Popularity: 4 (history)
Director: | Jaume Collet-Serra |
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Writer: | Chad Hayes, Carey Hayes |
Staring: |
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit. | |
Release Date: | May 05, 2005 |
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Director: | Jaume Collet-Serra |
Writer: | Chad Hayes, Carey Hayes |
Genres: | Horror, Mystery, Thriller |
Keywords | louisiana, traffic jam, remake, murder, gore, wax museum, slasher, series of murders, twins, killer, group of friends, ghost town, wax, waxwork, brother sister relationship, 2000s |
Production Companies | Village Roadshow Pictures, Warner Bros. Pictures, Dark Castle Entertainment |
Box Office |
Revenue: $68,766,121
Budget: $40,000,000 |
Updates |
Updated: Sep 20, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Elisha Cuthbert | Carly Jones |
Chad Michael Murray | Nick Jones |
Brian Van Holt | Bo Sinclair / Vincent Sinclair |
Paris Hilton | Paige Edwards |
Jared Padalecki | Wade Felton |
Robert Ri'chard | Blake Johnson |
Jon Abrahams | Dalton Chapman |
Damon Herriman | Lester Sinclair |
Dragicia Debert | Trudy Sinclair |
Murray Smith | Dr. Victor Sinclair |
Thomas Adamson | Young Bo |
Sam Harkess | Young Vincent |
Emma Lung | Jennifer |
Andy Anderson | Sheriff |
Kendal Rae | Sexy Girl (uncredited) |
Name | Job |
---|---|
Joel Negron | Editor |
Jaume Collet-Serra | Director |
Nicholas McCallum | Art Direction |
Graham 'Grace' Walker | Production Design |
John Ottman | Original Music Composer |
Luke Kelly | Production Runner |
Marc Spicer | Second Unit Director of Photography |
Chad Hayes | Screenplay |
Carey Hayes | Screenplay |
Angela Moore | Stunt Double |
Stephen F. Windon | Director of Photography |
Mary Gail Artz | Casting |
Barbara Cohen | Casting |
Alex Alvarez | Costume Design |
Brian Edmonds | Art Direction |
Graham Purcell | Costume Design |
Dilys Tan | Art Department Coordinator |
Kerry Turnbull | Assistant Art Director |
Jack Watford | Construction Coordinator |
Noel McCartney | Construction Foreman |
Dianne Bennett | Greensman |
Tom Brkich | Painter |
James Colmer | Conceptual Illustrator |
Craig Fison | Sculptor |
Axel Bartz | Set Designer |
Mark Kennedy | Standby Painter |
Andrew Conder | Additional Camera |
Matt Toll | First Assistant Camera |
Benn Hyde | Key Grip |
Billy Harmer | Grip |
Phil Pastuhov | Aerial Director of Photography |
Greg Gilbert | Steadicam Operator |
Vince Valitutti | Still Photographer |
Elly Kamal | Costume Supervisor |
Maree McDonald | Hairstylist, Makeup Artist |
Anita Morgan | Key Hair Stylist |
Samantha Walker | Set Costumer |
Jac Charlton | Set Dressing Artist |
Justin Ditter | Wigmaker |
Wayne Diskin | Carpenter |
Paul Norris | Craft Service |
Angus Cameron | Digital Effects Supervisor |
Warwick King | Driver |
Jordan Barrow | Loader |
Tapio Piitulainen | Picture Car Coordinator |
Gary Sherline | Propmaker |
Bob Booker | Property Master |
Nick Walker | Scenic Artist |
Mark Johnston | Sound Recordist |
David Fletcher | Special Effects Coordinator |
Danny Baldwin | Stunt Coordinator |
Sue Baldwin | Stunts |
Kim Pearce | Systems Administrators & Support |
Adam Avery | Visual Effects Editor |
Jamie Crooks | First Assistant Director |
Jo Weeks | Script Supervisor |
Michel Aller | First Assistant Editor |
Craig Bryant | Best Boy Electric |
Karl Engeler | Gaffer |
Jesse Moyes | Lighting Technician |
Stewart Sorby | Rigging Gaffer |
Mia Levinson | Casting Associate |
Bill Draper | Executive In Charge Of Production |
Blake Archer | Location Manager |
Frank J. Ellison | Production Accountant |
Deanne Stratford | Production Coordinator |
Fiona Searson | Publicist |
Rod Conder | Boom Operator |
Christopher Alba | First Assistant Sound Editor |
Larry Kemp | Foley Editor |
Amanda Goodpaster | Music Editor |
Rick Giovinazzo | Orchestrator |
Richard Adrian | Sound Designer, Supervising Sound Editor |
Eddie Kim | Sound Effects Editor |
Paul 'Salty' Brincat | Sound Mixer |
John B. Anderson | Shading |
