 
  Popularity: 4 (history)
| Director: | Michael Gottlieb | 
|---|---|
| Writer: | Michael Gottlieb, Edward Rugoff | 
| Staring: | 
| Jonathan Switcher, an unemployed artist, finds a job as an assistant window dresser for a department store. When Jonathan happens upon a beautiful mannequin he previously designed, she springs to life and introduces herself as Emmy, an Egyptian under an ancient spell. Despite interference from the store's devious manager, Jonathan and his mannequin fall in love while creating eye-catching window displays to keep the struggling store in business. | |
| Release Date: | Feb 13, 1987 | 
|---|---|
| Director: | Michael Gottlieb | 
| Writer: | Michael Gottlieb, Edward Rugoff | 
| Genres: | Comedy, Fantasy, Romance | 
| Keywords | new love, department store, mannequin, transformation, puppet, romcom, window dresser, mannequin come to life, adoring, comforting | 
| Production Companies | 20th Century Fox, The Cannon Group, Gladden Entertainment | 
| Box Office | Revenue: $42,700,000 Budget: $6,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Andrew McCarthy | Jonathan Switcher | 
| Kim Cattrall | Ema 'Emmy' Hesire | 
| Estelle Getty | Claire Prince Timkin | 
| James Spader | Mr. Richards | 
| G.W. Bailey | Captain Felix Maxwell | 
| Carole Davis | Roxie Shield | 
| Meshach Taylor | Hollywood | 
| Steve Vinovich | B.J. Wert | 
| Christopher Maher | Armand | 
| Phyllis Newman | Emmy's Mother | 
| Phil Rubenstein | Mannequin Factory Boss | 
| Jeffrey Lampert | Factory Worker | 
| Kenneth Lloyd | Superdad | 
| Jake Jundef | Superkid | 
| Harvey Levine | Balloon Boss | 
| Thomas J. McCarthy | Head Gardener | 
| Pat Ryan | Pizzeria Manager | 
| Glenn Davish | Effete Executive | 
| Steve Lippe | Male Sales Clerk | 
| Lee Golden | Wino | 
| Vernon R. DeVinney | Older Man in Boardroom | 
| Olivia Frances Williams | Woman in Boardroom | 
| Charles Lord | Man in Boardroom | 
| Ben Hammer | Hans the Maitre d' | 
| Jane Moore | Tina | 
| Jane Carol Simms | Lupe | 
| Judi Goldhand | Mrs. Thomas | 
| Lara Harris | Mannequin in Photo Window | 
| Dan Lounsbery | Senior Citizen | 
| Kitty Minehart | Senior Citizen | 
| Katherine Conklin | Wert's Secretary | 
| Andrew Hill Newman | Compactor Room Janitor | 
| Bill Greene | Police Officer | 
| Constance Baranzano | Illustra Executive | 
| Name | Job | 
|---|---|
| Michael Gottlieb | Screenplay, Director | 
| Bobby Bass | Stunts | 
| Edward Rugoff | Screenplay | 
| Sylvester Levay | Original Music Composer | 
| Richard Halsey | Editor | 
| Frank E. Jimenez | Editor | 
| Norman Wallerstein | Post Production Supervisor | 
| Ronnie Rondell Jr. | Stunts | 
| Gale M. Adler | Still Photographer | 
| Bob Hagans | Color Timer | 
| Kevin Brennan | Gaffer | 
| Lisa Jensen | Costume Design | 
| Joan Cunningham | Assistant Costume Designer, Stunts, Production Assistant | 
| Bruce Bahrenburg | Unit Publicist | 
| Richard Arrington | Makeup Artist | 
| Theresa Giraldi | Assistant Makeup Artist | 
| Chris Brooks | Music Editor | 
| Jessie Horack | Painter | 
| William Stevenson | Supervising Sound Editor | 
| Cheryl Bloch | Assistant Editor | 
| Fred Tuch | Storyboard Artist | 
| Paul Bucossi | Stunts | 
| Lisa Cain | Stunts | 
| Hugh Hooker | Stunts | 
| Carol Neilson | Stunts | 
| Billy Hank Hooker | Stunts | 
| Tim Suhrstedt | Director of Photography | 
| Peter Bucossi | Stunts | 
| Steve M. Davison | Stunts | 
| Frank Ferrara | Stunts | 
| Buddy Joe Hooker | Second Unit Director, Stunt Coordinator | 
| Pat Romano | Stunts | 
| Phil Neilson | Stunts | 
| Michael Haley | First Assistant Director | 
| Jeffrey J. Dashnaw | Stunts | 
| Sally Cruikshank | Opening Title Sequence | 
| R.A. Rondell | Stunts | 
| Scott Wilder | Stunts | 
| Harry Kurnitz | Original Film Writer | 
| Frank Tashlin | Original Film Writer | 
| Name | Title | 
|---|---|
| Art Levinson | Producer | 
| Joseph Farrell | Executive Producer | 
| Edward Rugoff | Executive Producer | 
| Catherine Paura | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 35 | 52 | 26 | 
| 2024 | 5 | 34 | 63 | 20 | 
| 2024 | 6 | 32 | 55 | 19 | 
| 2024 | 7 | 55 | 117 | 27 | 
| 2024 | 8 | 48 | 75 | 33 | 
| 2024 | 9 | 38 | 48 | 30 | 
| 2024 | 10 | 37 | 56 | 25 | 
| 2024 | 11 | 32 | 58 | 19 | 
| 2024 | 12 | 27 | 44 | 21 | 
| 2025 | 1 | 31 | 42 | 22 | 
| 2025 | 2 | 22 | 32 | 4 | 
| 2025 | 3 | 10 | 30 | 1 | 
| 2025 | 4 | 4 | 5 | 3 | 
| 2025 | 5 | 4 | 5 | 3 | 
| 2025 | 6 | 3 | 4 | 3 | 
| 2025 | 7 | 3 | 5 | 2 | 
| 2025 | 8 | 3 | 4 | 2 | 
| 2025 | 9 | 4 | 5 | 3 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 932 | 932 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 755 | 831 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 977 | 977 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 895 | 895 | 
Looking in your eyes I see a paradise. Mannequin is either a sweet affectionate nostalgia movie – or an empty vacuous experience that fronts the bad side of 1980s American film making? Of all the teen comedies and brat packer pictures that flooded the decade, Mannequin appears to be the one that ... has no in between fan base, you either love it for what it is, or despise it and everything it stands for. So how do you review something like that? I mean if you have seen it already and are reading this, you don’t need any guidance from me. Your minds are already made up, if you have not seen it and have any interest in the 1980s strand of such fare, then give it a go. It’s hardly an abomination, while for fans of Kim Cattrall and Andrew McCarthy it has to be worth a watch to see them try to cope with such under written lead characters. It’s frothy and cheerful, but yes, devoid of substance, while one stereotype coupled with James Spader’s worst performance hardly help matters these days. Soundtracking is decent enough, led by power pop ballad Nothing’s Gonna Stop Us Now sung by Starship, while the costuming is garishly period. Not to be taken seriously, obviously, and it has flaws galore, but it does have fans. Who knows, you may become one as well? Or you may want to stick sharp implements in your eyes instead? Roll the dice and take the chance. 5/10