Popularity: 4 (history)
Director: | Lana Wachowski, Lilly Wachowski |
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Writer: | Lana Wachowski, Lilly Wachowski |
Staring: |
Corky, a tough female ex-convict working on an apartment renovation in a Chicago building, meets a couple living next door, Caesar, a paranoid mobster, and Violet, his seductive girlfriend, who is immediately attracted to her. | |
Release Date: | Sep 13, 1996 |
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Director: | Lana Wachowski, Lilly Wachowski |
Writer: | Lana Wachowski, Lilly Wachowski |
Genres: | Drama, Crime, Thriller |
Keywords | money laundering, plumber, lesbian relationship, infidelity, crime boss, mafia, neo-noir, suspenseful, heist, love affair, lesbian, italian mafia, ex-con, affair, excited |
Production Companies | Summit Entertainment, Newmarket Capital Group, The De Laurentiis Company |
Box Office |
Revenue: $7,011,317
Budget: $4,500,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Gina Gershon | Corky |
Jennifer Tilly | Violet |
Joe Pantoliano | Caesar |
John P. Ryan | Mickey Malnato |
Christopher Meloni | Johnnie Marzzone |
Richard C. Sarafian | Gino Marzzone |
Barry Kivel | Shelly |
Mary Mara | Bartender |
Susie Bright | Jesse |
Margaret Smith | Woman Cop |
Peter Spellos | Lou |
Ivan Kane | Cop #1 |
Kevin Michael Richardson | Cop #2 |
Gene Borkan | Roy |
Name | Job |
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Don Davis | Original Music Composer |
Bill Pope | Director of Photography |
Zach Staenberg | Editor |
Todd Toon | Sound Effects Editor |
Doug Shamburger | Boom Operator |
Eve Cauley | Production Design |
Andre Blaise | Hairstylist |
Andrea Dopaso | Art Direction |
Lou Carlucci | Special Effects Supervisor |
Cliff Cudney | Stunt Coordinator |
Nancy Rhodes | Key Costumer |
Robert C. Goldstein | Art Direction |
Harry E. Otto | Set Designer |
Jonathan R. Hodges | Property Master |
Lizzy Gardiner | Costume Designer |
Felipe Borrero | Sound Mixer |
Teresa Kelly | Post Production Supervisor |
Rip Murray | First Assistant Director |
Pearl A. Lucero | Production Supervisor |
Tony Mazzucchi | Key Grip |
Cheryl Starbuck | Script Supervisor |
Kristen Toscano Messina | Set Decoration |
Toni Whiteman | Second Assistant Director |
Joel Unangst | Gaffer |
Jack R. Tate | Location Manager |
Suzanne Rodier | Key Makeup Artist |
Michael Stanwick | Color Timer |
Emma Fairley | Set Dresser |
Richard Rodier | Makeup Artist |
Ezra Dweck | Sound Re-Recording Mixer |
Robert W. Glass Jr. | Sound Re-Recording Mixer |
Grover B. Helsley | Sound Re-Recording Mixer |
Dan Wallin | Sound Re-Recording Mixer |
Tony Jefferson | Stunts |
Rocky Andrus | Grip |
Cheli Clayton | Camera Loader |
Walter Bithell | Electrician |
Darryl Cowherd Jr. | Electrician |
Scott Edelstein | Electrician |
James Fitzgerald | First Assistant Camera |
James Frederick | Electrician |
Christopher Ishii | First Assistant "B" Camera |
Dwayne Lyon | Electrician |
John A. Locke | Electrician |
Byron McCulloch | Dolly Grip |
Ron Peterson | Second Assistant Camera |
Kari Romeo | Second Assistant Camera |
Steve Peterson | First Assistant Camera |
Tony Sepian | Grip |
Randolph J. Verdigo | Grip |
Shawn Whelan | Best Boy Grip |
Dan Gutman | First Assistant Editor |
Stan Jones | Music Editor |
J.D. Orlebeck | Transportation Coordinator |
Cid Swank | Unit Publicist |
Lana Wachowski | Screenplay, Director |
Lilly Wachowski | Screenplay, Director |
Nancy Foy | Casting |
Dane A. Davis | Sound Designer |
Monica Fedrick | Assistant Art Director |
Marty Church | Foley Mixer |
Michael J. Broomberg | Foley Artist |
Eric Friend | Foley Editor |
Stan Ginsel | Foley Editor |
Tom Hammond | Foley Editor |
David Mancini | Foley Recordist |
Joan Rowe | Foley Artist |
Katie Rowe | Foley Artist |
Sean Rowe | Foley Artist |
Frank Wolf | Sound Mixer |
Tony Cucchiari | "B" Camera Operator |
Peter Jensen | Steadicam Operator |
Rob Sweeney | "B" Camera Operator |
Suzy Sharp-Kane | Casting Associate |
Patti Podesta | Title Designer |
David P. Barton | Prosthetic Makeup Artist |
Roland Eggler | Wigmaker |
Wayne Gee | Second Second Assistant Director |
Irene Adamczyk | Painter |
Ernie Andrasik | Carpenter |
Caitlin Blue | Assistant Set Decoration |
Steve Buckner | Scenic Artist |
Scott Burch | On Set Dresser |
Janine Burke | Additional Set Dresser |
Michael A. Capps | Construction Foreman |
Kevin Considine | Set Dresser |
Christopher P. Garr | Construction Foreman |
Lance C. Guiles | Carpenter |
Kenneth Halverson | Carpenter |
Sharon Harvey | Painter |
Ernest Hernandez | Carpenter |
Richard Jerebicz | Carpenter |
Christian E. Lemer | Carpenter |
Tamara Murphy | Assistant Property Master |
Louis A. Perez | Carpenter |
Steve Ross | Painter |
Jonathan Martin Spirk | Carpenter |
William Stahl | Set Dresser |
Samuel J. Tell | Leadman |
Scot T. Waldon | Carpenter |
Dana Porter | ADR Recordist |
Jim Borgardt | ADR Editor |
Andy Brisson | Apprentice Sound Editor |
Robert Deschaine | ADR Mixer |
John Kwiatkowski | Dialogue Editor |
Frank Long | Assistant Sound Editor |
David McRell | Assistant Sound Editor |
Charles W. Ritter | Dialogue Editor |
Al Wolovitch | Apprentice Sound Editor |
