Popularity: 4 (history)
| Director: | Jonathan Liebesman |
|---|---|
| Writer: | John Fasano, James Vanderbilt, Joe Harris |
| Staring: |
| A vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before. | |
| Release Date: | Jan 24, 2003 |
|---|---|
| Director: | Jonathan Liebesman |
| Writer: | John Fasano, James Vanderbilt, Joe Harris |
| Genres: | Horror, Thriller |
| Keywords | witch, loss of loved one, small town, death penalty, lighthouse, cowardliness, spirit, witch hunt |
| Production Companies | Village Roadshow Pictures, Revolution Studios, Distant Corners Entertainment Group Inc., Blue Star Productions, Morningstar Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Chaney Kley | Kyle Walsh |
| Emma Caulfield | Caitlin Greene |
| Lee Cormie | Michael Greene |
| Sullivan Stapleton | Officer Matt Henry |
| Emily Browning | Young Caitlin Greene |
| Angus Sampson | Ray |
| Grant Piro | Larry Fleishman |
| Steve Mouzakis | Dr. Peter Murphy |
| Peter Curtin | Dr. Travis |
| Kestie Morassi | Nurse Lauren |
| Jenny Lovell | Nurse Alexandra |
| John Stanton | Captain Henry |
| Joshua Anderson | Young Kyle |
| Rebecca McCauley | Kyle's Mom |
| Name | Job |
|---|---|
| Steve Mirkovich | Editor |
| Jonathan Liebesman | Director |
| John Fasano | Screenplay |
| James Vanderbilt | Screenplay |
| Brian Tyler | Original Music Composer |
| Dan Laustsen | Director of Photography |
| Randy Thom | Sound Re-Recording Mixer, Sound Designer |
| Gary Rizzo | Sound Re-Recording Mixer |
| Victoria Alonso | Visual Effects Producer |
| Brianna Seale | Art Department Assistant |
| Brett Praed | Stunt Double |
| Lynne Ruthven | Casting |
| Maura Fay | Casting |
| Joe Harris | Screenplay |
| Jane Summer-Eve | Costume Design |
| Anna Borghesi | Costume Design |
| Shane Phillips | Costume Design |
| Harry Panagiotidis | Steadicam Operator, Camera Operator |
| Diana Freeman | Art Department Coordinator |
| Joe Lisanti | Music Editor |
| Reece Cliff | Greensman |
| Erica Wells | Makeup Artist |
| Keryn Ribbands | Costume Supervisor |
| Bernadette Hayes | Animation |
| Fiona Searson | Unit Publicist |
| Gillian Huxley | Rigging Gaffer |
| Gary Krause | Music Editor |
| Pamela Kahn | Foley |
| Lisa Wang | Special Effects Coordinator |
| Cheryl Williams | Key Hair Stylist |
| Bradley Galgon | Electrician |
| Jim Conrads | Post Production Supervisor |
| Timothy Alverson | Editor |
| Rebecca Cohen | Set Decoration |
| Suzy Wood | Still Photographer |
| Scott Guitteau | Sound Effects Editor |
| Paula Whiteway | Set Designer |
| Martin Bruveris | Scenic Artist |
| Mario Peraic | Greensman |
| Tony Williams | Assistant Art Director |
| Jason W. Jennings | Sound Effects Editor |
| Damien Gray | Animation |
| Lyn Jones | Production Accountant |
| Belinda Bennetts | Visual Effects Supervisor |
| Debbie Denise | Visual Effects Producer, Executive Visual Effects Producer |
| Ben Faiman | Boom Operator |
| John Schiefelbein | Production Sound Mixer |
| Christian Boudman | Digital Compositors |
| Lance Beriman | Carpenter |
| David Hunter | Editorial Services |
| Grayden Le Breton | Unit Manager |
| Tov Belling | First Assistant Camera |
| Steven Anthony Khoury | 3D Supervisor |
| Suzanne Evans-Booth | Production Coordinator |
| Monica Cogan | Set Dresser |
| Rob Hansford | Key Grip |
| Michelle Whitehurst | Assistant Production Coordinator |
| Shirley Jaffe | In Memory Of |
| Judy Bunn | Costume Design |
| Steven Ticknor | Supervising Sound Editor |
| Alistair Reilly | Location Manager |
| Kevin J. Jolly | Visual Effects Editor |
| Tom Nursey | Art Direction |
