Popularity: 5 (history)
| Director: | Oliver Hermanus |
|---|---|
| Writer: | Ben Shattuck |
| Staring: |
| In 1917, two young music students attending the Boston Conservatory bond over their mutual love of folk music. They reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine. | |
| Release Date: | Sep 12, 2025 |
|---|---|
| Director: | Oliver Hermanus |
| Writer: | Ben Shattuck |
| Genres: | Drama, Romance, Music |
| Keywords | conservatory, boston, massachusetts, world war i, folk music, road trip, maine, period drama, new england, based on short story, oxford england, lgbt, 1920s, 1980s, 1910s, gay romance, countryman, gay theme |
| Production Companies | Film i Väst, Film4 Productions, Filmgate Films, End Cue, Storm City Films, Tango Entertainment, Closer Media, Fat City |
| Box Office |
Revenue: $700,101
Budget: $0 |
| Updates |
Updated: Nov 23, 2025 Entered: Nov 23, 2025 |
| Name | Character |
|---|---|
| Paul Mescal | Lionel |
| Josh O'Connor | David |
| Molly Price | Lionel's Mother |
| Alison Bartlett | Samantha |
| Michael Schantz | Bob |
| Chris Cooper | Older Lionel |
| Raphael Sbarge | Lionel Sr. |
| Hadley Robinson | Belle |
| Peter Mark Kendall | Nathan |
| Emma Canning | Clarissa |
| Gary Raymond | William |
| Alessandro Bedetti | Vincent |
| Michael D. Xavier | Mr. Roux |
| Aidan Redmond | John Conway |
| Aedin Moloney | Mary Conway |
| Leo Cocovinis | Young Lionel |
| Tom Nelis | Grandfather |
| Brian Hutchison | Hal |
| Briana Middleton | Thankful Mary Swain |
| Dawn McGee | College Receptionist |
| Name | Job |
|---|---|
| Ben Shattuck | Screenplay, Short Story |
| Chris Wyatt | Editor |
| Deborah Jensen | Production Design |
| Miyako Bellizzi | Costume Design |
| Beth Rolon | Key Hair Stylist |
| Oscar Crane | Third Assistant Director |
| Maximilian Bode | Graphic Designer |
| Benedetta Gagliardi | Assistant Property Master |
| Sabrina Lederer | Props |
| Justine Yeh | Art Department Coordinator |
| Leonardo Giambi | Boom Operator |
| Gwen Capistran | Still Photographer |
| Seth Crosby | Grip |
| Matthew Richards | Digital Imaging Technician |
| Josh Sheehan | Lighting Technician |
| Lorenzo Zama | Digital Imaging Technician |
| Kat Lawhead | Set Costumer |
| Mae Sussman | First Assistant Editor |
| Sophronia Ma | Assistant Location Manager |
| Adriana Alpizar | Assistant Production Coordinator |
| Susan Shopmaker | Casting |
| Chris Barnes | Stunts |
| Tyler Galpin | Stunts |
| Jack Brandt | Set Dresser |
| Eric Siegel | Set Dresser |
| John Nesbit | Special Effects Technician |
| Gianmarco Rolli | Assistant Art Director |
| Elisabetta Paolucci | Hairstylist |
| Harry Lighton | Thanks |
| Mary Fellows | Set Decoration |
| Melanie Licata | Key Makeup Artist |
| Vittorio Ventura | Unit Manager |
| Patrick Barker | Key Construction Grip |
| Casey Devlin | Set Dresser |
| Elena Latorre | Art Department Coordinator |
| Judith C. Posey | Property Master |
| Ruy García | Supervising Sound Editor |
| Christopher J. Leone | Boom Operator |
| Francesco Ravè | Utility Sound |
| Nicholas Janaro | Special Effects |
| Aki Särkiniemi | Digital Compositor |
| Joy Carnebianca | Second Assistant Camera |
| Timur Gavrilenko | Digital Imaging Technician |
| Stefan Lan | Rigging Gaffer |
| Dean Martinez | First Assistant Camera |
| Adam Russell | Second Assistant "A" Camera |
| Chiara Mazzanti | Casting Assistant |
| Giulio Morini | Tailor |
| Chris Coyne | Location Scout |
| Lucy Bright | Music Supervisor |
| Danielle Ruby Philippa | Production Accountant |
| Spencer Barnes | Stunts |
