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Perfect Days Poster

Perfect Days

In a world of fleeting moments, find the beauty that lasts.
2023 | 124m | Japanese

(91575 votes)

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Popularity: 10 (history)

Details

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine, he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world.
Release Date: Nov 10, 2023
Director: Wim Wenders
Writer: Wim Wenders, Takuma Takasaki
Genres: Drama
Keywords tree, routine, slice of life, janitor, working class, tokyo, japan, character study, uncle niece relationship, audio cassette, solitude, calm, philosophical, quest for knowledge, mystical quest, human nature, inspirational, lighthearted, beauty of life
Production Companies Master Mind, Wenders Images
Box Office Revenue: $24,094,016
Budget: $14,000,000
Updates Updated: Aug 02, 2025
Entered: Aug 14, 2024
Trailers and Extras

Full Credits

Name Character
Koji Yakusho Hirayama
Tokio Emoto Takashi
Arisa Nakano Niko
Aoi Yamada Aya
Yumi Aso Keiko
Sayuri Ishikawa Mama
Tomokazu Miura Tomoyama
Min Tanaka Homeless
Miyako Tanaka Old Lady with Brush
Ron Mizuma Businessman
Soraji Shibuya Kid
Aoi Iwasaki Kid
Kisuke Shimazaki Lost Boy
Yuriko Kawasaki Mother
Aki Kobayashi Baby
Bunmei Harada Priest
Reina Tourist
Shunsuke Miura Bath House Owner
Gan Furukawa Old Man
Atsushi Fukazawa Kat-Chan
Taijirō Tamura Regular
Masahiro Koumoto Bar Owner
Makiko Okamoto Old Woman
Daigo Matsui Vinyl Store Staff
Nao Takahashi Customer
Nari Saitô Customer
Hiroto Oshita Customer
Naoko Ken Cat Lady
Mijika Nagai Office Lady
Motomi Makiguchi Old Local
Isao Matsui Old Local
Aoi Yoshida Dera-Chan
Motoyuki Shibata DPE Owner
Inuko Inuyama Bookstore Owner
Moro Morooka Bar Regular
Morio Agata Bar Regular
Nijika Tonouchi High School Girl
Yasushi Okuwa Keiko's Driver
Hairi Katagiri Voice on Phone (voice)
Tateto Serizawa Taxi Driver
Yoneko Matsukane Parking Officer
Tamae Ando Sato
Name Job
Wim Wenders Director, Screenplay
Towako Kuwashima Production Design
Franz Lustig Director of Photography
Toni Froschhammer Editor
Daisuke Iga Costume Design
Frank Kruse Sound Designer
Alexander Buck Dialogue Editor
Matthias Lempert Sound Re-Recording Mixer, Sound Designer
Carsten Richter Foley Artist
Markus Stemler Sound Effects Editor
Kalle Max Hofmann Visual Effects Supervisor, VFX Supervisor
Takuma Hayashi First Assistant Director
Takamasa Araki Second Assistant Director
Kuen-Il Song Foley Editor
Hanse Warns Foley Mixer
Daniel Weis Foley Mixer
Jun Tanaka Gaffer
Yusuke Kobayashi Line Producer
Masunobu Motokawa Casting Director
Ko Takahashi Location Manager
Dominik Bollen Post Production Supervisor
Franziska Louisa Becker Digital Intermediate
Sven Hegen VFX Artist, Digital Intermediate
Benedikt Kaiser Digital Intermediate
Vincent Olufemi Digital Intermediate
Ida Rederer Digital Intermediate
Facundo Sánchez Assistant Editor
Simone Trotta Assistant Editor
Ryo Hisasue Production Manager
Masato Kinouchi Production Manager
Motoko Matsuda Unit Production Manager
Rino Nakamura Production Manager
Tomoya Oka Production Manager
Keiko Ono Production Supervisor
Yunsu Lee Third Assistant Director
Yûta Suzuki First Assistant Director
Mathilda Barchmann Post Production Producer
Frieda Oberlin Head of Production
Philipp Orgassa Digital Colorist
Yuka Eto First Assistant Camera
Takuya Murakami Second Assistant Camera
Emi Fukuda Casting
Milena Fessmann Music Supervisor
Mizuho Kudô Script Supervisor
Karen Rudolph Unit Publicist
Rin Takada Sound Mixer
Takuma Takasaki Screenplay
Clémentine Decremps Additional Editor
Rakuko Kobayashi Art Direction
Miho Matsuda Set Decoration
Katsuhiko Yûmi Hairstylist, Makeup Artist
Keiko Kazama Assistant Hairstylist, Assistant Makeup Artist
Miwako Tohyama Assistant Hairstylist, Assistant Makeup Artist
Mirei Tonooka Assistant Director Trainee
Sanae Akimoto Set Dresser
Hajime Danno Construction Manager
Chihiro Hamada Assistant Art Director
Aiko Hirano Assistant Property Master
Takashi Iwamura Set Dresser
Shiho Kurita Assistant Property Master
Mariko Misaki Assistant Property Master
Sumire Miyahara Assistant Art Director
Makiko Morita Property Master
Noriko Nakashima Art Department Coordinator
Toshiyuki Nishida Greensman
Mayu Okinaka Set Dresser
Shintaro Yamada Set Dresser
Shigeru Fujibayashi Sound Effects
Kotaro Tone Boom Operator
Motohiro Mochizuki ADR Mixer
Tomoko Ohtsuka Sound Effects
Name Title
Wim Wenders Producer
Reiko Kunieda Co-Producer
Yasushi Okuwa Co-Producer
Keiko Tominaga Co-Producer
Kota Yabana Co-Producer
Koji Yanai Producer
Koji Yakusho Executive Producer
Takuma Takasaki Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 105 122 85
2024 5 110 149 82
2024 6 83 135 62
2024 7 95 139 68
2024 8 65 100 51
2024 9 50 71 43
2024 10 65 106 37
2024 11 56 120 41
2024 12 59 97 45
2025 1 72 115 53
2025 2 51 80 10
2025 3 15 47 3
2025 4 10 14 6
2025 5 9 14 8
2025 6 8 10 7
2025 7 8 11 7
2025 8 7 8 5
2025 9 7 9 5
2025 10 9 10 7

