Popularity: 4 (history)
Director: | David Twohy |
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Writer: | David Twohy |
Staring: |
Betrayed by his own kind and left for dead on a desolate planet, Riddick fights for survival against alien predators and becomes more powerful and dangerous than ever before. Soon bounty hunters from throughout the galaxy descend on Riddick only to find themselves pawns in his greater scheme for revenge. With his enemies right where he wants them, Riddick unleashes a vicious attack of vengeance before returning to his home planet of Furya to save it from destruction. | |
Release Date: | Sep 02, 2013 |
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Director: | David Twohy |
Writer: | David Twohy |
Genres: | Action, Science Fiction, Thriller |
Keywords | mercenary, dystopia, sequel, revenge, alien, planet, hostile, spaceship, serious, furious, sympathetic |
Production Companies | Universal Pictures, Radar Pictures, One Race, Riddick Canada Productions, Mandate International |
Box Office |
Revenue: $98,337,295
Budget: $38,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Vin Diesel | Riddick |
Matt Nable | Boss Johns |
Katee Sackhoff | Dahl |
Jordi Mollà | Santana |
Dave Bautista | Diaz |
Karl Urban | Lord Vaako |
Bokeem Woodbine | Moss |
Nolan Gerard Funk | Luna |
Andreas Apergis | Krone |
Noah Dalton Danby | Nunez |
Neil Napier | Rubio |
Raoul Max Trujillo | Lockspur |
Conrad Pla | Vargas |
Danny Blanco Hall | Falco |
Keri Hilson | Santana's Prisoner |
Charlie Marie Dupont | Consort |
Jan Gerste | Consort |
Antoinette Kalaj | Consort |
Alexandra Sokolovskaya | Consort |
Lani Minella | Aereon VO (uncredited) |
Name | Job |
---|---|
David Twohy | Writer, Director |
Brian Murray | Storyboard Artist |
Anne McCarthy | Casting |
Robert Mattigetz | Second Unit Director of Photography |
Susan Sloan | Assistant Hairstylist |
Martin Brisebois | Production Assistant |
Robert Bastens | Stand In |
Jerry Weil | 3D Artist |
Philippe Roberge | Compositing Artist |
Arnaud Brisebois | Creature Design |
Goro Koyama | Foley Artist |
Scott Martin Gershin | Supervising Sound Editor |
Troy Robinson | Stunt Coordinator |
Zandara Kennedy | Stunts |
David Eggby | Director of Photography |
Tracy Adams | Editor |
Joseph C. Nemec III | Production Design |
Simonetta Mariano | Costume Design |
Emile Ghorayeb | Animation Director |
Frédéric Côté | Senior Animator |
Andrea Kenyon | Casting |
Randi Wells | Casting |
Robert Parle | Art Direction |
Daniel Carpentier | Set Decoration |
David Laramy | Set Decoration |
Jean-Andre Carriere | Supervising Art Director |
Asuka Sugiyama | Art Department Coordinator |
Jean-Philippe Carignan | Art Department Production Assistant |
Joseph Gagné | Assistant Art Director |
Matt Codd | Concept Artist |
Vance Kovacs | Concept Artist |
Jerad Marantz | Concept Artist |
Alain Brochu | Construction Coordinator |
Michel Brochu | Construction Coordinator |
Simone Leclerc | Property Master |
Patrice Jacques | Prop Maker |
Sylvain Joyal | Props |
Marzia Pellissier | Props |
George Tucci | Props |
Louis Frederic Denomme | Set Dresser |
Marco Lavallée | Set Dresser |
Pascal Tremblay | Set Dresser |
Charles Ratteray | Storyboard Artist |
Dan Goyens | Best Boy Electric |
François Daignault | Camera Operator |
Geoffroy St-Hilaire | Camera Operator |
Etienne Didelot-Pothier | Camera Trainee |
Ian Mongrain | Data Wrangler |
Julie Garceau | Digital Imaging Technician |
Jean-Francois Gravel | Digital Imaging Technician |
Alain Bisson Doyal | Dolly Grip |
Eric Godbout | First Assistant Camera |
Nicolas Marion | First Assistant Camera |
Patrick Beaulac | Focus Puller |
Charles Beetz | Gaffer |
Étienne Geoffrion | Grip |
Gerry Prévost | Grip |
Robert B. Baylis | Key Grip |
Jean-François Dubé | Key Rigging Grip |
Gilles Fortier | Rigging Gaffer |
Pierre-Luc L'Espérance | Rigging Grip |
Simon Touzin | Rigging Grip |
Isabelle Lecompte | Second Assistant Camera |
Roch Boucher | Second Assistant Camera |
Jan Thijs | Still Photographer |
Michelle Côté | Hair Department Head |
Ghislaine Sant | Hairstylist |
Rocco Stallone | Hairstylist |
Martin Nepton | Hairstylist |
Nicole Lapierre | Key Makeup Artist |
