| Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with. | |
| Release Date: | Jun 28, 2023 |
|---|---|
| Director: | Ira Sachs |
| Writer: | Ira Sachs, Mauricio Zacharias |
| Genres: | Drama, Romance |
| Keywords | paris, france, love triangle, infidelity, eroticism, bisexuality, pregnancy, bicycle, narcissism, teacher, lgbt, bisexual man, biking, compulsion, abortion, graphic design, film director, bilingual, same sex marriage, gay theme, self destructiveness, independent film, affair, wrap party, unlikeable protagonist |
| Production Companies | SBS Productions, KNM |
| Box Office |
Revenue: $1,103,374
Budget: $0 |
| Updates |
Updated: Jun 27, 2025 Entered: Jun 27, 2025 |
| Name | Character |
|---|---|
| Franz Rogowski | Tomas |
| Ben Whishaw | Martin |
| Adèle Exarchopoulos | Agathe |
| Erwan Kepoa Falé | Amad |
| Théo Cholbi | Jérémie |
| Arcadi Radeff | Dimo |
| Léa Boublil | Erica |
| Thibault Carterot | Thibault |
| Tony Daoud | Tony |
| Theo Gabilloux | Young Actor |
| Anton Salachas | Elias |
| Sarah Lisbonis | Sarah |
| William Nadylam | Clément |
| Caroline Chaniolleau | Agathe's Mother Edith |
| Olivier Rabourdin | Agathe's Father |
| Jérôme Dauchez | Wine Executive |
| François Boisrond | Artist #1 |
| Kylian Moison | Artist #2 |
| Chloé Granier | Martin's Assistant #1 |
| Juliette Mourlon | Martin's Assistant #2 |
| Malika Bejaoui | School Concierge |
| Name | Job |
|---|---|
| Olivier Assayas | Thanks |
| Oren Moverman | Thanks |
| Kelly Reichardt | Thanks |
| Laurent Bozzi | Hair Designer |
| Thomas Gastinel | Sound Mixer |
| Arlette Langmann | Additional Dialogue |
| My Lan Nguyen Quang | Visual Effects |
| Nathalie Tabareau | Key Makeup Artist, Makeup Artist |
| Judith Chalier | Casting |
| Grégoire Jeudy | Second Assistant Director |
| Romain Anklewicz | Foley Artist |
| Marianne Lamour | Gaffer |
| Yov Moor | Colorist |
| Céline Ruffié-Camus | Assistant Location Manager |
| Ira Sachs | Director, Writer |
| Pascale Consigny | Production Design |
| Cyril Holtz | Sound Re-Recording Mixer |
| Hervé Ingrand | Set Designer |
| Andrew Haigh | Thanks |
| François Ozon | Thanks |
| Sophie Reine | Editor |
| Marianne Germain | Production Manager |
| Nina Maini | Boom Operator |
| Christophe Arnoud | Location Manager |
| Andrew Ahn | Thanks |
| Sophie Roudaut | Producer's Assistant |
| Logan Lelièvre | Unit Manager |
| Julie-Anne Simon | First Assistant Director |
| Guy Ferrandis | Still Photographer |
| Audrey Kleinclaus | Digital Intermediate Producer |
| Romain Planque | Assistant Location Manager |
| Josée Deshaies | Director of Photography |
| Mauricio Zacharias | Writer |
| Anne Gibourg | Sound Editor |
| Khadija Zeggaï | Costume Design |
| Name | Title |
|---|---|
| Saïd Ben Saïd | Producer |
| Kevin Chneiweiss | Executive Producer |
| Michel Merkt | Producer |
| Ali Betil | Executive Producer |
| Hannah Janal | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 41 | 19 |
| 2024 | 5 | 28 | 54 | 20 |
| 2024 | 6 | 23 | 43 | 15 |
| 2024 | 7 | 26 | 44 | 15 |
| 2024 | 8 | 25 | 50 | 16 |
| 2024 | 9 | 14 | 21 | 10 |
| 2024 | 10 | 19 | 42 | 10 |
| 2024 | 11 | 18 | 31 | 9 |
| 2024 | 12 | 16 | 29 | 12 |
| 2025 | 1 | 18 | 29 | 11 |
| 2025 | 2 | 11 | 20 | 3 |
| 2025 | 3 | 5 | 15 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 4 | 7 | 2 |
| 2025 | 10 | 1 | 2 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 666 | 797 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 124 | 550 |
Intimacy can be a beautiful thing. However, it can also become something messy, hurtful and emotionally devastating when tainted by self-serving agendas, irresponsible intentions, or reckless, short-sighted experimentation, influences that can purposely or unwittingly end up wreaking widespread havo ... c. Such is the case in writer-director Ira Sachs’s new domestic drama about a flamboyant, free-spirited gay male filmmaker, Tomas (Franz Rogowski), who impulsively jumps into an impromptu fling with a woman, Agathe (Adèle Exarchopoulos), a relationship that leaves his longtime husband, Martin (Ben Whishaw), unsure of what the couple’s future might hold. As time passes, circumstances grow increasingly complicated as each member of this unlikely trio tries to sort out what lies ahead, particularly with the emergence of Tomas’s ever-growing thoughtless capriciousness. Some viewers may look upon the story’s shockingly reprehensible developments as improbable and appalling, but, sadly, as anyone who has ever watched tabloid TV can probably attest, the events depicted here might not appear as far-fetched as one might think. In that respect, this offering presents a bold, courageous, honest look at what can go awry in situations like this, an account loaded with incensed outrage, unbridled ire, biting humor and more than a little cynicism. It’s a narrative that some audience members may find offensive, even deplorable, but, like a horrific car accident, it’s also something that many viewers might find difficult to look away from, thanks in large part to the wholly convincing performances of the three protagonists. Sensitive viewers should be aware that the film includes a fair amount of explicit and provocative sexual content, so those easily offended by such material may not want to put this one on their watch lists. However, for those who appreciate domestic dramas that hold nothing back and that aren’t afraid to get down and dirty in their portrayals of what can happen, this release is about as good as any out there. Just be prepared to be left with your jaw agape – and your head spinning.
"Tomas" (Franz Rogowski) and husband "Martin" (Ben Whishaw) find their marriage severley tested when the former man starts to fall for "Agathe" (Adèle Exarchopoulos) and that passion drives "Martin" into the arms of "Amad" (Erwan Kepoa Falé). What now ensues is, frankly, a rather dull introspective ... of characters that didn't really leap off the screen at me. Rogowski can be a charismatic actor, but here he offers us a rather unremarkable characterisation of a horny man who wants to have his cake and eat it. Whishaw is, routinely these days on screen, just a bit weedy and presents another weakly constructed individual who seems content not to fight for the man he's supposed to love. It's all just rolls along without really catching fire, it's over-scripted and though it may well have a visual authenticity to it, it's all just a bit so what? The production and pacing all contribute to the general ennui of the whole thing and to be honest, I was just a bit disappointed with this rather lacklustre enterprise. I saw it at the cinema this week, but I suspect even the most ardent fans of these three can wait for a television screening.