Popularity: 3 (history)
| Director: | Chinonye Chukwu |
|---|---|
| Writer: | Michael Reilly, Chinonye Chukwu, Keith Beauchamp |
| Staring: |
| The true story of Mamie Till Mobley’s relentless pursuit of justice for her 14 year old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi. | |
| Release Date: | Oct 14, 2022 |
|---|---|
| Director: | Chinonye Chukwu |
| Writer: | Michael Reilly, Chinonye Chukwu, Keith Beauchamp |
| Genres: | Drama, History |
| Keywords | mother, chicago, illinois, funeral, son, racist, based on true story, murder, grief, racism, justice, casket, lynching, death of son, woman director, 1950s, civil rights movement |
| Production Companies | Orion Pictures, EON Productions, Frederick Zollo Productions, One Ho Productions |
| Box Office |
Revenue: $11,498,884
Budget: $33,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Danielle Deadwyler | Mamie Till-Mobley |
| Jalyn Hall | Emmett Till |
| Frankie Faison | John Carthan |
| Haley Bennett | Carolyn Bryant |
| John Douglas Thompson | Moses Wright |
| Whoopi Goldberg | Alma |
| Jayme Lawson | Myrlie Evers |
| Tosin Cole | Medgar Evers |
| Kevin Carroll | Rayfield Mooty |
| Sean Patrick Thomas | Gene Mobley |
| Roger Guenveur Smith | Dr. T.R.M. Howard |
| Princess Elmore | Ruby Hurley |
| Josh Ventura | S. Carlton |
| Ed Amatrudo | J.J. Breland |
| Gail Everett-Smith | Church Elder |
| Brendan Patrick Connor | Sheriff Strider |
| Tim Ware | Judge Curtis Swango |
| Keisha Tillis | Elizabeth Wright |
| Bradley King | White Mob Member |
| J.P. Edwards | |
| Jackson Beals | Leslie Milam |
| Summer Rain Menkee | Stenographer |
| Reid Jameson Smith | Boy in department store |
| Mike Dolphy | Reporter |
| Ralph Hughes | Reporter |
| Ed Sturdivant | Elmer |
| Rakeem Massingill | Mourner |
| Al Mitchell | A.A. Rayner |
| Lee Spencer | Council President |
| Njema Williams | Henry Loggins |
| Sean Michael Weber | Roy Bryant |
| Alyssa Talbot | JW's Wife |
| Euseph Messiah | Amzie Moore |
| Thea Clark | Reporter |
| Jamie Renell | Security Guard |
| Friedman Twinkies | Roy Bryant Jr and Lamar Bryant |
| Jonathan D. Williams | D.A. Rob Smith |
| Jaylin Webb | Willie Hemphill |
| Eric Whitten | JW Milam |
| Diallo Thompson | Maurice |
| Cora Maple Lindell | Gallery Observer |
| David Caprita | Bailiff |
| Elizabeth Youman | Ollie |
| Charles T. Massey | Reporter |
| Angela Yale | Department store clerk |
| Phil Biedron | Courthouse Reporter |
| Carol J. Mckenith | Willie Mae |
| Torey Adkins | White Man #1 |
| Maurice Johnson | Ernest Withers |
| Noel Sampson | David Jackson |
| Brandon P Bell | Funeral Home Reporter |
| Destin Freeman | Too Tight |
| Bree Fyffe | Townsperson (Child) |
| Josh Mendez Sr. | Juror |
| Marcus Atkins | Onlooker / Juke Joint Background |
| Darian Rolle | Willie Reed |
| Brennan Schram | Reporter |
| Melina Datta | Reporter |
| Blaine Huslig | Photojournalist |
| Ryan Austin Bryant | Newspaper Boy |
| Richard Nash | 1950's Courtroom Onlooker / Pedestrian |
| Kevin Brown | White Mob Member / Juror |
| Name | Job |
|---|---|
| Michael Reilly | Story, Writer |
| Louisa V. Anthony | Hair Department Head |
| Casey Merrill | Set Decoration |
| Ron Patane | Editor |
| Carlton Lee Jr. | Art Direction |
| Megan Belcher | Makeup Artist |
| Deaundra Harris-Metzger | Hair Department Head |
| Denise Tunnell | Makeup Department Head |
| Ann Gray | Post-Production Manager |
| Chinonye Chukwu | Story, Director, Writer |
| Keith Beauchamp | Story, Writer |
