Popularity: 7 (history)
| Director: | Mimi Leder |
|---|---|
| Writer: | Leslie Dixon, Catherine Ryan Hyde |
| Staring: |
| Like some other kids, 12-year-old Trevor McKinney believed in the goodness of human nature. Like many other kids, he was determined to change the world for the better. Unlike most other kids, he succeeded. | |
| Release Date: | Oct 20, 2000 |
|---|---|
| Director: | Mimi Leder |
| Writer: | Leslie Dixon, Catherine Ryan Hyde |
| Genres: | Drama |
| Keywords | child's point of view, candlelight vigil, good deed, exotic dancer, schoolteacher, extra credit assignment, disfigurement, junior high school, burn injury, woman director |
| Production Companies | Warner Bros. Pictures, Bel Air Entertainment, Tapestry Films |
| Box Office |
Revenue: $55,707,411
Budget: $40,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Leslie Dixon | Screenplay |
| Jeffrey J. Dashnaw | Stunt Coordinator |
| Buddy Joe Hooker | Stunt Coordinator |
| Mary McLaglen | Unit Production Manager |
| Barry Idoine | First Assistant "B" Camera |
| Gregory Plotkin | First Assistant Editor |
| Dana Brunetti | Actor's Assistant |
| Chad Dashnaw | Stunts |
| Debbie Evans | Stunts |
| Kim Renee | Stunts |
| Dick Ziker | Stunts |
| Matthew W. Mungle | Prosthetic Makeup Artist |
| Norman Howell | Stunts |
| Maggie Peterson | Location Manager |
| G. Marq Roswell | Music Supervisor |
| David Orr | Color Timer |
| Leslie Dilley | Production Design |
| Thomas Pasatieri | Orchestrator |
| Gregg Rudloff | Sound Re-Recording Mixer |
| Bobby McMahan | Second Assistant Camera |
| Shaun M. McGovern | Assistant Accountant |
| David Rosenbloom | Editor |
| Geraldine Leder | Casting |
| Mo Henry | Negative Cutter |
| Dwight Joseph Lavers | Dolly Grip |
| Catherine Harper | Foley Artist |
| Lee Lemont | ADR Editor |
| Stephen S. Campanelli | Steadicam Operator, Camera Operator |
| Joel Iwataki | Scoring Mixer |
| Larry McGuire | Leadman |
| John 'Fest' Sandau | Assistant Chief Lighting Technician |
| Isaac Friedman | Second Assistant "B" Camera |
| Lynda Foote | Costume Supervisor |
| Michael McGuire | Key Rigging Grip |
| David Horton Sr. | Foley Editor |
| Kevin LaRosa | Pilot |
| John T. Reitz | Sound Re-Recording Mixer |
| Dennis McCarthy | Costumer |
| Scott Elias | Production Supervisor |
| Raul A. Bruce | Boom Operator |
| Dori Kancher | Producer's Assistant |
| Gary Speckman | Set Designer |
| Thomas J. O'Connell | ADR Mixer |
| Michelle Pinkney | Producer's Assistant |
| Philip Keller | Storyboard Artist |
| James Simcik | Supervising ADR Editor |
| Bill Bernstein | Music Editor |
| James R. Tynes | Chief Lighting Technician |
| Jeanmarie Murphy-Burke | Unit Publicist |
| David H. Venghaus Jr. | Second Assistant Director |
| Cary Levine | Production Secretary |
| Mark Hopkins McNabb | Production Sound Mixer |
| Jeremy Bradley | Post Production Assistant |
| Michael P. Sweeney | Assistant Property Master |
| Candice D. Campos | Assistant Production Coordinator |
| Nadine Haders | Costumer |
| David E. Campbell | Sound Re-Recording Mixer |
| Christine Steele | Assistant Makeup Artist |
| Albert Delgado | Special Effects |
| Tania McComas | Key Makeup Artist |
| Ryan Keating | Stunts |
| Jessie Disla | Casting Assistant |
| Peter Weireter | Stunts |
| Carlo Basail | Greensman |
| Lee Garibaldi | Transportation Captain |
| Tommy Tancharoen | Transportation Coordinator |
| Brennan Dyson | Stunts |
| Waldo Sanchez | Key Hair Stylist |
| Adria Later | Studio Teacher |
| Peg Cummings | Set Decoration |
| Jeff Cranford | Assistant Sound Editor |
| Richmond Riedel | First Assistant Editor |
| Terry Garcia | Assistant Sound Editor |
| Elaine Patarini | Assistant Location Manager |
| Lawrence A. Hubbs | Art Direction |
| J. Paul Huntsman | Supervising Sound Editor |
| J. Patrick Daily | Key Grip |
| David Horton Jr. | Foley Editor |
| John F. Reynolds | Dialogue Editor |
| Tangi Crawford | Costumer |
| Jack Wolpa | Cableman |
| Julie Pitkanen | Script Supervisor |
| Chris Lombardi | "B" Camera Operator |
| Eric Gotthelf | Foley Mixer |
| Kevin Bartnof | Foley Artist |
| Hallie Sirota | Producer's Assistant |
| Marcos Alvarez | Set Designer |
| Stacey Bunch | Casting Assistant |
| John M. Schenk | Set Dresser |
| Lois Carl | Studio Teacher |
| William H. Burton Jr. | Stunts |
| Judith M. Brown | Studio Teacher |
| Vivian McAteer | Makeup Department Head |
| Louis Lazzara | Makeup Artist |
| Burt Dalton | Special Effects Supervisor |
| Debbie Lynn Ross | Stunts |
| Laura M. O'Brien | Art Department Coordinator |
| Mick Cukurs | Set Designer |
| David Werntz | Sound Effects Editor |
| John Voss Bonds Jr. | Sound Effects Editor |
| Siobhan Prior | Assistant Editor |
| Paul Prenderville | Second Second Assistant Director |
| Stacey Berns | Actor's Assistant |
| Bill Coe | First Assistant Camera |
| Stevie Lazo | Production Accountant |
| Douglas Fox | Property Master |
| Patrick J. Foley | Dialogue Editor |