Trending Position


Year Month High Avg
2025 10 165 393
Year Month High Avg
2025 9 110 656
Year Month High Avg
2025 8 118 578
Year Month High Avg
2025 7 176 630
Year Month High Avg
2025 6 207 603
Year Month High Avg
2025 5 149 614
Year Month High Avg
2025 4 120 562
Year Month High Avg
2025 3 36 462
Year Month High Avg
2025 2 119 413
Year Month High Avg
2025 1 35 344
Year Month High Avg
2024 12 72 452
Year Month High Avg
2024 11 176 498
Year Month High Avg
2024 10 113 372
Year Month High Avg
2024 9 157 384
Year Month High Avg
2024 8 126 321

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Reviews

BornKnight
10.0

Coproduction between Japan and Germany, directed by the german director Wim Wenders (Texas Paris, Wings of Desire among others) and written by him and Takuma Takashi. It won the Cannes Film Festival 2023 for Best Actor and Ecumenical Jury and it is nominated for Academy Best Foreign Movie (my f ... avorite for this category). It tells some days at the life of a public bathroom cleaner at Tokyo, interpreted by Koji Yakusho Hirayama, as Hirayama, his daily routine and 4 events in between his usual days. It also shows how some people treat those invisible workers even in a modern civilized country as Japan. Hirayama have a simple, but happy life as he is and what his does with the maximum commitment - it is a marvelou movie about contemplation and what simple things and events can bring of happiness in the life, if you allow it. The cinematography is by Franz Lustig (Anselm), and it is beautiful in using the available light and daily variations, mostly in shots with the protagonist. With a slow minimalistic story focused on this philosophy and camera work also directed to the architecture of public bathrooms, it may not be a movie for everyone. My score for it is 9,6 out of 10,0 / A+.

Mar 04, 2024
Geronimo1967
7.0

Now I don't now about where you live, but in my town you are lucky to find a public toilet at all, let alone one with designer fittings and miracle blinds! Luckily, Tokyo has a dedicated and meticulous cleaner in "Hirayama" (Koji Yakusho) whose routine gets him from bed, via the coffee machine, to h ... is rounds, the bath house, then his book and again to bed. Helped, occasionally but not too reliably, by the younger "Takashi" (Tokio Emoto) his joy when travelling from site to site is to listen to old cassettes from the likes of the Doors and Van Morrison. He is an outwardly rather humourless man, and he likes his daily pattern, so imagine his surprise when he returns home one evening to discover his niece. "Niko" (Arisa Nakano) has absconded from home and decided to come stay with him for a few days. With his pal at work having a new girlfriend to impress and now him a teenage niece to accommodate, his life faces a turmoil and we have to watch (and hope) as he tries to get through it. Who knows? Maybe it will help bring him out of his self-imposed shell? Might we find out what caused that introspection in the first place? There's quite a lot of repetition here, but as each day goes by Wim Wenders introduces us to a little more. More about the city, more about the characters and maybe just a little too much about multi-purpose bleach. Yakusho is perfect for his part and he engagingly delivers a characterful performance as a man who prefers not to speak and the whole drama evolves, gently, to not so much a conclusion as another day that may or may not be different from the previous ones.

