 
  Popularity: 0.8 (history)
| Director: | Nick Rowland | 
|---|---|
| Writer: | Matt Greenhalgh | 
| Staring: | 
| The powerful and inspiring story of Andy Woodward, one of the first footballers to come forward with allegations of sexual abuse in the national game. | |
| Release Date: | May 17, 2022 | 
|---|---|
| Director: | Nick Rowland | 
| Writer: | Matt Greenhalgh | 
| Genres: | Drama | 
| Keywords | child abuse, sexual abuse, football (soccer), whistleblower | 
| Production Companies | BBC, Expectation TV | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 04, 2024 Entered: Apr 25, 2024 | 
| Name | Character | 
|---|---|
| Gerard Kearns | Andrew Woodward | 
| Jonas Armstrong | Barry Bennell | 
| Morven Christie | Jean Woodward | 
| Steve Edge | Terry Woodward | 
| Max Fletcher | Andrew Woodward (Young) | 
| Neil Bell | DS Haleford | 
| Antony Byrne | Neil Warnock | 
| Avin Shah | Ash Stephenson | 
| Mohammad Sakhi | Ash Stephenson (Young) | 
| Mark Holgate | DC Blakefield | 
| Jessica Baglow | DC Grace | 
| Lauren O'Rourke | DI Arrowcroft | 
| Matthew Hawksley | DS Denmyre | 
| Krissi Bohn | DI Bakewell | 
| Sean Croke | Danny Taylor | 
| Benjamin Oyenuga | Martin Sanusi | 
| Lawton Dickens | Batzy | 
| Frankie Friend | Jobbo | 
| Robert Ashcroft | Club Official | 
| David Loy | Physio | 
| Akib Ahmed | Radio Journalist | 
| Name | Job | 
|---|---|
| Matis Rei | Sound Designer | 
| Nick Rowland | Director | 
| Nancy Green | Costume Supervisor | 
| Benjamin John Power | Music | 
| Matt Greenhalgh | Writer | 
| Connor Williams | Casting Assistant | 
| George Wroe | Floor Runner | 
| Eileen Wood | Script Supervisor | 
| Carl Morris | Production Accountant | 
| Anita Sanderson | Assistant Accountant | 
| Guy Smith | Grip | 
| Steed Barrett | Gaffer | 
| Scott Roberts | Electrician | 
| Steve Gartside | Electrician | 
| Sam Horsefield | Electrician | 
| Sam Gibson | Electrician | 
| Andrea Coathupe | Art Direction | 
| Clare Jones | Makeup Artist | 
| Mike Higson | Location Manager | 
| Dean Short | Location Manager | 
| Alex Howells | Online Editor | 
| Laura Praciak | Post Producer | 
| Tim Drewett | Colorist | 
| Shaheen Baig | Casting Director | 
| Kate Larking | Line Producer | 
| Damien Creagh | Production Designer | 
| Si Bell | Director of Photography | 
| Andonis Trattos | Editor | 
| Tim Smith | Floor Runner | 
| Name | Title | 
|---|---|
| Colin Barr | Executive Producer | 
| Matt Greenhalgh | Executive Producer | 
| Josh Dynevor | Producer | 
| Susan Horth | Executive Producer | 
| Grant Best | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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| 2024 | 4 | 4 | 10 | 1 | 
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| 2025 | 1 | 2 | 7 | 1 | 
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| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 2 | 0 | 
| 2025 | 9 | 0 | 0 | 0 | 
| 2025 | 10 | 0 | 0 | 0 | 
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This is quite an harrowing story about how a real-life football coach - portrayed well here by Jonas Armstrong - managed to dupe just about everyone for years that he was a reputable and upstanding individual whilst at the same time, was routinely abusing the trust of those around him to prey on the ... younger boys who thought he offered them a path to escape the drudgery of their day-to-day lives. On the face of it, it is quite astonishing that he got away with it for so long; but this man was clever. Bennell played upon the aspirations of parents and children alike. Not just their desires for fame and success, but for more ordinary things like inclusion, affection, being part of a team. This story focusses on the young Andy Woodward, whom Bennell cleverly manoeuvred into his bed with promises that a successful career could stop his mum from having to work in the local chip shop. There is nothing graphic here - and that makes the efforts more potent. His manipulation was psychological and he even comes out with the immortal line "you didn't say no!" which though possibly true, is anything but the point. No amount of rules and regulation can ever prevent clever people like this from prevailing simply because it is the honest trust and integrity that exists in most of us that allows people that perpetrate this predatory behaviour to thrive. If we can't see any flaws, then we don't know to look for them - and these young lads were the unwilling victims not of indifference, but of cleverness and shame! The drama is measured, the dialogue poignant and the performances convincing - especially towards the end. This is well worth a watch.