Popularity: 5 (history)
| Director: | Ringo Lam Ling-Tung |
|---|---|
| Writer: | Les Weldon, Lawrence Riggins |
| Staring: |
| Scientists create a genetic clone of a serial killer in order to help catch the killer, teaming up with two cops. | |
| Release Date: | May 11, 2001 |
|---|---|
| Director: | Ringo Lam Ling-Tung |
| Writer: | Les Weldon, Lawrence Riggins |
| Genres: | Action, Science Fiction, Thriller |
| Keywords | |
| Production Companies | Millennium Media, Artisan Entertainment, 777 Films Corporation |
| Box Office |
Revenue: $894,844
Budget: $17,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Rooker | Jake |
| Jean-Claude Van Damme | Replicant / Garrotte |
| Ian Robison | Reisman |
| Catherine Dent | Angie |
| Paul McGillion | Captain |
| Pam Hyatt | Mrs. Riley |
| Margaret Ryan | Gwendolyn |
| James Hutson | Snotty Concierge |
| Brandon James Olson | Danny |
| Peter Flemming | Paul |
| Lillian Carlson | Nurse |
| Marnie Alton | Hooker |
| April Telek | Downtown Mother Victim |
| Ingrid Tesch | 911 Operator |
| Jayme Knox | Wendy Wyckham |
| Fulvio Cecere | Agent #1 |
| Brent Chapman | Janitor |
| Matteo Ferronato | Downtown Home Infant |
| Dominic Ferronato | Downtown Home Infant |
| Allan Gray | Roarke |
| Nick Swarts | Jake (uncredited) |
| Claire Riley | Penny Martin |
| Lisa Ann Beley | Terrified Neighbor |
| Tracey Hway | Reporter #2 |
| Daryl Shuttleworth | Uniform Foyer Cop |
| Biski Gugushe | Loft Cop |
| Hiro Kanagawa | Lab Video Technician #1 |
| Alexander Pollock | Young Garrotte |
| Mark Brandon | Reporter #1 |
| Jenny McShane | Woman with Red Car (uncredited) |
| Chris Kelly | Chris |
| Name | Job |
|---|---|
| Kandace Loewen | Key Hair Stylist |
| Michael Love | On Set Props |
| Carla Murray | Sound Effects Editor |
| Patricia Murray | Key Makeup Artist |
| Jim Towne | First Assistant Editor |
| Derrick Moennick | Special Effects |
| Jordan Kessler | Post Production Coordinator |
| Bruno Coupe | Set Dresser |
| Paul Ratajczak | Sound Supervisor, Sound Re-Recording Mixer |
| Brian Shell | Construction Coordinator |
| Debora Dunphy | Digital Compositor |
| Jane Henry | Assistant Costume Designer |
| Tom Blacklock | Special Effects |
| Jonathan Wales | Sound Re-Recording Mixer |
| Milan Gelon | Lead Painter |
| Rod Currie | Special Effects |
| Stacey Butterworth | Wigmaker |
| Tom Turnbull | Visual Effects Supervisor |
| Doug Campbell | Digital Compositor |
| Paul Rothenbush | Set Dresser |
| Eric Lemay | Special Effects |
| Cotton Mather | Camera Operator |
| Dawn Climie | Costume Set Supervisor |
| James G. Fisher | Special Effects |
| Toni Nick | Set Dresser |
| Timothy Pearson | Foley Artist |
| Jennifer Sinclair | Second Assistant "A" Camera |
| Diyah Pera | Still Photographer |
| Louisa Main | Production Coordinator |
| Jon-Michael Preece | Script Supervisor |
| Ashley Fester | Production Assistant |
| Jim Broyden | Stunts |
| Alette Falle | Stunts |
| Barb Bartos | Stunts |
| Mike Desabrais | Stunts |
| Rene Van Hullebush | Stunts |
| Raicho Vasilev | Stunts |
| Ross W. Clarkson | Second Unit Director of Photography, "A" Camera Operator, Camera Operator |
| Andrew Neskoromny | Production Design |
| Audrey Skalbania | Casting |
| Antonia Bardon | Costume Design |
| Mary-Lou Storey | Set Decoration |
| David M. Richardson | Editor |
| Elisa Goodman | Casting |
| Les Weldon | Author |
| Mike Southon | Director of Photography |
| Lawrence Riggins | Author |
| Abra Edelman | Casting |
| John Marcynuk | Set Designer |
| Guy Zerafa | Original Music Composer |
| Scott Clatney | Lead Painter |
| Paul Jenkinson | Lead Set Dresser |
| Christ Stanley | Makeup Effects |
| Charles Porlier | Prosthetic Makeup Artist |
| Andrew Chamberlayne | Special Effects Coordinator |
| Leanne Rae Podavin | Prosthetic Makeup Artist |
| Brad Proctor | Makeup Effects |
| Bill Terezakis | Makeup Effects |
| Bruce Nyznik | Sound Supervisor |
| Jake Miller | Assistant Property Master |
| Don MacAulay | Set Designer |
| Mike Fields | Makeup Effects |
| Robin Ferrier | Art Department Assistant |
| Angie Stanghetti | ADR Recordist |
| Christina Toy | Production Manager |
| Vicki O'Reilly Vandegrift | Foley Artist |
| Jayne Mason | Scenic Artist |
| Harlow MacFarlane | Makeup Effects |
| Gillian Murray | Set Dresser |
| Dave Griffiths | Boom Operator |
| Todd Brooks | Construction Buyer |
