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Hollow Man

Think you’re alone? Think again.
2000 | 112m | English

(144314 votes)

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Popularity: 6 (history)

Details

Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
Release Date: Aug 04, 2000
Director: Paul Verhoeven
Writer: Andrew W. Marlowe, Gary Scott Thompson
Genres: Action, Science Fiction, Thriller
Keywords killing, experiment, villain, slasher, scientist, survival horror, invisible person, voyeurism, invisibility
Production Companies Columbia Pictures, Global Medien KG, Red Wagon Entertainment
Box Office Revenue: $190,213,455
Budget: $95,000,000
Updates Updated: Sep 07, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Kevin Bacon Sebastian Caine
Elisabeth Shue Linda McKay
Josh Brolin Matthew Kensington
Kim Dickens Sarah Kennedy
Greg Grunberg Carter Abbey
Joey Slotnick Frank Chase
Mary Randle Janice Walton
William Devane Dr. Kramer
Rhona Mitra Sebastian's Neighbor
Tom Woodruff Jr. Isabelle the Gorilla
Pablo Espinosa Warehouse Guard
Margot Rose Mrs. Kramer
Jimmie F. Skaggs Wino
Jeffrey Scaperrotta Boy in Car
Sarah Bowles Girl in Car
Kelli Scott Mom
Steve Altes Dad
J. Patrick McCormack General Caster
Darius A. Sultan Gate Guard
David Vogt Helicopter Pilot
Gary A. Hecker Gorilla Vocals
Steven Fischer Businessman (uncredited)
Pui Fan Lee Mme. Ridgeway (Old Ebbit Grill Patron) (uncredited)
Stephen Szibler Old Ebbit Grill Patron (uncredited)
Robert Shepherd Restaurant Patron (uncredited)
Name Job
Ron Vignone Editor
Howard Feuer Casting
Allan Cameron Production Design
Dale Allen Pelton Art Direction
John M. Dwyer Set Decoration
Katherine Lambert Art Department Coordinator
Jim Wardell Greensman
Joseph Martin Location Scout
Mike Larrabee Painter
Don Lanning Sculptor
Daniel R. Jennings Set Designer
John Trapman Camera Operator
Jim Gordon Grip
Michael Douglas Middleton Still Photographer
James W. Tyson Costume Supervisor
Barry R. Koper Makeup Department Head
Carrie Bauer Set Costumer
Jim Husbands Set Dressing Artist
Mark Schouten Carpenter
Jim Berney CG Supervisor
Ken Bellanca Driver
Daniel C. McFadden Loader
Todd Bates Makeup Effects
Kevin Flatow Post Production Assistant
Edward Bellafiore Production Office Assistant
Craig T. Currie Propmaker
Teri Anne Kopp Property Master
Chris Allen Software Engineer
Greg Brickman Stunts
Gerardo De La Cruz Systems Administrators & Support
Joel Renfro Transportation Coordinator
Stanley Brossette Unit Publicist
Matt Byrne Utility Stunts
Aaron Katz Video Assist Operator
Haley McLane Script Supervisor
Jim Passon Color Timer
Catherine Chase First Assistant Editor
Benny McNulty Best Boy Electric
Shane D. Kelly Gaffer
Ken W. Ballantine Lighting Technician
Rell Putt Rigging Grip
Chris Silver Finigan Production Accountant
Raul A. Bruce Boom Operator
Carmen Flores De Tanis Assistant Sound Editor
Darrell Hall Music Editor
Jason W. Jennings Sound Effects Editor
Carol Ashley 3D Artist
Tom Gibbons Animation Supervisor
Kenneth Au Digital Compositors
David Rosenthal I/O Supervisor
Hans Metz Special Effects Supervisor
Mitch Deoudes Visual Effects
Kandece Brown Visual Effects Coordinator
B.Z. Petroff Visual Effects Producer
Craig Hayes Visual Effects Supervisor
Colin Epstein Sequence Leads
Tony Aylett Machinist
John P. Fasal Special Sound Effects
Krystin Johnson CG Painter
Edward Gould Costumer
Dawn Y. Line Key Costumer
Juanma Fernández París Second Assistant Director
Steve Lonano Second Second Assistant Director
Scott E. Anderson Second Unit Director, Senior Visual Effects Supervisor
Craig T. Shordon Decorator
Giacomo G. Ghiazza Storyboard Artist
Linda Folk ADR Editor
Charleen Richards-Steeves ADR Mixer
David Lucarelli ADR Recordist
Jeena M. Phelps Assistant Dialogue Editor
Matthew Dettmann Foley Artist
Richard Duarte Foley Mixer
Susan Dudeck Supervising ADR Editor
Michael J. Benavente Supervising Dialogue Editor
Yvette Marxer Utility Sound
Donn Markel Special Effects Assistant
Gary D. Bierend Special Effects Technician
Uel Hormann 2D Supervisor
Ralph Sevazlian VFX Artist
Andrew Schwartz Visual Effects Compositor
David Stump VFX Director of Photography
Andy King Visual Effects Technical Director
Brian Mussetter Assistant Camera
Todd Durboraw Camera Loader
David Nims Dolly Grip
Mike Gentile Second Assistant Camera
Elizabeth Hitt Animation Coordinator
Erik Lee CG Animator
Eric Reynolds Lead Animator
John Nicolard Digital Color Timer
Mo Henry Negative Cutter
J. Chan Claggett Assistant Location Manager
Paul-Michel Pierre-Benoist Location Production Assistant
Nick Vidar Music Programmer
Tish Johnson Assistant Accountant
Sissy Grover Assistant Production Coordinator
Wayne Kennedy Character Modelling Supervisor
Brennan Doyle Compositing Supervisor
Alonzo Ruvalcaba Head of Production
Dennis Webb I/O Supervisor
David Hickey Payroll Accountant
Jennifer Juen Production Assistant
Stephani Hunter Production Secretary
Richard L. Hill Pyrotechnician
Etienne Andlau Rotoscoping Artist
Kenny Gallagher Second Assistant Accountant
Brian Keeney Digital Effects Producer
Stan Parks Special Effects Supervisor
Andrew W. Marlowe Screenplay, Story
Jerry Goldsmith Conductor, Original Music Composer
Mark Goldblatt Editor
Jost Vacano Director of Photography
Ellen Mirojnick Costume Design
Gary Scott Thompson Story
Sue Chan Assistant Art Director
Miles Teves Conceptual Design
Gary Dagg Key Grip
Alec Gillis Makeup Designer
Michael Haboush Stand In
Gary Combs Stunt Coordinator
Peter S. Elliot Visual Effects Editor
Louis D'Esposito First Assistant Director
Robert Latham Brown Production Manager
Gregory Irwin First Assistant Camera
Alexander Courage Orchestrator
Joseph Geisinger Production Sound Mixer
Scott A. Hecker Supervising Sound Editor
Todd Vaziri CG Artist
Whitney James Makeup Supervisor
Laura Lee Connery Stunt Double
Lester Speight Stunt Driver
Jordu Schell Character Designer
Terri Douglas ADR Voice Casting
Greg Derochie Compositing Lead
Gilbert B. Combs Stunt Coordinator
Lisa Hoyle Stunt Double
Phil Culotta Stunt Double
Anette Haellmigk Second Unit Director of Photography
Brian Feeney Set Production Assistant
Paul Verhoeven Director
Luisa Abel Makeup Artist
Scott Stokdyk Digital Effects Supervisor
Mitchell Bell Production Coordinator
Name Title
Marion Rosenberg Executive Producer
Stacy Lumbrezer Co-Producer
Kenneth Silverstein Associate Producer
Alan Marshall Producer
Douglas Wick Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 49 76 28
2024 5 59 99 43
2024 6 40 60 28
2024 7 35 65 20
2024 8 28 47 20
2024 9 26 53 18
2024 10 28 41 20
2024 11 28 54 20
2024 12 28 47 20
2025 1 29 57 19
2025 2 21 37 4
2025 3 8 25 1
2025 4 5 10 2
2025 5 5 11 3
2025 6 4 8 3
2025 7 3 5 2
2025 8 4 7 2
2025 9 7 10 4
2025 10 4 6 3