| Christopher S. Aud | Supervising Sound Editor |
| Brigette Roux-Lough | Producer's Assistant |
| Steve Danton | First Assistant Director |
| Denise Heinrich | Production Coordinator |
| Thom 'Coach' Ehle | Dolby Consultant |
| Richard Cody | Craft Service |
| Darrell Redleaf-Fielder | Hairstylist |
| Ronnie Specter | Makeup Artist |
| Nicholas C. John | Standby Painter |
| Carol A. O'Connell | Hairstylist |
| Ralph W. Odum | Stunts |
| Greg Harris | Stunts |
| Roger C. Johnson | Video Assist Operator |
| David Gabrielli | Construction Foreman |
| Marvin Salsberg | Construction Coordinator |
| Mimi Leder | Director |
| Oliver Stapleton | Director of Photography |
| Thomas Newman | Original Music Composer |
| Johnny Martin | Stunt Coordinator |
| Renee Ehrlich Kalfus | Costume Design |
| Catherine Ryan Hyde | Novel |
| Scott Andrew Ressler | First Assistant "B" Camera |
| Mark Morrell | Assistant Sound Editor |
| China Iwata Fox | Assistant Property Master |
| David James | Still Photographer |
| Clinton Wayne | Prosthetic Makeup Artist |
| Name | Title |
|---|---|
| Mary McLaglen | Executive Producer |
| Peter Abrams | Producer |
| Steven Reuther | Producer |
| Jonathan Treisman | Executive Producer |
| Paddy Sam Carson | Associate Producer |
| Robert L. Levy | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 26 | 35 | 18 |
| 2024 | 5 | 27 | 42 | 17 |
| 2024 | 6 | 29 | 54 | 16 |
| 2024 | 7 | 28 | 45 | 19 |
| 2024 | 8 | 26 | 35 | 18 |
| 2024 | 9 | 21 | 27 | 15 |
| 2024 | 10 | 29 | 57 | 17 |
| 2024 | 11 | 23 | 43 | 15 |
| 2024 | 12 | 25 | 32 | 14 |
| 2025 | 1 | 20 | 36 | 14 |
| 2025 | 2 | 14 | 22 | 4 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 3 | 4 | 2 |
| 2025 | 5 | 3 | 5 | 2 |
| 2025 | 6 | 3 | 3 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 6 | 7 | 5 |
| 2025 | 10 | 6 | 8 | 5 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 527 | 750 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 308 | 509 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 134 | 543 |
**The world can't change by itself, we must bring it.** After watching this film I just remembered the quote from 'Sullivan's Travels' which says 'film's the greatest educational medium the world has ever known'. Indeed, cinema's for entertainment as well acts as a message deliverer. This was an ... inspirational movie, and everybody must see it. I know I'm a bit late to see it, better late than never, right? I'm really glad for having it at the right time because 15 years ago I did not have this blog to write about it. OK, the name of the movie represents the theme of the story. No matter its a developed or developing country, society needs something like the idea this movie talks about. Carrying a good social message, the movie slightly lags behind the too much on the emotions, especially the end part. There won't be a problem if you like melodrama. Other than that, I feel the conclusion was smart and strong, a better solution which would appeal for certain group rather alternate finale. The film was based on the novel of the same name, crafted by a fine director with the wonderful cast. Haley Joel Osment had a great career as a child-star, you should check some of his films if you love children's movies including this title on the top of that list. As a middle aged actor, Helen Hunt's one of the last best performances before turning into a senior artist. It's not a usual role for Kevin Spacey, but he nailed it with the good dialogues. Especially his talk about the topic 'child abuse' was a great thing from the movie. Overall, the actors get more credit for the first- class acts as the script demanded for their respective roles. > What did you ever do to change the world. A movie about a man who achieved in science gets the Oscar, not that real man. A movie about a man escapes from the war prison camp and slavery gets the award, and again none of those real persons. But a movie with the original, intelligent, inspiring, specially designed for a movie was not even a contender of the Oscars. Of course, it was transformed from a book, though there are/were no real people behind these great characters, all are imagined/created for the book and the movie. I never understood the American Academy Awards. By now you would know that I hate critics badly if you are a regular reader of my blog. Once again they failed to recognise how great the morality of the story is, rather they have concentrated to criticise the writing and the technical aspect of the film. Although, it was not a box office flop or earned beyond, but got a lot of praise from the families. It's a wonderful family drama, but still too far from being a masterpiece. Intelligent enough one to get motivated towards the social issues. Being practical in the real world is a concern as it is risky, depending on the situation and the person, just like this movie's ending. Rare to find a movie like this, you must check it out. 8/10