Popularity: 5 (history)
| Director: | Declan Donnellan, Nick Ormerod |
|---|---|
| Writer: | Guy de Maupassant, Rachel Bennette |
| Staring: |
| Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession. | |
| Release Date: | Mar 09, 2012 |
|---|---|
| Director: | Declan Donnellan, Nick Ormerod |
| Writer: | Guy de Maupassant, Rachel Bennette |
| Genres: | Drama, Romance |
| Keywords | adultery, journalist, based on novel or book, newspaper, camping, unfaithfulness, based on short story, 19th century |
| Production Companies | RAI, Redwave Films, Protagonist Pictures, 19 Entertainment |
| Box Office |
Revenue: $8,303,261
Budget: $9,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert Pattinson | Georges Duroy |
| Uma Thurman | Madeleine Forestier |
| Christina Ricci | Clotilde de Marelle |
| Kristin Scott Thomas | Virginie Walters |
| Colm Meaney | Monsieur Rousset |
| Philip Glenister | Charles Forestier |
| Holliday Grainger | Suzanne Rousset |
| Natalia Tena | Rachel the Prostitute |
| Anthony Higgins | Comte de Vaudrec |
| James Lance | François Laroche |
| Thomas Arnold | Louis |
| Timothy Walker | Solicitor |
| Pip Torrens | Paul the Butler |
| Christopher Fulford | Police Commisioner |
| Amy Marston | Nanny |
| Eloise Webb | Laurine de Marelle |
| Frank Dunne | Bishop |
| Christos Lawton | Journalist (uncredited) |
| Name | Job |
|---|---|
| Guy de Maupassant | Novel |
| Declan Donnellan | Director |
| Nick Ormerod | Director |
| Neil Williams | First Assistant Editor |
| Hagen Bogdanski | Additional Photography |
| Michael Harm | Location Manager |
| Yann McCullough | Music Editor |
| Stuart Howell | Steadicam Operator, Camera Operator |
| Mark Raggett | Supervising Art Director |
| Alexandra Collins | Assistant Art Director |
| Lizzie Lawson | Makeup Artist, Hairstylist |
| John Colley | Gaffer |
| Stuart Brisdon | Special Effects Supervisor |
| Stefano Falivene | Director of Photography |
| Anna Lynch-Robinson | Set Decoration |
| Phil Cairns | Unit Publicist |
| Valentina Coccia | Production Coordinator |
| Gisela Evert | Post Production Supervisor |
| Jennifer Wynne | Production Manager |
| Zoe Morgan | Script Supervisor |
| Masahiro Hirakubo | Editor |
| Vanessa Baker | ADR Voice Casting |
| Rachel Bennette | Screenplay |
| Jane Gibson | Choreographer |
| Natalie Humphries | Assistant Costume Designer |
| Sam Southwick | Dialogue Editor, ADR Editor |
| Lakshman Joseph De Saram | Orchestrator, Original Music Composer |
| Attila Kovács | Production Design |
| Jane Petrie | Costume Supervisor |
| Sophie Neil | Art Department Assistant |
| Jon Henry Gordon | Makeup Artist, Hairstylist |
| Nick Shuttleworth | Second Assistant Director |
| Robert Farr | Supervising Sound Editor, Sound Re-Recording Mixer |
| Tom Brewster | Third Assistant Director |
| Dan Whitty | Location Manager |
| Ian Wilson | Sound Effects Editor |
| Robert Patzelt | Steadicam Operator, Camera Operator |
| Jenny Shircore | Makeup Designer, Hair Designer |
| Kerry Brown | Still Photographer |
| Louise O'Malley | Production Accountant |
| Ginger Corbett | Unit Publicist |
| Josh Robertson | First Assistant Director |
| Vince Madden | Rigging Gaffer |
| Lee Sheward | Stunt Coordinator |
| Gavin Buckley | Editor |
| Arthur Fenn | Boom Operator |
| Terry Woods | Property Master |
| Lizzy Follows | Unit Publicist |
| Kirsty Kinnear | Casting Assistant |
| Joe Hopker | Makeup Artist, Hairstylist |
| Dean Clegg | Art Direction |
| Sean Farrow | Visual Effects Supervisor |
| Susie Figgis | Casting |
| Rachel Portman | Orchestrator, Original Music Composer |
| Odile Dicks-Mireaux | Costume Design |
| Simon Hayes | Production Sound Mixer |
| Marc Cass | Stunt Coordinator |
| Jeff Atmajian | Orchestrator |
| Name | Title |
|---|---|
| Ceri Hughes | Associate Producer |
| Laurie Borg | Co-Producer |
| Ildikó Kemény | Associate Producer |
| Uberto Pasolini | Producer |
| Simon Fuller | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 41 | 10 |
| 2024 | 5 | 24 | 49 | 12 |
| 2024 | 6 | 15 | 22 | 10 |
| 2024 | 7 | 17 | 46 | 9 |
| 2024 | 8 | 19 | 40 | 10 |
| 2024 | 9 | 11 | 15 | 8 |
| 2024 | 10 | 13 | 33 | 7 |
| 2024 | 11 | 12 | 26 | 7 |
| 2024 | 12 | 11 | 20 | 5 |
| 2025 | 1 | 12 | 26 | 6 |
| 2025 | 2 | 10 | 13 | 3 |
| 2025 | 3 | 6 | 14 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 5 | 1 |
Trending Position
Now I don't know about you, but I always thought that Freddie Stroma ("Cormac") from the "Half Blood Prince" (2009) was the hottest eye-candy to befriend "Harry Potter" so I never really got all the fuss about the pallid and relatively charm-free Robert Pattison as he became an Hollywood star. In th ... is, admittedly stylish looking film, he is a poverty stricken would-be Lothario who manages to get himself a job on the local "La Vie Française" newspaper thanks to the creative help of "Mme. Forestiere" (Uma Thurman) and her husband who edits the thing. Success goes to his head a bit and soon he is sleeping his way through Paris society caring nothing for the women - notably "Mme. Rousset" (easily the best performance of the film from Dame Kristin Scott Thomas) and the vulnerable and loving "Clothilde" (Christina Ricci). Gradually his reputation starts to impede his flexibility, his erstwhile colleagues sicken of him and his luck starts to change? Is he going to end up on an absinthe-soaked floor somewhere, or has he now the guile to survive - thrive, even? It's interesting, I suppose, to tell a story from the perspective of a man who sleeps his way to the top - but this one is really rather one-dimensional. Pattison is no great shakes an an actor, his performance is completely devoid of charisma and there is very little chemistry here - on any level - to sustain the rather repetitive and depressing thread of their stories. They are all rather unpleasant, duplicitous, individuals who would cheat as easily as breathe. Holliday Grainger's entry onto the scene merely serves to speed it even more rapidly on the skids from which it just never really recovers. This is just poor, sorry.