Popularity: 5 (history)
Director: | Stephen Sommers |
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Writer: | Stephen Sommers |
Staring: |
A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first. | |
Release Date: | Jan 30, 1998 |
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Director: | Stephen Sommers |
Writer: | Stephen Sommers |
Genres: | Adventure, Action, Science Fiction, Horror |
Keywords | monster, volcano, ocean liner, creature, sea monster, jewel heist, kraken, south pacific, armed robbery |
Production Companies | Hollywood Pictures, Cinergi Pictures, Calimari Productions |
Box Office |
Revenue: $11,203,026
Budget: $45,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Treat Williams | John Finnegan |
Famke Janssen | Trillian St. James |
Anthony Heald | Simon Canton |
Kevin J. O'Connor | Joey Pantucci |
Wes Studi | Hanover |
Derrick O'Connor | Captain Atherton |
Jason Flemyng | Mulligan |
Cliff Curtis | Mamooli |
Clifton Powell | Mason |
Trevor Goddard | T. Ray |
Djimon Hounsou | Vivo |
Una Damon | Leila |
Clint Curtis | Billy |
Warren Takeuchi | Radar Man |
Linden Banks | Communications Officer |
Jack Anker | Corpse |
Anne-Simone | Video Vault Woman |
Leanne Adachi | Toilet Lady |
Melanie Carr | Dealer |
Colin McCarlie | Sonar Man |
Jim May | Mystery Man |
Jana Sommers | Party Girl |
Marti Baldecchi | Party Girl |
Name | Job |
---|---|
Bob Ducsay | Editor |
Mark 'Blue' Angus | Transportation Coordinator |
Stephen Sommers | Director, Writer |
Mike Crestejo | Stunts |
Joseph A. Porro | Costume Design |
John Wright | Editor |
Howard Atherton | Director of Photography |
Lubor Cencak | Scenic Artist |
Gary Combs | Stunt Coordinator |
Coreen Mayrs | Casting |
David Stinnett | CG Supervisor |
Leslie Shatz | Sound Designer, Sound Editor, Sound Re-Recording Mixer |
Darrell Pritchett | Special Effects Coordinator |
Barbara Chomos | Unit Publicist |
Scott Frankel | CG Supervisor |
Jerry Goldsmith | Original Music Composer, Conductor |
Graham Brunskill | Carpenter |
Leslie Burt | Production Coordinator |
Garnet Durham | Video Assist Operator |
Michael P. Mason | Painter |
Dan DeLeeuw | Digital Effects Supervisor |
Martin Hall | Gaffer |
Michael McLellan | Leadman |
Shawn Jolicoeur | Camera Technician |
Piero Mura | Sound Editor |
Aaron Campbell | Technical Supervisor |
Nick Kuchera | Key Grip |
Dean Cundey | Second Unit Director |
Tracey Boulton | Costume Design |
Marnie Waxman | Casting Associate |
John Denison | Costumer |
Dean Eilertson | Assistant Property Master |
Rob Bottin | Creature Design |
Nick Vidar | Music Programmer |
Dave Dunaway | Special Effects Technician |
Larry Rippenkroeger | Stunt Double |
Scott Weber | Foley Mixer |
Mark Levinson | ADR Supervisor |
Dylan Goss | Aerial Camera |
Byron Macdonald | Accountant |
Dan Yale | Dialogue Editor |
Doc Kane | ADR Mixer |
Steve Nichols | CG Animator |
Glen Sylvester | CG Animator |
Susan Goldsmith | CG Artist |
Eddie Pasquarello | CG Artist |
Richard Grandy | CG Artist |
Marny Eng | Stunts |
Russell Earl | CG Artist |
Tom St. Amand | CG Animator |
Patrick Neary | CG Artist |
Doug Chapman | Stunts |
Rick Pearce | Stunts |
Melissa R. Stubbs | Stunts |
Owen Walstrom | Stunts |
Garvin Cross | Stunts |
Mary Goldberg | Casting |
Craig Henderson | Construction Coordinator |
Mark Dornfeld | Visual Effects Supervisor |
Douglas Murray | Supervising Sound Editor |
Keith Young | Camera Operator |
Holger Gross | Production Design |
Patrick Dodd | Supervising Sound Editor |
Jan Kobylka | Construction Coordinator |
Sarah Laxton | Script Supervisor |
Monty Bannister | Location Manager |
Rick Alexander | Sound Re-Recording Mixer |
Tony Van Den Ecker | Special Effects Coordinator |