Bruce Bright | Special Effects Supervisor |
Mark Chataway | Visual Effects |
Suzanne Evans-Booth | Visual Effects Coordinator |
David Sanger | Visual Effects Producer |
John Breslin | Visual Effects Supervisor |
Troy Clarke | Unit Manager |
David Orr | Color Timer |
Vivienne Boo Fox | Additional Hairstylist |
Gabrielle Nagy | Costume Coordinator |
Kym Sainsbury | Prosthetics |
Paul Sullivan | Second Assistant Director |
Tim Hughes | Second Second Assistant Director |
Julie Burton | Third Assistant Director |
Dave Franks | Assistant Property Master |
Wendy Buick | Graphic Designer |
Graeme Callander | Storyboard Artist |
Thomas J. O'Connell | ADR Mixer |
Alyson Dee Moore | Foley Artist |
Mary Jo Lang | Foley Mixer |
Nicole Miller | Sound Assistant |
Julia Evershade | Supervising ADR Editor |
Stephanie Flack | Supervising Dialogue Editor |
Sebastian Foxx | Special Effects Assistant |
Simon Buckley | Special Effects Technician |
Dale Duguid | Visual Effects Designer |
Warren Lazarides | Assistant Camera |
Maurice McKay | Best Boy Grip |
Simon Cooke | Dolly Grip |
Jayden York | Libra Head Technician |
Sean Steinmuller | Lead Animator |
Mandy Jacobs | Assistant Editor |
Keith Shaw | Colorist |
Price Pethel | Digital Intermediate Colorist |
Nicholas Hasson | Digital Intermediate Editor |
Jackie Lee | Digital Intermediate Producer |
Mo Henry | Negative Cutter |
Ian Freeman | Assistant Location Manager |
Bruce Harvey | Conductor |
Nicholle Leahy | Assistant Accountant |
Mick Dray | Assistant Unit Manager |
Bruce Shapiro | Dialogue Coach |
Judith Cruden | Extras Casting |
Toni Pearson | First Assistant Accountant |
Erick Fuantoise | Production Assistant |
Angelique Badenoch | Production Secretary |
Beverley Dunn | Set Decoration |
Loren Robinson | Digital Compositor |
Ben King | Clapper Loader |
Riki Byrne | Clapper Loader |
William H. Burton Sr. | Second Unit Director |
Craig Clarke | Digital Compositor |
Herb Gains | Unit Production Manager |
Sue Baldwin | Stunts |
Melissa Barker | Stunts |
Bradd Buckley | Stunts |
Nicole Downs | Stunts |
Rick MacLure | Stunts |
Steve Harman | Stunts |
Victor Parascos | Stunts |
Annette van Moorsel | Stunts |
Darko Tuscan | Stunts |
Ron Vreeken | Stunts |
Mick Van Moorsel | Stunts |
Charles S. Belden | Original Film Writer |
Name | Title |
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Joel Silver | Producer |
Robert Zemeckis | Producer |
Susan Downey | Producer |
Richard Mirisch | Co-Producer |
Erik Olsen | Associate Producer |
Herb Gains | Executive Producer |
Bruce Berman | Executive Producer |
Steve Richards | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 41 | 53 | 27 |
2024 | 5 | 47 | 54 | 33 |
2024 | 6 | 49 | 80 | 28 |
2024 | 7 | 70 | 138 | 36 |
2024 | 8 | 62 | 99 | 35 |
2024 | 9 | 41 | 53 | 29 |
2024 | 10 | 50 | 70 | 34 |
2024 | 11 | 45 | 80 | 27 |
2024 | 12 | 33 | 44 | 26 |
2025 | 1 | 38 | 52 | 29 |
2025 | 2 | 29 | 49 | 6 |
2025 | 3 | 11 | 45 | 3 |
2025 | 4 | 6 | 8 | 4 |
2025 | 5 | 5 | 6 | 4 |
2025 | 6 | 5 | 7 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 6 | 4 |
2025 | 9 | 5 | 7 | 4 |
2025 | 10 | 5 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 470 | 757 |
Year | Month | High | Avg |
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2025 | 9 | 376 | 768 |
Year | Month | High | Avg |
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2025 | 8 | 711 | 835 |
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2025 | 7 | 575 | 785 |
Year | Month | High | Avg |
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2025 | 6 | 303 | 701 |
Year | Month | High | Avg |
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2025 | 5 | 293 | 696 |
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2025 | 4 | 574 | 801 |
Year | Month | High | Avg |
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2025 | 3 | 631 | 831 |
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2025 | 2 | 795 | 827 |
Year | Month | High | Avg |
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2025 | 1 | 580 | 776 |
