 
  Popularity: 5 (history)
| Director: | Michelangelo Antonioni | 
|---|---|
| Writer: | Julio Cortázar, Tonino Guerra, Michelangelo Antonioni | 
| Staring: | 
| A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film. | |
| Release Date: | Dec 18, 1966 | 
|---|---|
| Director: | Michelangelo Antonioni | 
| Writer: | Julio Cortázar, Tonino Guerra, Michelangelo Antonioni | 
| Genres: | Drama, Mystery, Thriller | 
| Keywords | london, england, photographer, burglar, loss of sense of reality, suspicion of murder, surreal, municipal park, pantomime, photographic evidence, photography, murder, counter-culture, corpse, drugs, photo shoot, avant-garde, modeling, swinging london | 
| Production Companies | Metro-Goldwyn-Mayer, Bridge Films, Carlo Ponti Production | 
| Box Office | Revenue: $0 Budget: $1,800,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| David Hemmings | Thomas | 
| Vanessa Redgrave | Jane | 
| Sarah Miles | Patricia | 
| John Castle | Bill | 
| Veruschka von Lehndorff | Veruschka | 
| Jane Birkin | The Blonde | 
| Gillian Hills | The Brunette | 
| Peter Bowles | Ron | 
| Julian Chagrin | Mime | 
| Claude Chagrin | Mime | 
| Jimmy Page | Self - The Yardbirds (uncredited) | 
| Jeff Beck | Self - The Yardbirds (uncredited) | 
| Tsai Chin | Thomas's Receptionist (uncredited) | 
| Susan Brodrick | Antique Shop Owner (uncredited) | 
| Peggy Moffitt | Model (uncredited) | 
| Melanie Hampshire | Model (uncredited) | 
| Roy Beck | Boy dancing In Ricki Tick Club (uncredited) | 
| Charlie Bird | Homeless Man (uncredited) | 
| Robin Burns | Homeless Man (uncredited) | 
| Julio Cortázar | Homeless Man (uncredited) | 
| Chris Dreja | Self - The Yardbirds (uncredited) | 
| Lew Hooper | Pedestrian (uncredited) | 
| Harry Hutchinson | Shopkeeper (uncredited) | 
| Chas Lawther | Waiter (uncredited) | 
| Dyson Lovell | Man Outside Restaurant (uncredited) | 
| Jack Mandeville | Man with Poodle (uncredited) | 
| Jim McCarty | Self - The Yardbirds (uncredited) | 
| Keith Relf | Self - The Yardbirds (uncredited) | 
| Ann Norman | Model (uncredited) | 
| Ronan O'Casey | Jane's Lover in Park (uncredited) | 
| Janet Street-Porter | Girl Dancing In Ricky Tick Club (uncredited) | 
| Fred Wood | Homeless Man (uncredited) | 
| Jill Kennington | 
| Name | Job | 
|---|---|
| Julio Cortázar | Author | 
| Tonino Guerra | Screenplay | 
| Herbie Hancock | Original Music Composer | 
| Carlo Di Palma | Director of Photography | 
| Fernando Caso | Sound Effects Editor | 
| Paul Rabiger | Makeup Artist | 
| Mike Rutter | Clapper Loader | 
| Arthur Evans | Still Photographer | 
| Donald Toms | Production Manager | 
| Robin Gregory | Sound Recordist | 
| Mike Le Mare | Sound Editor | 
| Assheton Gorton | Art Direction | 
| Rebecca Breed | Wardrobe Supervisor | 
| Edward Bond | Dialogue | 
| Frank Clarke | Editor | 
| Jocelyn Rickards | Costume Design | 
| Stephanie Kaye | Hairstylist | 
| David Wynn-Jones | Assistant Camera | 
| Michelangelo Antonioni | Screenplay, Director, Story | 
| Name | Title | 
|---|---|
| Carlo Ponti | Producer | 
| Pierre Rouve | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best International Feature | N/A | Nominated | 
| Berlin International Film Festival | Best Picture | N/A | Won | 
| Berlin International Film Festival | Best Actress | Vanessa Redgrave | Won | 
| Cannes Film Festival | Best Picture | N/A | Won | 
| Cannes Film Festival | Best Actress | Vanessa Redgrave | Nominated | 
| Cannes Film Festival | Best Picture | N/A | Won | 
| Cannes Film Festival | Best Director | Michelangelo Antonioni | Won | 
| Venice Film Festival | Best Actress | Vanessa Redgrave | Won | 
| Venice Film Festival | Best Picture | N/A | Won | 
| BAFTA Awards | Best International Feature | N/A | Nominated | 
| Venice Film Festival | Best Picture | N/A | Won | 
| Venice Film Festival | Best Director | Michelangelo Antonioni | Won | 
| Venice Film Festival | Best Supporting Actor | David Hemmings | Won | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 24 | 42 | 12 | 
| 2024 | 5 | 27 | 55 | 11 | 
| 2024 | 6 | 22 | 43 | 13 | 
| 2024 | 7 | 22 | 37 | 12 | 
| 2024 | 8 | 23 | 39 | 14 | 
| 2024 | 9 | 17 | 23 | 13 | 
| 2024 | 10 | 17 | 29 | 10 | 
| 2024 | 11 | 16 | 29 | 11 | 
| 2024 | 12 | 16 | 25 | 9 | 
| 2025 | 1 | 19 | 32 | 11 | 
| 2025 | 2 | 12 | 17 | 4 | 
| 2025 | 3 | 5 | 18 | 1 | 
| 2025 | 4 | 2 | 2 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 3 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 2 | 3 | 1 | 
| 2025 | 10 | 4 | 6 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 839 | 839 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 919 | 939 | 
Judging by his Rolls Royce coupé that he tours London in, the young "Thomas" (David Hemmings) is a successful man. He makes his living as a photographer amongst the great and the good of the vacuous world of fame and celebrity. Drink, drugs and sex are wherever he wants them, whenever he wants them ... - and though fun, that's not really enough. He is in a park one evening when he espies a couple and takes some snaps. "Jane" (Vanessa redgrave) is not impressed and wants the negatives. He sees the chance to have some fun and so teases her, discovering not just that she is truly desperate to obtain them but also, on inspection of the images, that he has accidentally photographed a murder! Who did what to whom, why, and what he can get from a scenario that now has him tingling? Just what did happen and what does "Jane" have to do with anything? It's got a very vibrant, Bohemian, 1960s feel to it from start to finish and Hemmings is in his element as the rather unlikable, manipulative, playboy. Redgrave also comes across well as her character's vulnerability - though to what we don't yet know - is also well captured as the mystery deepens. The X rating is all about tits and bums. There's nothing gruesome or graphic here to terrorise the viewer, instead we get a thriller set amidst a world of hedonism and profligacy and whilst Redgrave comes across as a more reluctant visitor to this territory, Hemmings looks a natural. Yes, it's dated a little but the story itself still stands up to a watch.