 
  Popularity: 4 (history)
| Director: | Iain Softley | 
|---|---|
| Writer: | Ehren Kruger | 
| Staring: | 
| A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past. | |
| Release Date: | Jul 29, 2005 | 
|---|---|
| Director: | Iain Softley | 
| Writer: | Ehren Kruger | 
| Genres: | Drama, Horror, Mystery, Thriller | 
| Keywords | nurse, dreams, new orleans, louisiana, key, plantation, haunted house, lawyer, attic, occult, vinyl record, dark past, locked door, soul transference, creole, southern gothic, hoodoo, evil spirits, paralytic husband, mob-lynching, ghosts, reincarnated lovers | 
| Production Companies | Universal Pictures, MFPV Film, Double Feature Films, ShadowCatcher Entertainment, Daniel Bobker Productions, Brick Dust Productions LLC | 
| Box Office | Revenue: $93,983,911 Budget: $43,000,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Kate Hudson | Caroline Ellis | 
| Gena Rowlands | Violet Devereaux | 
| Peter Sarsgaard | Luke Marshall | 
| John Hurt | Ben Devereaux | 
| Joy Bryant | Jill | 
| Marion Zinser | Bayou Woman | 
| Maxine Barnett | Mama Cynthia | 
| Fahnlohnee R. Harris | Hallie | 
| Deneen Tyler | Desk Nurse | 
| Ann Dalrymple | C.N.A. | 
| Trula M. Marcus | Nurse Trula | 
| Jen Apgar | Madeleine Thorpe | 
| Thomas Uskali | Robertson Thorpe | 
| Jamie Lee Redmon | Grace Thorpe | 
| Forrest Landis | Martin Thorpe | 
| Tonya Staten | Nurse Audrey | 
| Isaach de Bankolé | Creole Gas Station Owner | 
| Christa Thorne | Creole Mother | 
| Ronald McCall | Papa Justify | 
| Jeryl Prescott | Mama Cecile | 
| Lakrishi Kindred | Frail Customer | 
| Sabah | Luke's Secretary | 
| Joe Chrest | Paramedic | 
| David J. Curtis | Party Guest | 
| Tiffany Helland | Party Guest | 
| Brian Ruppert | Party Guest | 
| Name | Job | 
|---|---|
| Brad Bell | Leadman | 
| Thomas Gibson | Key Grip | 
| Mike Nami Jr. | Rigging Grip | 
| Zoila Gomez | Production Coordinator | 
| Craig S. Jaeger | Foley | 
| Chris Fogel | Scoring Mixer | 
| Matt Center | Set Decorating Coordinator | 
| Randy Severino | Swing | 
| Philip Rogers | ADR Recordist | 
| Alex Cruz | Best Boy Grip | 
| Gary Burritt | Negative Cutter | 
| Robert 'Bobby Z' Zajonc | Pilot | 
| Brad Manis | Pyrotechnician | 
| Karl Herbst | Visual Effects Supervisor, CG Supervisor | 
| Rudy Coblentz Jr. | Second Assistant Accountant | 
| Beth W. Crookham | Casting Assistant | 
| Ralph W. Odum | Stunts | 
| Louise Frogley | Costume Design | 
| Joe Hutshing | Editor | 
| Amanda Fernald Jones | Art Department Assistant | 
| Dave DeGaetano | Construction Coordinator | 
| Jason Bedig | Leadman | 
| Fred Arbegast | Sculptor | 
| Colin Anderson | Steadicam Operator, Camera Operator | 
| Gordon Ard | Grip | 
| John Beard | Production Design | 
| Drew Boughton | Art Direction | 
| Beauchamp Fontaine | Set Decoration | 
| Jann K. Engel | Assistant Art Director | 
| Ronald S. Baratie | Greensman | 
| Andrew M. Casbon III | Painter | 
| Joyce Kogut | Costume Supervisor | 
| Stephanie Higgins Frey | Art Department Coordinator | 
| Chuck Stringer | Construction Foreman | 
| Mick Cukurs | Set Designer | 
| John T. Connor | First Assistant Camera | 
| Phil Pastuhov | Aerial Director of Photography | 
| Kathryn Blondell | Hairstylist | 
| Giselle Spence | Seamstress | 
| Leo Lauricella | Carpenter | 
| Bill C. Dawson | Driver | 
| William Davidson | Propmaker | 
| Bob Stoker | Special Effects Coordinator | 
| Elizabeth Ludwick-Bax | Script Supervisor | 
| Larry Cottrill | Best Boy Electric | 
| Greg Etheredge | Lighting Technician | 
