Popularity: 5 (history)
Director: | Herbert Ross |
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Writer: | Robert Harling |
Staring: |
A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold. | |
Release Date: | Nov 15, 1989 |
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Director: | Herbert Ross |
Writer: | Robert Harling |
Genres: | Comedy, Drama, Romance |
Keywords | southern usa, female friendship, mourning, sentimental, compassionate, strong woman, beauty, based on play or musical, loving, hilarious, distressing |
Production Companies | TriStar Pictures, Rastar Productions |
Box Office |
Revenue: $95,904,091
Budget: $15,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sally Field | M'Lynn Eatenton |
Dolly Parton | Truvy Jones |
Shirley MacLaine | Ouiser Boudreaux |
Daryl Hannah | Annelle Dupuy |
Olympia Dukakis | Clairee Belcher |
Julia Roberts | Shelby Eatenton Latcherie |
Tom Skerritt | Drum Eatenton |
Sam Shepard | Spud Jones |
Dylan McDermott | Jackson Latcherie |
Kevin J. O'Connor | Sammy Desoto |
Bill McCutcheon | Owen Jenkins |
Ann Wedgeworth | Aunt Fern |
Knowl Johnson | Tommy Eatenton |
Jonathan Ward | Jonathan Eatenton |
Bibi Besch | Belle Marmillion |
Janine Turner | Nancy Beth Marmillion |
James Wlcek | Marshall Marmillion |
Ronald Young | Drew Marmillion |
Nancy Parsons | Janice Van Meter |
Robert Ginnaven | Mayor Van Meter |
Tom Hodges | Louie Jones |
Rick Hurst | Bark Boone |
Robert Harling | Minister |
Clara Gabrielle | Jack, Jr. (1 Year Old) |
Daniel Camp | Jack, Jr. (3 Years Old) |
Norman Fletcher | Mr. Latcherie, Sr. |
Lori Tate | Mrs. Latcherie, Sr. |
Robert Adams | Dr. Judd |
Carol Sutton | Nurse Pam |
Aja Sansone | Monique |
Rodney Alan Fulton | Bobby Ray Ross |
Spencer Henderson | Dancing Couple |
Sandra Asbury-Johnson | Dancing Couple |
Gale J. Odom | Church Singer |
Betsy Widhalm | Church Organist |
Oscar J. Bienvenu Jr. | Doctor |
Teresa Beaudion | Receptionist |
Gladys Mallard | Nurse |
Betty J. Dove | Nurse |
Travis Harrison | Delivery Boy |
James Shapkoff III | Delivery Man |
Walker May | Newspaper Boy |
Robert R. Morgan | Cook |
Roger D. McCann | Cook's Helper |
Debbie McCann | Cook's Helper |
Trent Dawson | Choir Member (uncredited) |
Name | Job |
---|---|
Robert Harling | Screenplay, Theatre Play |
Lee Poll | Set Decoration |
Okowita | Art Direction |
Shirlee Strahm | Costume Supervisor |
Hallie D'Amore | Makeup Artist |
Carol A. O'Connell | Key Hair Stylist |
Steven Wolff | Set Designer |
Robert J. Litt | Sound Re-Recording Mixer |
Carolyn Tapp | Foley Recordist |
Hugo Weng | Sound Editor |
Don Reddy | Camera Operator |
Gene Callahan | Production Design |
Garrett Lewis | Set Decoration |
Hub Braden | Art Direction |
David Blair | Hairstylist |
Frances Kolar | Makeup Artist |
Martha Elcan | Second Assistant Director |
Tom Bellfort | Supervising Sound Editor |
Ellen Heuer | Foley Artist |
Al Overton Jr. | Sound Mixer |
Greg P. Russell | Sound Re-Recording Mixer |
Greg Orloff | Foley Recordist |
Michael D. Wilhoit | Sound Editor |
Edward Pisoni | Production Design |
Hank McCann | Casting |
Leigh Mitchell | Makeup Artist |
Robert Engelman | First Assistant Director |
Neal Burger | Sound Editor |
Larry Kemp | Sound Editor |
Dan M. Rich | Sound Editor |
Elliot Tyson | Sound Re-Recording Mixer |
Lou Barlia | Camera Operator |
Herbert Ross | Director |
Georges Delerue | Original Music Composer |
Paul Hirsch | Editor |
Julie Weiss | Costume Design |
Colleen Callaghan | Hairstylist |
Scott Martin Gershin | Sound Editor |
John Roesch | Foley Artist |
Wylie Stateman | Supervising Sound Editor |
Mike Moyer | Gaffer |
John A. Alonzo | Director of Photography |
Name | Title |
---|---|
Victoria White | Executive Producer |
Andrew Stone | Associate Producer |
Ray Stark | Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Actress | Sally Field | Nominated |
BAFTA Awards | Best Actress | Sally Field | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 33 | 78 | 19 |
2024 | 5 | 46 | 98 | 24 |
2024 | 6 | 27 | 46 | 19 |
2024 | 7 | 28 | 39 | 17 |
2024 | 8 | 28 | 45 | 16 |
2024 | 9 | 19 | 25 | 15 |
2024 | 10 | 23 | 39 | 12 |
2024 | 11 | 21 | 40 | 14 |
2024 | 12 | 20 | 35 | 13 |
2025 | 1 | 21 | 36 | 17 |
2025 | 2 | 15 | 23 | 3 |
2025 | 3 | 7 | 21 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 3 | 5 | 2 |
2025 | 9 | 6 | 7 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 984 | 984 |
You can tell from the start that this was adapted from the stage. The dialogue--for the most part--has the same earnest theatrics as your average play, and honestly it works fairly well in a knock-off Tennessee Williams kind of way. And the stage adaptation becomes even more evident when it shows ... itself to be a comedy tear-jerker. And, as I said, that's fine. It has pro-talent and it's always nice to bring the stage into your living room from time to time.
"Steel Magnolias" is an emotionally barren experience throughout as it attempts to emulate the feeble "Beaches" (1988) and it largely accomplishes the same startling underachievement as that memorably lacklustre film. This time around we are introduced (or perhaps that should be we are subjected) to ... an assortment of constantly wittering women warbling on about a wealth of risible nonsense we are supposed to care about (or perhaps that should be find entertaining and funny), but in the main it is none of these things which is hardly surprising since much of it is aimed squarely at what will probably be a more appreciative female audience while the rest of us merely endure it - while wishing we were watching "Die Hard" instead - and we are never rewarded with anything of thought provoking consequence which might make any of it seem worthwhile.