Popularity: 5 (history)
Director: | Peter Hyams |
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Writer: | Andrew W. Marlowe |
Staring: |
On 28 December 1999, the citizens of New York City are getting ready for the turn of the millennium. However, Satan decides to crash the party by coming to the city and searching for his chosen bride — a 20-year-old woman named Christine York. The world will end, and the only hope lies within an atheist named Jericho Cane. | |
Release Date: | Nov 24, 1999 |
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Director: | Peter Hyams |
Writer: | Andrew W. Marlowe |
Genres: | Fantasy, Action, Horror |
Keywords | christianity, new york city, new year's eve, pastor, nightmare, bible, satanist, faith, ex-cop, anti-christ, millenium, atheist, priest, hospital, explosion, church, devil, ritual murder, macabre, hard, meditative, stigmata, paranoid, philosophical, supernatural horror, dreary, good versus evil, security agent, private security organization, absurd, exhilarated, frustrated |
Production Companies | Beacon Communications |
Box Office |
Revenue: $212,000,000
Budget: $100,000,000 |
Updates |
Updated: Sep 23, 2025 Entered: Apr 13, 2024 |
Name | Job |
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Julia K. Levine | Set Designer |
Christopher Assells | Sound Editor, Sound Effects Editor |
Robert West | Production Office Coordinator |
Howard Velasco | Security |
Ivy Borg | Stand In |
Mike Shannon | Transportation Captain |
Joel Holland | Video Assist Operator |
Juan M. García | Best Boy Electric |
Angela Peabody | Casting Associate |
Jeffrey Wilhoit | Foley Artist |
Christopher Carlson | Assistant Decorator |
Robert Deschaine | ADR Mixer |
Greg Zimmerman | Foley Recordist |
Eric Durst | Senior Visual Effects Supervisor |
Paul Shane Durazo | Camera Loader |
Erik Lee | Lead Animator |
Carrie L.A. | Assistant Location Manager |
Bobby Bass | Utility Stunts |
Nadine Grycan | Utility Stunts |
Rita Minor | Utility Stunts |
Shawn Robinson | Utility Stunts |
Lee Waddell | Stunt Double |
Alexander Denk | Stunt Double |
Bill Young | Stunt Driver |
Steven Kemper | Editor |
Jeff Gullo | Editor |
Jackie Burch | Casting |
Gary Fettis | Set Decoration |
Dayne Johnson | Makeup Artist |
Cheree Welsh | Art Department Coordinator |
Jeffrey Beck | Set Designer |
Al Hobbs | Set Designer |
Steve Callas | Construction Coordinator |
Michael D. Wilhoit | Supervising Sound Editor |
Charlie Daboub | Art Direction |
Justin Ditter | Wigmaker |
Kenneth Hardy | Assistant Art Director |
Charisse Cardenas | Set Designer |
Scott Sanders | Sound Effects Editor |
Frank A. Montaño | Sound Re-Recording Mixer |
Thomas L. Fisher | Special Effects Coordinator |
Zeke Morales | Visual Effects Editor |
Kurt Williams | Visual Effects Producer |
David Norris | Camera Operator |
James R. Tynes | Gaffer |
Charlie McIntyre | Rigging Gaffer |
Ray Boniker | First Assistant Editor |
Tricia Ronten | Script Supervisor |
Richard Holland | Production Design |
Bobbie Mannix | Costume Design |
Louis Lazzara | Makeup Artist |
Dawn Brown | Assistant Art Director |
Greg Berry | Set Designer |
Michael Minkler | Sound Re-Recording Mixer |
Kosta Saric | Visual Effects Editor |
Gary Nolin | Visual Effects Producer |
John 'D.J.' Des Jardin | Visual Effects Supervisor |
Stephen S. Campanelli | Steadicam Operator |
Michael Scott | Additional Camera |
Michael Ferris | Additional Camera |
Zade Rosenthal | Still Photographer |
Michael P. May | Additional Camera |
Gail A. Fitzgibbons | Costume Supervisor |
Denny Caira | Transportation Coordinator |
Carrie Gerlach | Unit Publicist |
Kelly Oxford | Supervising Sound Editor |
Francis Meade Warner | Art Department Assistant |
Kokayi Ampah | Location Manager |
Kurt V. Hulett | Leadman |
David James | Sculptor |
Ismael Araujo Jr. | Grip |
Tim Gonzales | Craft Service |
Adam Khalid | Post Production Assistant |
Justin Blaustein | Projection |
Mary Lamar Mahler | Set Medic |
Shawn Kautz | Stunts |
Paul Deason | Unit Production Manager |
William M. Elvin | First Assistant Director |
Paul Ciancetta | Lighting Technician |
Michael Haro | Location Manager |
Jennifer Bell | Key Hair Stylist |
Peter Olexiewicz | Construction Foreman |
J. Patrick Daily | Key Grip |