Year | Month | High | Avg |
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2024 | 12 | 920 | 968 |
Year | Month | High | Avg |
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2024 | 11 | 643 | 815 |
Year | Month | High | Avg |
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2024 | 10 | 661 | 871 |
Year | Month | High | Avg |
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2024 | 8 | 901 | 955 |
Engrossing and imaginative modern Mystery/Horror with Elisha Cuthbert RELEASED IN 2005 and directed by Jaume Collet-Serra, "House of Wax" is a horror/slasher about six college students (4 dudes and 2 gals) who drive from Gainesville to Baton Rouge to attend a crucial football game. They end up c ... amping in the woods somewhere off I-10 where some of the party discovers a mysterious town in the sticks that has a curious House of Wax. Horror and death ensue. This is not a remake of the splendid 1953 Vincent Price cult flick of the same name. The only thing these two films have in common is their title, their genre, and the fact that they both involve a wax museum. It's therefore pointless to compare them as they are two totally different stories. Plot-wise, "House of Wax" is an obvious mixture of the original "Texas Chainsaw Massacre" (1974) and the 1953 film of the same name, along with elements of more modern flicks like “Wrong Turn” (2003) and torture porn. Although the first 12 minutes or so are unimpressive with too much annoying shaky cam, the story starts to capture your attention at the camp-out sequence. From there their encounter with a horrible stench, a local hick, and the mystery of the isolated town & wax museum gradually pulls you in. The fairly slow initial 50-minutes are a crucial character-building and mystery-developing foundation to the final horrific hour. The major protagonist of the story is Carly, played by Elisha Cuthbert, who was only 22 during filming and never looked better with her curvy cuteness. The glamorous and infamous Paris Hilton also stars and does a commendable job, but Elisha basically blows her out of the water as far as all-around beauty goes. Speaking of Ms. Hilton, in light of the ads to “Come see Paris Hilton die,” it’s no secret that her character does indeed buy the farm and, the way it happens, is pretty amusing. The film's worth checking out for this scene alone, especially if you despise her. The picture was shot in Queensland, Australia, of all places, but it works alright as a stand-in for the Deep South, although I don’t recall any hills along I-10, as depicted in the background of the town. Speaking of the town, it doesn’t look like a Deep South town, but rather a contrived set. Nevertheless, the filmmaking is top-notch in all categories with the rest of the no-name cast doing a fine job. As a matter of fact, the six college kids are all rather likable; even Nick (Chad Michael Murray), Carly’s supposedly 'black sheep' twin, once he shows his true colors. "House of Wax" works fabulously for what it IS, a mystery/slasher flick. The unlikely story is played straight and serious by all involved; there's no silly "comedic relief" or camp to be seen. Everyone knows going in that this isn't going to be "Gandhi." But if you're in the mood for an entertaining and imaginative mystery/horror picture, look no further. "House of Wax" has practically everything you’d want in such a film. Why do I describe it as imaginative? See the conclusion's spectacular melting wax museum and you'll understand; this is F/X at its finest. THE MOVIE RUNS 1 hour, 48 minutes. WRITERS: Chad Hayes & Carey W. Hayes. GRADE: B+
Better than expected remake from 2005 with some decent gore and the effects during the finale looks pretty good. The cast was alright, reminder Elisha Cuthbert's time starring in movies (courtesy of 24) but she was fine and even Paris Hilton wasn't... awful I suppose. Nothing I'd really revisit anyt ... ime soon but all in all found it to be entertaining. **3.5/5**