Popularity: 1 (history)
Director: | Maurice Elvey |
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Writer: | W.P. Lipscomb, Stefan Zweig, Marguerite Stern, Elizabeth Baron |
Staring: |
A paraplegic baroness mistakes a man's pity for love - and tragedy ensues. | |
Release Date: | Jul 22, 1946 |
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Director: | Maurice Elvey |
Writer: | W.P. Lipscomb, Stefan Zweig, Marguerite Stern, Elizabeth Baron |
Genres: | Drama, Romance |
Keywords | paraplegic, disability |
Production Companies | Two Cities Films, J. Arthur Rank Organisation |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 29, 2024 |
Name | Character |
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Lilli Palmer | Baroness Edith de Kekesfalva |
Albert Lieven | Lt. Anton Marek |
Cedric Hardwicke | Dr. Albert Condor |
Gladys Cooper | Mrs. Klara Condor |
Linden Travers | Ilona Domansky |
Ernest Thesiger | Baron Emil de Kekesfalva |
Emrys Jones | Lt. Joszi Molnar |
Ralph Truman | Maj. Sandor Balinkay |
Fritz Wendhausen | Josef |
John Salew | Col. Franz Bubencic |
Freda Jackson | Gypsy |
Gerhard Kempinski | Mayor Jan Nivak |
David Ward | Capt. Ferencz Herczeg |
Anthony Dawson | Lt. Blannik |
Peter Cotes | Kosma (Orderly) |
Ronald Millar | Tabor |
Kenneth Warrington | Archduke Franz Ferdinand of Austria |
Jenny Laird | Trudi |
Hannah Norbert | Frantiska |
Gordon Phillott | Franto |
Charles Deane | Bridegroom |
Vivien James | Bride |
Vida Hope | Mrs. Tausky (uncredited) |
Name | Job |
---|---|
Maurice Elvey | Director |
W.P. Lipscomb | Screenplay |
Stefan Zweig | Novel |
Cecil Beaton | Costume Design |
Marguerite Stern | Screenplay |
Elizabeth Baron | Screenplay |
Nicholas Brodszky | Original Music Composer |
Derick Williams | Director of Photography |
Grace Garland | Editor |
Alex Vetchinsky | Production Design |
Matilda Etches | Costume Design |
Len Garde | Makeup Artist |
Ronald Kinnoch | Unit Manager |
Theo Lageard | Production Manager |
Alf Keating | Assistant Director |
V.B. Lyndon-Haynes | Assistant Director |
M. Hobbs | Sound Recordist |
B. C. Sewell | Sound Supervisor |
William McLeod | Camera Operator |
Charles Williams | Conductor |
Name | Title |
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Maurice Elvey | Producer |
W.P. Lipscomb | Producer |
Filippo Del Giudice | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 3 | 5 | 1 |
2024 | 5 | 4 | 7 | 2 |
2024 | 6 | 2 | 6 | 1 |
2024 | 7 | 3 | 8 | 1 |
2024 | 8 | 3 | 6 | 1 |
2024 | 9 | 2 | 3 | 1 |
2024 | 10 | 3 | 7 | 1 |
2024 | 11 | 2 | 4 | 1 |
2024 | 12 | 1 | 3 | 1 |
2025 | 1 | 2 | 4 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 1 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Albert Lieven is efficient here as the Austrian officer "Marek" who meets the glamorous "Baroness Edith" (Lilli Palmer) at a lavish dance. Asking her for a waltz, he soon discovers that she has been paralysed. The two chat and remain in touch over the coming months where she falls well and truly in ... love. Thing is, he doesn't quite reciprocate and when she accidentally discovers this, she runs away, distressed and alone, and her thoughts turn to suicide. The title is quite apt here - it illustrates the dangers of, however innocently, leading someone on with gestures of affection and kindness when they don't have the necessary reality filters to appreciate the distinction between fondness and amour. It's set just before the assassination of Archduke Franz Ferdinand, so has many of the opulent settings of the Hapsburg court as a backdrop - the costumes and settings all look grand. There is also an interesting sub-plot with dedicated doctor "Kondor" (Sir Cedric Hardwicke) and his blind wife "Klara" (a lovely, nuanced effort from Gladys Cooper) with the latter proving a vital conduit for the young man to realise just what his relationship with "Edith" really means... It's rather wordy this, and there are maybe just too many characters that rather diffuse the narrative a little too much - but if you enjoy historical melodrama with a fine period score from Nicholas Brodsky then you ought to enjoy this rather superior drama with a conscience.