Popularity: 2 (history)
Director: | Hugh Hudson |
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Writer: | Colin Welland |
Staring: |
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest. | |
Release Date: | May 15, 1981 |
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Director: | Hugh Hudson |
Writer: | Colin Welland |
Genres: | Drama, History |
Keywords | underdog, scotland, missionary, jewry, patriotism, mayor, praline, olympic games, olympian sports team, ambition, sports, based on true story, athletics, olympic athlete, cambridge university, dramatic, celebratory, dignified, powerful |
Production Companies | 20th Century Fox, Enigma Productions, Allied Stars |
Box Office |
Revenue: $58,972,904
Budget: $5,500,000 |
Updates |
Updated: Jul 30, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ben Cross | Harold Abrahams |
Ian Charleson | Eric Liddell |
Cheryl Campbell | Jennie Liddell |
Alice Krige | Sybil Gordon |
Nigel Havers | Lord Andrew Lindsay |
Ian Holm | Sam Mussabini |
Nicholas Farrell | Aubrey Montague |
Daniel Gerroll | Henry Stallard |
John Gielgud | Master of Trinity |
Lindsay Anderson | Master of Caius |
Nigel Davenport | Lord Birkenhead |
Dennis Christopher | Charles Paddock |
Brad Davis | Jackson Scholz |
Patrick Magee | Lord Cadogan |
Peter Egan | Duke of Sutherland |
Struan Rodger | Sandy McGrath |
David Yelland | Prince of Wales |
Richard Griffiths | Head Porter - Caius College |
Patrick Doyle | Jimmie |
John Young | Rev. J.D. Liddell |
Yvonne Gilan | Mrs Liddell |
David John | Ernest Liddell |
Benny Young | Rob Liddell |
Yves Beneyton | George Andre |
Stephen Mallatratt | Watson |
Gerry Slevin | Colonel John Keddie |
Colin Bruce | Taylor |
Alan Polonsky | Paxton |
Edward Wiley | Fitch |
Jeremy Sinden | President - Gilbert and Sullivan Society |
Andrew Hawkins | Secretary - Gilbert and Sullivan Society |
Jack Smethurst | Sleeping Car Attendant |
Peter Cellier | Head Waiter - The Savoy |
Philip O'Brien | US Coach |
Ruby Wax | Bunty |
Ralph Lawton | Harbour Master |
Kim Clifford | Sybil's Maid |
John Rutland | Caius Porter |
Peter Jones | |
Tommy Boyle | Reporter |
Wallace Campbell | Highland Provost |
Gordon Hammersley | President - Cambridge Athletic Club |
Alan Dudley | Caius Manservant |
Tess Dignan | Schoolgirl |
Michael Jeyes | Footman |
David Kivlin | First Scots Boy |
Eddie Hughson | Second Scots Boy |
Ted Robbins | Shot Putter (uncredited) |
Kenneth Branagh | Cambridge Student at Society Day (uncredited) |
Stephen Fry | Cambridge Student at Society Day (uncredited) |
Name | Job |
---|---|
Maureen Hannaford-Naisbitt | Hairstylist |
Andrew Sanders | Art Direction |
Esta Charkham | Casting |
Joyce Herlihy | Production Manager |
Kenteas Brine | Makeup Artist |
Jonathan Amberston | Art Direction |
Jonathan Benson | Assistant Director |
Hilary Steinberg | Makeup Artist |
Len Huntingford | Art Direction |
Anna Ridley | Art Direction |
Joan Hills | Hair Department Head |
Mary Hillman | Makeup Department Head |
Paul Bradburn | Props |
Jane Buck | Continuity |
Dennis Fraser | Grip |
Ray Potter | Electrician |
Graham Attwood | Still Photographer |
Clive Winter | Sound Mixer |
Jim Shields | Sound Editor |
Caroline Langley | Location Manager |
Jennie Raglan | Production Secretary |
Ros Siely | Assistant Editor |
Ray Merrin | Sound Mixer |
Dushko Indjic | Sound Assistant |
Maggie Phelan | Assistant Accountant |
Don Bradburn | Standby Property Master |
Les Phipps | Standby Rigger |
Simone Reynolds | Additional Casting |
Matthew Binns | Second Assistant Director |
Terence Fitch | Third Assistant Director |
Bill Rudgard | Third Assistant Director |
Louise Frogley | Assistant Costume Designer |
Nadia Arthur | Wardrobe Master |
Marina Drecker | Wardrobe Assistant |
Gill John | Wardrobe Assistant |
Tony Allen | Tailor |
Diane Bates | Assistant Art Director |
