Popularity: 2 (history)
Director: | Martin Ritt |
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Writer: | Akira Kurosawa, Michael Kanin, Ryūnosuke Akutagawa, Shinobu Hashimoto |
Staring: |
At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event. | |
Release Date: | Oct 07, 1964 |
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Director: | Martin Ritt |
Writer: | Akira Kurosawa, Michael Kanin, Ryūnosuke Akutagawa, Shinobu Hashimoto |
Genres: | Drama, Crime, Western |
Keywords | rape, medium, remake, based on play or musical, preacher, bandit |
Production Companies | Metro-Goldwyn-Mayer, Martin Ritt Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Paul Newman | Juan Carrasco |
Laurence Harvey | Husband |
Claire Bloom | Wife |
Edward G. Robinson | Con Man |
William Shatner | Preacher |
Howard Da Silva | Prospector |
Albert Salmi | Sheriff |
Thomas Chalmers | Judge |
Paul Fix | Indian |
Jeffrey Darwin Bowman | Baby |
Name | Job |
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James Wong Howe | Director of Photography |
Fay Kanin | Theatre Play |
Akira Kurosawa | Original Story |
Donfeld | Costume Design |
Sydney Guilaroff | Hairstylist |
William Tuttle | Makeup Supervisor |
Julie Gibson | Dialect Coach |
Walon Green | Dialect Coach |
Alex North | Conductor, Original Music Composer |
Dewey Wrigley Jr. | Assistant Camera |
Daniel McCauley | Assistant Director |
Michael Kanin | Theatre Play, Screenplay |
Robert R. Benton | Set Decoration |
Franklin Milton | Recording Supervision |
Frank Wesselhoff | Painter |
Raymond Turner | Musician |
Gil Grau | Orchestrator |
Virginia Majewski | Musician |
J. McMillan Johnson | Visual Effects |
Ethmer Roten | Musician |
George W. Davis | Art Direction |
Frank Santillo | Editor |
Stanley Goldsmith | Unit Production Manager |
Robert R. Hoag | Visual Effects |
Tambi Larsen | Art Direction |
Henry Grace | Set Decoration |
Artie Kane | Musician |
Martin Ritt | Director |
Ryūnosuke Akutagawa | Original Story |
Shinobu Hashimoto | Original Story |
Name | Title |
---|---|
Michael Kanin | Associate Producer |
A. Ronald Lubin | Producer |
Martin Ritt | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 10 | 21 | 4 |
2024 | 5 | 12 | 24 | 7 |
2024 | 6 | 9 | 18 | 3 |
2024 | 7 | 10 | 28 | 4 |
2024 | 8 | 8 | 17 | 3 |
2024 | 9 | 5 | 8 | 3 |
2024 | 10 | 8 | 24 | 3 |
2024 | 11 | 6 | 15 | 2 |
2024 | 12 | 6 | 12 | 2 |
2025 | 1 | 7 | 13 | 3 |
2025 | 2 | 4 | 10 | 1 |
2025 | 3 | 2 | 6 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 0 |
Trending Position
Enigmatic remake making waves in some cinephiles quarters. Directed by Martin Ritt, The Outrage is a remake of the 1950 Akira Kurosawa film Rashomon, that in turn is based on stories by Ryūnosuke Akutagawa, but Ritt has reformulated it in a Western setting. It stars Edward G. Robinson, Paul New ... man, Laurence Harvey, Claire Bloom, Howard Da Silva & William Shatner. The story remains the same as four people give contradictory accounts of a rape and murder during the trial of Mexican bandit Juan Carrasco (Newman). The story is told within a flashback framework of three men waiting for a train at a rain soaked Southwestern station; a prospector (Da Silva), a con man (Robinson) and a preacher now struggling with his faith in humanity (Shatner). As each story is told the validity of each account comes under scrutiny, could it be there was a gross miscarriage of justice at the trial? Perhaps unsurprisingly, this remake of a well regarded classic was a commercial flop, with many front line critics particularly savage in their reviews. Which while acknowledging it's a long way away from style and tone of Kurosawa's movie, it's hardly the devil's spawn either. Solidly constructed by Ritt and potently shot in black & white by James Wong Howe (vistas however are in short supply), the story is strong enough to make for an interesting social conscious Oater. There's some misplaced humour in the final third, and a charge of overacting from the talented cast is fair enough (especially Bloom), but maybe, just maybe, Ritt and his team deserve a little leeway for trying a different approach? I mean at least it's not a shot for shot remake eh? Certainly Newman could never be accused of not being bold or daring with his role selections, one only has to look at his Western films to see that. Especially the three he did with Ritt: Hud (1963), The Outrage (1964) & Hombre (1967), three very different roles, and each of a different ethnicity too. Throw in his intense turn as Billy The Kid in Arthur Penn's The Left Handed Gun, and it makes a mockery of those people who pop up from time to time proclaiming Newman had limited range! Is he miscast as Bandido Carrasco in The Outrage? No not really, he throws himself into the role and without prior knowledge of whose under the hat, it's not overtly evident it's the great blue eyed man performing. Sure a Mexican actor would have been better for the role, and definitely Rashomon wasn't in need of a remake. But for Western fans, and especially for fans of Newman, The Outrage still has enough to warrant spending money on a pie and a pint of beer to watch with it. Not particularly great, but not exactly bad either. 6.5/10