| Murray Pope | Visual Effects Producer |
| Gregg Thomas | Greensman |
| Jo Weeks | Script Supervisor |
| Dan Schmit | Visual Effects Supervisor |
| George Liddle | Production Design |
| Jenny Hitchcock | Set Designer |
| Fergus Leese | Construction Coordinator |
| Richard R. Hoover | Visual Effects Supervisor |
| Vivien Mepham | Makeup Designer |
| Jeff Vaughn | Scoring Mixer |
| Rain Hart | Production Illustrator |
| Laura May Alcock | Unit Production Manager |
| Luke Green | Stand In |
| Keith Marbory | Special Effects Supervisor |
| Ken Fischer | Sound Editor |
| Irene Dobson | Line Producer |
| Jamie Crooks | First Assistant Director |
| Miranda Colman | Third Assistant Director |
| Lusia Carovola | Assistant Set Dresser |
| Janie Parker | Assistant Property Master |
| Ahmet Ahmet | Title Designer |
| Phillip Gore | Assistant Accountant |
| Geoff Skilbeck | Second Assistant Camera |
| Tricia Linklater | First Assistant Sound Editor |
| Hayes Brien | Special Effects Assistant |
| James Kalisch | Video Assist Operator |
| John Fox | Armorer |
| Lisa K. Fowle | Sound |
| Brandon England | Visual Effects |
| Marlen Hill | Negative Cutter |
| Karl Engeler | Chief Lighting Technician |
| Michael J. Benavente | Supervising ADR Editor |
| Lisa Chino | Assistant Sound Editor |
| Mark Rogers | Additional Still Photographer |
| Howard London | ADR Mixer |
| Brianna Mann | Production Secretary |
| Kyle Rochlin | Foley Mixer |
| Peter Armstrong | Special Effects Technician |
| Andrew Jerram | Assistant Camera |
| Anthony Harris | Digital Color Timer |
| Lisa Wright | Extras Casting |
| Vincent Guisetti | Foley Artist |
| Richard Turton | Electrician |
| Chris Hansford | Grip |
| Jason Faulkner | Second Assistant Director |
| Michael Madigan | Assistant Location Manager |
| Tim Mirkovich | Assistant Editor |
| Todd Mesher | Visual Effects Compositor |
| Devin Bailey | Production Assistant |
| Grant Kennelly | Key Rigging Grip |
| Damir Peranovic | Costumer |
| Alison Fisher | Dialogue Editor |
| Jay Torta | Camera Operator |
| Anthony Veith | Electrician |
| Damian Heckendorf | Grip |
| Liala Allain | Set Painter |
| Graeme Callander | Storyboard Artist |
| Rolland Pike | Property Master |
| Martin Turner | Second Unit Director of Photography |
| Adrian Goodwin | Grip |
| Frank E. Eulner | Supervising Sound Editor |
| Stephen F. Windon | Additional Photography |
| Robert Elhai | Orchestrator |
| Amanda Buchanan | Stunts |
| Chris Navarro | ADR Recordist |
| Todd Tucker | Special Effects Makeup Artist |
| Mark Ellis | Assistant Editor |
| Gillian Farrow | Special Effects Technician |
| Julian Roberts | Assistant Grip |
| William Yeh | Editor |
| Glenn Suter | Stunt Coordinator |
| Glenn Arrowsmith | Key Grip |
| Glenn Ruehland | Stunts |
| Name | Title |
|---|---|
| Lauren Kisilevsky | Associate Producer |
| Derek Dauchy | Executive Producer |
| John Hegeman | Producer |
| Lou Arkoff | Executive Producer |
| William Sherak | Producer |
| Jason Shuman | Producer |
| John Fasano | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 40 | 16 |
| 2024 | 5 | 28 | 60 | 16 |
| 2024 | 6 | 25 | 39 | 14 |
| 2024 | 7 | 27 | 38 | 18 |
| 2024 | 8 | 21 | 40 | 11 |
| 2024 | 9 | 16 | 30 | 12 |
| 2024 | 10 | 20 | 35 | 12 |
| 2024 | 11 | 17 | 40 | 11 |
| 2024 | 12 | 16 | 32 | 11 |
| 2025 | 1 | 18 | 33 | 12 |
| 2025 | 2 | 12 | 20 | 3 |
| 2025 | 3 | 6 | 20 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
This was an interesting watch. Though not great, it had moody ambience in spades, and I'm intrigued of what the future holds for director Liebesman. Worth a watch. ...