Diana Morris | Set Dresser |
Ray Caple | Matte Painter |
Brian Kemp | Electrician |
Eddie Knight | Electrician |
Alan Grosch | Electrician |
John Kelly | Title Designer |
Kate Healy | Hairstylist |
Roger Hall | Supervising Art Director |
Dewi Humphreys | Camera Operator |
Michael Connor | Focus Puller |
Ron Phipps | Production Accountant |
Roy Evans | Construction Manager |
Bill Rowe | Sound Mixer |
Simon Bosanquet | Location Manager |
Les Healey | First Assistant Editor |
Pat Gilbert | Assistant Sound Editor |
Rowland Fowles | Sound Assistant |
Hazel Crombie | Assistant Accountant |
John Leuenberger | Property Master |
John New | Standby Carpenter |
Douglas Regan | Standby Painter |
Dorothy Andrew | Extras Casting |
Melvin Lind | Second Assistant Director |
Hugh O'Donnell | Third Assistant Director |
David Murphy | Wardrobe Supervisor |
Terry Smith | Wardrobe Master |
John Brady | Wardrobe Assistant |
Imogen Magnus | Wardrobe Assistant |
Vivian Tozer | Wardrobe Assistant |
Claire Sorrell | Costume Assistant |
Bryony Foster | Set Dresser |
Kate Kilroy | Set Buyer |
Derek Gatrell | Electrician |
Billy Merrell | Electrician |
Alan Grayley | Electrician |
John O'Driscoll | Title Designer |
John Gorham | Title Designer |
Hugh Hudson | Director |
David Watkin | Director of Photography |
Terry Rawlings | Editor |
Vangelis | Original Music Composer |
Milena Canonero | Costume Design |
Graham Churchyard | Costume Assistant |
Kate Robinson | Camera Loader |
Harry Rabinowitz | Music Coordinator |
Iain Smith | Location Manager |
Colin Welland | Writer |
Name | Title |
---|---|
James Crawford | Associate Producer |
David Puttnam | Producer |
Dodi Fayed | Executive Producer |
Jake Eberts | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Director | Hugh Hudson | Won |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 29 | 15 |
2024 | 5 | 23 | 38 | 13 |
2024 | 6 | 22 | 39 | 11 |
2024 | 7 | 24 | 43 | 13 |
2024 | 8 | 18 | 28 | 11 |
2024 | 9 | 15 | 26 | 11 |
2024 | 10 | 18 | 41 | 11 |
2024 | 11 | 15 | 29 | 9 |
2024 | 12 | 16 | 26 | 11 |
2025 | 1 | 18 | 31 | 14 |
2025 | 2 | 13 | 20 | 3 |
2025 | 3 | 7 | 22 | 1 |
2025 | 4 | 3 | 8 | 1 |
2025 | 5 | 3 | 9 | 2 |
2025 | 6 | 2 | 4 | 2 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 912 | 943 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 769 | 825 |
The opening bars of the Oscar-winning Vangelis score coupled with the shot of the athletes running along the beach, barefoot, at St. Andrews is amongst the most iconic opening scenes from any film, but somehow the rest of this strays all too often into mediocrity thereafter. It tells the story of tw ... o British athletes who strove to thrive at the Olympiad in Paris in 1924. Harold Abrahams (Ben Cross) comes from a Lithuanian Jewish background. who is welcomed to Cambridge University, but never quite accepted. The other is Eric Liddell (Ian Charleson), a devout Christian who comes from missionary stock and who believes that he must serve God before himself - and that includes not running any races on the Sabbath. Both of these men have considerable athletic skills, and the story intertwines their efforts to get to the Games, whilst both must deal with their differing priorities and challenges. It's this middle portion of the film, the prologued character development phase, that all plods along too slowly. It has too little pace and too many characters, and that just drags the film down. The last fifteen minutes liven up considerably though, not just with the events on the track - but amongst those determined to ensure that the whole team attains success making sacrifices and compromises along the way. It has a classy look to it, the costumes and settings are top drawer, but I found the leading performances rather disjointed and at over two hours long, I did struggle to stay engaged.