Donna Bis | Hairstylist |
Hitoshi Inoue | Visual Effects Editor |
Annmarie Corbett | Set Decoration |
Jim May | Visual Effects Editor |
Gail L. Smith | Set Costumer |
Masako Masuda | Set Designer |
Edward Flotard | Transportation Coordinator |
Malcolm Fife | Sound Effects Editor |
Sandi Tanaka | Art Department Coordinator |
Van Ling | Visual Effects Supervisor |
Nancy Ford | Assistant Art Director |
Christopher Tammaro | Camera Operator |
Douglas Craik | Camera Operator |
Casey Cannon | Visual Effects Producer |
Tim Storvick | Special Effects Coordinator |
Jeffrey M. Hoffman | Camera Operator |
Kevin Ishioka | Art Direction |
Barry Kootchin | Scenic Artist |
Sandy Cochrane | Art Direction |
Pete Romano | Underwater Camera |
Joel Ransom | Camera Operator |
Luis G. Hoyos | Set Designer |
Meghan L. Noble | First Assistant Editor |
Rick Willoughby | Sculptor |
Amy Pawlowski | Visual Effects Editor |
Kenneth Hall | Music Editor |
Rose Marie McSherry | Set Decoration |
Tom E. Dahl | Sound Re-Recording Mixer |
William H. Schirmer | Special Effects Coordinator |
Rosalina Da Silva | Makeup Artist |
Douglas Curran | Still Photographer |
Aaron Rochin | Sound Re-Recording Mixer |
Gary Myers | Assistant Art Director |
Lorelei Kuchera | Script Supervisor |
Michael Shea | Visual Effects Supervisor |
Douglas F. O'Neons | Camera Operator |
Kelly Moon | Script Supervisor |
Matsune Suzuki | Modeling |
Kirk Caouette | Utility Stunts |
Casey Pritchett | Special Effects Supervisor |
Shawn McLaughlin | Best Boy Electric |
Chris Higgins | Boom Operator |
Bruce Bennett | Electrician |
Gilbert Carreras | Color Timer |
Brent O'Connor | Unit Production Manager |
Roxanne Dorman | Projection |
Lloyd Ahern II | Additional Photography |
Lili Marchenski | Key Makeup Artist |
Paul Irvine | Transportation Co-Captain |
Jim Birkel | Construction Foreman |
Lars Lenander | Special Effects Coordinator |
Gregg Barbanell | Foley Artist |
Carl Assmus | Grip |
Kathryn Drew | Production Accountant |
Allen Hurd | Sound Recordist |
Kris Fenske | Assistant Sound Designer |
Mark Aisbett | Stunts |
Douglas Busby | Driver |
Stacey Butterworth | Wigmaker |
Lauryl Duplechan | Visual Effects Editor |
Ron Greenwood | Property Master |
Don Dykens | Transportation Captain |
Rob Fournier | Armorer |
Carolle Alain | First Assistant Editor |
Frank H. Griffiths | Production Sound Mixer |
Angie Russell | Digital Producer |
Alexandra Altrocchi | Visual Effects Coordinator |
Wes Hamby | Set Dressing Artist |
Anne Laing | Assistant Sound Editor |
Danny Gordon Taylor | Animation Supervisor |
Ildiko Barritt | Craft Service |
Mario Iscovich | Post Production Producer |
Carl Miller | First Assistant Camera |
Tod Feaster | Production Manager |
Howard Ellis | First Assistant Director |
Jules Mann | Storyboard Artist |
Kenton Hulme | Visual Effects Assistant Editor |
Paul Kavanagh | CG Animator |
Gary J. Williams | Best Boy Grip |
Debi Weldon | Costume Set Supervisor |
Muqeem Khan | VFX Artist |
Kimberley Regent | Property Buyer |
Michelle Fitzpatrick | Third Assistant Director |
Kevin J. Andruschak | Special Effects Assistant |
Todd Davis | Casting Assistant |
Aristidi Georgiopoulos | Assistant Camera |
Blaine Kennison | Compositing Supervisor |
John Adams | Chief Lighting Technician |
Mike Boudry | ADR Recordist |
Tim Alexander | CG Artist |
Jim Brebner | Second Assistant Director |
Lorraine Yawney | Construction Buyer |
Sara Hegarty | Apprentice Sound Editor |
Jim Feldman | Concept Artist |
Cynthia Feyrer | Negative Cutter |
Dean Hannas | Second Assistant Camera |
Todd Hlagi | Dolly Grip |
Tim Palgut | Camera Trainee |
Paul Ventura | Additional Casting |
