 
  Popularity: 3 (history)
| Director: | Robert Longo | 
|---|---|
| Writer: | William Gibson | 
| Staring: | 
| In a dystopian 2021, Johnny is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant's safety limits—and will kill him if the data is not removed in time—but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life. | |
| Release Date: | May 26, 1995 | 
|---|---|
| Director: | Robert Longo | 
| Writer: | William Gibson | 
| Genres: | Adventure, Action, Science Fiction | 
| Keywords | virtual reality, dystopia, pharmaceutical industry, computer chip, courier, cyber, cyberpunk, cyberspace, based on short story | 
| Production Companies | TriStar Pictures, Alliance Atlantis, Don Carmody Productions | 
| Box Office | Revenue: $19,075,720 Budget: $25,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Keanu Reeves | Johnny Mnemonic | 
| Dina Meyer | Jane | 
| Takeshi Kitano | Takahashi | 
| Ice-T | J-Bone | 
| Dolph Lundgren | Street Preacher | 
| Denis Akiyama | Shinji | 
| Henry Rollins | Spider | 
| Barbara Sukowa | Anna Kalmann | 
| Udo Kier | Ralfi | 
| Tracy Tweed | Pretty | 
| Falconer Abraham | Yomamma | 
| Don Francks | Hooky | 
| Diego Chambers | Henson | 
| Sherry Miller | Takahashi's Secretary | 
| Arthur Eng | Viet | 
| Von Flores | Viet | 
| Victoria Tengelis | Pharmakom Receptionist | 
| Warren Sulatycky | Yakuza Operator | 
| Celina Wu | Mikiyo | 
| Jamie Elman | Toad | 
| Simon Sinn | Man in Hotel Lobby | 
| Caitlin Carmody | Twin in Hotel Lobby | 
| Erin Carmody | Twin in Hotel Lobby | 
| Douglas O'Keeffe | Pharmakom Security Officer | 
| Marlow Vella | Lotek Kid | 
| Howard Szafer | Strike | 
| Paul Brogren | Stump | 
| Arthi Sambasivan | Nurse | 
| Michael A. Miranda | Stick | 
| Coyote Shivers | Buddy | 
| Lynne Adams | Yakuza with Rocket Launcher | 
| Michael Shearer | Yakuza Partner | 
| Susan Tsagkaris | Opera Singer | 
| Chris Comrie | Beijing Riot Newscaster | 
| Gene Mack | Laslo | 
| Robin Crosby | Girl in Hotel Room | 
| Glenn Bang | Bandleader (uncredited) | 
| Natalie Gray | Tall Chinese Man (uncredited) | 
| Name | Job | 
|---|---|
| Robert Longo | Director | 
| François Protat | Director of Photography | 
| Nilo Rodis-Jamero | Production Design | 
| Olga Dimitrovová | Costume Design | 
| Fred C. Blau Jr. | Tattoo Designer | 
| Bernard Vincent | Unit Production Manager | 
| Gregor Hutchison | Post Production Supervisor | 
| Don McQueen | Assistant Set Decoration | 
| Ian Hall | First Assistant Art Direction | 
| Brad Fiedel | Original Music Composer | 
| William Gibson | Screenplay, Short Story | 
| Shelley Cook | Stunts | 
| Scott Purdy | Sound Re-Recording Mixer | 
| Robert Racki | Stunts | 
| Ronald Sanders | Editor | 
| Dennis Davenport | Art Direction | 
| Linda Gill | Makeup Artist, Key Makeup Artist | 
| Ian McDougall | Production Manager | 
| Pierre Laberge | Unit Production Manager | 
| Mike Franklin | Set Dresser | 
| Michèle Nolet | Set Decoration | 
| Richard Tassé | Set Decoration | 
| Patrick Dodd | Supervising Sound Editor | 
| Michael Mennies | Sound Effects Editor | 
| Enrico Campana | Set Decoration | 
| Marilyn Terry | Assistant Makeup Artist | 
| Michael Jewison | Post Production Supervisor | 
| Kim Karon | Assistant Art Director | 
| Andrew M. Stearn | First Assistant Art Direction | 
| Dan Wladyka | Assistant Set Decoration | 
| Douglas Ganton | Sound Mixer | 
| Douglas Murray | Sound Designer | 
| Bill Birrell | Visual Effects Producer | 
| Ryan Berg | Visual Effects Coordinator | 
| Gene Warren Jr. | Visual Effects Supervisor | 
| Jay Boekelheide | Sound Effects Editor | 
| Don White | Sound Re-Recording Mixer | 
| Anthony Ceccomancini | Visual Effects Coordinator | 
| Leslie Huntley | Visual Effects Producer | 
| David Worman | Animation | 
| Mark Jan Wlodarkiewicz | Sound Effects Editor | 
| Cat Chapman | Visual Effects Coordinator | 
| George Merkert | Visual Effects Producer | 
| Artie Romero | Animation | 
| Tig Fong | Stunts | 
| Mychael Danna | Original Music Composer | 
| Mark A. Lanza | Sound Effects Editor | 
| Jon Null | Sound Effects Editor | 