Peter Tothpal | Hair Designer |
Ralph Peterson | Carpenter |
John Armstrong | Driver |
Steven J. Winslow | Camera Technician |
Craig Dyer | Helicopter Camera |
Harry Lu | Armorer |
Mitchell S. Drain | Digital Effects Supervisor |
Bradley M. Goodman | Post Production Supervisor |
Walter Zieska | Propmaker |
Kenny Chaplin | Set Production Assistant |
Greg Bradner | Systems Administrators & Support |
Phil Hetos | Color Timer |
Brad Duenkel | Rigging Grip |
Don Orlando | Production Accountant |
Todd Bassman | Boom Operator |
Pete Anthony | Orchestrator |
Jeff Glueck | Sound Engineer |
Kenneth Au | Digital Compositors |
Anders Ericson | Visual Effects |
Denise Pinckley | Production Manager |
Victor Ray Ennis | First Assistant Sound Editor |
Gene S. Cantamessa | Production Sound Mixer |
Ivan DeWolf | 3D Artist |
Brandon Craig | I/O Supervisor |
Chad J. Hellmuth | Visual Effects Coordinator |
Dennis Rogers | First Assistant Camera |
Laura Harris Atkinson | Dialogue Editor |
Lauren Stephens | Dialogue Editor |
James Moriana | Foley Artist |
Joth Riggs | Second Second Assistant Director |
James Doh | Storyboard Artist |
Nerses Gezalyan | Foley Mixer |
Ronald Epstein | Special Effects Technician |
Walter Garcia | Visual Effects Production Assistant |
Brian Mussetter | Assistant Camera |
Todd Turner | Epk Producer |
Gary Burritt | Negative Cutter |
Tammy Apana | Assistant Accountant |
Rob Mitchell | Controller |
Byron Crystal | Extras Casting |
Michael McGuire | Key Rigging Grip |
Jim Swidarski | Payroll Accountant |
David Collier | Production Coordinator |
Angela Heald | Production Supervisor |
G. Marq Roswell | Music Supervisor |
Keith Marbory | Special Effects Supervisor |
James Wright | Dolby Consultant |
Hope M. Parrish | Property Master |
Richard Dwan Jr. | Dialogue Editor, ADR Editor |
Michelle Pazer | ADR Editor |
Leonel Pedraza | Sound |
Michael Saccio | Property Master |
David L. Bell | Set Dresser |
Jennifer Bell | Second Assistant Camera |
John 'Fest' Sandau | Assistant Chief Lighting Technician |
Walter von Huene | Dialogue Coach |
Shawn Gillespie | First Assistant Accountant |
Tami Hodges Gruneich | Key Set Production Assistant |
John Bozzalla | Production Assistant |
Paul Rylander | Assistant Property Master |
Michael Miller | ADR Mixer |
Tom Knott | Special Effects Assistant |
Alessandra Carlino | Visual Effects Assistant Editor |
Darin Necessary | Additional Second Assistant Camera |
Daniel Pershing | Dolly Grip |
Scott Janush | Assistant Editor |
Yvonne McDonald | Music Coordinator |
Donald E. Wygal | Assistant Production Coordinator |
Craig A. Mumma | Digital Effects Producer |
Alison Yerxa | Matte Painter |
Tom West | Best Boy Grip |
Janet Brady | Utility Stunts |
Thomas J. Larsen | Stunts |
Bennie Moore | Utility Stunts |
Ron Stein | Utility Stunts |
William H. Burton Jr. | Utility Stunts |
James M. Halty | Utility Stunts |
Alan Oliney | Utility Stunts |
Gunter Simon | Utility Stunts |
Raymond Normandin | Stunts |
Alan Wurtzel | Utility Stunts |
Mitch Toles | Stunt Driver |
Tommy J. Huff | Utility Stunts |
Peter Hyams | Director of Photography, Director |
Jeff Dawn | Makeup Department Head |
Maya Shimoguchi | Set Designer |
Scott Martin Gershin | Sound Effects Editor |
Hector C. Gika | Sound Effects Editor |
Tony Lamberti | Sound Designer |
Ian Hunter | Visual Effects Art Director, Visual Effects Producer |
Steve M. Davison | Stunt Coordinator |
Tom Carlson | Music Editor |
John Debney | Original Music Composer |
Andrew W. Marlowe | Writer |
Pamella D'Pella | Location Scout |
Mauro Borrelli | Production Illustrator |
J. Alan Scott | Animatronics Designer |
Gregory J. Barnett | Utility Stunts |
Nancy Rae Stone | Executive In Charge Of Production |
Stan Winston | Creature Design |
Jennifer Caputo | Stunt Double |
Dick Ziker | Utility Stunts |
Troy Gilbert | Utility Stunts |
Tim Gilbert | Utility Stunts |
Gene LeBell | Utility Stunts |
Chuck Picerni Jr. | Utility Stunts |
Troy Robinson | Utility Stunts |
Troy Brown | Utility Stunts |
Henry Kingi | Utility Stunts |
Freddie Hice | Utility Stunts |
Bob Brown | Utility Stunts |
Lance Gilbert | Utility Stunts |
Andy Gill | Utility Stunts |
Jack Gill | Utility Stunts |
Manny Perry | Utility Stunts |
John C. Meier | Utility Stunts |
