 
  Popularity: 2 (history)
| Director: | Jean Negulesco | 
|---|---|
| Writer: | Nunnally Johnson, Agnes Newton Keith | 
| Staring: | 
| Borneo, 1941, during World War II. When the Japanese occupy the island, American writer Agnes Newton Keith is separated from her husband and imprisoned with her son in a prison camp run by the enigmatic Colonel Suga. | |
| Release Date: | Feb 20, 1950 | 
|---|---|
| Director: | Jean Negulesco | 
| Writer: | Nunnally Johnson, Agnes Newton Keith | 
| Genres: | Drama, War | 
| Keywords | world war ii, prisoner of war, borneo, based on true story, japanese occupation, war effort, internment camp, woman in peril, prisoner of war camp | 
| Production Companies | 20th Century Fox | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 26, 2024 | 
| Name | Character | 
|---|---|
| Claudette Colbert | Agnes Newton Keith | 
| Patric Knowles | Harry Keith | 
| Florence Desmond | Betty Sommers | 
| Sessue Hayakawa | Colonel Michio Suga | 
| Sylvia Andrew | Henrietta | 
| Mark Keuning | George Keith | 
| Phyllis Morris | Sister Rose | 
| Howard Chuman | Lieutenant Nekata | 
| Patrick Whyte | Englishman | 
| Jerry Fujikawa | Japanese Soldier | 
| Lee MacGregor | Sailor | 
| John Burton | Elderly Resident (uncredited) | 
| Name | Job | 
|---|---|
| Jean Negulesco | Director | 
| Nunnally Johnson | Screenplay | 
| Hugo Friedhofer | Original Music Composer | 
| Milton Krasner | Director of Photography | 
| Ben Nye | Makeup Artist | 
| Agnes Newton Keith | Book | 
| Dorothy Spencer | Editor | 
| Leland Fuller | Art Direction | 
| Lyle R. Wheeler | Art Direction | 
| Thomas Little | Set Decoration | 
| Fred J. Rode | Set Decoration | 
| Esperanza Corona | Hairstylist | 
| Robert R. Snody | Production Manager | 
| Saul Wurtzel | Assistant Director | 
| Don B. Greenwood | Property Master | 
| Helen Thurston | Stunt Double | 
| Paul Lockwood | Camera Operator | 
| Ray Nolan | Still Photographer | 
| Name | Title | 
|---|---|
| Nunnally Johnson | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
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| 2024 | 4 | 4 | 8 | 2 | 
| 2024 | 5 | 6 | 11 | 2 | 
| 2024 | 6 | 6 | 19 | 2 | 
| 2024 | 7 | 6 | 13 | 2 | 
| 2024 | 8 | 5 | 12 | 2 | 
| 2024 | 9 | 3 | 6 | 1 | 
| 2024 | 10 | 4 | 6 | 2 | 
| 2024 | 11 | 3 | 6 | 2 | 
| 2024 | 12 | 3 | 12 | 1 | 
| 2025 | 1 | 4 | 7 | 2 | 
| 2025 | 2 | 3 | 6 | 1 | 
| 2025 | 3 | 3 | 10 | 1 | 
| 2025 | 4 | 1 | 3 | 1 | 
| 2025 | 5 | 1 | 3 | 1 | 
| 2025 | 6 | 1 | 3 | 1 | 
| 2025 | 7 | 0 | 2 | 0 | 
| 2025 | 8 | 1 | 3 | 0 | 
| 2025 | 9 | 1 | 1 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
If anyone ever watched the acclaimed BBC series of the 1980s "Tenko", then they might well appreciate the hardships that women had to endure at the hands (or the canes) of their Japanese occupiers. That oppression is well illustrated in this dark drama from Jean Negulesco. Claudette Colbert ("Mrs. K ... eith") is an American writer, married to a British colonial official when they are invaded. She is separated from husband "Harry" (Patric Knowles) and is soon, together with her young son "George" (Mark Keuning) interned in the most basic of camps with the other women of her community. Sessue Hayakawa is the Colonel in charge, and he has read her books and appears to have some semblance of decency towards the woman, but the rest of his staff think nothing of routine beatings to prove their manly superiority. This all comes to an head when she is assaulted and makes the mistake of complaining! Though there is nothing graphic here, at times the film is very tough to watch. It's as much in the anticipation of what they are going to do; the creative use of audio and the complete lack of hysteria - all generates an enthralling sense of peril. These women are stoic, determined and they are not going to be beaten - even when conscious that their children are pawns too, and that they might never see their husbands or their freedom again. Colbert is super and there is depth to the other characterisations; some entertaining black humour and the photography offers us a compelling look at their frequently rain-soaked, starved and terrifying existence. Well worth a watch.