Popularity: 2 (history)
| Director: | Nigel Cole |
|---|---|
| Writer: | Tim Firth, Juliette Towhidi |
| Staring: |
| Members of a Yorkshire branch of the Women's Institute cause controversy when they pose nude for a charity calendar. | |
| Release Date: | Sep 02, 2003 |
|---|---|
| Director: | Nigel Cole |
| Writer: | Tim Firth, Juliette Towhidi |
| Genres: | Comedy, Drama |
| Keywords | england, mannequin, northern england, leukemia, calendar, yorkshire, based on true story |
| Production Companies | Harbour Pictures |
| Box Office |
Revenue: $96,542,059
Budget: $10,000,000 |
| Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Helen Mirren | Chris Harper |
| Julie Walters | Annie Clarke |
| John Alderton | John Clarke |
| Linda Bassett | Cora |
| Annette Crosbie | Jessie |
| Philip Glenister | Lawrence Sertain |
| Ciarán Hinds | Rod Harper |
| Celia Imrie | Celia |
| Geraldine James | Marie |
| Penelope Wilton | Ruth |
| George Costigan | Eddie |
| Graham Crowden | Richard |
| John Fortune | Frank |
| Georgie Glen | Kathy |
| Angela Curran | May |
| Rosalind March | Trudy |
| John-Paul Macleod | Jem |
| Marc Pickering | Gaz |
| John Sharian | Danny |
| Belinda Everett | Maya |
| Harriet Thorpe | Brenda Mooney |
| Gillian Wright | Eddie's Woman |
| Ian Embleton | Andy |
| Janet Howd | Julia |
| Lesley Staples | Jenny |
| Richard Braine | Policeman |
| Maggie McCarthy | W.I. Administrator 1 |
| Diana Marchment | W.I. Administrator 2 |
| Celia Henebury | Check-In Stewardess |
| Ted Robbins | Bike Man |
| Arthur Kelly | Bookshop Owner |
| Alison Pargeter | Chemist's Assistant |
| Tim Barker | Holiday Speaker |
| Angus Barnett | Orchid Photographer |
| Frank Barrie | Lecherous Photographer |
| John Sparkes | Welsh Photographer |
| Merryn Owen | Student Photographer |
| Richard Ashton | Policeman 2 |
| Shameer Seepersand | Policeman 3 |
| Elizabeth Bennett | W.I. Judge |
| Simon Ludders | Waiter |
| Darren Southworth | Sofa Salesman |
| Sharon Thomas Cain | TV Reporter |
| Christa Ackroyd | News Presenter |
| Geoffrey Wilkinson | Seed Company Manager |
| Bob Flag | Alan Rathbone |
| Mark Hayford | Charity Chicken Worker |
| Geoffrey Banks | Lycra Cyclist 1 |
| Wilfred Harrison | Lycra Cyclist 2 |
| Adil Hussain | Jem's Friend 1 |
| Waqas Altaf | Jem's Friend 2 |
| Paul McLeary | Husband 1 |
| Peter Lorenzelli | Husband 2 |
| Jay Leno | Himself |
| Matt Malloy | Hotel Manager |
| Patton Oswalt | Larry |
| Craig Kirkwood | Bellboy |
| Frank Bello | Anthrax |
| John Bush | Anthrax |
| Scott Ian | Anthrax |
| Ashley Niles | Hotel Registration |
| Angela Baker | Highgyll W.I. Lady |
| Beryl Bamforth | Highgyll W.I. Lady |
| Christine Clancy | Highgyll W.I. Lady |
| Ros Fawcett | Highgyll W.I. Lady |
| Lynda Logan | Highgyll W.I. Lady |
| Tricia Stewart | Highgyll W.I. Lady |
| Roy Harrison | Roy Harrison |
| Name | Job |
|---|---|
| Nigel Cole | Director |
| Tim Firth | Screenplay |
| Martin Childs | Production Design |
| Ben Cole | Camera Operator |
| Matt Curtis | Title Designer |
| Andrew Jack | Dialect Coach |
| Billy Samoa Saleebey | Production Assistant |
| Patrick Doyle | Original Music Composer |
| Ashley Rowe | Director of Photography |
| Michael Parker | Editor |
| Juliette Towhidi | Screenplay |
| Miranda Jones | Post Production Supervisor |
| Orlagh Collins | Production Coordinator |
| Jo Farr | Production Manager |
| Mark Raggett | Art Direction |
| Deborah Saban | First Assistant Director |
| Colin Anderson | Steadicam Operator |
| Ben Boultbee | Assistant Camera |
| Kelly Mijailovic | Costume Supervisor |
| Lisa Clifford-Owen | Assistant Editor |
| Tony Devlin | Gaffer |
| Paige Thomas | First Assistant Camera |
| Celia Haining | Assistant Editor |
| Liz Gallacher | Music Supervisor |
| Olivia Lloyd | Second Assistant Director |
| Tim Lanning | Greensman |