Buddy Joe Hooker | Utility Stunts |
Billy D. Lucas | Stunt Double |
Darrell Davis | Utility Stunts |
Franco Columbu | Utility Stunts |
Josh Kemble | Stunts |
Scotty Richards | Stunt Coordinator |
Dieter Rauter | Utility Stunts |
James Ryan | Stunts |
Erik Rondell | Utility Stunts |
Tim Trella | Utility Stunts |
Sven-Ole Thorsen | Utility Stunts |
Scott Workman | Utility Stunts |
Joey Box | Stunts |
Mark Chadwick | Stunts |
Kerry Carmean-Williams | Sound Effects Editor |
Scott R. Fisher | Special Effects Coordinator |
Aaron Dem | Head of Production |
Ronnie Rondell Jr. | Utility Stunts |
Jeff 'JJ' Dashnaw | Utility Stunts |
Jimmy N. Roberts | Utility Stunts |
Danny Rogers | Utility Stunts |
Name | Title |
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Thomas A. Bliss | Executive Producer |
Paul Deason | Co-Producer |
Bill Borden | Producer |
Marc Abraham | Executive Producer |
Armyan Bernstein | Producer |
Andrew W. Marlowe | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 35 | 61 | 26 |
2024 | 5 | 34 | 61 | 20 |
2024 | 6 | 29 | 56 | 19 |
2024 | 7 | 33 | 60 | 18 |
2024 | 8 | 25 | 43 | 17 |
2024 | 9 | 19 | 25 | 16 |
2024 | 10 | 22 | 31 | 16 |
2024 | 11 | 23 | 40 | 13 |
2024 | 12 | 22 | 42 | 16 |
2025 | 1 | 24 | 38 | 16 |
2025 | 2 | 17 | 25 | 3 |
2025 | 3 | 7 | 24 | 2 |
2025 | 4 | 5 | 10 | 2 |
2025 | 5 | 4 | 11 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 2 | 3 | 2 |
2025 | 9 | 5 | 7 | 2 |
2025 | 10 | 6 | 6 | 5 |
Trending Position
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2025 | 10 | 266 | 613 |
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2025 | 9 | 90 | 387 |
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2025 | 8 | 602 | 744 |
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2025 | 6 | 666 | 815 |
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2025 | 4 | 692 | 870 |
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2025 | 3 | 695 | 858 |
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2025 | 1 | 457 | 750 |
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2024 | 12 | 891 | 891 |
Year | Month | High | Avg |
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2024 | 11 | 684 | 721 |
Faith Or A Glock 9 Millimetre? End Of Days is directed by Peter Hyams and written by Andrew W. Marlowe. It stars Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, Udo Kier & CCH Pounder. It's the end of the Millennium and as 1999 draws to a close Satan (in human fo ... rm played by Gabriel Byrne) is in town and looking for his bride. That bride is Christine York (Tunney), who 20 years earlier on her birthday had been chosen by Satanists to be the one for the spawning of the anti-Christ. Enter retired cop Jericho Cane (Schwarzenegger), a suicidal security expert whose family were murdered, and who after being hired to protect an every day business man finds himself in a battle with evil itself. It's not just the fate of poor Christine that's now in his hands, but that of mankind too. Arnold versus The Devil, you couldn't make it up could you? Well actually "they" did, but hey, what's wrong with pitting modern cinema's action super star against man's ultimate enemy? The answer is nothing wrong with it at all; as long as the expectation level is set at brain left at the door for some mindless popcorn fun. Which when one sees the premise on offer is all one can surely expect to see. Surely? Budgeted at $100 million by Universal Studios, of which $25 million went on the Austrian Oak's salary, End Of Days, contrary to some beliefs, made over double that when all sales were factored in. However, it was still a poor return for such a big block-buster and Universal were most disappointed in the returns. As was Schwarzenegger himself, who was hoping to launch a big movie come back after a run of sub standard movies had seen his stock fall. Throw in the Razzie nominations for Schwarzenegger, Byrne (who was also up for Stigmata) and Hyams, and it doesn't make particularly inspiring reading. It's all very ridiculous, the film not the statistics, but End Of Days is a whole bunch of explosive, bonkers, action based fun. The flaws are many, not least that the plot is actually an adventurous reworking of T2: Judgement Day (Arnie playing it on safe territory one