Life for a tooth. As a young boy, Kyle Walsh (Chaney Kley) claims to have seen the fearsome Tooth Fairy kill his own mother. He also claims that having seen her, she wont stop until she also kills him. Years later, and still haunted by the experience of that night, Kyle must return to Darkness F ... alls to aid his childhood sweetheart, Caitlin Greene (Emma Caulfield) and her kid brother Michael, the latter of which who seems to be at risk from the Tooth Fairy this time around. Can Kyle confront his fears and end the 150 years of terror that has blighted Darkness Falls? Pretty much despised by the discerning horror-phile, Darkness Falls, to me at least, is a creepy, interesting and totally enjoyable thriller/ghost picture worth reappraisals. From the excellent, and chilling opening credits (where we nicely have a back story to work from), to the final confrontation, Darkness Falls ticks most of the ghostly requisites that is asked of it. Scary demon (troubled children with night terrors should be explored more in cinema I feel), cannon fodder bullies, cannon fodder obnoxious coppers and a constant sense of unease and dread. All of which is provided in Jonathan Liebesman's ("The Texas Chainsaw Massacre: The Beginning") film. It's with the sense of dread that I feel that this deserves a better reputation. Hand on my heart I know the film isn't a scary boo jump picture, something that is unforgivable to many genre supporters, but atmosphere goes a long way to creating a good thriller/ghost story picture. Darkness Falls has it in spades, and it's also a film that is a nice antidote to the blood beast torture sub-genre of film that seep out from the multi-plexes on a seemingly weekly basis. Any expectation of an outright horror film should be quickly extinguished prior to a first time viewing, and if noise annoys and staccato editing bugs you? well stay away. Also don't line up if one demands great acting in a budget restricted piece such as this, since both Kley & Caulfield are only adequate at best. But give it a go if you understand that a preposterous plot, and preposterous set pieces are a pre-requisite for horror films of this type. I say that since I've seen many comments decrying Darkness Falls for the unbelievable elements - only to then search their other comments to find praise for even more ludicrously plotted pieces! Or give it a go knowing it's more about the creeping stalking menace side of horror, or that it's also an action thriller as well as an uneasy story. Maybe just maybe you will enjoy it for what it is? Otherwise I guess you will be looking forward to "Hostel 22" or another "Jason Attacks The Eiffel Tower" movie... 7/10
**_Atmospheric chiller starts with potential, but falls apart in the second half_** In the town of Darkness Falls (patterned after Fall River, Massachusetts), a kid named Kyle sees the legendary tooth fairy specter and is forced to go to an orphanage after his mother mysteriously perishes. Twelve ... years later, Kyle (Chaney Kley) returns to the town where the specter is wreaking havoc and he's jailed under false presumptions. Emma Caulfield plays the girl he left behind and Lee Cormie her little brother who has also seen the malevolent ghost and is therefore getting "treatment." "Darkness Falls" (2003) is a haunting ghost flick that starts out very promising, but fails to take advantage of its resources and potential. The movie is enhanced by a quality apparition and an eerie vibe, similar to "The Ring" from the previous year, not to mention a strong and sympathetic protagonist played by Kley (who would pass away in his sleep four years later due to a breathing problem). Emily Browning is excellent as the 13 year-old girlfriend in the prologue, but Caulfield doesn't capture the character as an adult, although she's okay. Unfortunately she's literally the only prominent female in the movie, which is scandalous for a horror flick of this ilk. The movie takes a bad turn around the midpoint when Kyle (Kley) makes it to the hospital just as the boy is about to undergo an experimental procedure, which is ultra-contrived, and the film never recovers. In fact, it goes off the rails and totally loses interest. Another negative is that too much of the story takes place indoors. The few outside sequences are effectively atmospheric, but the bulk of the movie takes place in hospitals, houses, a police station and lighthouse. While the music is good during the end credits, they run for literally ten minutes, which is curious long for a horror flick that only runs 86 minutes. So, really, the story is only 76 minutes long. "Darkness Falls" might still be worth checking out for those who value the above positives, just don't expect anything good or great. Overall, it's okay at best, hampered by lousy elements that are stunningly amateurish (for one, glaring kinks needed worked out in the script). The movie was shot in Queensland, Victoria and New South Wales, Australia, with establishing shots in Maine. GRADE: C-