| Stuart Mackay | Assistant Sound Editor |
| Stuart Brisdon | Special Effects Supervisor |
| Guy Ducker | Assistant Editor |
| Karen Sherriff-Brown | Makeup & Hair |
| Tim Cavagin | Sound Re-Recording Mixer |
| Stefan Drury | Visual Effects Producer |
| John Warnke | Set Designer |
| James M. Tanenbaum | Sound Recordist |
| Andy Cole | Electrician |
| Christina Baker | Makeup Designer, Hair Designer |
| Carisa Rosenthal | Set Dresser |
| Colin Cooper | ADR Recordist |
| Twydor Davis | Dialogue Editor |
| Tim Fraser | Sound Recordist |
| William Towers | Boom Operator |
| Alix Friedberg | Assistant Costume Designer |
| Lea Morement | Assistant Editor |
| Richard Stammers | Visual Effects Supervisor |
| Graham Sutton | Music Editor |
| Kim Armitage | Script Supervisor |
| Ian Wilson | Supervising Sound Editor |
| Kay Bilk | Makeup & Hair |
| Deborah Jarvis | Makeup Artist |
| David Packard | Scenic Artist |
| Vince McGahon | Steadicam Operator |
| Pat Miller | Rigging Gaffer |
| Kristin Dehnert | Location Manager |
| Gary Nagle | Electrician |
| Frances Tempest | Costume Design |
| Steve Single | Sound Re-Recording Mixer |
| Shirley Nevin | Costume Supervisor |
| Guy Barker | Assistant Director |
| Jaap Buitendijk | Still Photographer |
| Kelly Cummins | Assistant Camera |
| Lee Grumett | Third Assistant Director |
| Jonas Kirk | Construction Coordinator |
| Ricky Butt | Foley Artist |
| Adam Richards | Location Manager |
| Stefan Lissner | Genetator Operator |
| Allen Wong | First Assistant Accountant |
| Patric Scott | Unit Publicist |
| Isaac Sananes | Assistant Accountant |
| Erin Sahlstrom | Assistant Production Coordinator |
| Abbe Robinson | Production Assistant |
| Jason Reed | Production Executive |
| Patrick Isherwood | Production Accountant |
| Christopher Hutchins | Production Assistant |
| Polly Hope | Assistant Production Coordinator |
| Polly Fletcher | Assistant Accountant |
| Dawn Darfus | Production Accountant |
| Paisley Pappé-Iredell | Assistant Editor |
| Gail Stevens | Casting |
| Name | Title |
|---|---|
| Nick Barton | Producer |
| Steve Clark-Hall | Co-Producer |
| Suzanne Mackie | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 28 | 11 |
| 2024 | 5 | 20 | 37 | 12 |
| 2024 | 6 | 15 | 29 | 8 |
| 2024 | 7 | 14 | 28 | 8 |
| 2024 | 8 | 15 | 36 | 8 |
| 2024 | 9 | 9 | 16 | 6 |
| 2024 | 10 | 13 | 31 | 7 |
| 2024 | 11 | 11 | 25 | 7 |
| 2024 | 12 | 10 | 16 | 6 |
| 2025 | 1 | 12 | 30 | 7 |
| 2025 | 2 | 9 | 15 | 3 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 2 | 7 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 1 | 4 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
Trending Position
It's not naked it's nude. When Annie Clarke's beloved husband succumbs to leukaemia, her best friend Chris comes up with a unique idea for raising funds for the hospital that cared for the dearly departed John. They, and fellow members of the Knapely Womens Institute, will pose in some strategica ... lly nude pictures and sell them as a calendar! Based on a true story, and following on from the roaring success of 1997s The Full Monty, it was a story just begging to be adapted for the big screen. Also boasting a shot in the arm for actresses of a certain age, who sadly are bereft of decent cinematic parts, Calendar Girls may not be a masterpiece of homely cinema values, but it certainly warms the cockles and hits an entertaining spot in spite of the laborious last third. The cast are uniformly excellent, Julie Walters, Helen Mirren (gorgeous), Linda Basset, Annette Crosbie and Geraldine James are particularly memorable in telling this tale of a close-knit village quite unsure on how to deal with a touchy subject. From there the press sensationalism arrives and this shifts the girls (and sadly the film) to another plane. The picture manages to be that rare old thing of a comedy