| M. Gerard Sellers | Location Manager | 
| Kimberly Sylvester | Production Manager | 
| Hugh Waddell | ADR Supervisor | 
| Sara Lord | Music Supervisor | 
| Jason Hamer | Special Effects Supervisor | 
| Michelle Guish | Thanks | 
| Richard Schoen | Key Costumer | 
| Selma Kora | Assistant Property Master | 
| Joey Genitempo | Set Painter | 
| Lori C. Miller | Title Designer | 
| James Moriana | Foley Artist | 
| Brandon M. Cox | Camera Loader | 
| Lisa Lengyel | Second Assistant Camera | 
| Jon Rocke | Colorist | 
| Bruce Lomet | Digital Intermediate Producer | 
| Martha Bryan | Location Assistant | 
| Bryan Carrigan | Music Programmer | 
| Barrett J. Leigh | Assistant Production Coordinator | 
| Dawn Dowdle | Extras Casting Assistant | 
| Mollie Stallman | Key Production Assistant | 
| Andrew Jablonski | Payroll Accountant | 
| Annie Jablonski | Production Secretary | 
| Andrew P. Flores | Standby Painter | 
| Susan Germaine | Key Hair Stylist | 
| Laurel Frushour | Set Costumer | 
| Tania Blunden | Post Production Supervisor | 
| Peter C. Clarke | Property Master | 
| Lexi Shoemaker | Stand In | 
| Louis Dinson | Transportation Captain | 
| Greg Mitchell | Video Assist Operator | 
| Jen Woodhouse | Editorial Production Assistant | 
| Jimmy Ellis | Electrician | 
| Martin Bosworth | Rigging Gaffer | 
| Merrick Morton | Still Photographer | 
| June Brickman | Makeup Artist | 
| Dale E. Anderson | Set Dressing Artist | 
| Chris Winn | Craft Service | 
| William Jackson | Production Intern | 
| John Lavis | Set Medic | 
| Ed Arter | Transportation Coordinator | 
| Gary Marcus | First Assistant Director | 
| Davis Reynolds | First Assistant Editor | 
| Adam Harrison | Gaffer | 
| Ryan Beadle | I/O Supervisor | 
| Gary Nolin | Visual Effects Producer | 
| Thom 'Coach' Ehle | Dolby Consultant | 
| Tom Bahr | Stunt Coordinator | 
| Valerie T. O'Brien | Costumer | 
| Tyler Romary | Second Second Assistant Director | 
| Gregory D. Hemstreet | Production Accountant | 
| Gary R. Wordham | Production Supervisor | 
| Kevin Cerchiai | Boom Operator | 
| Christopher Assells | Sound Effects Editor | 
| Sean McPherson | Digital Compositors | 
| Stephanie Pollard | Visual Effects Coordinator | 
| Hiro Taniguchi | Set Production Intern | 
| Courtney Bright | Casting Associate | 
| Jon Mallard | Second Assistant Director | 
| Zachary Fannin | Graphic Designer | 
| Richard K. Buoen | Storyboard Artist | 
| Jeff Gomillion | ADR Mixer | 
| Douglas Calli | Special Effects Technician | 
| Alex Scott | Camera Production Assistant | 
| Anthony Harris | Digital Color Timer | 
| Larry Sweet | Dolly Grip | 
| David Bilow | Assistant Editor | 
| Mark Sawicki | Digital Colorist | 
| Marco Umana | Assistant Location Manager | 
| Matthew D. Miller | Location Production Assistant | 
| Christopher Prampin | Assistant Chief Lighting Technician | 
| Lisa Jean Felski | Key Accountant | 
| Robin Batherson | Local Casting | 
| Michael Betz | Production Assistant | 
| Craig Fincannon | Location Casting | 
| Daryl B. Kell | Supervising Music Editor | 
| Bruce McCleery | Chief Lighting Technician | 
| Ted M. Davila | First Assistant Accountant | 
| Rick Rader | Key Rigging Grip | 
| Laura Harris Atkinson | Dialogue Editor | 
| Kia Kiso | Assistant Camera | 
| Iain Softley | Director | 
| Dan Mindel | Director of Photography | 
| Edward Shearmur | Original Music Composer | 
| Ehren Kruger | Writer | 
| Buddy Joe Hooker | Stunt Coordinator | 
| Liisa Cohen | Stunts | 
| Clayton Townsend | Unit Production Manager | 