feels). While giving the big man some character depth was never going to be a good move considering his-ahem-range. Yet the film finds him on particularly good muscular form, machine gunning, shooting rockets and facing off against Byrne's (having a great time and playing it as it should be played) snarly, sarcastic Old Nick adversary. Tunney (wolf whistle that body) bats the eyes and screams as befitting the role, Pollak deserves better but runs with it in his usual dry dulcet way, while the wonderful Miriam Margolyes gets to kick Arnie's butt! Yes it's that kind of movie folks. With dashes of grue and explosions aplenty it was never about trying to win awards. If ever a film does exactly what it says on the tin then this is it. Arnie V Satan, it is what it is, relax and enjoy. 7/10
**_Solid action/horror with Arnie_** The devil (Gabriel Byrne) comes to New York City to impregnate a chosen female (Robin Tunney) during the last hour of the second millennium to bring about the end of the world. The hope of humanity falls on an atheist ex-cop, Jericho Cane (Arnold Schwarzenegga ... r), and his partner (Kevin Pollak). Rod Steiger is also on hand as a no-nonsense Catholic priest. "End of Days" (1999) is a comic book action flick with horror/fantasy elements. It's not meant to be an accurate depiction of biblical eschatology. As such, it's useless to pick it apart on those grounds; just go with it and enjoy the ride. That said, there are some real-life subtexts and accurate biblical aspects. For instance, disillusionment due to the unjust death of a loved one (or any number of other tragedies) happens all the time. The movie is R-rated not just for the violence and cussing, but because the filmmakers try to convey the devil's filthy lawlessness, like a threesome with a mother & daughter in a brief dream sequence (which may be "reality," but it's hard to tell). Byrne has fun with the role of Satan. As a holiday action blockbuster with Schwarzenegger "End of Days" delivers the requisite thrills where there's a massive explosion about every 12 minutes. These types of movies only work if the story and the characters pull you into their world and the film accomplishes this just enough. It's no where near as good as the first two Terminator flicks, but it's close to being on par with the third one. Of course, "End of Days" is its own animal due to the apocalyptic, religious subject matter. On that note, the palette the filmmakers use is fittingly dark. The entire film takes place at night, mostly in the urban labyrinths of Gotham with additional sequences in Gothic churches, shadowy subterranean rooms and eerie woods. The film runs 2 hours, 1 minute, and was shot in New York City and the Los Angeles area. GRADE: B/B-
One of my favorite Arnold movies. A lot of crazy demonic people. Lots of action and a great storyline. ...
Arnie is ex-cop "Jericho" who runs an high end private security company. When an attempt is made on the life of one of his clients, he pursues a man throughout the city before being given a portentous warning by the would be assassin that the son of Satan is soon to be born. Now even he isn't going ... to but that, but as more mysterious happenings occur, he finds himself trying to keep "Christine" (Robin Tunney) safe from some henchmen, and from the Church - as she is sought by the big "D" himself (Gabriel Byrne). The plot is pretty flawed from start to finish. One would assume that however strong and resilient "Jericho might be, the fact that his foe could cause people to spontaneously combust at will would have but paid to any resistance fairly early on. Nope - he keeps coming back to fight another day - and after a while, that just becomes a little bit dull and leads to an ending that is as flat as it is predictable. I suppose I ought never to have expected much jeopardy, and neither the acting nor the dialogue really do much to elevate this from a very average outing for Schwarzenegger that offers us plenty of action but totally underplays the more demonic aspects of the plot that ought to have made this just a bit darker and more interesting. It is also way too long, and though well enough made, just left me feeling that I'd seen this all before, just in a different guise.