drama actually impacting heavy on both fronts. The comedy moments are joyous and flow frequently for the first two thirds of the picture, whilst the touching drama, of what is a serious subject at its core after all, really touches a nerve. Sadly as we enter the final third, the makers tag on an unnecessary dissection of friendships and relationships, and it nearly costs the film dear. It does survive, mainly due to the wonderful cast and the integrity laden point of view, making it a film that once viewed is clearly not going to be forgotten. So in the main we should all hail those wonderful Calendar Girls. 7/10
Another one of those movies I watched decades ago and recently revisited. I enjoyed it just as much as I did the first time. It reminds me of Waking Ned Devine in a way. It contains witty and realistic dialogue and a good percentage of the actors are older. There is a bit more drama in Calendar G ... irls, but it never submerges into melodrama. I am glad I watched it a second time. It has aged well and is a classic feel old movie.
Another one of those movies I watched back when it came out and recently watched again. Like the women who pose for the calendar, the movie has aged well. My wife and I watch a lot of British tv (for Americans) so we have seen the actresses in many other excellent performances. Calendar a Girls r ... eminds me of another great movie, (Waking) Ned Devine. There is humor, a feel good plot, and a fine ensemble cast. There are a perhaps a couple of more serious subplots in this film, such as Alderton’s character’s illness that gives birth to the calendar fundraiser. The movie is of course based on an actual fundraising calendar undertaken from women aged 45-65. I didn’t research it to see how accurate the plot is as I do in some reality based films, because I just watched it for is entertainment value. So should you.
My dad worked in the motor trade when I was a kid, and I was forever seeing Pirelli or Michelin calendars with scantily clad women on them; hell even the beer cans had them too! Well, it's in a garage that "Chris" (Helen Mirren) spots one and it gives her inspiration. Why? Her best friend "Annie" (J ... ulie Walters) has recently become a widow following the death from cancer of her beloved husband "John" (John Alderton), and they are trying to organise a fund raiser to buy a new sofa for their local hospice. With another vodka tasting already ruled out by their slightly prudish WI President "Marie" (Geraldine James) they have to think out of the box, or in this case out of the bra! Yep, she decides to recruit another eleven of her friends and then rope in Richard Glenister's "Lawrence" as the photographer to create a tasteful yet provocative showcase for their beauty. Of course this isn't a straightforward procedure, there are reservations from "Marie", their husbands and even themselves in the beginning but once they've decided... Up to this point, this grand assembly of British stage and screen talent delivers a pithily written, even brave, look at sexuality amongst the older generations. The dialogue is funny and acutely observational at times, and a really solid cast with Celia Imrie, Annette Crosbie and Penelope Wilton all delivering well into the humorous meleé comes across really well. It's the second part that doesn't work quite so well. A trip to star on the "Tonight" show with Jay Leno sows some seeds of martial and familial discord, and this all rather slows the pace down. Though doubtless faithful to this true story, I just felt we could have done without it and just focussed on the joy - and there is plenty of that - of the thing. There's a good dynamic between Mirren and Walters and even now, twenty years later, this has a potency that has to question whether anyone would do it at all nowadays. It's good fun, this.