Cecilian | Digital Imaging Technician |
| Jack Deutchman | Post Production Supervisor |
| Filipe Messeder | Sound Effects Editor |
| Kimberly Amacker | Makeup Department Head |
| Gregory Chiodo | Location Manager |
| Lisa Lobel | Local Casting |
| Adam Richards | Casting Associate |
| Jonathan Beard | Orchestrator |
| Benjamin Hoff | Orchestrator |
| Ryan Baker | Utility Sound |
| Dan Martin | Assistant Location Manager |
| Jamie Macdougall | Visual Effects Supervisor |
| Henri Wilkinson | Orchestrator |
| Steven Rader | Orchestrator |
| David Becker | Location Coordinator |
| Name | Title |
|---|---|
| Dave Neustadter | Executive Producer |
| Jake Weiner | Producer |
| Richard Brener | Executive Producer |
| Jared Ian Goldman | Executive Producer |
| Chris Pan | Executive Producer |
| Stephen Lippross | Associate Producer |
| Chris Bender | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 8 | 1 |
| 2024 | 5 | 4 | 9 | 2 |
| 2024 | 6 | 6 | 16 | 1 |
| 2024 | 7 | 2 | 7 | 1 |
| 2024 | 8 | 3 | 6 | 1 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 3 | 7 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 3 | 8 | 1 |
| 2025 | 2 | 4 | 12 | 1 |
| 2025 | 3 | 35 | 264 | 5 |
| 2025 | 4 | 18 | 35 | 11 |
| 2025 | 5 | 6 | 12 | 4 |
| 2025 | 6 | 5 | 8 | 3 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 5 | 7 | 4 |
| 2025 | 10 | 6 | 6 | 6 |
Trending Position
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-parenting-review/ "The Parenting stands out by how it transforms family chaos into an engaging spectacle, amplified by a cast at the top of their game. The interactions between characters crackle with energy and authenticity, making the confli ... cts, misunderstandings, and even the most absurd moments feel both believable and hilarious. An outstandingly relatable flick that, while not reinventing the genre, finds its own charm through an honest portrayal of family relationships - imperfect, tense, but ultimately held together by love." Rating: B
Unwatchable. This is one of those new Hollywood releases where HDR means they hire a blind guy to do the mastering and let the luminance max out at ten percent. When it's daytime in the beginning, you can make things out - it's like watching something at night through sunglasses - but once it ... gets to be nighttime, it's just darkness. Avoid, save your money, cancel your subscription.