Trending Position


Year Month High Avg
2025 10 878 929
Year Month High Avg
2025 9 91 612
Year Month High Avg
2025 7 693 801
Year Month High Avg
2025 5 663 835
Year Month High Avg
2025 2 848 892
Year Month High Avg
2025 1 790 882
Year Month High Avg
2024 12 915 934

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Reviews

Dark Jedi
6.0

I have been unusually lucky with my SyFy-channel movie watching lately. I had no idea what this movie was really but there was nothing else on last night and I also noticed that it was directed by Paul Verhoeven which have directed quite a few movies that I really liked so I decided to give it a try ... . As it turned out, this is another movie that is somewhat above the usual standard for movies given on SyFy. It has a rating on 27% on Rotten Tomatoes which is just bullshit. But then, the so called “professional critics” used by the Rotten Tomatoes are dimwits who trash every movie that is not “intellectual” enough for their self-imagined refined tastes. I do not know why they continue to use these clowns for their official rating system instead of the real audience? On IMDb it holds a 5.6 out of 10 rating which is more realistic. I was hesitating between 7 and 6. In the end I gave it a 6 because, as I said in the title, it is a quite okay movie but not a fantastic one. The story of the movie is a fairly standard one. Scientist experiments on himself, experiment goes wrong, scientist goes mad, hack hack, chop chop, scientist dies, happy ending for the remaining survivors. Thus the movie pretty much relies on its special effects which are indeed quite good. The various invisible effects, not to mention the scenes where Caine is partially visible due to smoke or water effects, are quite enjoyable to watch. Kevin Bacon is making quite a performance as a very disagreeable fanatic scientist. He is doing a remarkably good job of it even when he is covered by a latex mask which of course is quite a feat being deprived of any facial expressions. The rest of the cast was fairly standard Hollywood fare, that is, fairly bland. On the whole I found the movie quite enjoyable. It was perhaps a bit slow at the beginning and Cain’s show of megalomaniacal attitudes was indeed becoming a bit tiresome after a while. As I said, his roles was a very disagreeable one. Once he became invisible things started to become more interesting although it took a wee time for things to speed up even then. It was certainly not a wasted movie evening and the movie is worth at least 6 out of 10 stars.