Allen Yeung | Apprentice Sound Editor |
Name | Title |
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Andrew Lazar | Producer |
Stuart Boros | Producer |
Jeffrey Sudzin | Co-Producer |
Lilly Wachowski | Executive Producer |
Lana Wachowski | Executive Producer |
Dino De Laurentiis | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 66 | 109 | 45 |
2024 | 5 | 148 | 184 | 104 |
2024 | 6 | 92 | 155 | 46 |
2024 | 7 | 63 | 111 | 29 |
2024 | 8 | 44 | 90 | 25 |
2024 | 9 | 36 | 72 | 25 |
2024 | 10 | 35 | 54 | 21 |
2024 | 11 | 31 | 53 | 23 |
2024 | 12 | 29 | 40 | 20 |
2025 | 1 | 33 | 46 | 26 |
2025 | 2 | 24 | 37 | 4 |
2025 | 3 | 10 | 29 | 2 |
2025 | 4 | 5 | 9 | 3 |
2025 | 5 | 6 | 10 | 4 |
2025 | 6 | 5 | 8 | 4 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 482 | 837 |
Year | Month | High | Avg |
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2025 | 7 | 475 | 710 |
Year | Month | High | Avg |
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2025 | 6 | 599 | 765 |
Year | Month | High | Avg |
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2025 | 5 | 809 | 917 |
Year | Month | High | Avg |
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2025 | 4 | 760 | 891 |
Year | Month | High | Avg |
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2025 | 3 | 364 | 667 |
Year | Month | High | Avg |
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2025 | 2 | 495 | 766 |
Year | Month | High | Avg |
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2025 | 1 | 288 | 767 |
Year | Month | High | Avg |
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2024 | 12 | 739 | 740 |
Year | Month | High | Avg |
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2024 | 10 | 858 | 858 |
Year | Month | High | Avg |
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2024 | 8 | 867 | 925 |
Easily the best film the Wachowskis have ever done. I heartily wish that they had stayed low-key, under the radar, and made great scorching films like this one. ...
**A competent and well-made erotic thriller, but without great originality.** This movie was a pleasant surprise. It came out in 1996, when dramatic films with a strong erotic content were still in vogue. Perhaps it is one of the last to have known some success, in fact. Understandably, the film ... remained very much alive in the heydays of VHS, I think it made its way to DVD, but gradually fell into oblivion where it currently rests. Is it deserved? Maybe not, but it's understandable to a certain extent: it's not an excellent film, but it will be a good bet for anyone who likes erotic thrillers. The screenplay is based on the lesbian case of two women, who become involved and decide to run away with a large fortune in mafia money, incriminating the mafia boyfriend of one of them. This is a script devoid of any kind of originality and that can only surprise for the lesbian content and the high dose of nudity, because all the violence, the profanity, the strong dialogues, the fast scenes, all of these are elements that we all expected. in a film of this type. The work of the directors is excellent and opened the doors to the “Matrix” franchise, with which they would come to consecrate themselves before falling back into obscurity from which they rarely manage to rise. They managed to insert many nuances of film noir into a strongly erotic plot, including the aesthetics and lighting of several scenes, and the sets, costumes, cinematography and soundtrack are truly good. The two leading actresses are Gina Gershon and Jennifer Tilly. None of them are great actresses, each of them has had their moments of brilliance in films where they have minor roles, and I don't think they will ever go beyond that. So, what they do here is interesting because they both showed commitment and gave a lot to the project. It doesn't mean they are extraordinarily talented or great actresses. The fact is that they got a good partnership on stage, they have a strong and credible chemistry, and the film builds on top of that effectively. As an actor, Joe Pantoliano is better and gives us the best interpretation of the film, and it's worth seeing the actor working with them.
<em>'Bound'</em> is a fun one! I've always wanted to get this watched since growing up with (the great) Jennifer Tilly via the <em>'<a href="https://letterboxd.com/films/in/childs-play-collection/by/release-earliest/size/large/" rel="nofollow">Chucky</a>'</em> franchise and having heard this ment ... ioned on/off down the years, so I'm glad that I have belatedly done so. It's entertaining! I knew of the love stuff and it sure does deliver, though I am surprised it only really happens at the beginning... it makes sense, I just assumed it was gonna be recurring throughout. Tilly and Gina Gershon are excellent together, very strong onscreen chemistry! Like with what I previously mentioned, I was also slightly surprised that Gershon disappears for what felt like a decent chunk of the movie; despite being literally next door. Again, works for the story but would've expected her to be there all the way. Joe Pantoliano stars behind them, ahead of a solid supporting cast. One to watch, which is interestingly The Wachowskis' directorial debut.