| Mark Mentiply | Special Effects |
| Jessica Rain | Hair Assistant |
| Victoria Balharry | Art Department Coordinator |
| Shelley Roden | Foley Artist |
| Emily Gaydos | Dialogue Editor |
| Sandra Almond | Visual Effects Supervisor |
| Patrick Ramsay | Sound Mixer |
| Madonna Blunt | Lead Painter |
| Richard Duarte | Foley Editor |
| Jerry Gilbert | Sound Re-Recording Mixer |
| Chris Hayward | Scenic Artist |
| Anne Burke | Truck Costumer |
| Malcolm MacLean | Paint Coordinator |
| Rory O'Neill | Sound Assistant |
| Philip Edward Jones | Special Effects |
| Marie Hélène Desbiens | Negative Cutter |
| Louise Barkholt | Visual Effects Coordinator |
| Earl Fudger | First Assistant Editor |
| Paul Noël | Special Effects |
| Eric Vrba | Special Effects |
| Alex Burdett | Special Effects |
| Jason Palmer | Prosthetic Makeup Artist |
| Aruna Inversin | Digital Compositor |
| George Koran | Colorist |
| Dave Street | Painter |
| Saul Escobedo | Color Timer |
| Andrew Patterson | ADR Editor |
| Murray Campbell | Special Effects |
| Richard Lane | Best Boy Grip |
| Brian Pearson | Second Unit Director of Photography, Camera Operator |
| Trevor D. Gray | Best Boy Electric |
| Cory Moore | Second Assistant Camera |
| Paul Michaud | Still Photographer |
| Gerhard Ramone Young | Dolly Grip |
| Oliver Hajdu | Rigging Gaffer |
| Cory Hodson | Gaffer |
| Allen Marr | Grip |
| Matt Greenhough | Grip |
| Brad Whitlock | Camera Operator |
| Elvis Drazic | Generator Operator |
| Wynne Keung | Camera Trainee |
| John Kuchera | Key Grip |
| James Vinblad | Grip |
| Alan Markfield | Still Photographer |
| Bill Flannigan | Key Grip |
| Anita Eglseder | First Assistant "B" Camera |
| Lane Koch | Second Assistant "B" Camera |
| Paul Sigurdson | First Assistant "B" Camera |
| Stephen Maier | First Assistant "A" Camera |
| Larry Marwick | Second Assistant "B" Camera |
| Matthew Lane | Camera Trainee |
| John Helme | Gaffer |
| Peter Skadsheim | Grip |
| Jeff Turko | Security Coordinator |
| Mike Doiron | Production Assistant |
| Donald Bruce | Production Controller |
| Blake Busby | Title Designer |
| Barbra Richardsen | Production Accountant |
| Barbara Chomos | Publicist |
| Tsila Adler | Post Production Accountant |
| Robert Pratt | Storyboard Artist |
| Anthony Alvaro | Production Assistant |
| François Frey | Publicist |
| Robert Milicevic | Security |
| Terence Chase | Security |
| Mike Crestejo | Stunts |
| Bruce Fontaine | Stunts |
| Raymond Sammel | Stunts |
| Trish Schill | Stunts |
| Kelsey T. Howard | Assistant Director |
| Bill Ferguson | Stunts |
| David Soo | Stunts |
| Rob Wilton | Stunts |
| Andrew M. Robinson | Second Assistant Director |
| Larry Blackman | Stunts |
| Ringo Lam Ling-Tung | Director |
| Michael N. Wong | Art Direction |
| Cameron Waldbauer | Special Effects |
| Paula Fairfield | Sound Effects Editor |
| Sandra-Ken Freeman | Casting Associate |
| John Seale | First Assistant Camera |
| D. Neil Mark | Stand In |
| Nickolas Baric | Stand In |
| Doug Chapman | Stunt Double |
| David Leitch | Stunt Double |
| Rick Pearce | Stunts |
| Brett Armstrong | Stunts |
| Owen Walstrom | Stunts |
| Ed Anders | Stunts |
| Lou Bollo | Stunts |
| Garvin Cross | Stunts |
| Mike Dopud | Stunts |
| Kathy Hubble | Stunts |
| Corry Glass | Stunt Double |
| Christopher Gordon | Stunt Double |
| Randy Lee | Stunts |
| Gerald Paetz | Stunts |
| Dan Shea | Stunts |
| Shawn Stewart | Stunts |
| Kaloian Vodenicharov | Stunts |
| Name | Title |
|---|---|
| Richard G. Murphy | Producer |
| Tony Cataldo | Executive Producer |
| John Thompson | Producer |
| Tani Cohen | Producer |
| Trevor Short | Executive Producer |
| David Dadon | Producer |
| Boaz Davidson | Executive Producer |
| Danny Dimbort | Executive Producer |
| Danny Lerner | Producer |
| Avi Lerner | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 39 | 15 |
| 2024 | 5 | 31 | 52 | 16 |
| 2024 | 6 | 21 | 29 | 10 |
| 2024 | 7 | 26 | 50 | 15 |
| 2024 | 8 | 19 | 38 | 12 |
| 2024 | 9 | 11 | 17 | 5 |
| 2024 | 10 | 13 | 30 | 7 |
| 2024 | 11 | 17 | 46 | 8 |
| 2024 | 12 | 15 | 30 | 8 |
| 2025 | 1 | 15 | 30 | 8 |
| 2025 | 2 | 10 | 16 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
Trending Position
