Menu
Replicant Poster

Replicant

A ruthless killer... to destroy him, they had to create him.
2001 | 100m | English

(16362 votes)

TMDb IMDb

Popularity: 5 (history)

Details

Scientists create a genetic clone of a serial killer in order to help catch the killer, teaming up with two cops.
Release Date: May 11, 2001
Director: Ringo Lam Ling-Tung
Writer: Les Weldon, Lawrence Riggins
Genres: Action, Science Fiction, Thriller
Keywords
Production Companies Millennium Media, Artisan Entertainment, 777 Films Corporation
Box Office Revenue: $894,844
Budget: $17,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Michael Rooker Jake
Jean-Claude Van Damme Replicant / Garrotte
Ian Robison Reisman
Catherine Dent Angie
Paul McGillion Captain
Pam Hyatt Mrs. Riley
Margaret Ryan Gwendolyn
James Hutson Snotty Concierge
Brandon James Olson Danny
Peter Flemming Paul
Lillian Carlson Nurse
Marnie Alton Hooker
April Telek Downtown Mother Victim
Ingrid Tesch 911 Operator
Jayme Knox Wendy Wyckham
Fulvio Cecere Agent #1
Brent Chapman Janitor
Matteo Ferronato Downtown Home Infant
Dominic Ferronato Downtown Home Infant
Allan Gray Roarke
Nick Swarts Jake (uncredited)
Claire Riley Penny Martin
Lisa Ann Beley Terrified Neighbor
Tracey Hway Reporter #2
Daryl Shuttleworth Uniform Foyer Cop
Biski Gugushe Loft Cop
Hiro Kanagawa Lab Video Technician #1
Alexander Pollock Young Garrotte
Mark Brandon Reporter #1
Jenny McShane Woman with Red Car (uncredited)
Chris Kelly Chris
Name Job
Kandace Loewen Key Hair Stylist
Michael Love On Set Props
Carla Murray Sound Effects Editor
Patricia Murray Key Makeup Artist
Jim Towne First Assistant Editor
Derrick Moennick Special Effects
Jordan Kessler Post Production Coordinator
Bruno Coupe Set Dresser
Paul Ratajczak Sound Supervisor, Sound Re-Recording Mixer
Brian Shell Construction Coordinator
Debora Dunphy Digital Compositor
Jane Henry Assistant Costume Designer
Tom Blacklock Special Effects
Jonathan Wales Sound Re-Recording Mixer
Milan Gelon Lead Painter
Rod Currie Special Effects
Stacey Butterworth Wigmaker
Tom Turnbull Visual Effects Supervisor
Doug Campbell Digital Compositor
Paul Rothenbush Set Dresser
Eric Lemay Special Effects
Cotton Mather Camera Operator
Dawn Climie Costume Set Supervisor
James G. Fisher Special Effects
Toni Nick Set Dresser
Timothy Pearson Foley Artist
Jennifer Sinclair Second Assistant "A" Camera
Diyah Pera Still Photographer
Louisa Main Production Coordinator
Jon-Michael Preece Script Supervisor
Ashley Fester Production Assistant
Jim Broyden Stunts
Alette Falle Stunts
Barb Bartos Stunts
Mike Desabrais Stunts
Rene Van Hullebush Stunts
Raicho Vasilev Stunts
Ross W. Clarkson Second Unit Director of Photography, "A" Camera Operator, Camera Operator
Andrew Neskoromny Production Design
Audrey Skalbania Casting
Antonia Bardon Costume Design
Mary-Lou Storey Set Decoration
David M. Richardson Editor
Elisa Goodman Casting
Les Weldon Author
Mike Southon Director of Photography
Lawrence Riggins Author
Abra Edelman Casting
John Marcynuk Set Designer
Guy Zerafa Original Music Composer
Scott Clatney Lead Painter
Paul Jenkinson Lead Set Dresser
Christ Stanley Makeup Effects
Charles Porlier Prosthetic Makeup Artist
Andrew Chamberlayne Special Effects Coordinator
Leanne Rae Podavin Prosthetic Makeup Artist
Brad Proctor Makeup Effects
Bill Terezakis Makeup Effects
Bruce Nyznik Sound Supervisor
Jake Miller Assistant Property Master
Don MacAulay Set Designer
Mike Fields Makeup Effects
Robin Ferrier Art Department Assistant
Angie Stanghetti ADR Recordist
Christina Toy Production Manager
Vicki O'Reilly Vandegrift Foley Artist
Jayne Mason Scenic Artist