Catherine Lavoie | Makeup Artist |
Fanny Vachon | Makeup Artist |
Roxy D'Alonzo | Makeup Artist |
Nikolaos Dresios | Sculptor |
Lee Gren | Tattoo Designer |
Kevin Carter | Contact Lens Technician |
Annie Jalbert | Wigmaker |
Morgan Robbins | Casting Assistant |
Johanne Titley | Extras Casting |
Anthony J. Biondolillo | Extras Casting |
Eugénie Clermont | Assistant Costume Designer |
Suzanne Canuel | Costume Supervisor |
Linda Leduc | Costume Supervisor |
Nathalie Chretien | Costumer |
Julie Amyot | Set Costumer |
Jonathan Girard | Textile Artist |
Maggy Belzile | Assistant Accountant |
Gillian Chandler | Makeup Artist |
Lise Servant | Payroll Accountant |
Diana Ascher | Post Production Accountant |
Vicki L. Sawyer | Production Accountant |
Marc Desaulniers | Production Assistant |
Michael Saintsbury | Production Assistant |
Noëlle Lara | Production Assistant |
Josianne Mailloux | Production Coordinator |
Yves Desjardins | Production Coordinator |
Melissa Halarides | Production Secretary |
Elizabeth Tremblay | Script Supervisor |
Nickey Chow | Second Assistant Accountant |
Brent Radford | Armorer |
Gabriel Lavina | Travel Coordinator |
Charlie Greene | Assistant Editor |
Michael Underwood | Digital Intermediate Colorist |
Serge Harvey | Digital Intermediate Editor |
Bruce Lomet | Digital Intermediate Producer |
Milaine Gamache | Digital Intermediate |
Blake Harjes | First Assistant Editor |
Gordon Fordyce | Music Editor |
Brandon Thompson | Music Supervisor |
Louis Desrochers | 3D Artist |
Pierre-Olivier Levesque | 3D Artist |
Hiroyuki David Yabu | Lead Animator |
Taran Matharu | CG Animator |
Kaz Yoshida | CG Artist |
Leslie Conover | CG Artist |
Samantha Howze | CG Artist |
Rik Panero | CG Artist |
James William Roberts | CG Artist |
Stéphanie Morin | CG Artist |
Charles Abou Aad | CG Supervisor |
Sean Schur | CG Supervisor |
Louis Paré | CG Supervisor |
Sylvain Theroux | CG Supervisor |
Eloi Brunelle | Compositing Artist |
Andrea Espinal | Compositing Artist |
Michel Frenette | Compositing Artist |
Patricia Gaumond | Compositing Artist |
Thomas Hallé | Compositing Artist |
Alex Jadfard | Compositing Artist |
Peter Koss | Compositing Artist |
Louis Laflamme-Fillion | Compositing Artist |
Martin Larrivée | Compositing Artist |
Sebastien Proulx | Compositing Artist |
Laurent Srey | Compositing Artist |
Valentin Trasnea | Compositing Artist |
Ludovic Lebart | Compositing Artist |
Norbert Ruf | Compositing Lead |
Benjamin Ribière | Compositing Supervisor |
Andy Lueddeke | Compositor |
Gabriel Mandala | Compositor |
Felix Lafontaine | Compositor |
Kenneth Armstrong | Compositor |
Brian Cuartero | Compositor |
Chonnanit Na Thalang | Compositor |
Jadan Duffin | Compositor |
Greg Pilon | Compositor |
Chad Reder | Compositor |
Stu Hunter | Compositor |
Jean-Francois Lafleur | Digital Effects Supervisor |
Erich Burchfield | Lighting Artist |
David Lo | Lighting Artist |
Sylvain Allard | Lighting Artist |
Bruno Champagne | Lighting Artist |
Bruno Gagné | Lighting Artist |
Samuel Jacques | Lighting Artist |
Philippe David | Lighting Artist |
Tiberius Viris | Matte Painter |
Maxx Burman | Matte Painter |
Manuel Huertas Marchena | Matte Painter |
Julie Joannoteguy | Matte Painter |
Grigor Kuzmanov | Matte Painter |
Sylvain Lorgeou | Matte Painter |
Sith Khay | Matte Painter |
Catherine Hébert | Matte Painter |
Antoine Rouleau | Matte Painter |
Jennifer Pearson | VFX Editor |
Martin Pelletier | VFX Supervisor |
Charles-David Deschenes | Visual Effects Coordinator |
Svetlana Tesnes | Visual Effects Coordinator |
Jonathan Cronk | Visual Effects Coordinator |
Ryan Burcham | Visual Effects Coordinator |
Kelly Wong | Visual Effects Coordinator |
Laurel Montgomery | Visual Effects Coordinator |
Lauren Gauthier | Visual Effects Coordinator |
Jessica Newhouse-Smith | Visual Effects Coordinator |
Sabrina Gagnon | Visual Effects Coordinator |
Amelie Marcoux | Visual Effects Coordinator |
Mathieu Tremblay | Visual Effects Coordinator |
Thomas R. Bryant | Visual Effects Editor |
Dusan Strugar | Visual Effects Producer |
Joshua D. Comen | Visual Effects Producer |
Persis Reynolds | Visual Effects Producer |