| Bobby Bukowski | Director of Photography |
| Curt Beech | Production Design |
| Christopher Tandon | Art Direction |
| Tyra Garzon | Makeup Artist |
| Ashley Langston | Makeup Artist |
| Janice Tunnell | Key Makeup Artist |
| Paul A. Levin | Post-Production Manager |
| Felix Jordan | Second Second Assistant Director |
| R. Travis Beck | Set Decoration |
| keith endow | Graphic Designer |
| Matt Muller | Set Dresser |
| Sebastian Rennella | Leadman |
| Jep Wyatt | Art Department Coordinator |
| George A. Lara | Foley Mixer |
| Steven Visscher | Supervising Sound Editor |
| David Fletcher | Special Effects Supervisor |
| Steven Benjamin | VFX Supervisor |
| Daniel L. Smith | Digital Compositor |
| Tom Akos | Stunts |
| Marques Archie | Stunts |
| Luis Benitez | Stunts |
| William Haithco III | Stunt Driver |
| Leesa Pate | Utility Stunts |
| David Aragon | Grip |
| Justyn T. Davis | Gaffer |
| Leland Haushalter | Loader |
| Scott Montgomery | Drone Operator |
| Houston Rockwood | Electrician |
| Joshua Robert Warren | Generator Operator |
| Lynsey Weatherspoon | Still Photographer |
| Zina Arthur | Tailor |
| Day Ramphal | Set Costumer |
| Summer Tinch | Set Costumer |
| Matt Beaty | Location Scout |
| Tirique Jameson | Location Assistant |
| Dillon Thorup | Location Assistant |
| Kai Thorup | Location Scout, Location Manager |
| Barbara Abelar | Script Supervisor |
| Benjamin M. Dessecker | Script Supervisor |
| Duante Harris | Driver |
| Juliana Damico | Producer's Assistant |
| Andrea Flader | Production Coordinator |
| Kenadi McGee | Production Assistant |
| Jennifer Wilbert | First Assistant Accountant |
| Rebecca Strickland | First Assistant Director |
| Chardae Adams | Assistant Art Director |
| Darby Abraham | Set Decoration Buyer |
| Martin Fahrer | Set Designer |
| Jesse Michael Owen | Storyboard Artist |
| Emma Stensaas | Graphic Designer |
| Marko Costanzo | Foley Artist |
| Erik H. Magnus | Production Sound Mixer |
| Aaron Thompson | Sound |
| Rick Cramblett | Special Effects Coordinator |
| Robyn Ducharme | Digital Compositor |
| Andrew Prescott | Visual Effects Producer |
| Trent Brya | Stunt Double |
| Reece Fleetwood | Stunts |
| Brian Mephisto Legree | Stunt Double |
| Christina Ward | Stunt Double |
| Anna-Marie Aloia | Loader |
| Dwight Campbell | First Assistant "A" Camera |
| Derek L. Harris Jr. | Rigging Gaffer |
| Oren Malik | Second Assistant Camera |
| Dehaven Moore | Lighting Technician |
| Osvaldo Silvera Jr. | Steadicam Operator |
| Alex Waters | Second Assistant Camera |
| Rhonda Marie Alston | Extras Casting Assistant |
| Al Downing | Key Costumer |
| Peri Richards | Set Costumer |
| Shawna Tisdale | Costumer |
| Aaron Gutentag | Location Manager |
| Derrick Owens | Location Assistant |
| Mandy Mamlet | Music Supervisor |
| Samuel R. Anderson | Cast Driver |
| Claire Tanner | Script Supervisor |
| Chad Kinsey | Picture Car Coordinator |
| Nick Emery | Production Assistant |
| Jennifer D. Hatcher | Production Assistant |
| Elizabeth Himelstein | Dialect Coach |
| Taylor Lee Williams | First Assistant Editor |
| Philip Stockton | Supervising Sound Editor |
| Joe Wells | Second Assistant Accountant |
| Michael Barry | Sound Re-Recording Mixer |
| Charles Christopher Rubino | Title Designer |
| Kim Taylor-Coleman | Casting |
| Geoff Schuppert | Sound |
| Matt Akey | VFX Production Coordinator |
| Michael A. Martinez | Digital Compositor |
| Christian Wood | Visual Effects Supervisor |