| Leslie Shatz | Sound Re-Recording Mixer | 
| Alison Reid | Stunts | 
| Jennifer Bower O'Halloran | Key Hair Stylist | 
| Michael Zenon | First Assistant Director | 
| Vic Armstrong | Second Unit Director, Stunt Coordinator | 
| Lewin Webb | Second Assistant Director | 
| Rory Cutler | Special Effects | 
| Marco Bianco | Stunts | 
| Ron Bell | Stunts | 
| Roy T. Anderson | Stunts | 
| Eric Bryson | Stunts | 
| Andy Butcher | Stunts | 
| Lloyd Adams | Stunts | 
| Andrea Chase | Stunts | 
| Tommy Chang | Stunts | 
| Steve Chang | Stunts | 
| Ho Chow | Stunts | 
| T.C. Christensen | Stunts | 
| Mike Chow | Stunts | 
| Randy Butcher | Stunts | 
| Johnny Goar | Stunts | 
| Mike Gow | Stunts | 
| Mic Jones | Stunts | 
| Jamie Jones | Stunts | 
| Danny Lima | Stunts | 
| Patrick Mark | Stunts | 
| Billy Oliver | Stunts | 
| Regan Moore | Stunts | 
| Bryan Renfro | Stunts | 
| Rick Parker | Stunts | 
| Markus Parilo | Stunts | 
| John Stoneham Jr. | Stunts | 
| John Stoneham Sr. | Stunts | 
| Paul Rutledge | Stunts | 
| Todd Schroeder | Stunts | 
| Jean Courteau | Gaffer | 
| David Crone | Camera Operator | 
| Name | Title | 
|---|---|
| Staffan Ahrenberg | Executive Producer | 
| Don Carmody | Producer | 
| Victoria Hamburg | Executive Producer | 
| Robert Lantos | Executive Producer | 
| Jean Desormeaux | Supervising Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 29 | 49 | 18 | 
| 2024 | 5 | 34 | 53 | 20 | 
| 2024 | 6 | 26 | 35 | 18 | 
| 2024 | 7 | 26 | 41 | 16 | 
| 2024 | 8 | 22 | 55 | 13 | 
| 2024 | 9 | 14 | 21 | 9 | 
| 2024 | 10 | 18 | 46 | 9 | 
| 2024 | 11 | 17 | 33 | 13 | 
| 2024 | 12 | 17 | 28 | 12 | 
| 2025 | 1 | 20 | 40 | 12 | 
| 2025 | 2 | 13 | 21 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 3 | 7 | 1 | 
| 2025 | 5 | 3 | 8 | 1 | 
| 2025 | 6 | 2 | 5 | 1 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 940 | 940 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 917 | 917 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 7 | 719 | 719 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 998 | 998 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 720 | 770 | 
Decent watch, probably won't watch again, and can't recommend past a Bad Movie Night. What a trip in the way back machine to see the inspiration for "The Matrix", maybe more of an homage to "Lawnmover Man", but very clearly they didn't have the capability to what they actually wanted to do with t ... he movie. The best things are clearly Dina Meyer ("Starship Troopers": Dizzy) and the "Hot Garotte" lazer whip thing, why haven't more movies used that? Clearly Keanu Reeves did his best to try to hold this thing together, but the writing isn't that great, despite have a pretty good story and world to it. It's really dated, but it's good enough I would actually like to see a reboot of this. There isn't a lot to say: the production and execution fell short and it's just not worth going back to watch this one.
Perhaps back in 1995 the year 2021 did seem like it was an aeon away, but now that we are all actually here, this film really does struggle to resonate on just about every level. Keanu Reeves is a good looking star, but that's about the height of it. The scenario is nothing new - mankind is dependen ... t on technology and about to be subject to a criminally backed corporation's attempts to dominate us. This time, it falls to our hero and his semi-luddite pals to access a micro-chip embedded in his brain to save humanity from oblivion. It's quickly paced, to be fair, and the star does an adequate job trying to keep one step ahead of his deadly, if not terribly effective, Yakuza pursuers but the dialogue is flat (and not terribly audible) and the supporting cast - drawn from a collection of B-listers, musicians and featuring the discobolus-like Dolph Lundgren as baddie-in-chief just follows a join the dots pattern. Maybe it's unfair to look back on it after 25 years with today's eyes - but sadly, like so many of these films, neither the talent not the visuals really stand the test of time at all well. It wasn't great then, it certainly isn't now