Jasmine Barry | Assistant Production Coordinator |
Doreen Beaulac | First Assistant Accountant |
Sandra Couldwell | Extras Casting |
Bob Kursar | Technical Advisor |
Grant Swain | Property Master |
Michael Kelem | Aerial Camera |
Terry Calhoun | Electrician |
Marco Ciccone | First Assistant Camera |
Patrick Stepien | First Assistant Camera |
Timo Juonolainen | Grip |
Christian John Murray | Grip |
Isabelle MacCrimmon | Second Assistant Camera |
Joan Rowe | Foley Artist |
Rob Young | Production Sound Mixer |
Tim Montijo | Animation |
Clark Campbell | Assistant Editor |
Bob Baron | ADR Editor |
Gilbert Jamault | Generator Operator |
Christofer Dierdorff | Digital Supervisor |
Ryan Arndt | Pyrotechnician |
Mike Meaker | Matte Painter |
Saubrie Mohamed | Electrician |
Rusty Deluce | First Assistant Camera |
Hugh Meikle | Generator Operator |
Benoît Lamarche | Grip |
Randy A. Jablonka | Lighting Technician |
Keith Brooks | Cableman |
Sean Rowe | Foley Artist |
Russell Shinkle | Effects Supervisor |
Ron Annunziata | Production Assistant |
Gail Wise | Playback Coordinator |
Stephan Dupuis | Special Effects Makeup Artist |
Henry M. Lebo | Second Unit Director of Photography |
Bradley S. Creasser | First Assistant Camera |
Bob Findlay | First Assistant Camera |
Paul Arnel | Grip |
Dean Reca | Grip |
Larry Portmann | Second Assistant Camera |
Brian Adams | Compositor |
Jep Hill | Compositor |
Greg Tsadilas | Animation |
William R. Wright | CG Animator |
Tom Fejes | CG Artist |
Ken Nielsen | CG Artist |
Michael Di Como | CG Artist |
Michael Bauer | CG Supervisor |
Karl Fornander | Compositor |
Brian Leach | Compositor |
Jen Howard | Compositor |
Craig Mullins | Matte Painter |
Don Gray | Pyrotechnician |
Dan A. Walker | Rotoscoping Artist |
Erika Wangberg Burton | Visual Effects Producer |
Jay Cox | Digital Color Timer |
Darcy Davis | Special Effects Assistant |
John Stillman | CG Artist |
Francine Rokaw | VFX Lighting Artist |
Jeffrey Arnold | Compositor |
Rory Hinnen | Compositor |
Deborah Wiltman | Compositor |
Pat Turner | VFX Director of Photography |
Derrick Crane | Pyrotechnician |
Daryl Klein | Rotoscoping Artist |
Crystal Foth | Visual Effects Coordinator |
Julie Nelson | CG Animator |
Tony Noel | Compositor |
Kenneth Smith | Digital Color Timer |
Doug Jones | Negative Cutter |
Ray Cavalluzzi | Rotoscoping Artist |
Duane Powell | Systems Administrators & Support |
Ryan Berg | Visual Effects Producer |
Alexander Courage | Orchestrator |
Kelly Matsumoto | Associate Editor |
Kathy Hubble | Stunts |
Name | Title |
---|---|
John Baldecchi | Producer |
Barry Bernardi | Executive Producer |
Howard Ellis | Associate Producer |
Laurence Mark | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 32 | 60 | 19 |
2024 | 5 | 36 | 61 | 19 |
2024 | 6 | 32 | 54 | 18 |
2024 | 7 | 35 | 47 | 22 |
2024 | 8 | 25 | 38 | 15 |
2024 | 9 | 20 | 29 | 14 |
2024 | 10 | 21 | 46 | 12 |
2024 | 11 | 20 | 29 | 13 |
2024 | 12 | 20 | 37 | 12 |
2025 | 1 | 23 | 34 | 16 |
2025 | 2 | 18 | 30 | 4 |
2025 | 3 | 8 | 26 | 1 |
2025 | 4 | 4 | 8 | 2 |
2025 | 5 | 3 | 8 | 2 |
2025 | 6 | 3 | 6 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 3 | 2 |
2025 | 9 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 896 | 930 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 788 | 902 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 743 | 743 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 946 | 958 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 976 | 976 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 818 | 884 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 981 | 981 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 986 | 986 |
