Popularity: 2 (history)
Director: | John Murray Anderson |
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Writer: | Harry Ruskin |
Staring: |
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson. | |
Release Date: | Apr 20, 1930 |
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Director: | John Murray Anderson |
Writer: | Harry Ruskin |
Genres: | Animation, Comedy, Music |
Keywords | dance, sketch comedy, pre-code, big band |
Production Companies | Universal Pictures |
Box Office |
Revenue: $0
Budget: $2,000,000 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 20, 2024 |
Name | Character |
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Paul Whiteman | Paul Whiteman |
John Boles | Vocalist ('Song of the Dawn' / 'It Happened in Monterey') |
Laura La Plante | Editor ('Ladies of the Press') / Stenographer ('In Conference') / Quartet Member, 'Nellie' |
Jeanette Loff | Vocalist ('It Happened in Monterey' / 'Bridal Veil' / 'A Bench in the Park') |
Glenn Tryon | Executive ('In Conference') / Unmarried Husband |
William Kent | General ('All Noisy on the Eastern Front') / Goldfish Owner ('Oh! Forevermore!') / Unmarried Couple's Offspring / Vocal ('Do Things For You') |
Slim Summerville | Automobile Owner ('Springtime') / Rear End of Horse / Charles |
Kathryn Crawford | Fourth Reporter ('Ladies of the Press') |
Carla Laemmle | Chorine (as Beth Laemmle) |
Stanley Smith | Bridegroom ('Bridal Veil' / 'A Bench in the Park') |
Charles Irwin | Himself, Announcer / Soldier ('All Noisy on the Eastern Front') |
George Chiles | Dancer ('It Happened in Monterey' / Vocalist 'A Bench in the Park' / 'Ragamuffin Romeo') |
Jack White | Jack White |
Frank Leslie | Quartet Lead Singer ('Nellie') |
Walter Brennan | Desk Sergeant ('Springtime') / Soldier ('All Noisy on the Eastern Front') / Waiter ('Oh! Forevermore!') / Front End of Horse / Quartet Member ('Nellie') |
Churchill Ross | Quartet Member ('Nellie') |
John Arledge | First Pianist at Giant Piano ('Rhapsody in Blue') / Quartet Member ('Nellie') (as Johnson Arledge) |
Al Norman | Rubber Legs Dancer ('Happy Feet') |
Jacques Cartier | Voodoo Dancer ("Rhapsody in Blue") |
Nell O'Day | Dancer |
Marion Stattler | Specialty Dancer 'Ragamuffin Romeo' / 'Melting Pot' |
Don Rose | Specialty Dancer 'Ragamuffin Romeo' |
Bobbe Brox | Bobbe (as The Brox Sisters) |
Patricia Brox | Kathlyn (as The Brox Sisters) |
Lorayne Brox | Lorraine (as The Brox Sisters) |
Bing Crosby | Trio Singer (as The Rhythm Boys) |
Yola d'Avril | Automobile Owner's Wife ("Springtime") / Marie ("All Noisy on the Eastern Front") (uncredited) |
Marcia Mae Jones | Child ('Bridal Veil') (uncredited) |
Bela Lugosi | Emcee - Hungarian Version |
Joan Marsh | Blonde ("A Bench in the Park") (uncredited) |
Name | Job |
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Jack Pierce | Makeup Artist |
Walter Lantz | Animation |
Harry Ruskin | Writer |
Milton Ager | Songs |
George Gershwin | Additional Music |
Carl Laemmle | Presenter |
Billy Rose | Additional Music |
Hal Mohr | Director of Photography |
Jack Yellen | Songs |
Russell Markert | Choreographer |
John Murray Anderson | Director |
Jerome Ash | Director of Photography |
Ray Rennahan | Director of Photography |
Robert Carlisle | Editor |
Herman Rosse | Costume Design, Art Direction |
Roswell A. Hoffmann | Special Effects Assistant |
Edward T. Lowe Jr. | Scenario Writer |
Alfonso Corelli | Music |
Robert Ross | Assistant Director |
Thomas F. O'Neill | Assistant Art Director |
C. Roy Hunter | Recording Supervision |
Eddie Ellsworth | Still Photographer |
William Nolan | Animation |
Maurice Pivar | Supervising Editor |
James Dietrich | Additional Music |
Ferde Grofé Sr. | Orchestrator, Music Director |
Mabel Wayne | Additional Music |
Name | Title |
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Carl Laemmle Jr. | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 7 | 15 | 2 |
2024 | 5 | 7 | 14 | 4 |
2024 | 6 | 5 | 11 | 2 |
2024 | 7 | 7 | 18 | 3 |
2024 | 8 | 7 | 15 | 3 |
2024 | 9 | 5 | 7 | 3 |
2024 | 10 | 8 | 13 | 3 |
2024 | 11 | 5 | 14 | 2 |
2024 | 12 | 4 | 7 | 2 |
2025 | 1 | 4 | 8 | 2 |
2025 | 2 | 3 | 5 | 1 |
2025 | 3 | 3 | 6 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
The title of this film is a touch misleading. I was expecting much more of a jazz-based musical revue but instead got pretty much a whole gamut of colourful and precisely staged repertoire. Paul Whiteman and his accomplished orchestra provide the conduit, as it were, as a variety of performers sing, ... dance and make us laugh (or cringe) for the next hundred minutes. There's a bit of Bing Crosby's first screen appearance with the "Rhythm Boys" doing a lively version of "Happy Feet" and probably my favourite staging of George Gershwin's "Rhapsody in Blue" - featuring an orchestra within the belly of the grandest of pianos. What this illustrates really effectively is the huge variety of musical skills that audiences in 1930 could expect to see, and at just how versatile the orchestra was when it came to playing themes from just about every genre. Whoever thought about playing some patriotic Souza on a bicycle pump? It looks great and it sounds good but for me, not being an American, too many of the acts - especially the comedy - didn't really travel. The production itself, though probably impractical to deliver, needed a live audience to breathe some life into it. The skills there are superb, but the whole thing is just a bit sterile and lifeless. As an history of what engaged the American people in the 1920s, this in still an interesting piece of entertainment nostalgia, though - and it is worth a watch.