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Hair Poster

Hair

Let the sunshine in!
1979 | 121m | English

(43340 votes)

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Popularity: 3 (history)

Details

Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
Release Date: Mar 15, 1979
Director: Miloš Forman
Writer: James Rado, Gerome Ragni
Genres: Comedy, Drama, Music
Keywords new york city, hippie, free love, commune, vietnam war, musical, army, skinny dipping, lgbt, 1960s, gay theme
Production Companies United Artists, CIP Filmproduktion GmbH
Box Office Revenue: $15,313,606
Budget: $11,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
John Savage Claude Hooper Bukowski
Treat Williams George Berger
Beverly D'Angelo Sheila Franklin
Annie Golden Jeannie Ryan
Dorsey Wright Lafayette aka Hud
Don Dacus Woof
Cheryl Barnes Hud’s Fiancée
Richard Bright Fenton
Nicholas Ray The General
Charlotte Rae Lady in Pink
Miles Chapin Steve
Fern Tailer Sheila's Mother
Charles Denny Sheila's Father
Herman Meckler Sheila's Uncle
Agnes Breen Sheila's Aunt
Antonia Rey Mrs. Berger
George J. Manos Mr. Berger
Linda Surh Vietnamese Girl
Jane Booke Debutante #1
Suzanna Love Debutante #2
Joe Acord Claude's Father
Michael Jeter Sheldon
Janet York Prison Psychiatrist
Rahsaan Curry Lafayette Jr.
Harry Gittelson The Judge
Donald Alsdurf MP
Steve Massicotte Barracks Officer
Mario Nelson Barracks Officer
Ren Woods 'Aquarius' Soloist
Toney Watkins Colored Spade' / 'Ain't Got No
Carl Hall Colored Spade
Howard Potter Colored Spade
Nell Carter Ain't Got No' / 'White Boys
Kurt Yaghjian Ain't Got No
Laurie Beechman Black Boys
Debi Dye Black Boys
Ellen Foley Black Boys
Johnny Maestro Black Boys
Fred Ferrara Black Boys
Jim Rosica Black Boys
Vincent Carella Black Boys
Charlayne Woodard White Boys
Trudy Perkins White Boys
Chuck Patterson White Boys
H. Douglas Berring White Boys
Russell Costen White Boys
Kenny Brawner White Boys
Lee Wells White Boys
Leata Galloway Electric Blues
Cyrena Lomba Electric Blues
Ron Young Old Fashioned Melody
John DeRobertas Flesh Failures
Grand L. Bush Flesh Failures
Melba Moore '3-5-0-0' Soloist
Ronnie Dyson '3-5-0-0' Soloist
Rose Marie Wright Dancer
Tom Rawe Dancer
Jennifer Way Dancer
Shelley Washington Dancer
Christine Uchida Dancer
Raymond Kurshals Dancer
Richard Colton Dancer
Anthony Ferro Dancer
Sara Rudner Dancer
Twyla Tharp The Priestess (uncredited)
Peter Maloney Court Clerk (uncredited)
Name Job
James Rado Screenplay, Lyricist
Miloš Forman Director
Gerome Ragni Screenplay, Lyricist
Lynzee Klingman Editor
Robert Greenhut Production Manager
Howard Feuer Casting
Galt MacDermot Music, Songs
Stanley Warnow Editor
Stuart Wurtzel Production Design
Richard C. Kratina Director of Photography
Jeremy Ritzer Casting
Miroslav Ondříček Director of Photography
Alan Heim Editor
Ann Roth Costume Design
Twyla Tharp Choreographer
Name Title
Robert Greenhut Associate Producer
Michael Butler Producer
Lester Persky Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 37 14
2024 5 26 35 17
2024 6 24 40 14
2024 7 23 36 14
2024 8 25 58 15
2024 9 18 25 13
2024 10 19 34 10
2024 11 20 43 10
2024 12 18 31 12
2025 1 20 35 13
2025 2 13 25 3
2025 3 6 18 1
2025 4 2 3 1
2025 5 2 3 1
2025 6 2 3 1
2025 7 2 4 1
2025 8 2 2 1
2025 9 2 3 1
2025 10 3 3 2

Trending Position


Year Month High Avg
2025 4 994 994
Year Month High Avg
2025 3 978 978

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Reviews

Geronimo1967
7.0

I watched much of this convinced that Treat Williams was a very young Tommy Lee Jones, and despite the look of the film dating, it's still quite a potent and entertaining look at life amidst the draft. The rather naive "Claude" (John Savage) arrives from his home in rural Oklahoma into a New York br ... imming with vibrancy and eccentricity. He's on his way to join up to fight in Vietnam when he encounters "Berger" (Williams) and starts to fall into a life of gentle hedonism leading to his love of "Shiela" (Beverly D'Angelo). She and "Berger are from different sides of the tracks, but despite her silver spoon she has quite a rebellious nature and very much embraces her hippie existence protesting the war whilst stoked up on weed, emotion and idealism. They only have a few days, but in those days their relationships develop, thrive, vacillate and ultimately Milos Forman presents us with a quite subtly scathing commentary on a mid-1960s USA. I still think this works better on the stage - the confined space there forces the characters and scenarios together better, but this is still a strong big-screen adaptation that allows the music and dance numbers to retain much of their punch. The characterisations run deep too with plenty of their gang having slightly more than bit parts to complement the thrust of the burgeoning romance. It's perhaps that that lets this down a little. The pair are rarely seen together and the portrayal of their "love" is a wee bit on the shallow side. Musically, there are more than a few familiar numbers to keep the pace rollicking along, and perhaps the fairly explicit nature of some of the lyrics explains why this did rather better on the European Awards circuit than it did in the USA (or the UK). "Aquarius", "Good Morning Starshine" and the title song are maybe the most memorable but there are plenty more to get our teeth into as the rawness of the original Gerome Ragni book is framed within a cityscape dealing with racism, homophobia and just about everything to preclude the concept of "free love" (or even creatively inexpensive love). It's holding it's relevance quite well and is well worth two hours.

Oct 21, 2024