Korey J. Cauchon | Visual Effects Producer |
P. Whitney Gearin | Visual Effects Producer |
Julia Neighly | Visual Effects Producer |
Marc A. Rousseau | Visual Effects Producer |
Katie Wells | Visual Effects Producer |
Wendy Gipp | Visual Effects Producer |
Nania Sergi | Visual Effects Production Assistant |
Jeanne-Élise Prévost | Visual Effects Production Manager |
Gunnar Hansen | Visual Effects Supervisor |
Tim Carras | Visual Effects Supervisor |
Ryan Epp | Visual Effects Supervisor |
Nordin Rahhali | Visual Effects Supervisor |
Ollie Rankin | Visual Effects Supervisor |
Alain Lachance | Visual Effects Supervisor |
Pierre-Simon Lebrun-Chaput | Visual Effects Supervisor |
Mathieu Raynault | Visual Effects Supervisor |
Paul Brassard | Special Effects |
Marc Reichel | Special Effects |
Sebastien Roussel | Special Effects |
Ryal Cosgrove | Special Effects Supervisor |
Andy Antoine | Special Effects Technician |
Roland Blancaflor | Special Effects Technician |
Vincent Brabant | Special Effects Technician |
Guillaume Murray | Special Effects Technician |
Luc Therrien | Special Effects Technician |
Tim Winchester | Special Effects Technician |
Mitch C. Duran | Special Effects Technician |
Julie Feiner | ADR Editor |
Mitch Dorf | ADR Mixer |
Michael Miller | ADR Mixer |
Kyle D. Krajewski | ADR Recordist |
Dan Mockensturm | ADR Recordist |
Maxime Ferland | Boom Operator |
Margit Pfeiffer | Dialogue Editor |
David Stanke | First Assistant Sound Editor |
Sandra Fox | Foley Artist |
Andy Malcolm | Foley Artist |
Michael D. Wilhoit | Foley Editor |
Jack Heeren | Foley Mixer |
Jenna Dalla Riva | Foley Recordist |
Stephen Muir | Foley Recordist |
Robert Althoff | Sound Mix Technician |
Peter Zinda | Sound Designer |
Jonathan Lafond | Sound Assistant |
Tim Walston | Sound Designer |
Karen Vassar Triest | Sound Editor |
Angelina Faulkner | Sound Editor |
Jonathan Rego | Sound Editor |
Kris Fenske | Sound Effects Editor |
Csaba Wagner | Sound Effects Editor |
Scott Wolf | Sound Effects Editor |
Patrick Rousseau | Sound Recordist |
Marc Fishman | Sound Re-Recording Mixer |
Christian P. Minkler | Sound Re-Recording Mixer |
Andrii Trifonov | Sound Re-Recording Mixer |
Becky Sullivan | Supervising Sound Editor |
W.D. Hogan | Storyboard Artist |
Jim Wheat | Characters |
Ken Wheat | Characters |
Graeme Revell | Original Music Composer |
Sophie Béasse | Set Costumer |
Patrick Tatopoulos | Creature Design |
Adrien Morot | Makeup Department Head |
Giuseppe Ferlito | Actor's Assistant |
Name | Title |
---|---|
Ted Field | Producer |
Vin Diesel | Producer |
Mike Drake | Executive Producer |
George Zakk | Executive Producer |
Samantha Vincent | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 44 | 70 | 28 |
2024 | 5 | 46 | 69 | 33 |
2024 | 6 | 44 | 66 | 27 |
2024 | 7 | 50 | 80 | 23 |
2024 | 8 | 45 | 82 | 26 |
2024 | 9 | 32 | 39 | 26 |
2024 | 10 | 37 | 67 | 25 |
2024 | 11 | 34 | 54 | 22 |
2024 | 12 | 38 | 58 | 26 |
2025 | 1 | 40 | 61 | 25 |
2025 | 2 | 30 | 45 | 5 |
2025 | 3 | 11 | 31 | 3 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 5 | 9 | 4 |
2025 | 6 | 4 | 7 | 4 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 4 | 4 | 3 |
Trending Position
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2025 | 8 | 237 | 751 |
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2025 | 7 | 365 | 759 |
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2025 | 6 | 251 | 650 |
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2025 | 5 | 220 | 682 |
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2025 | 4 | 230 | 661 |
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2025 | 3 | 168 | 746 |
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2025 | 2 | 295 | 692 |
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2025 | 1 | 96 | 627 |
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2024 | 12 | 93 | 474 |
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2024 | 11 | 466 | 704 |
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2024 | 10 | 608 | 757 |
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2024 | 9 | 308 | 650 |
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2024 | 8 | 591 | 777 |
nice movie ...
