Popularity: 3 (history)
Director: | Mark A.Z. Dippé |
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Writer: | Todd McFarlane, Alan B. McElroy |
Staring: |
After being murdered by corrupt colleagues in a covert government agency, Al Simmons makes a pact with the devil to be resurrected to see his beloved wife Wanda. In exchange for his return to Earth, Simmons agrees to lead Hell's Army in the destruction of mankind. | |
Release Date: | Jul 31, 1997 |
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Director: | Mark A.Z. Dippé |
Writer: | Todd McFarlane, Alan B. McElroy |
Genres: | Fantasy, Adventure, Action, Science Fiction, Horror, Thriller |
Keywords | anti hero, secret agent, fistfight, based on comic, burn victim |
Production Companies | New Line Cinema, Pull Down Your Pants Pictures, Juno Pix, Todd McFarlane Entertainment |
Box Office |
Revenue: $87,840,042
Budget: $40,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Michael Jai White | Al Simmons / Spawn |
Martin Sheen | Jason Wynn |
John Leguizamo | Clown / Violator |
Theresa Randle | Wanda Blake |
Nicol Williamson | Cogliostro |
D. B. Sweeney | Terry Fitzgerald |
Melinda Clarke | Jessica Priest |
Miko Hughes | Zack |
Sydni Beaudoin | Cyan |
Michael Papajohn | Glen, Zack's Dad |
Frank Welker | The Devil Malebolgia (voice) |
Tony Haney | African Liaison |
Todd McFarlane | Bum |
Simon Rhee | Hong Kong Military Air Base Person (uncredited) |
Robia LaMorte | XNN Reporter |
John Cothran | African Liaison |
Caroline Gibson | News Anchor |
Marc Robinson | Punk #1 |
Chris Coppola | Punk #2 |
Jay Caputo | Punk #3 |
Darryl Warren | Security Guard |
Mike Akrawi | Foreign Dignitary #1 |
Romeo Akrawi | Foreign Dignitary #2 |
Jack Coleman | Doctor |
Laura Interval | Angela (as Laura Stepp) |
Garrison M. Singer | Anesthesiologist |
John Koyama | Hong Kong Military Air Base Security (uncredited) |
Al Goto | Hong Kong Military Air Base Person (uncredited) |
Roger Yuan | Korean Soldier (uncredited) |
Angelie Almendare | Diplomat's Wife (uncredited) |
Name | Job |
---|---|
Steve Williams | Visual Effects Supervisor |
Tabby Hanson | Stunts |
Guillermo Navarro | Director of Photography |
Mark A.Z. Dippé | Director |
Norman Cabrera | Special Effects Makeup Artist |
Marc Gabbana | Concept Artist |
Dan Kneece | Steadicam Operator |
Todd McFarlane | Author |
Greg Funk | Special Effects Makeup Artist |
Derick Pritchard | Lighting Technician |
Alan B. McElroy | Screenplay |
Mary Jo Slater | Casting |
Michael N. Knue | Editor |
Dena Roth | Set Decoration |
Cristina Patterson | Contact Lens Technician |
Cindy Cummins | Choreographer |
Chris Hanson | Special Effects Makeup Artist |
John Bell | Concept Artist |
TyRuben Ellingson | Concept Artist |
Mark Weissenfluh | Leadman |
Ian Hulbert | Animation |
Anders J.L Beer | Animation |
Matthew Talbot-Kelly | Animation |
Constance Bracewell | CG Animator |
Bruce Jones | Visual Effects Producer |
Frank Smathers | Sound Editor |
Harry Cohen | Sound Effects Editor |
Scott A. Jennings | Sound Effects Editor |
Kyle Cooper | Title Designer |
Mark Hicks | Stunts, Stunt Double |
Faith Minton | Stunts |
Charles Croughwell | Stunt Coordinator |
Debbie Lee Carrington | Stunts |
Patricio A. Libenson | Sound Effects Editor |
James Thornton | Sound Mixer |
Dean Beville | Supervising Sound Editor |
Steve Ansell | Assistant Editor |
Mike Mertens | Color Timer |
Kane Hodder | Stunts |
Denney Pierce | Stunts |
Al Goto | Stunts |
Jimmy Ortega | Stunts |
Hilary Momberger-Powers | Script Supervisor |
Derek Thompson | Storyboard Artist |
Tony Brubaker | Stunts |
Dane Farwell | Stunts |
Neil Eric Wenger | Assistant Editor |
Todd Busch | First Assistant Editor, Editor |
Happy Walters | Music Supervisor |
Deborah Wuliger | Unit Publicist |
Jim Fitzpatrick | Sound Re-Recording Mixer |
Tom Elliott | Stunt Double |
Russell Frazier | Thanks, Digital Compositor |
Daniel J. Lester | Costume Design |
Richard Trus | Visual Effects |
Donna Cicatelli-Lewis | Key Makeup Artist |
Joseph P. Lucky | Assistant Art Director |
Robert A. Blackburn | Construction Coordinator |
Ron Greenwood | Property Master |
Dorn Merrill Kennison | Set Designer |
P.K. MacCarthy | Storyboard Artist |
Nathan Hathaway | Best Boy Electric |
Evan A. Nesbitt | First Assistant Camera |
Kevin Brown | Lighting Technician |
Marshall Valentine | Rigging Grip |
Ray Patrick | Techno Crane Operator |
James Straus | Animation Supervisor |
Bruce H. Newberg | Casting |
Philip Harrison | Production Design |
Eric W. Orbom | Art Direction |
Cindy J. Williams | Makeup Artist |
Ron Seigel | Assistant Property Master |
Hajime Sorayama | Concept Artist |
Robert Greenfield | Leadman |
Fanée Aaron | Set Designer |
Barry Lehrman | Set Designer |
Timothy James Kane | Assistant Camera |
Allen D. Easton | Camera Operator |
