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Cabrini

Remember her name.
2024 | 142m | English

(9322 votes)

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Popularity: 1 (history)

Details

Italian immigrant Francesca Cabrini arrives in 1889 New York City and is greeted by disease, crime, and impoverished children. Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society's most vulnerable. With broken English and poor health, Cabrini uses her entrepreneurial mind to build an empire of hope unlike anything the world had ever seen.
Release Date: Mar 07, 2024
Director: Alejandro Monteverde
Writer: Alejandro Monteverde, Rod Barr
Genres: Drama, History
Keywords new york city, immigrant, based on true story, 19th century, 1900s, impoverished, italian immigrant, christian faith, 1890s, 1880s, farcical
Production Companies Lupin Film, Santa Fe Films, Angel Studios, Lodigiano Film Development
Box Office Revenue: $20,592,796
Budget: $50,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Cristiana Dell'Anna Francesca Cabrini
David Morse Archbishop Corrigan
Giancarlo Giannini Pope Leo XIII
John Lithgow Mayor Gould
Romana Maggiora Vergano Vittoria
Federico Ielapi Paolo
Virginia Bocelli Aria
Rolando Villazón Disalvo
Jeremy Bobb Calloway
Federico Castelluccio Senator Bodio
Patch Darragh Dr. Murphy
Seán Cullen Peterson
Andrew Polk Deputy Mayor Jenkins
Allen Lewis Rickman Jacob Abrams
Giampiero Judica Father Morelli
Kevin Tanski Officer Rentschler
Fausto Russo Alesi Cardinale
Sam Bond Mr. Merton
Montserrat Espadalé Sister Concetta
Peter Lojacono Vincenzo
Sarah Santizo Sister Lucille
Brian Ceponis Cabbie
Eugenia Forteza Sister Umilia
Name Job
Alexa Marcigliano Stunts
Brian Battles VFX Supervisor
Corinne Bogdanowicz Digital Intermediate Colorist
Jesus Landin-Torrez III Key Costumer
Morrin Jermyn Costumer
Sean Cassidy Key Grip
Raul A. Erivez First Assistant "B" Camera
David Giesbrecht Still Photographer
Michael Hauer "B" Camera Operator, Steadicam Operator
Timothy Limner Grip
Julie Schubert Casting
Nathan Ruyle Sound Designer
Gene Back Music
Geoff Knight Electrician
Alisha Silverstein Costume Designer
Jodi Domanic Script Supervisor
Jessica Wegrzyn Set Costumer
Cassie Elsaesser Key Costumer
Eric Boswell Grip
Kash Costner Grip
Aaron Fuoco Electrician
Alejandro Monteverde Story, Director
Denise Chamian Casting
Mary Ramos Music Supervisor
Brian Scofield Editor
Rod Barr Story, Screenplay
Carlos Lagunas Production Design
Gabriele Forte Set Dresser
Shea Wolfe Set Costumer
Corey Czerwinski Key Costumer
Erin Meegan Costumer
Shannon Cook Digital Imaging Technician
Andrea Festugato Electrician
Sean Haas Electrician
Gorka Gómez Andreu Director of Photography
Blaise Corrigan Stunts
Heidi Germaine Schnappauf Stunt Double
Name Title
Francesca Cabrini Executive Producer
J. Eustace Wolfington Executive Producer
Leo Severino Producer
Jonathan Sanger Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 22 34 16
2024 5 41 79 24
2024 6 32 58 12
2024 7 28 52 17
2024 8 20 34 11
2024 9 60 119 30
2024 10 41 91 26
2024 11 26 43 18
2024 12 22 31 17
2025 1 27 39 17
2025 2 15 23 3
2025 3 7 20 1
2025 4 4 7 2
2025 5 3 7 1
2025 6 2 4 1
2025 7 2 3 1
2025 8 1 2 1

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Year Month High Avg
2025 6 612 761
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2025 4 985 987
Year Month High Avg
2025 3 536 781
Year Month High Avg
2025 2 709 709
Year Month High Avg
2025 1 89 381
Year Month High Avg
2024 11 550 842
Year Month High Avg
2024 10 87 525
Year Month High Avg
2024 9 743 743
Year Month High Avg
2024 8 252 334