| Jomo Fray | Second Unit Director of Photography |
| Erick Melchiorre | Set Dresser |
| Miles Shea | Set Dresser |
| Eugene Gearty | Supervising Sound Editor |
| Ilaria Sadun | Art Direction |
| Luke Tolen | Second Assistant Director |
| Begho Ukueberuwa | In Memory Of |
| Oliver Hermanus | Director |
| Alexander Dynan | Director of Photography |
| Jurasama Arunchai | Art Direction |
| Sarah Graalman | Makeup Department Head |
| Alessandro Papa | Unit Production Manager |
| Alex Scricco | Second Assistant Director |
| Michael Galgano | Scenic Artist |
| Jisun Kim | Assistant Art Director |
| Charlotte Pinney | Art Department Production Assistant |
| Guy Francoeur | Foley Artist |
| Robyn Huey | Utility Sound |
| John-Paul Natysin | Utility Sound |
| Patrick Southern | Sound Mixer |
| Carl Persson | Digital Compositor |
| Greg Arch | Steadicam Operator, "A" Camera Operator |
| Stratton Bailey | Key Grip |
| Christopher Bird | Electrician |
| Reece Clemmons | Best Boy Electric |
| Roberto Gentili | "B" Camera Operator |
| Andrew Landreville | Grip |
| Thomas Patrick | Digital Imaging Technician |
| James Saluzzi | Key Rigging Grip |
| Jay Warrior | Lighting Technician |
| Barbara Giordani | Casting |
| Alison Evans | Set Costumer |
| Margaret Goldrainer | Set Costumer |
| Luna Lopez | Assistant Costume Designer |
| Francesco Colicigno | Location Manager |
| Sarah Brady Stack | Location Manager |
| Matt Berman | Stand In |
| Maria Teresa Taratufolo | Production Assistant |
| Aaron Joshua | Stunts |
| Thomas DiStasio | Set Dresser |
| Tara Leach | Set Dresser |
| Edward Drohan IV | Special Effects Technician |
| Benedetta Barroero | First Assistant Director |
| Arianna Palmucci | Key Hair Stylist |
| Martin Beresford | Sound Mixer |
| Chantal Rivera | Assistant Set Decoration |
| Michael Zambrano | Hair Department Head |
| Bobby Johnsen | Second Second Assistant Director |
| Grace Calderley | Assistant Property Master |
| Ryan Gertsen | Construction Coordinator |
| Daniel Melchiorre | Leadman |
| Isabelle Zacharia | Assistant Set Decoration |
| Brian N. Joseph | Boom Operator |
| Marissa Littlefield | ADR Editor |
| Matt Rigby | Dialogue Editor |
| Joseph Sacco | Special Effects Coordinator |
| Cory Dahn | Best Boy Electric |
| Manoj Gurung | Electrician |
| Zeren Londah | Additional Grip |
| Fabio Policastro | Gaffer |
| Caiya Sanchez-Strauss | Additional Lighting Technician |
| Dave Wells | Key Grip |
| Randi Glass | Casting Associate |
| Mia Flanagan | Assistant Costume Designer |
| Alexandra Kennedy | Assistant Costume Designer |
| Michael Maida | Finishing Producer |
| Doyle Lewis | Assistant Location Manager |
| Gordon Bell | Script Supervisor |
| Evan Cathcart | Production Coordinator |
| Coral Naudet | Production Assistant |
| Bianca Grimshaw | Legal Services |
| Eduardo Sobrino | Production Supervisor |
| Riley Barnes | Stunts |
| Harriet Zucker | Set Decoration Buyer |
| Thomas Gough | Set Dresser |
| Jeff Brink | Special Effects Coordinator |
| Sebastian Pardo | Title Designer |
| Federica Emidi | Key Makeup Artist |
| Toni Child | Set Decoration |
| Dan West | Storyboard Artist |
| Michael Buonincontro | Hair Department Head |
| Samson Jacobson | Assistant Unit Manager |
| Josh Muzaffer | First Assistant Director |
| Natalia Danilova | Scenic Artist |
| Cece Hobson | Props |
| William Pavone | Greensman |
| Isaac Derfel | Sound Effects Editor |
| Richard Hart | Sound Mixer |
| Craig Mann | Sound Re-Recording Mixer |
| Roberto Sestito | Sound Mixer |
| Agnes Asplund | Visual Effects Supervisor |
| Drew Leary | Stunt Coordinator |
