Popularity: 4 (history)
| Director: | Sidney Lumet |
|---|---|
| Writer: | Sidney Lumet, T.J. Mancini, Robert J. McCrea |
| Staring: |
| Based on the true story of Jack DiNorscio, a mobster who defended himself in court for what would be the longest mafia trial in U.S. history. | |
| Release Date: | Mar 16, 2006 |
|---|---|
| Director: | Sidney Lumet |
| Writer: | Sidney Lumet, T.J. Mancini, Robert J. McCrea |
| Genres: | Comedy, Drama, Crime |
| Keywords | court case, gangster, staatsanwältin, family clan, courtroom drama, legal thriller |
| Production Companies | One Race, MHF Zweite Academy Film, Yari Film Group Releasing, Bob Yari Productions, Syndicate Films International, Bob DeBrino Entertainment, BDE Entertainment, Crossroads Entertainment (II), Three Wolves Productions |
| Box Office |
Revenue: $2,636,637
Budget: $13,000,000 |
| Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Vin Diesel | Jackie DiNorscio |
| Alex Rocco | Nick Calabrese |
| Ron Silver | Sidney Finestein |
| Peter Dinklage | Ben Klandis |
| Linus Roache | Sean Kierney |
| Frank Pietrangolare | Carlo Mascarpone |
| Annabella Sciorra | Bella DiNorscio |
| Richard DeDomenico | Tom Napoli |
| Vinny Vella | Graziedei |
| James Biberi | Frank Brentano |
| Raúl Esparza | Tony Compagna |
| Frank Adonis | Phil Radda |
| Richard Portnow | Max Novardis |
| Jerry Adler | Saul Rizzo |
| Steven Randazzo | Chris Cellano |
| Marcia Jean Kurtz | Sara Stiles |
| Gerry Vichi | Theodore |
| Domenick Lombardozzi | Jerry McQueen |
| Josh Pais | Harry Bellman |
| Salvatore Paul Piro | Mike Belaggio |
| Tony Ray Rossi | Joe Bellini |
| Frankie Perrone | Henry Fiuli |
| Paul Borghese | Gino Mascarpone |
| Jerry Grayson | Jimmy Katz |
| Nicholas A. Puccio | Alessandro Tedeschi |
| Chuck Cooper | James Washington |
| Oscar A. Colon | Pissaro |
| Ben Lipitz | Henry Kelsey |
| John Di Benedetto | Guard - Jesse |
| Vinny DeGennaro | Danny Roma |
| Name | Job |
|---|---|
| Sidney Lumet | Screenplay, Director |
| Ellen Chenoweth | Casting |
| Jonathan Tunick | Original Music Composer |
| Troy Robinson | Stunt Coordinator, Stunt Double |
| Joseph P. Reidy | First Assistant Director |
| Blaise Corrigan | Stunt Coordinator |
| Tom Swartwout | Editor |
| Ron von Blomberg | Set Decoration |
| T.J. Mancini | Screenplay |
| Christopher Nowak | Production Design |
| Robert J. McCrea | Screenplay |
| Tina Nigro | Costume Design |
| Emily Beck | Art Direction |
| Kelly Gleason | Key Makeup Artist |
| Coll Anderson | Supervising Sound Editor |
| Kerrie Smith | Hair Department Head |
| Bonnie Hlinomaz | Production Supervisor |
| Susie Farris | Casting |
| Ron Fortunato | Director of Photography |
| Name | Title |
|---|---|
| Bob Yari | Producer |
| Robert Greenhut | Producer |
| George Zakk | Executive Producer |
| Rita Branch | Producer |
| Roger Zamudio | Producer |
| Ernst-August Schnieder | Producer |
| Wolfgang Schamburg | Producer |
| Oliver Hengst | Executive Producer |
| Robert Katz | Producer |
| Bob DeBrino | Producer |
| T.J. Mancini | Producer |
| Frank Digiacomo | Producer |
| Johnny Sanchez | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 15 | 20 | 12 |
| 2024 | 5 | 18 | 26 | 10 |
| 2024 | 6 | 15 | 28 | 9 |
| 2024 | 7 | 18 | 38 | 9 |
| 2024 | 8 | 13 | 21 | 8 |
| 2024 | 9 | 10 | 16 | 7 |
| 2024 | 10 | 12 | 19 | 7 |
| 2024 | 11 | 11 | 23 | 7 |
| 2024 | 12 | 11 | 19 | 7 |
| 2025 | 1 | 12 | 25 | 8 |
| 2025 | 2 | 9 | 13 | 3 |
| 2025 | 3 | 5 | 12 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 935 | 935 |
I think I might have appreciated this rather plodding courtroom drama a bit more had I been able to hear more of what Vin Diesel was actually saying - but for much of this he had the distinct disadvantage of not being too near a working microphone. He portrays real life hood Jackie DiNorscio, a man ... already serving a thirty year sentence when he is summoned by District Attorney Tierney (Linus Roache) and offered a deal. Testify against one of the big five crime families and have his prison term reduced. He sticks to his guns and declines, only to find himself joining the list of arraigned and facing even longer behind bars. Broke, he decides to defend himself and is soon entertaining and annoying the judge and the jury in equal measure with his lively and unorthodox methods. Diesel does not do emotion well, nor subtlety - and when the part calls for it, he delivers poorly. Otherwise though, he turns in a reasonable enough effort as the charismatic crook who makes no bones about his naughty past, but extols the virtues of loyalty, family and decency to try and persuade the jury to acquit not just him, but his gaggle of positively dodgy associates. It's based on a true story so the ending is a matter of public record thus robbing this of any jeopardy and unfortunately, that too, renders the story rather unremarkable save for the fact that the trial lasted all but two years and cost a fortune. Ron Silver stands out amongst the supporting cast as the no nonsense judge but otherwise the others offer little by way memorable contribution to a story that is itself pretty lacklustre and for which this particular star isn't really well equipped. It's over two hours long and to be honest, I was rather tired with it after about half of that time.
I'm not convinced by this one. <em>'Find Me Guilty'</em> works more than it probably should and I wasn't actually ever bored by any of the events onscreen, but I can't really shake the feeling that it isn't a good movie. Seeing Vin Diesel in the lead role felt off, I adore him in <em>'Fast & Furi ... ous'</em> but he doesn't fit this role all that much. The accent, the mob boss-esque acting, the hair... The vibe of the film is also felt quite ill-fitting. I don't know anything about the real life case that this depicts, but based on a quick look online I can see why the film portrays Diesel's lead character in the way it does. Though I feel like it ignores too much and wants you to root for characters without giving suitable reasons as to why you should; aside from shaking fists in the air at authority figures. It's not necessarily strictly bad, it is just not one I can personally describe as being good; a standard 6/10 for me. I did like Peter Dinklage and Alex Rocco in this, though.