May 16, 2024
John Chard
7.0

It's amazing what you can do... when you don't have to look at yourself in the mirror any more. It was the film that convinced director Paul Verhoeven to leave Hollywood and take a break from film making. His reasoning being that any Hollywood director could have made Hollow Man, a big effects le ... d movie that made a lot of cash at the box office. It's this that is the main problem with the picture, it lacks some of the director's bite and satirical savagery, even the souped up sex (natural or deviant) that often comes with his productions. Yet devoid of expectations of a Verhoeven masterpiece, and the crushing realisation that it basically wastes its potential and plays out as a haunted house stalk movie - it's a good enough energetic popcorner. It quickly becomes obvious that we are entering special effects extravaganza, the opening credits are dynamite, sci-fi sexy, then the opening gambit sequence literally grabs us - and a rodent - by the throat. From here on in we are treated to grade "A" effects and some genius ways of exposing "the invisible" Sebastian Caine (Kevin Bacon) to us and the prey he soon comes to hunt. Unfortunately the whole cast performances are a much of a muchness, and playing a roll call of sci-fi stereotypes. All involved here have done much better work in their sleep, but they put the bums on theatre seats and ultimately this works as one of those movies designed to thrill and awe the senses - but sadly not the brain. 6.5/10

May 16, 2024
Ruuz
6.0

Some pretty impressive effects for the era, and a pretty cool (if not original) core concept, but what's most intriguing about _Hollow Man_ is the hero's journey, or more accurately, the absence of it. The inverse of it. I don't feel like it's fair to even say that it's a villain's journey. Assuredl ... y, by the end of the movie, it is very clear who our villain is, but given that he starts out such a dick anyway, the intriguing thing is not so much that he necessarily changes, but the idea that his character is maybe just "revealed". To become the type of prick he always could have been, if only had the power to be so. The thing is, he starts this movie a pretty archetypal protagonist. His role is seen almost identically across any number of movies for decades before _Hollow Man_ was released, and one that we honestly still see today. And this archetype is almost always beloved! "Sure he's a bit cheeky, but that's why he's such a great character". It's very confronting to think about what this archetype is so close to being, and I think maybe that's kind of the point of this whole thing. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Jun 23, 2021
Kamurai
8.0

Great watch, will watch again, and can definitely recommend. This has a fantastic premise of what happens when humans discover a process to "invisible-lize" and "visible-lize" organic life forms. For a 2000 movie, this has a high production value and probably state of the art computer effects in ... 2000, and for most of the movie they hold up, though they do struggle at points. I honestly do think that it's an "invisibility" effect, is what helps it hold up. This is a rather tricky premise, it's presented as a scientist turning himself invisible, but it's much closer to a "Twilight Zone" episode with a philosophical waxing of a Dr.'s god complex. What would a human do when it has a distinct advantage / power over others. And while that is super interesting, it tracks a little better if you just think of him as "snapping", but the movie fights you on this as it very quickly devolves to "I could do [horrible thing], who's going to stop me.". It parallels with the mad scientist trope of "We can, but do we ask if we should?". Kevin Bacon nails the awful, irredeemable mad scientist, and Elisabeth Shue does a wonderful job of playing support to Bacon and a protagonist in her own right. It is refreshingly different that the protagonist is the bad guy, or at least he's fluid, and it's almost two different perspectives blended together to make one story. I'm a big fan "inescapable terror" type of thriller, and this is fantastic example of it, and I think other thriller / horror fans will enjoy this where the sci-fi types might not enjoy it as much, even though that's how this one is sort of advertised. With "The Invisible Man" soon available, I'm very excited to have watch this, and am looking forward to a newer version of it.

Jun 23, 2021
SoSmooth1982
8.0

Loved this movie. I never seen a concept for a movie like this. I wouldn't hate being invisible at all. I can also see how it would be frustrating to not be able to become normal again too. ...

May 26, 2023
Geronimo1967
6.0

Kevin Bacon ("Sebastian Caine") leads a team of scientists looking for ways to make living things invisible. When he decides to be the ultimate guinea pig, it all starts to go a bit wonky - they can make him disappear ok, but they cannot quite reverse the transaction. Needless to say, despite the be ... st efforts of Elisabeth Shue ("Linda") and Josh Brolin ("Matt") he starts to go off the rails a bit, and with his new found abilities to go about undetected, he soon becomes quite a nasty piece of work determined to wreak retribution on his boss and his erstwhile colleagues. It's a rather daft slasher with plenty of clever skeletal effects and pace, but the dialogue and scenarios are pretty preposterous with little, if any, chemistry between any of the stars.

Aug 28, 2023