Double Trouble for Van Damme again! Yet another Jean-Claude Van Damme film that sees him tasked with playing two characters. In spite of its shaky reputation this isn’t half bad, it delivers what most Van Damme fans expect, namely bonkers fights and shifty science. Plot has Van Damme as a fire ob ... sessed serial killer who is always one step ahead of the police. Enter science as a chance to clone the killer arises and this sets in motion the wheels of the Van Damme clone trying to come to terms with his alien world as he, and world weary police officer Jake Riley (Michael Rooker), set about capturing the unhinged mad man. It’s of course daft but it’s a whole bunch of fun, and with the strong presence of Rooker supplemented by two very interesting performances by Van Damme, pic is in good hands. The fight scenes are smoothly choreographed and exciting, with director Ringo Lam clearly aware of what makes a Van Damme movie work. It’s not prime Van Damme, but it’s above average and well worth checking out for those so inclined. 6/10
Jean-Claude Van Damme does the Italian neorealists one better; not only was he born to play himself, but also his twin — here, however, he mixes it up a bit, playing his clone instead. JCVD is Edward 'The Torch' Garrotte, a serial killer who likes to burn the corpses of the women he murders (w ... hy they gave him that last name but don’t have him use an actual garrotte, I haven’t the foggiest), whom Detective Jake Riley (Michael Rooker) has unsuccessfully pursued for the past three years — up to and including his last day on the force before retiring to apparently take up boat repairing. It turns out to be a 10 Minute Retirement; a secret government agency has cloned Garrotte from DNA found at a crime scene, and needs Jake's help to babysit the clone while he tracks down the killer — except they don’t call it a clone, but a "replicant". The difference between one and the other is never satisfactorily explained, but as far as I can tell, it takes at least a week for a replicant to be up and about ("God created man in six days, we took longer;" actually, God created man on the sixth day, not in six days. No wonder it took your ignorant asses longer). Additionally, while a clone has to grow and mature, a replicant comes out fully formed (complete, if my eyes don’t deceive me, with a navel), just like Pallas Athena from Zeus’ forehead — but then this is business as usual for clones in the movies, so I don't understand why this one feels the need to make a point out of its not being a clone. Unless, of course, director Ringo Lam deliberately wants us to think of Blade Runner (it's never a good idea to remind the audience that they could be watching a much better film; only instead of seeing "attack ships blazing from Orion's shoulder" and "C-beams glowing in the dark near the Tannhäuser Gate,” JCVD eats dog food and falls in love with a whore. What’s certain is that the Replicant has the same muscular build as Garrotte; now, since a physique like JCVD's usually requires spending a lot in a gym — and time and a gym are two things that the Replicant lacks — I have no choice but to assume that Garrotte was born, like the baby in Meet the Spartans, with built-in muscles, a characteristic that his clone inherited (along with the uncontrollable desire to do splits). How do its creators intend for the Replicant to find Garrotte? “Well, we've augmented his telepathic ability by re-sequencing his genetic code from the genome. It may be our first, but genetic memory has been scientifically proven" — as has, I guess, telepathy, which is not the same thing; genetic memory would allow an individual to 'remember' something that they never learned (music, math), but the Replicator can recall specific actions performed by Garrotte. Anyway, the idea is for the Replicant to experience some sort of Proustian Madeleine moment, and it's Jake's job — who presumably knows Garotte as well as Steve Carell knows Proust in Little Miss Sunshine — to jog his memory. The rest is a disastrous hybrid of 48 Hrs. and Rain Man — the Replicant is basically a kid trapped in the body of a Belgian karate fighter (although come to think of it, so is the real JCVD) — that is neither good science fiction (the science, such as it is, being rather nebulous) nor good chopsocky (a character fighting himself invariably results in awkwardly choreographed action sequences). Then again, this movie was doomed they cast Michael 'Henry Lee Lucas' Rooker as the detective as opposed to the serial killer.