Popularity: 2 (history)
Director: | Rupert Wainwright |
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Writer: | Rick Ramage, Tom Lazarus |
Staring: |
A young woman with no strong religious beliefs, Frankie Paige begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal requests that the Rev. Andrew Kiernan investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her. | |
Release Date: | Sep 02, 1999 |
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Director: | Rupert Wainwright |
Writer: | Rick Ramage, Tom Lazarus |
Genres: | Fantasy, Horror, Thriller |
Keywords | vatican (holy see), miracle, faith, clergyman, atheist |
Production Companies | Metro-Goldwyn-Mayer, FGM Entertainment |
Box Office |
Revenue: $50,041,732
Budget: $29,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Patricia Arquette | Frankie Paige |
Gabriel Byrne | Father Andrew Kiernan |
Jonathan Pryce | Cardinal Daniel Houseman |
Nia Long | Donna Chadway |
Thomas Kopache | Father Durning |
Rade Šerbedžija | Marion Petrocelli |
Enrico Colantoni | Father Dario |
Dick Latessa | Father Gianni Delmonico |
Portia de Rossi | Jennifer Kelliho |
Patrick Muldoon | Steven |
Ann Cusack | Dr. Reston |
Shaun Toub | Doctor |
Tom Hodges | ER Nurse |
Lydia Hazan | Attending Nurse |
Shaun Duke | Dr. Eckworth |
Frankie Thorn | Donna's Customer |
Name | Job |
---|---|
Elia Cmiral | Original Music Composer |
Rick Ramage | Screenplay |
Michael R. Miller | Editor |
Tom Lazarus | Screenplay, Story |
Wendy Kurtzman | Casting |
Joyce Kogut | Costume Supervisor |
Barbara Lorenz | Hairstylist |
Rupert Wainwright | Director |
Michael J. Duthie | Editor |
Marco Niro | Set Decoration |
Ralph Del Castillo | Grip |
Henry Kingi | Stunts |
Manny Perry | Stunts |
Shawn Kautz | Stunts |
Bobby Ore | Stunts |
Steve Holladay | Stunts |
Pat Romano | Stunts |
David Crone | "B" Camera Operator, Steadicam Operator |
Louise Frogley | Costume Design |
Florence Fellman | Set Decoration |
Michelle Bühler | Makeup Artist |
Brent Rice | Leadman |
Michael Reitz | Hairstylist |
Gregor Habsburg | Art Department Production Assistant |
Perri Sorel | Key Makeup Artist |
Barry Kingston | Construction Coordinator |
David Q. Quick | Property Master |
Barry Lehrman | Set Designer |
Anthony R. Stabley | Art Direction |
Raúl Sarmiento | Makeup Artist |
Douglas Cumming | Assistant Art Director |
Peter Davidson | Set Designer |
Paul Dowler | Set Dresser |
Jeff Hay | Set Dresser |
R.A. Tony Poland | Set Dresser |
Jody Weisenfeld | Set Decoration Buyer |
Ron Scott | Key Hair Stylist |
Theodore Sharps | Set Designer |
René Marquéz | Set Dresser |
Tim Walkey | Special Effects Technician |
Dan Delgado | Chief Lighting Technician |
David Katz | Video Assist Operator |
John O'Connor | Second Assistant "A" Camera |
Greg Steele | ADR Mixer |
Robert Deschaine | ADR Mixer |
Flemming Olsen | Second Unit Director of Photography |
Donald Flick | Foley Editor |
Ezra Dweck | Sound Re-Recording Mixer |
Curt Schulkey | ADR Editor |
Marc Scott | Digital Compositor |
David Lauer | Compositor |
Al Di Sarro | Special Effects Coordinator |
Jack M. Nietzsche Jr. | Boom Operator |
Joan Collins Carey | Visual Effects Producer |
Rory Hinnen | Compositor |
David H. Neale | Electrician |
Michael St. Hilaire | Camera Operator, "A" Camera Operator |
A. Charles Carnaggio | Assistant Property Master |
Maria Baker | Set Designer |
Debbie Zoller | Makeup Artist |
Steven Light-Orr | Set Dresser |
Collin Grant | Storyboard Artist |
James MacKinnon | Key Makeup Artist |
Monica Frommholz | Art Department Coordinator |
Helen Kozora | Set Decoration Buyer |
Scott W. Leslie | Set Dresser |
Mark DiSarro | Special Effects Coordinator |
Christopher James Lopez | Title Designer |
Wally Sweeterman | First Assistant "B" Camera |
Blaine Kennison | Digital Effects Supervisor |
Jeanne Byrd | Script Supervisor |
Michael Miller | ADR Recordist |
Brian Adams | Compositor |
Rick Canelli | ADR Recordist |
Mary Jo Lang | Foley Mixer |
Richard Foreman Jr. | Still Photographer |
Dale White | Second Assistant "B" Camera |
Carolyn Tapp | Foley Recordist |
Mark Steinbeck | Boom Operator |
David Lucarelli | ADR Recordist |
Dyanne C. Deuel | Set Medic |