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Reviews

Geronimo1967
7.0

Cristiana Dell'Anna delivers strongly here as the eponymous nun determined to set up a network of orphanages in China to help the sick and impoverished children there. Her persistent hassling of the Vatican for permission - and funds - has finally wound them up to the point where she is invited to R ... ome to be finally told no. Even there, though, she's sticking to her guns and after a persuasive audience with Pope Leo XIII (Giancarlo Giannini) manages to get permission to prove her worth - only in New York! To it's slum and run-down Five Points district she is sent and what now begins is an adventure that tests her very mettle as the, at best indifferent, attitude of the Archbishop (David Morse) is more concerned with appeasing the Mayor (John Lithgow) than facilitating her wishes for profound change. It's curious that in a city founded by immigrants there existed such a polarity of the Italian, the Jewish and Irish communities offering little, if any, tolerance of the other. Cabrini realises that neither her religion nor her status as a nun is going to help her - she is going to have to recruit local urchins and fight for every scrap of progress. It's history, so we do know what ultimately happens but Alejandro Monteverde has produced a classy looking portrait that still imbues enough jeopardy into the proceedings as she struggles. Her single-minded determination, her bloody-mindedness - all tempered with huge amounts of humanity and decency are well portrayed here. This is a very good looking film, and the narrative also demonstrates clearly the diminished role of women in what purported to be an open and democratic society - American and Italian, and a class system that cared little for those who lived on the wrong side of the tracks. It's a bit long - there are moments that slow the pace down and drag the story, but in the main this is a poignant telling of the story of a woman who was prepared to sacrifice whatever was necessary for those less privileged.

Mar 17, 2024
r96sk
9.0

A cracking movie! I can't say I was expecting much from <em>'Cabrini'</em>, given I hadn't heard anything about it online or in real life - no trailers or anything of ilk. I was also <em><a href="https://letterboxd.com/r96sk/list/watched-in-an-empty-cinema/" rel="nofollow">alone in the cinema</a> ... </em>, which is pleasing personally but is possibly a bad sign for a movie. In actuality, though, it's a great production! Supremely acted, astutely paced, some awesome visuals and a strong score. The cinematography really is excellent, I lost count the amount of times I thought to myself "What a shot that is!". As for the acting, Cristiana Dell'Anna puts in a terrific lead performance - it's naturally, given I've only seen one or two Italian flicks, the first time I've seen her in anything, here's hoping she appears more in what I watch. Giancarlo Giannini also stood out to me. Good to see John Lithgow and David Morse, too. A really nicely told (true!) story. The ~2hrs 20min run time truly flew by. I highly recommend checking this one out if you get the opportunity!

Mar 21, 2024
Brent_Marchant
7.0

Providing care, comfort and compassion to the world’s downtrodden is undoubtedly a noble, if exhausting and often-frustrating, cause, especially when pleas for help go ignored or fall on deaf ears. Yet, every so often, someone comes along who tirelessly keeps on fighting for those less fortunate, as ... was the case with Italian immigrant Mother Francesca Cabrini (Cristiana Dell’Anna). Upon her arrival in New York in 1889, the diminutive but zealous nun from Lombardy set about her work to care for her fellow countrymen and women (especially orphaned and abandoned children) in desperate need of food, housing and medical care, the first charitable undertaking of what she envisioned becoming a worldwide network of such ventures. She successfully raised awareness of the plight of these emigrees by getting the attention of a New York Times reporter (Jeremy Bobb), an endeavor that garnered support for her efforts and challenged the prejudicial attitudes of the public and New York’s municipal government, including its bigoted, intolerant mayor (John Lithgow). And, through it all, she wrestled with personal health issues that hung over her for many years. Writer-director Alejandro Monteverde’s latest presents a detailed, well-told biography of a woman who wouldn’t give up at a time when the deck was stacked against her, both on the bases of her gender and nationality, as well as (in some cases) as a representative of the Church. The picture’s superb production design, fine period piece production values and gorgeous cinematography lend much to this release, as do the performances of Dell’Anna and Lithgow, along with a host of supporting characters. Despite these strengths, though, this slightly overlong offering has occasional problems with pacing, monodimensional character development, overdramatic elements (particularly in the soundtrack) and an underdeveloped back story. At the same time, however, “Cabrini” tells an inspiring and uplifting tale of someone who accomplished a lot but hasn’t really received the attention she’s due. This film helps to make up for that oversight while reminding us all that we can play a part in fulfilling her dream of genuinely creating an empire of hope for the world.

Mar 31, 2024