If the cash is there we do not care! What kind of life philosophy is that? A gang of modern day pirates board a luxurious ocean liner intent on looting it of everything. However, once on board the liner appears to be deserted, all traces of human life seemingly vanished into thin air. Apparently ... some strange sea creatures have run amok and the pirates themselves are now next on the menu! "Deep Rising" doesn't have any delusion about what it wants to be, it was marketed as a raging "B" movie man versus beast gun fest, and that is exactly what it is - with tongue firmly in its bloody cheek. When the tag line reads "Full Scream Ahead" then you get the impression it's not a film to be remotely taken seriously. Written and directed by Stephen Sommers ("The Mummy"), "Deep Rising" is a blend of "Alien", "Poseidon Adventure" and "Under Siege", all built around the "Ten Little Indians" structure. Blood spurts and quips are dealt, and the film isn't found wanting in the good old "it's behind you" department. The cast give it the full gusto histrionics, Treat Williams, the sumptuous Famke Jansen (holding her own surrounded by hundreds of pounds of testosterone), Anthony Heald, Kevin J O'Connor, Wes Studi, Djimon Hounsou and, erm, Jason Flemyng also star. It's a mini riot out at sea, great great fun. 7/10
_**Big-budget ‘B’ adventure/horror on the high seas, but too cartoonish**_ A band of ruthless hijackers seize the world’s richest cruise ship in the South China Sea, but no one’s on board. Something mysterious & terrifying from the great depths got there before them. Treat Williams and Kevin J. O ... 'Connor play the protagonists who inadvertently transport the hijackers while Famke Janssen plays a survivor on the vessel. Meanwhile Anthony Heald is on board as the shady owner of the ship and Wes Studi plays one of the key thugs. “Deep Rising” (1998) is an action/horror that mixes “The Poseidon Adventure” (1972) with “Alien Resurrection” (1997), but encumbers it with camp and a creature that does wildly unbelievable things. While the monster is interesting in some respects, it’s actually not original. It’s a glaring rip-off of the Celestial Man’s true form revealed in the 1974 issue of Marvel Comics’ The Defenders #14. Nevertheless this is a fun, thrilling adventure if you can roll with the above hitches. The cast is diverse and spirited. Yet this doesn’t change that it’s basically a B-type of dumb adventure/horror flick. It just cost 30 times as much as the usual B sci-fi and bombed at the box office. Meanwhile the feminine department is limited to Famke Janssen and she never did much for me (but she’s a’right), although Una Damon has a small role. The film runs 1 hour, 46 minutes. GRADE: C
After being hired by the rather unsavoury "Hanover" (Wes Studi), Treat Williams finds himself embroiled in the at-sea hijacking of what appears to be a broken down luxury liner. Thing is - where have all the passengers gone? Turns out that the would-be looters are about to become the hunted in this ... actually quite enjoyable sea creature escapade. As with so many of the films in this genre, I wanted the multi-tentacled beastie to win - all the way along. The characters - even the ones we are supposed to like - are all pretty shallow and frankly deserved any sticky ending coming their way. It features plenty of action, fireworks, loads of implausible scenarios and the odd bit of gore before an ending that was very much as expected. It is sustained to an extent by some decent production values, and the end-to-end nature of the action makes it quite a watchable, if entirely forgettable, maritime monster movie with some wonderful audio that sounds like a serious case of indigestion.