| David Alessi | Stunts |
| Lex D. Geddings | Stunt Coordinator |
| Carlos Guity | Stunt Double |
| Kevin Waterman | Stunt Double |
| Tangela Large | Dialect Coach |
| Alexander McNeill | Assistant Production Coordinator |
| Bobby James | Stunts |
| Joshwa Walton | VFX Artist |
| Abel Korzeniowski | Original Music Composer |
| Name | Title |
|---|---|
| Thomas Levine | Producer |
| Michael Reilly | Producer |
| Shaya Mulcahy | Associate Producer |
| Frederick Zollo | Producer |
| Keith Beauchamp | Producer |
| Barbara Broccoli | Producer |
| Whoopi Goldberg | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 43 | 14 |
| 2024 | 5 | 27 | 60 | 16 |
| 2024 | 6 | 18 | 31 | 10 |
| 2024 | 7 | 19 | 36 | 11 |
| 2024 | 8 | 19 | 33 | 11 |
| 2024 | 9 | 13 | 18 | 8 |
| 2024 | 10 | 18 | 46 | 9 |
| 2024 | 11 | 15 | 28 | 9 |
| 2024 | 12 | 14 | 23 | 9 |
| 2025 | 1 | 18 | 39 | 10 |
| 2025 | 2 | 10 | 20 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 7 | 1 |
| 2025 | 5 | 3 | 7 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 3 | 6 | 2 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 775 | 811 |
This is a very good movie and can be a difficult one to watch if you know the history as I did, I of course knew where it was going front the beginning and where it would end up. The writing was strong and the acting superb much of the time. I highly recommend it for anyone young or old who is unfam ... iliar with he story. Despite the rawness of Danielle Deadwiler’s performance and the clean way the tragedy unfolded, on some weird level I wasn’t as affected emotionally as I would have expected to be. I don’t even know why. A few intangible reasons perhaps? Such as not feeling a lot of chemistry between the main characters. Like I say, I am not even sure myself. It is an excellent movie, but not one that will stick with me as a powerful slice of history like this should, or make me likely to feel I have to watch it again. But yes, do see it once at least.
Based around the true story of the appalling murder of the young Emmett Till in a racially divided 1950s USA, this delivers a truly powerful performance from Danielle Deadwyler as his mother. A woman who becomes distraught, angry and determined. Determined that those who killed her child are brought ... to justice. The history, sadly, tells us just how the judicial process of Mississippi back then was just as bigoted as the vast majority of the white folks who treated African Americans as little better that labouring cattle. This film is well put together, with plenty of attention to the aesthetics of the scenarios. What helps is stand out though, is the lead performance. It is gently complemented by a supporting cast that includes the engaging young Jalyn Hall as the optimistic and decent young man, but it is really all about Deadwyler and her nuanced and thought-provoking effort as the mother who funnels her distress and despair into something positive. For her, and for a broader society at large that was either unaware or just indifferent to the practical, political and downright dangerous obstacles faced by those of a different colour if they even thought about staring from the prescribed social "norms". Chinonye Chukwu keeps the pace of the story tight and well focussed - there is little room for sentiment or melodrama in this drama. There's a slide at the end that rather sums the whole thing up - the anti-lynching legislation that bears this young man's name was only implemented in 2022!