Harlow MacFarlane Makeup Effects
Gillian Murray Set Dresser
Dave Griffiths Boom Operator
Todd Brooks Construction Buyer
Mark Mentiply Special Effects
Jessica Rain Hair Assistant
Victoria Balharry Art Department Coordinator
Shelley Roden Foley Artist
Emily Gaydos Dialogue Editor
Sandra Almond Visual Effects Supervisor
Patrick Ramsay Sound Mixer
Madonna Blunt Lead Painter
Richard Duarte Foley Editor
Jerry Gilbert Sound Re-Recording Mixer
Chris Hayward Scenic Artist
Anne Burke Truck Costumer
Malcolm MacLean Paint Coordinator
Rory O'Neill Sound Assistant
Philip Edward Jones Special Effects
Marie Hélène Desbiens Negative Cutter
Louise Barkholt Visual Effects Coordinator
Earl Fudger First Assistant Editor
Paul Noël Special Effects
Eric Vrba Special Effects
Alex Burdett Special Effects
Jason Palmer Prosthetic Makeup Artist
Aruna Inversin Digital Compositor
George Koran Colorist
Dave Street Painter
Saul Escobedo Color Timer
Andrew Patterson ADR Editor
Murray Campbell Special Effects
Richard Lane Best Boy Grip
Brian Pearson Second Unit Director of Photography, Camera Operator
Trevor D. Gray Best Boy Electric
Cory Moore Second Assistant Camera
Paul Michaud Still Photographer
Gerhard Ramone Young Dolly Grip
Oliver Hajdu Rigging Gaffer
Cory Hodson Gaffer
Allen Marr Grip
Matt Greenhough Grip
Brad Whitlock Camera Operator
Elvis Drazic Generator Operator
Wynne Keung Camera Trainee
John Kuchera Key Grip
James Vinblad Grip
Alan Markfield Still Photographer
Bill Flannigan Key Grip
Anita Eglseder First Assistant "B" Camera
Lane Koch Second Assistant "B" Camera
Paul Sigurdson First Assistant "B" Camera
Stephen Maier First Assistant "A" Camera
Larry Marwick Second Assistant "B" Camera
Matthew Lane Camera Trainee
John Helme Gaffer
Peter Skadsheim Grip
Jeff Turko Security Coordinator
Mike Doiron Production Assistant
Donald Bruce Production Controller
Blake Busby Title Designer
Barbra Richardsen Production Accountant
Barbara Chomos Publicist
Tsila Adler Post Production Accountant
Robert Pratt Storyboard Artist
Anthony Alvaro Production Assistant
François Frey Publicist
Robert Milicevic Security
Terence Chase Security
Mike Crestejo Stunts
Bruce Fontaine Stunts
Raymond Sammel Stunts
Trish Schill Stunts
Kelsey T. Howard Assistant Director
Bill Ferguson Stunts
David Soo Stunts
Rob Wilton Stunts
Andrew M. Robinson Second Assistant Director
Larry Blackman Stunts
Ringo Lam Ling-Tung Director
Michael N. Wong Art Direction
Cameron Waldbauer Special Effects
Paula Fairfield Sound Effects Editor
Sandra-Ken Freeman Casting Associate
John Seale First Assistant Camera
D. Neil Mark Stand In
Nickolas Baric Stand In
Doug Chapman Stunt Double
David Leitch Stunt Double
Rick Pearce Stunts
Brett Armstrong Stunts
Owen Walstrom Stunts
Ed Anders Stunts
Lou Bollo Stunts
Garvin Cross Stunts
Mike Dopud Stunts
Kathy Hubble Stunts
Corry Glass Stunt Double
Christopher Gordon Stunt Double
Randy Lee Stunts
Gerald Paetz Stunts
Dan Shea Stunts
Shawn Stewart Stunts
Kaloian Vodenicharov Stunts
Name Title
Richard G. Murphy Producer
Tony Cataldo Executive Producer
John Thompson Producer
Tani Cohen Producer
Trevor Short Executive Producer
David Dadon Producer
Boaz Davidson Executive Producer
Danny Dimbort Executive Producer
Danny Lerner Producer
Avi Lerner Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 39 15
2024 5 31 52 16
2024 6 21 29 10
2024 7 26 50 15
2024 8 19 38 12
2024 9 11 17 5
2024 10 13 30 7
2024 11 17 46 8
2024 12 15 30 8
2025 1 15 30 8
2025 2 10 16 3
2025 3 5 14 1
2025 4 2 6 1
2025 5 2 5 1
2025 6 2 3 1
2025 7 1 2 0
2025 8 2 3 1
2025 9 4 5 2
2025 10 4 5 3

Trending Position


No trending metrics available.

