Come and Get It
YOUTH SACRIFICED! ON THE ALTAR OF POWER!
1936 | 99m | English
Popularity: 0.7 (history)
| Director: | William Wyler, Richard Rosson, Howard Hawks |
|---|---|
| Writer: | Jules Furthman, Edna Ferber, Jane Murfin |
| Staring: |
| An ambitious lumberjack abandons his saloon girl lover so that he can marry into wealth, but years later becomes infatuated with the woman's daughter. | |
| Release Date: | Nov 06, 1936 |
|---|---|
| Director: | William Wyler, Richard Rosson, Howard Hawks |
| Writer: | Jules Furthman, Edna Ferber, Jane Murfin |
| Genres: | Drama, Romance |
| Keywords | saloon, wisconsin, ambition, old man, look-alike, infatuation, lumberjack, saloon singer, timber, loveless marriage, business tycoon, rich man, lumber camp, father son conflict, lumber, friends love same woman, friends reunion, widower with daughter, lumber mill, marry for money, married to boss' daughter |
| Production Companies | United Artists, Howard Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Edward Arnold | Barney Glasgow |
| Joel McCrea | Richard Glasgow |
| Frances Farmer | Lotta Morgan / Lotta Bostrom |
| Walter Brennan | Swan Bostrom |
| Mady Christians | Karie Linbeck |
| Mary Nash | Emma Louise Glasgow |
| Andrea Leeds | Evvie Glasgow |
| Frank Shields | Tony Schwerke |
| Edwin Maxwell | Sid LeMaire |
| Cecil Cunningham | Josie |
| Charles Halton | Jed Hewitt |
| Doodles Weaver | Sourdough Barfly (uncredited) |
| Fred 'Snowflake' Toones | Snowflake (uncredited) |
| Harry C. Bradley | Thomas Gubbins (uncredited) |
| Gino Corrado | Waiter (uncredited) |
| Robert Homans | Cookie (uncredited) |
| Russ Powell | Bartender (uncredited) |
| Lee Shumway | Diner (uncredited) |
| Jack Pennick | Lumberjack (uncredited) |
| Robert Lowery | Chicago Restaurant Patron (uncredited) |
| Bud Jamison | Man in Saloon (uncredited) |
| Hank Worden | Lumberjack (uncredited) |
| Stanley Blystone | Lumberjack (uncredited) |
| Mark Strong | Lumberjack (uncredited) |
| Theodore Lorch | Lumberjack (uncredited) |
| Ethan Laidlaw | Lumberjack (uncredited) |
| Paul Panzer | Lumberjack (uncredited) |
| Lon Poff | Lumberjack (uncredited) |
| Harry Tenbrook | Lumberjack (uncredited) |
| Name | Job |
|---|---|
| William Wyler | Director |
| Jules Furthman | Screenplay |
| Edna Ferber | Novel |
| Richard Rosson | Director |
| Gregg Toland | Director of Photography |
| Howard Hawks | Director |
| Jane Murfin | Screenplay |
| Rudolph Maté | Director of Photography |
| Alfred Newman | Original Music Composer |
| Richard Day | Art Direction |
| Frank Maher | Sound Recordist |
| Edward Curtiss | Editor |
| Julia Heron | Set Decoration |
| Omar Kiam | Costume Design |
| Name | Title |
|---|---|
| Samuel Goldwyn | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 9 | 3 |
| 2024 | 5 | 8 | 12 | 4 |
| 2024 | 6 | 5 | 11 | 2 |
| 2024 | 7 | 6 | 15 | 2 |
| 2024 | 8 | 5 | 7 | 2 |
| 2024 | 9 | 4 | 7 | 1 |
| 2024 | 10 | 4 | 10 | 2 |
| 2024 | 11 | 4 | 8 | 2 |
| 2024 | 12 | 3 | 6 | 2 |
| 2025 | 1 | 3 | 6 | 1 |
| 2025 | 2 | 3 | 6 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
Trending Position
"Barney Glasgow" (Edward Arnold) is a backwater logger in Wisconsin who hits on an idea that could make him a fortune - he proposes this to his boss who accepts; but whose daughter goes with the package! He leaves his first love - saloon singer "Lotta" and his career goes from strength to strength. ... Twenty years later, he discovers that his love had a daughter (Frances Farmer) and he quickly becomes infatuated with her; much to the chagrin of his own son "Richard" (Joel McCrea) who is, himself, keen on the girl and of his more generously concerned daughter "Evvie" (Andrea Leeds). This is a rather straightforward story, but the characters are both strong and engaging; (Oscar winning) Walter Brennan as his long-time friend "Swanny" is also a crucial ingredient as the story deals with this mid-life crisis in a delicate, at times funny, but always sincere fashion. Howard Hawks and William Wyler share the directing credits on this - I've no idea why - but their two minds have managed to create something just a bit different here; and if you get the chance to catch up with it, you ought to.