| Patti Hawn | Publicist | 
| Robert Elhai | Orchestrator | 
| Harry Cohen | Sound Designer | 
| Peter J. Devlin | Sound Mixer | 
| Wylie Stateman | Supervising Sound Editor | 
| Dan DeLeeuw | Visual Effects Supervisor | 
| Annie Ellis | Stunts | 
| Caitlin McKenna | ADR Voice Casting | 
| Edwin Rivera | Compositing Supervisor | 
| Scott Wilder | Stunts | 
| Miranda Garrison | Choreographer | 
| Kathy Jarvis | Stunts | 
| Gayle Hooker | Stunts | 
| Chad Randall | Stunts | 
| Ronna Kress | Casting | 
| Conrade Gamble | Stunts | 
| Name | Title | 
|---|---|
| Daniel Bobker | Producer | 
| Lorenzo P. Lampthwait | Producer | 
| Iain Softley | Producer | 
| Stacey Sher | Producer | 
| Clayton Townsend | Executive Producer | 
| Michael Shamberg | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 29 | 16 | 
| 2024 | 5 | 25 | 34 | 15 | 
| 2024 | 6 | 23 | 43 | 13 | 
| 2024 | 7 | 28 | 49 | 14 | 
| 2024 | 8 | 24 | 42 | 14 | 
| 2024 | 9 | 16 | 21 | 10 | 
| 2024 | 10 | 22 | 34 | 15 | 
| 2024 | 11 | 19 | 32 | 14 | 
| 2024 | 12 | 18 | 44 | 12 | 
| 2025 | 1 | 19 | 29 | 14 | 
| 2025 | 2 | 27 | 71 | 4 | 
| 2025 | 3 | 9 | 23 | 3 | 
| 2025 | 4 | 5 | 8 | 2 | 
| 2025 | 5 | 4 | 9 | 2 | 
| 2025 | 6 | 3 | 6 | 2 | 
| 2025 | 7 | 3 | 4 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 5 | 6 | 4 | 
| 2025 | 10 | 3 | 5 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 804 | 838 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 521 | 818 | 
| Year | Month | High | Avg | 
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| 2025 | 8 | 746 | 746 | 
| Year | Month | High | Avg | 
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| 2025 | 7 | 752 | 752 | 
| Year | Month | High | Avg | 
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| 2025 | 6 | 770 | 770 | 
| Year | Month | High | Avg | 
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| 2025 | 5 | 692 | 833 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 645 | 790 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 997 | 997 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 791 | 887 | 
_**The Louisiana bayou, an antebellum mansion, Hoodoo and Kate Hudson**_ A New Orleans hospice worker (Kate Hudson) takes a job at a dilapidated antebellum mansion in the bayou caring for a dying old man (John Hurt). His wife seems to be hiding something, however (Gena Rowlands). Peter Sarsgaard ... is on hand as the estate’s amiable lawyer. "The Skeleton Key" (2005) is a Southern Gothic supernatural thriller set in the Louisiana bayou à la “Cat People” (1982) and “The Reaping” (2007). It’s not as good as the former, but arguably superior to the latter or at least on par. Most of the film is an eerie drama taking place in and around the old Southern mansion, but the pace picks up in the final act with a quality surprise climax. Neither my wife nor I were able to anticipate the revelation, but it makes sense and hails back to earlier obscure horror flicks which I can’t name because I don’t want to give it away. Kate is a highlight with her cute face and the director doesn’t fail to capture her beauty in a tasteful way, but she needed to gain about 12 lbs as her thinness is un-alluring. Really, the only negatory is that the setting/cast is one-dimensional, which makes the movie tediously mundane, but this is offset by the creepy supernatural element. The film runs 1 hour, 44 minutes, and was shot in Louisiana (Felicity Plantation, Vacherie; Bayou Gauche & New Orleans) with additional stage stuff done in Universal City, California. GRADE: B/B-