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Floodlights Poster

Floodlights

2022 | 80m | English

(240 votes)

TMDb IMDb

Popularity: 0.8 (history)

Director: Nick Rowland
Writer: Matt Greenhalgh
Staring:
Details

The powerful and inspiring story of Andy Woodward, one of the first footballers to come forward with allegations of sexual abuse in the national game.
Release Date: May 17, 2022
Director: Nick Rowland
Writer: Matt Greenhalgh
Genres: Drama
Keywords child abuse, sexual abuse, football (soccer), whistleblower
Production Companies BBC, Expectation TV
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 04, 2024
Entered: Apr 25, 2024
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Full Credits

Name Character
Gerard Kearns Andrew Woodward
Jonas Armstrong Barry Bennell
Morven Christie Jean Woodward
Steve Edge Terry Woodward
Max Fletcher Andrew Woodward (Young)
Neil Bell DS Haleford
Antony Byrne Neil Warnock
Avin Shah Ash Stephenson
Mohammad Sakhi Ash Stephenson (Young)
Mark Holgate DC Blakefield
Jessica Baglow DC Grace
Lauren O'Rourke DI Arrowcroft
Matthew Hawksley DS Denmyre
Krissi Bohn DI Bakewell
Sean Croke Danny Taylor
Benjamin Oyenuga Martin Sanusi
Lawton Dickens Batzy
Frankie Friend Jobbo
Robert Ashcroft Club Official
David Loy Physio
Akib Ahmed Radio Journalist
Name Job
Matis Rei Sound Designer
Nick Rowland Director
Nancy Green Costume Supervisor
Benjamin John Power Music
Matt Greenhalgh Writer
Connor Williams Casting Assistant
George Wroe Floor Runner
Eileen Wood Script Supervisor
Carl Morris Production Accountant
Anita Sanderson Assistant Accountant
Guy Smith Grip
Steed Barrett Gaffer
Scott Roberts Electrician
Steve Gartside Electrician
Sam Horsefield Electrician
Sam Gibson Electrician
Andrea Coathupe Art Direction
Clare Jones Makeup Artist
Mike Higson Location Manager
Dean Short Location Manager
Alex Howells Online Editor
Laura Praciak Post Producer
Tim Drewett Colorist
Shaheen Baig Casting Director
Kate Larking Line Producer
Damien Creagh Production Designer
Si Bell Director of Photography
Andonis Trattos Editor
Tim Smith Floor Runner
Name Title
Colin Barr Executive Producer
Matt Greenhalgh Executive Producer
Josh Dynevor Producer
Susan Horth Executive Producer
Grant Best Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 4 10 1
2024 5 4 7 2
2024 6 3 7 1
2024 7 5 13 1
2024 8 4 7 2
2024 9 2 4 1
2024 10 2 5 1
2024 11 1 2 1
2024 12 1 2 1
2025 1 2 7 1
2025 2 1 2 1
2025 3 1 1 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 2 0
2025 9 0 0 0
2025 10 0 0 0

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Reviews

Geronimo1967
7.0

This is quite an harrowing story about how a real-life football coach - portrayed well here by Jonas Armstrong - managed to dupe just about everyone for years that he was a reputable and upstanding individual whilst at the same time, was routinely abusing the trust of those around him to prey on the ... younger boys who thought he offered them a path to escape the drudgery of their day-to-day lives. On the face of it, it is quite astonishing that he got away with it for so long; but this man was clever. Bennell played upon the aspirations of parents and children alike. Not just their desires for fame and success, but for more ordinary things like inclusion, affection, being part of a team. This story focusses on the young Andy Woodward, whom Bennell cleverly manoeuvred into his bed with promises that a successful career could stop his mum from having to work in the local chip shop. There is nothing graphic here - and that makes the efforts more potent. His manipulation was psychological and he even comes out with the immortal line "you didn't say no!" which though possibly true, is anything but the point. No amount of rules and regulation can ever prevent clever people like this from prevailing simply because it is the honest trust and integrity that exists in most of us that allows people that perpetrate this predatory behaviour to thrive. If we can't see any flaws, then we don't know to look for them - and these young lads were the unwilling victims not of indifference, but of cleverness and shame! The drama is measured, the dialogue poignant and the performances convincing - especially towards the end. This is well worth a watch.

May 29, 2022