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Cujo

Now, there's a new name for terror.
1983 | 93m | English

(54540 votes)

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Popularity: 5 (history)

Details

A friendly St. Bernard named "Cujo" contracts rabies and conducts a reign of terror on a small American town.
Release Date: Aug 10, 1983
Director: Lewis Teague
Writer: Stephen King, Don Carlos Dunaway, Barbara Turner
Genres: Horror, Thriller
Keywords based on novel or book, cadillac, animal attack, dam, corpse, dog, rabies, rabid dog, rabbit hole, trapped in car, mad dog, pets, animal horror, saint bernard dog, suspenseful, amused
Production Companies Warner Bros. Pictures, Taft Entertainment Pictures, PSO, Sunn Classic Pictures
Box Office Revenue: $21,200,000
Budget: $5,000,000
Updates Updated: Aug 10, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Dee Wallace Donna Trenton
Danny Pintauro Tad Trenton
Daniel Hugh Kelly Vic Trenton
Christopher Stone Steve Kemp
Ed Lauter Joe Camber
Kaiulani Lee Charity Camber
Billy Jayne Brett Camber
Mills Watson Gary Pervier
Sandy Ward Bannerman
Jerry Hardin Masen
Merritt Olsen Professor
Frank Welker Cujo (voice; uncredited)
Clare Torao Reporter
Arthur Rosenberg Roger Breakstone
Robert Craighead Joe MaGruder
Name Job
Lewis Teague Director
Stephen King Novel
Charles Bernstein Original Music Composer
Jan de Bont Director of Photography
Conrad E. Palmisano Stunt Coordinator
Bob Herron Stunt Double
Don Carlos Dunaway Screenplay
Neil Travis Editor
Brian Courcier Sound Editor
Marcia Ross Casting
David Pringle Steadicam Operator
Fred Judkins Sound Editor
Jack Buehler Costume Design
Deborah Lawson Location Manager
Jackie Saunders Script Supervisor
Robin L. Neal Makeup Artist
David R. Elliott Sound Editor
Eddie Lee Voelker Transportation Coordinator
Judith Holstra Casting
Julie Purcell Hairstylist
Patrushkha Mierzwa Boom Operator
Guy J. Comtois Production Design
Joseph T. Garrity Set Designer
John Kline Sound Editor
Rick Josephsen Special Effects
Russ Tinsley Sound Editor
Richard Stone Music Editor
John Bergman Set Decoration
Roger Crandall Property Master
Boots Lebaron Unit Publicist
Chris Howell Stunt Double
Barbara Turner Screenplay
Alexander Witt First Assistant Camera
Jim Passon Color Timer
Name Title
Robert Singer Producer
Daniel H. Blatt Producer
Neil Machlis Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 35 50 25
2024 5 37 61 25
2024 6 36 73 21
2024 7 34 57 20
2024 8 43 100 17
2024 9 25 41 19
2024 10 29 55 16
2024 11 27 46 19
2024 12 22 36 15
2025 1 24 34 17
2025 2 17 29 4
2025 3 6 24 3
2025 4 4 6 3
2025 5 5 6 3
2025 6 4 5 3
2025 7 3 4 2
2025 8 3 4 2
2025 9 5 6 3
2025 10 3 5 2

Trending Position


Year Month High Avg
2025 10 887 930
Year Month High Avg
2025 9 936 936
Year Month High Avg
2025 8 874 874
Year Month High Avg
2025 7 775 864
Year Month High Avg
2025 6 731 872
Year Month High Avg
2025 5 374 682
Year Month High Avg
2025 3 69 648
Year Month High Avg
2025 2 914 914

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Reviews

John Chard
7.0

Barmy Bernard. Stephen King’s Cujo was brought to the screen and met with indifference back in 1983, yet it’s aged surprisingly well and comes out as one of the better “mad animal” movies that followed in the wake of Jaws. A big cuddly St. Bernard dog is bitten on the nose by a bat, cops a ser ... ious bout of Hydrophobia and then terrorises anyone in its path. Which spells bad news for Donna Trenton (Dee Wallace) and her young son Tad (Danny Pintauro), who have the misfortune to be stuck in a battered old Pinto that has broken down in Cujo’s territory. Lewis Teague directs with no little skill here, wringing out pot loads of tension and inserting genuine moments of terror as mother and son literally fight for their lives. There’s a school of thought that the film’s first half could have been trimmed, for this is the area that defines the Trenton’s as a family. Donna has been having an affair and her husband Vic (Daniel Hugh-Kelly) has found out, so for forty minutes we are investing in family strife and foundation building of the key characters. This is judged perfectly, because once Cujo is unleashed on Donna and Tad, it throws up a number of emotional connections to not only the humans, but also the dog as well. Wallace and Pintauro are excellent, providing the film with its beating heart as they prove to be a believable mother & son pairing. Teague meanwhile uses some invention with his camera work, though never to the detriment of claustrophobic terror. Elements of the source novel have been left out, while the ending – unfortunately in this viewer’s opinion – has been changed, but this is a tightly wound horror and it’s well due re-evaluation in this day and age of franchise sequels and remakes. Could have done with more of those bats though, they are awesome! 7/10

May 16, 2024
talisencrw
8.0

This was solid and unexpectedly fulfilling--perhaps because I'm a cat enthusiast and am neutral towards dogs to begin with. My 13-year-old son and I enjoyed it very much. I haven't read the book yet, so it's unnecessary for enjoyment of the movie IMHO. Worth both a purchase and rewatching for genre ... aficionados.

Jun 23, 2021
Ruuz
5.0

God I forgot how fuckin' annoying that kids screaming is... Mad props to the titular Cujo, but I think this particular King adaptation maybe doesn't hold up as well as I thought it might. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...

Jun 23, 2021