Kenneth J. Appel | Electrician |
David Lee | Gaffer |
Dennis J. Laine | Steadicam Operator |
Colin Cunningham | 3D Animator |
Dennis Turner | Animation Supervisor |
Trish Schutz-Krause | Animation |
Mark Wendell | Animation |
Kelly Wilcox | CG Animator |
Sharon E. Alshams | Set Designer |
Richard F. Anderson | Set Dresser |
John Crimins | Best Boy Electric |
Jonathan Taylor | Second Unit Director of Photography |
Keith A. Hascher | Electrician |
Rick Stribling | Key Grip |
Jeffrey De La Rosa | Rigging Gaffer |
Peter Iovino | Still Photographer |
Emiko Miki | Animation Director |
Nathalie Buce | Animation |
Richard Bennett | Background Designer |
Micheal Thomas Parks | CG Animator |
Rudy Hassen | Digital Effects Supervisor |
Alan Barnett | Digital Effects Supervisor |
Ed Lee | Lighting Director |
Berj Bannayan | Software Engineer |
Susan Greenhow | Visual Effects Coordinator |
Sandra Almond | Visual Effects Producer |
Paul Patrick Quinn | Visual Effects Producer |
Jay Riddle | Visual Effects Supervisor |
David Biedny | Visual Effects Supervisor |
Melissa Davies | Digital Effects Supervisor |
Toshiyuki Kimura | Matte Painter |
Scott Leberecht | Visual Effects Art Director |
Jeanmarie King | Visual Effects Coordinator |
Casey Cannon | Visual Effects Producer |
Damon Cohoon | Assistant Sound Editor |
Scott Curtis | Foley Editor |
Shawn Kennelly | Foley Mixer |
Jeffrey Kaplan | Sound Designer |
D. Chris Smith | Sound Effects Editor |
Liz Sroka | Sound Re-Recording Mixer |
Jennifer Bender | Extras Casting |
Karen Klein | Roto Supervisor |
Lance Wilhoite | Visual Effects Compositor |
Stephanie Taylor | Visual Effects Coordinator |
Tom C. Peitzman | Visual Effects Producer |
Michele Maples | Visual Effects Producer |
Jamie Dixon | Visual Effects Supervisor |
Garry Elmendorf | Special Effects Supervisor |
Bob Wishnefsky | Assistant Sound Editor |
Linda Di Franco | Foley Editor |
Eric Thompson | Foley Mixer |
Greg Hedgepath | Sound Editor |
David E. Stone | Sound Editor |
Bruce Stubblefield | Sound Effects Editor |
Steve Pederson | Sound Re-Recording Mixer |
Winifred Kennamer | Set Costumer |
Linda Folk | ADR Editor |
Bill Flick | Boom Operator |
Michael Dressel | Foley Editor |
Brian Williams | Sound Designer |
Solange S. Schwalbe | Sound Editor |
Paul Berolzheimer | Sound Effects Designer |
Joe Fischer | Music Coordinator |
Tony Swatton | Armorer |
Harry Lu | Weapons Master |
Jeanie King | Visual Effects Coordinator |
Joëlle Taar | Assistant Editor |
Mike Sowa | Color Timer |
Joshua Winget | Music Editor |
Robin Anderson | Script Supervisor |
Eric Smith | Title Designer |
Chris David | Sound Re-Recording Mixer |
Graeme Revell | Original Music Composer |
Patrick Tatopoulos | Creature Design |
William Washington | Stunts |
Name | Title |
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Todd McFarlane | Executive Producer |
Clint Goldman | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 46 | 17 |
2024 | 5 | 31 | 59 | 18 |
2024 | 6 | 28 | 58 | 15 |
2024 | 7 | 29 | 47 | 17 |
2024 | 8 | 60 | 147 | 20 |
2024 | 9 | 23 | 38 | 19 |
2024 | 10 | 29 | 51 | 18 |
2024 | 11 | 26 | 60 | 14 |
2024 | 12 | 19 | 32 | 13 |
2025 | 1 | 22 | 41 | 14 |
2025 | 2 | 16 | 24 | 4 |
2025 | 3 | 8 | 28 | 1 |
2025 | 4 | 3 | 3 | 2 |
2025 | 5 | 3 | 4 | 3 |
2025 | 6 | 3 | 3 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 4 | 2 |
2025 | 9 | 4 | 6 | 2 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 689 | 893 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 434 | 769 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 877 | 877 |
Year | Month | High | Avg |
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2025 | 5 | 718 | 740 |
Year | Month | High | Avg |
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2025 | 4 | 844 | 899 |
Year | Month | High | Avg |
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2025 | 2 | 692 | 828 |
Year | Month | High | Avg |
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2025 | 1 | 559 | 756 |
Year | Month | High | Avg |
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2024 | 12 | 979 | 979 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 794 | 865 |
This hurt. Spawn was a really cool character, well, he still is. He was a character for the 90s and...it was really the 90s that killed this movie. It tried really hard to look like the Crow, which was also an unbelievably 90s film, but one that worked well with the look that certain movies in th ... e decade had. Spawn just didn't. It wasn't really suited, it didn't really match and the result was a big...meh. But the thing is, now they are remaking it and...Spawn as a character doesn't really fit today very well either. There is a time and a place for Spawn, and, like Maxx it was the 90s and MTV, but not the big screen and not today either.