Return to Top

Reviews

John Chard
6.0

Double Trouble for Van Damme again! Yet another Jean-Claude Van Damme film that sees him tasked with playing two characters. In spite of its shaky reputation this isn’t half bad, it delivers what most Van Damme fans expect, namely bonkers fights and shifty science. Plot has Van Damme as a fire ob ... sessed serial killer who is always one step ahead of the police. Enter science as a chance to clone the killer arises and this sets in motion the wheels of the Van Damme clone trying to come to terms with his alien world as he, and world weary police officer Jake Riley (Michael Rooker), set about capturing the unhinged mad man. It’s of course daft but it’s a whole bunch of fun, and with the strong presence of Rooker supplemented by two very interesting performances by Van Damme, pic is in good hands. The fight scenes are smoothly choreographed and exciting, with director Ringo Lam clearly aware of what makes a Van Damme movie work. It’s not prime Van Damme, but it’s above average and well worth checking out for those so inclined. 6/10

May 16, 2024
tmdb28039023
1.0

Jean-Claude Van Damme does the Italian neorealists one better; not only was he born to play himself, but also his twin — here, however, he mixes it up a bit, playing his clone instead. JCVD ​​is Edward 'The Torch' Garrotte, a serial killer who likes to burn the corpses of the women he murders (w ... hy they gave him that last name but don’t have him use an actual garrotte, I haven’t the foggiest), whom Detective Jake Riley (Michael Rooker) has unsuccessfully pursued for the past three years — up to and including his last day on the force before retiring to apparently take up boat repairing. It turns out to be a 10 Minute Retirement; a secret government agency has cloned Garrotte from DNA found at a crime scene, and needs Jake's help to babysit the clone while he tracks down the killer — except they don’t call it a clone, but a "replicant". The difference between one and the other is never satisfactorily explained, but as far as I can tell, it takes at least a week for a replicant to be up and about ("God created man in six days, we took longer;" actually, God created man on the sixth day, not in six days. No wonder it took your ignorant asses longer). Additionally, while a clone has to grow and mature, a replicant comes out fully formed (complete, if my eyes don’t deceive me, with a navel), just like Pallas Athena from Zeus’ forehead — but then this is business as usual for clones in the movies, so I don't understand why this one feels the need to make a point out of its not being a clone. Unless, of course, director Ringo Lam deliberately wants us to think of Blade Runner (it's never a good idea to remind the audience that they could be watching a much better film; only instead of seeing "attack ships blazing from Orion's shoulder" and "C-beams glowing in the dark near the Tannhäuser Gate,” JCVD ​​eats dog food and falls in love with a whore. What’s certain is that the Replicant has the same muscular build as Garrotte; now, since a physique like JCVD's usually requires spending a lot in a gym — and time and a gym are two things that the Replicant lacks — I have no choice but to assume that Garrotte was born, like the baby in Meet the Spartans, with built-in muscles, a characteristic that his clone inherited (along with the uncontrollable desire to do splits). How do its creators intend for the Replicant to find Garrotte? “Well, we've augmented his telepathic ability by re-sequencing his genetic code from the genome. It may be our first, but genetic memory has been scientifically proven" — as has, I guess, telepathy, which is not the same thing; genetic memory would allow an individual to 'remember' something that they never learned (music, math), but the Replicator can recall specific actions performed by Garrotte. Anyway, the idea is for the Replicant to experience some sort of Proustian Madeleine moment, and it's Jake's job — who presumably knows Garotte as well as Steve Carell knows Proust in Little Miss Sunshine — to jog his memory. The rest is a disastrous hybrid of 48 Hrs. and Rain Man — the Replicant is basically a kid trapped in the body of a Belgian karate fighter (although come to think of it, so is the real JCVD) — that is neither good science fiction (the science, such as it is, being rather nebulous) nor good chopsocky (a character fighting himself invariably results in awkwardly choreographed action sequences). Then again, this movie was doomed they cast Michael 'Henry Lee Lucas' Rooker as the detective as opposed to the serial killer.

Sep 05, 2022