Tony Noel | Digital Compositor |
Rocco Olivo | Foley Artist |
David McCullough | Visual Effects Producer |
Rick Grover | Grip |
Charleen Richards-Steeves | ADR Mixer |
Jesus G. Duran | Special Effects Supervisor, Visual Effects Supervisor |
John Rotondi | Sound Engineer |
Mark Spatny | Visual Effects Production Manager |
Thomas Rasada | Special Effects Technician |
Stacy De La Motte | Assistant Camera |
Troy Porter | ADR Mixer |
Diane Van Ussel | Title Designer |
David Linck | Unit Publicist |
Thomas J. O'Connell | ADR Mixer |
Matthew W. Tenggren | Cableman |
Scott Millan | Sound Re-Recording Mixer |
Hilda Hodges | Foley Artist |
Avram D. Gold | ADR Editor |
J. Michael Popovich | Key Grip |
Alyson Dee Moore | Foley Artist |
Mike Chock | Sound Effects Editor |
Andy Bertelson | Grip |
George Merkert | Visual Effects Producer |
Francisco Pintore | Second Assistant Camera |
David Crawford | Compositor |
Daniel Miller | Compositor |
Elliott Koretz | Sound Editor |
Frank Maurer | Compositor |
Michael Thomas | Camera Loader |
Rocío Ortega | Animal Wrangler |
Cinda-Lin James | Stunts |
Masato Chikusa | Additional Photography |
James M. Halty | Stunts |
Randy McKenney | Stunts |
Michael Rader | Stunts |
George Simpson | Sound Effects Editor |
Ken Nishino | First Assistant "A" Camera |
Charles Page | Construction Foreman |
Ronnie Rondell Jr. | Stunts |
Kelsee King-Devoreaux | Stunt Double |
Mickey Gilbert | Stunts |
Clarke Coleman | Stunts |
Christopher J. Tuck | Stunts |
Benjamin Rosenberg | First Assistant Director |
Miguel Lima | First Assistant Director |
John Philpotts | Additional Photography |
Billy Corgan | Original Music Composer |
Jeffrey L. Kimball | Director of Photography |
Waldemar Kalinowski | Production Design |
Ve Neill | Makeup Department Head |
Candi Guterres | On Set Dresser |
Mark Meyers | Dolly Grip |
Peter S. Elliot | Visual Effects Editor |
Tim McGovern | Visual Effects Supervisor |
Doc Kane | ADR Mixer |
Bryan O. Watkins | ADR Mixer |
John Roesch | Foley Artist |
Richard L. Anderson | Sound Effects Editor |
Dennis Sands | Sound Re-Recording Mixer |
Mark Mangini | Supervising Sound Editor |
Kira Reed Lorsch | Stunt Double |
Tim Gilbert | Stunts |
Charlie Picerni | Stunts |
Rick Avery | Stunts |
Charlie Brewer | Stunts |
Joni Avery | Stunts |
David Barrett | Second Unit Director, Stunts |
Jared S. Eddo | Stunts |
Steve Picerni | Stunts |
Troy Robinson | Stunts |
Erik Rondell | Stunts |
James Ryan | Utility Stunts |
Joanna Shelmidine | Stunt Driver |
Eric Fox Hays | Second Assistant Director |
Name | Title |
---|---|
Frank Mancuso Jr. | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 26 | 38 | 18 |
2024 | 5 | 29 | 48 | 18 |
2024 | 6 | 24 | 37 | 15 |
2024 | 7 | 26 | 45 | 15 |
2024 | 8 | 60 | 136 | 15 |
2024 | 9 | 18 | 25 | 13 |
2024 | 10 | 22 | 45 | 13 |
2024 | 11 | 19 | 40 | 11 |
2024 | 12 | 17 | 28 | 12 |
2025 | 1 | 18 | 28 | 11 |
2025 | 2 | 12 | 22 | 3 |
2025 | 3 | 6 | 23 | 1 |
2025 | 4 | 3 | 4 | 1 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 2 | 3 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 2 | 4 | 1 |
2025 | 10 | 3 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 629 | 768 |
***The Kingdom of God is within you and around you*** A hedonistic hair stylist in Pittsburgh (Patricia Arquette) experiences stigmata, the manifestations of the various wounds of Christ, which compels the Vatican to send an investigator (Gabriel Byrne). “Stigmata” (1999) is Christian-oriented ... mystery/horror, coming across as a meshing of the tone of “Eye of the Beholder” (1998) and the themes of “The Seventh Sign” (1988). But also brings to mind the contemporaneous “End of Days” (1999), albeit more rooted in drama than overblown action thrills. “The Mothman Prophecies” (2002) is another reference point, but the brilliance of the eerie “Mothman” was its confidence in understatement whereas “Stigmata” overdoes it in some sequences, I guess to appeal to those with ADHD. Nevertheless, director Rupert Wainwright knows how to make a flashy, good-looking flick. The simple-yet-profound moral at the end makes it even better and I agree with it wholeheartedly. The film runs 1 hour, 43 minutes. GRADE: B+/A