| Alessandra Bellini | Electrician |
| Brian Cardenas | Loader |
| Alessio Galasso | Focus Puller |
| Andrew Hubbard | Gaffer |
| Shannon Madden | "B" Camera Operator |
| Kali Riley | Focus Puller |
| Chandler Tucker | Digital Imaging Technician |
| Matteo Zanchi | Best Boy Electric |
| Allison Hall | Extras Casting |
| Adrian Flores | Wardrobe Supervisor |
| Amos LeBlanc | Ager/Dyer |
| Joseph Cairns | Location Manager |
| Connor McEwen | Location Assistant |
| Angela Argese | Production Assistant |
| Demetra Mertakas | Production Assistant |
| Jo Ann Gredell | First Assistant Accountant |
| Serena Morrone | Production Office Coordinator |
| Dylan Tarason | Production Consultant |
| Rob Weintraub | Stunts |
| John Polster | Set Dresser |
| Alex Ocansey | Set Dresser |
| Kevin Delatorre-Yanez | Special Effects Technician |
| Giulia Cosentino | Second Assistant Director |
| Francesca Antonetti | Makeup Artist |
| Andy Cole | Gaffer |
| Name | Title |
|---|---|
| Andrea Roa | Producer |
| Ollie Madden | Executive Producer |
| Dennis Masel | Executive Producer |
| Zhang Xin | Producer |
| Oliver Hermanus | Producer |
| Andrew Kortschak | Producer |
| Farhana Bhula | Executive Producer |
| Ana Leocha | Co-Producer |
| Lisa Ciuffetti | Producer |
| Tim Headington | Executive Producer |
| William Horberg | Executive Producer |
| Walter Kortschak | Executive Producer |
| Sara Murphy | Producer |
| Thérèsa Ryan | Producer |
| Paul Mescal | Executive Producer |
| Lia Buman | Executive Producer |
| Neil Shah | Executive Producer |
| Richard D. Lewis | Executive Producer |
| Gabrielle Nadig | Executive Producer |
| Ryan Zacarias | Executive Producer |
| Gina York | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 2 | 1 |
| 2024 | 5 | 1 | 3 | 1 |
| 2024 | 6 | 1 | 2 | 0 |
| 2024 | 7 | 2 | 8 | 0 |
| 2024 | 8 | 1 | 3 | 0 |
| 2024 | 9 | 1 | 2 | 1 |
| 2024 | 10 | 2 | 5 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
| 2025 | 11 | 6 | 9 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 417 | 628 |
The History of Sound: The Casablanca of the 21st Century "The History of Sound" is an incredibly powerful love story, I'm calling it the "Casablanca" of the 21st century. That's not hyperbole. Like Bogart's immortal line: "If that plane leaves the ground and you're not with him, you'll regret it. ... Maybe not today, maybe not tomorrow, but soon and for the rest of your life." Oliver Hermanus's film understands the weight of choices made and paths not taken. Both these love films stay with you long after the credits roll, their emotional resonance deepening with time. Kudos to Ben Shattuck for writing an incredible screenplay, particularly impressive for a beginner adapting his own short story. He's crafted something rare: a narrative that honors both romantic love and the love of music without sacrificing either. Hermanus brings this vision to life with luscious, warm, period filmmaking that feels both intimate and expansive. And he succeeds in making the queer love story so natural that the film doesn't feel like it's making that kind of statement at all. The soundtrack is a treasure chest of Americana, those wax cylinder recordings capturing not just songs but souls, voices that might have been lost to history if not for the devotion of men like Lionel and David. The film understands that preservation is an act of love, whether it's folk songs disappearing into modernity or moments between two people that the world may never acknowledge. "The History of Sound" is cinema that lingers, that reverberates, that refuses to fade.