Popularity: 1 (history)
Director: | James Marsh |
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Writer: | Neil Forsyth |
Staring: |
Parisian bon vivant, World War II Resistance fighter, Nobel Prize-winning playwright, philandering husband and recluse…Samuel Beckett lived a life of many parts. Titled after Beckett’s famous ethos “Dance first, think later”, the film is a sweeping account of the life of this 20th-century icon. | |
Release Date: | Nov 03, 2023 |
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Director: | James Marsh |
Writer: | Neil Forsyth |
Genres: | Drama, History |
Keywords | biography, poet, writer, novelist, recluse, philanderer, 1900s, samuel beckett, 20th century |
Production Companies | Proton Cinema, uMedia, Film Constellation, Sky Arts, 2LE Media |
Box Office |
Revenue: $162,919
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Gabriel Byrne | Samuel Beckett |
Aidan Gillen | James Joyce |
Sandrine Bonnaire | Suzanne |
Fionn O'Shea | Young Samuel |
Maxine Peake | Barbara |
Bronagh Gallagher | Nora Barnacle |
Lisa Dwyer Hogg | May Beckett |
Caroline Boulton | Sylvia Beach |
Gráinne Good | Lucia Joyce |
Cillian Hollywood | 5 year old Samuel |
Patrik Piró | Adam |
Léonie Lojkine | Younger Suzanne |
Andrew Hefler | Leon |
Barry O'Connor | William Beckett |
Caleb Johnston-Miller | 10 year old Samuel |
Robert Aramayo | Alfred Peron |
Rebecka Johnston | Woman 1 |
Szabolcs Kelemen | Prudent |
Laurent Winkler | King Gustav |
Jenni Bowden | Woman 2 |
Júlia Szász | Mania |
Francis McBurney | M |
László Aranyossy | Priest |
Ildikó Hidasi | Lady with dog |
Dávid Mester | Resistance member #3 (uncredited) |
Name | Job |
---|---|
Neil Forsyth | Screenplay |
Antonio Paladino | Director of Photography |
Laura Mihartescu | First Assistant Director |
Jessica Anna Camacho | Second Assistant Director |
Brigitta Karádi | Unit Manager |
Adam Heisler | Production Manager |
Balázs Bakró | Props |
Orosz Tamás | Set Dresser |
Réka Görgényi | Prosthetic Makeup Artist |
Nóra Koltai | Makeup Designer |
Attila Végh | Hair Designer |
Maya Angelus | Standby Art Director |
Damien Creagh | Production Design |
Olivia Scott-Webb | Casting Director |
David Charap | Editor |
James Marsh | Director |
Name | Title |
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Paul Ashton | Executive Producer |
Michael Livingstone | Producer |
Tom Thostrup | Producer |
Fabien Westerhoff | Executive Producer |
Viktória Petrányi | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 11 | 18 | 7 |
2024 | 5 | 12 | 25 | 6 |
2024 | 6 | 7 | 13 | 4 |
2024 | 7 | 8 | 17 | 3 |
2024 | 8 | 11 | 21 | 4 |
2024 | 9 | 8 | 15 | 4 |
2024 | 10 | 6 | 13 | 3 |
2024 | 11 | 6 | 13 | 3 |
2024 | 12 | 5 | 10 | 2 |
2025 | 1 | 6 | 10 | 3 |
2025 | 2 | 3 | 6 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
Year | Month | High | Avg |
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2024 | 8 | 74 | 409 |
Gabriel Byrne's rather uninspiring portrayal of Nobel laureate Samuel Beckett begins at the ceremony when he collects his cheque then climbs up through the theatre to a cave where he meets himself (in a polo neck) and together they try to decide what to do with the cash! This chat provides the scena ... rio for a retrospective of the man's life. His childhood with a loving father and more distant mother; a life (now played by Fionn O'Shea) in Paris where he encounters the legendary James Joyce (Aiden Gillen) and his dance-loving daughter "Lucia" (Gráinne Good) before the Nazis arrive and he joins the French resistance and meets "Suzanne" (Sandrine Bonnaire) before becoming Byrne again for a denouement with her and BBC producer Barbara (Maxine Peake). Now clearly this was not an uneventful life, nor was this a dull man - but somehow the whole, lethargic, pace of this film rather grinds the joy from it. There are glimpses of the pithy wit of both Joyce and Beckett, and I did quite enjoy O'Shea's portrayal of the younger man but the rest is really an awkwardly introspective guilt trip as this man looks back on a life that is full of regret but very little positivity. Indeed, the whole film seems more focussed on offering us shallow glances of those who were important in his life rather than try to explain to us anything of his nature or just quite why we ought to care. Perhaps it is an authentic reflection of his life, but it's really quite a dull watch - even if the film itself does look great. Some lovely ragtime jazz though.