Tall, Dark and Handsome
What a man...He's a killer that doesn't kill
1941 | 78m | English
Popularity: 2 (history)
| Director: | H. Bruce Humberstone |
|---|---|
| Writer: | Darrell Ware, Karl Tunberg |
| Staring: |
| Robin Hoodish gangster in 1929 Chicago is an object of affection, kind to New York hood and bad to a bad crook. | |
| Release Date: | Jan 24, 1941 |
|---|---|
| Director: | H. Bruce Humberstone |
| Writer: | Darrell Ware, Karl Tunberg |
| Genres: | |
| Keywords | gangster, newspaper reporter, graft |
| Production Companies | 20th Century Fox |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 17, 2026 Entered: Apr 27, 2024 |
| Name | Character |
|---|---|
| Cesar Romero | J.J. "Shep" Morrison |
| Virginia Gilmore | Judy Miller |
| Milton Berle | Frosty Welch |
| Charlotte Greenwood | Winnie Sage |
| Sheldon Leonard | Pretty Willie Williams |
| Stanley Clements | Detroit Harry Morrison Jr. |
| Frank Jenks | Puffy |
| Barnett Parker | Quentin |
| Marc Lawrence | Louie |
| Paul Hurst | Biff Sage |
| Frank Bruno | Chick |
| Anthony Caruso | Gunman |
| Marion Martin | Dawn |
| Leon Belasco | Alfredo Herrera |
| Charles D. Brown | District Attorney |
| Addison Richards | Miitary Academy Commandant |
| George Watts | Joe Brady |
| Stanley Blystone | Policeman in cigar store |
| Vickie Lester | Snuggy |
| Mary Treen | Martha |
| Bess Flowers | Department Store Extra (uncredited) |
| Name | Job |
|---|---|
| Darrell Ware | Screenplay |
| Ernest Palmer | Director of Photography |
| Cyril J. Mockridge | Original Music Composer |
| Richard Day | Art Direction |
| Wiard B. Ihnen | Art Direction |
| Thomas Little | Set Decoration |
| H. Bruce Humberstone | Director |
| Karl Tunberg | Screenplay |
| Allen McNeil | Editor |
| Travis Banton | Costume Design |
| Name | Title |
|---|---|
| Fred Kohlmar | Associate Producer |
| Darryl F. Zanuck | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 10 | 2 |
| 2024 | 5 | 4 | 10 | 1 |
| 2024 | 6 | 2 | 5 | 1 |
| 2024 | 7 | 3 | 6 | 1 |
| 2024 | 8 | 2 | 3 | 0 |
| 2024 | 9 | 3 | 11 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 3 | 1 |
| 2025 | 2 | 1 | 3 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 1 | 2 | 1 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 2 | 5 | 0 |
Trending Position
With “Shep” (Cesar Romero) ruling one side of Chicago and “Pretty Willie” (Sheldon Leonard) the other, a sort of peace prevails amongst the gangsters. This equilibrium is endangered, though, when “Shep” encounters “Judy” (Virginia Gilmore) and to keep her close he offers her a position as his nanny. ... Nanny to whom, though? He hasn’t any children so enter the stroppy young “Harry” (Stanley Clements) who is playing along without knowing the true identity of his “dad”. Of course, “Willie” immediately takes a shine to her too, but amidst their brief rutting the latter man discovers something fairly significant about his opposite number. It’s so significant that it will change the balance of power - but what can “Shep” do? It’s quite a fun comedy drama, this one, but boy are there holes in the plot. To be fair, that isn’t a predictable one and there are a few (implausible) twists along the way as we head to the spectre of a conclusion that offers just desserts all round. Romero puts on his usual charm but Gilmore doesn’t really make much impact. For that we really need to look at Milton Berle’s “Frosty” - the right hand man who likes a bottle or two, and to the engagingly attitudinal Clements who clearly went to the Jimmy Cagney school of mobster lingo. It’s all perfectly enjoyable to watch with a solid underlying story, but is really too sloppily put together and I doubt I’ll ever remember it.