After trying to move the character to more epic levels in ‘Chronicles of Riddick’, and failing to capture an audience, this third installment in the series, simply titled ‘Riddick’, is a return-to-basics for director David Twohy. It quickly sets itself loose from the baggage of ‘Chronicles’ and pur ... sues a more clear-cut survival action story that might as well be titled ‘Pitch Black 2‘.
Maybe you're all scared of the wrong thing. Unsurprisingly reactions to this, the third outing for Vin Diesel's sci-fi based anti-hero, has been very mixed. In truth it's hardly a great film of the "must see" kind, and it does in fact cleave very close to Pitch Black, the first and most superior ... of the Riddick trilogy. However, there's a whole bunch of science fiction fun to be had here. Plot has Riddick left for dead on a inhospitable planet, where he finds himself up against some alien creatures. His only hope of getting off the planet is to bring notice of his whereabouts, which brings two ships to where he is. Both with crews who have differing reasons for wanting to capture the enigmatic convict... And thus we get a beautifully filmed sci-fier that features beasties of both the human and alien kind. Action and moody histrionics are never far away, and Diesel is wonderfully muscular, macho, course and scary. Some of the CGI is weak, and naturally much of the film's coincidences and contrivances have to be forgiven if one wants a popcorn and beer good time of it. 7/10
**(Note: This review is of the theatrical version, I have seen the uncut version and it is an improvement, but have not reviewed that edition)** In this latest incarnation, Riddick goes boldly goes where no previous entry has gone before: Nowhere. Say what you will about the previous film (_Ch ... ronicles of Riddick_) at least it had the guts to take some risks. Sure, almost all of those ended up being complete misfires, but they were still taken. Riddick on the other hand plays it safe. It’s a path not entirely without benefit, but one that was not expected from the series spawned by Australian cult-classic _Pitch Black_. Shoot me for saying it but I’m actually a huge fan of Davind Twohy (_The Arrival, Waterworld, G.I. Jane, A Perfect Getaway_) so I actually sort of hoped for more from the piece. Sure _Chronicles_ was silly and disjointed, sure _Dark Fury_ was totally unnecessary and _Dark Athena/Butcher Bay_ were only intermittently decent, but overall the Riddick franchise will always be compared to _Pitch Black_, and against this prodigy, the latest movie is simply subpar. The Necromonger storyline has been all but dropped, any connections to previous characters (sans Riddick) are completely unbelievable and the events are a shameless rip off of the first film. Seeing a more “survivalist” and intelligent Riddick is nice, as it’s always been sort of more insinuated than outright shown. The entire world that the events of the film take place on is even moderately interesting, and none of the actors or characters are outright let downs, but overall Riddick falls much closer to the “barely watchable” category than the “brilliant” one. It’s “cool”, it’s pretty and it’s most certainly entertaining, but it’s not new, it’s not clever, and it’s most certainly not as good as _Pitch Black_. 66% -_Gimly_
The third Pitch Black film "Riddick" is much more focused than its predecessor and a welcome return to the formula that worked so well for the original movie. Riddick is a bad-ass survivalist fighting an extinction level event that threatens everybody, with an assembly cast that is colorful and fun ... to watch.
<em>'Riddick'</em> isn't a movie that I hold much praise for, yet it somehow did end up working for me. I was sensing light boredom for the majority, though it picks up enough by the conclusion that I'd say I'm cool with it. I could easily be rating it a notch lower, mind. This is probably Vin Di ... esel's weakeast showing thus far as Riddick, though I still find the main man to be a solid watch; I like him as an actor, so little surprise I guess. Katee Sackhoff's Dahl is actually the one I enjoyed most, even if they annoyingly undermine the character at the end. The rest of the cast aren't worthy of much note, though Matt Nable is alright and I'm always happy to see Dave Bautista involved in a project; this is, in fact, the fourth (unconnected) film I've watched this year that he has popped up in, more the merrier! Effects-wise, this mostly felt like a downgrade from the previous flick; despite the nine-year jump. The doglike creature, as cute a sidekick as it made, looks quite lousy. The feeling of being bored stemmed from the pacing, which did initially feel debilitating but it overcomes it. <em>'Riddick: Furya'</em> is set to be the fourth installment of this series. That could actually be good, on paper it sounds interesting at least. We'll see!