Mar 06, 2024
Brent_Marchant
4.0

Films that feel like they're "reaching" in their attempts to make a statement can result in a frustrating watch, as is very much the case with the latest from acclaimed writer-director Wim Wenders. This character study about the life of a middle-aged public toilet cleaner in Tokyo (Koji Yakusho) fol ... lows him through his virtually unchanging daily routine of working, reading and taking nearly identical photos of trees. Even though there are minor differences in the events of his day-to-day life, much of his schedule is relentlessly the same, a comfortable yet mundane pattern that's cinematically repeated endlessly (and one can imagine what that does for holding viewer interest). He seems to purposely keep his life simple to avoid irritating complications, but that appears to be more of a way to stave off loneliness than to provide reassuring measures of certainty and predictability. He also appears to have undergone a painful (though largely unexamined) past that he's trying to escape, even though he clings to many elements that are rooted in that historical time frame (he listens to cassette tapes from the 1970s-80s, takes photos with a film camera, uses a flip phone and has little awareness about the internet). This lifestyle is presented as the source of some kind of supposedly profound wisdom, yet the insights that emerge from it are, quite frankly, innately simplistic ("the next time is the next time" and "now is now" - truly deep principles, to be sure). As a consequence, all of this makes for a rather tedious watch, one filled with story threads that go largely unexplored and, ultimately, unresolved. To its credit, the film features some fine cinematography and an excellent soundtrack, and it grows progressively more engaging the further one gets into the story (when a story actually begins to develop out of a largely flatlined narrative). But, despite these assets, much of the picture's opening half is riddled with extraneous material that could have readily been pruned. In fact, the removal of that superfluous content could have easily reduced this work down to a more manageable extended short without losing anything, a change that would have yielded a more worthwhile viewing option. I'm a longtime fan of Wenders' work, but this offering just doesn't measure up to his past releases. It's also somewhat baffling how this production has garnered as much attention as it has, such as its selection as Japan's entry in the 2023 Academy Awards' international film category, for which it garnered an Oscar nomination (amazingly beating out the far superior Japanese film "Monster" ("Kaibutsu")), as well as Yakusho's best actor award at the 2023 Cannes Film Festival. However, no matter how earnestly a filmmaker may strive to get his or her message across, sometimes it just doesn't work, as is the case here, and that, unfortunately, is far from perfect.

Mar 19, 2024
Randy-Dreammaker
8.0

**Life through his eyes** This is the story of a man who is caught between the past and the present. A man who has found contentment and happiness from being true to himself and his embracement of a time when things moved at a slower pace. A time when ones purpose was established in taking pride ... in what you do, no matter how insignificant it is perceived within society. **A movie about life.** What I enjoyed about this movie is how it brings the viewer into a first person perspective of the life journey of an ordinary person. This movie is as close to a first person encounter with Japanese day to day life, as you can obtain without actually living there. It does an excellent job of introducing a few unusual and odd personalities someone living in Japan will encounter. The majority of this movie could be watched without subtitles or audio, because it masterfully achieves the filmmaker goal of "show the story, instead of telling the story". Having lived in Japan as a teacher, this movie was like watching my own experience seen from the lense of a camera. It really represents life in Japan in true form. **Things I Didn't Enjoy** This is a very slow moving movie at three hours long. it could of been shorter and still achieved its goal. I'm not a fan of the transitional collages used to represent dreaming or the transition from night to day. These became redundant and felt like a waste of time. One of the things that makes a great story for a movie is its rising conflict and ultimately the resolution. This movie has a very slow rise in conflict, and the resolution felt almost to subtle. **Final Thoughts** The story is tight, the cinematography is well done, the editing is well done, the acting is authentic. I really enjoyed it, it is a really interesting story. I enjoyed the characters.

Apr 08, 2024
niyumard
9.0

At first I didn't think I was going to like this movie. This movie starts slowly but gets better and more eventful as it progresses. It's not a movie that you'd want to watch with friends; you need to watch it alone. The movie offers a glimpse into the life of a toilet cleaner living in Tokyo. An ... d it gives a good depiction of how life can be enjoyed even if you're not at the pinnacle of achievements. The main actor delivers a great performance, and the music used in the movie is top-notch. It's about living in the moment so give it all your attention, and then you can enjoy it to the fullest. Overall, I'd say this movie is an excellent choice for a calm and reflective afternoon, especially for viewers who are ready for a movie with a slow pace.

May 26, 2025