 
  Popularity: 5 (history)
| Director: | Jack Clayton | 
|---|---|
| Writer: | Francis Ford Coppola, F. Scott Fitzgerald | 
| Staring: | 
| Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. | |
| Release Date: | Mar 27, 1974 | 
|---|---|
| Director: | Jack Clayton | 
| Writer: | Francis Ford Coppola, F. Scott Fitzgerald | 
| Genres: | Drama, Romance | 
| Keywords | long island, new york, crush, wealth, millionaire, somber, disheartening, distressing | 
| Production Companies | Paramount Pictures | 
| Box Office | Revenue: $26,533,200 Budget: $6,500,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Robert Redford | Jay Gatsby | 
| Mia Farrow | Daisy Buchanan | 
| Bruce Dern | Tom Buchanan | 
| Karen Black | Myrtle Wilson | 
| Scott Wilson | George Wilson | 
| Sam Waterston | Nick Carraway | 
| Lois Chiles | Jordan Baker | 
| Howard Da Silva | Meyer Wolfsheim | 
| Roberts Blossom | Mr. Gatz | 
| Edward Herrmann | Klipspringer | 
| Elliott Sullivan | Wilson's Friend | 
| Arthur Hughes | Dog Vendor | 
| Kathryn Leigh Scott | Catherine | 
| Beth Porter | Mrs. McKee | 
| Paul Tamarin | Mr. McKee | 
| John Devlin | Gatsby's Bodyguard | 
| Patsy Kensit | Pamela Buchanan | 
| Marjorie Wildes | Pamela's Nurse | 
| Blain Fairman | Policeman | 
| Norman Chancer | Detective at Pool | 
| Bob Sherman | Detective at Pool | 
| Regina Baff | Miss Baedeker | 
| Janet Arters | A Twin at Gatsby Party | 
| Louise Arters | A Twin at Gatsby Party | 
| John Franchi | Photographer (uncredited) | 
| Sammy Smith | Comic | 
| Franklin Cover | Senator Evans (uncredited) | 
| Brooke Adams | Party Guest (uncredited) | 
| Ramon Gordon | Party Guest (uncredited) | 
| Duncan Inches | Party Staffer (uncredited) | 
| Mildred Shay | Party Guest (uncredited) | 
| Nick Lucas | Singer (uncredited) | 
| James Berwick | Reverend (uncredited) | 
| Tom Ewell | Mourner (uncredited) | 
| Jerry Mayer | New York Journal Reporter (uncredited) | 
| Vincent Schiavelli | Thin Man (uncredited) | 
| Name | Job | 
|---|---|
| Jack Clayton | Director | 
| Francis Ford Coppola | Screenplay | 
| Terry Rawlings | Sound Editor | 
| Tom Priestley | Editor | 
| Charles E. Parker | Makeup Artist | 
| Gary Liddiard | Makeup Artist | 
| Ramon Gow | Hairstylist | 
| Norman I. Cohen | Production Manager | 
| Irene Lamb | Additional Casting | 
| Robin Vidgeon | Assistant Camera | 
| Annabel Davis-Goff | Script Supervisor | 
| George Richardson | Assistant Art Director | 
| Herbert F. Mulligan | Set Decoration | 
| Robert W. Laing | Art Direction | 
| Theoni V. Aldredge | Costume Design | 
| Brian Simmons | Sound Mixer | 
| Marie Cosindas | Still Photographer | 
| David Tringham | Assistant Director | 
| Ken Barker | Sound Recordist | 
| David Haylock | Aerial Director of Photography | 
| Gene Rudolf | Art Direction | 
| John Box | Production Design | 
| Peter Howitt | Set Decoration | 
| Alex Hapsas | Assistant Director | 
| Chic Waterson | Camera Operator | 
| Alan Jones | Assistant Editor | 
| Peter Price | Production Manager | 
| F. Scott Fitzgerald | Novel | 
| Douglas Slocombe | Director of Photography | 
| Nelson Riddle | Music Supervisor | 
| Name | Title | 
|---|---|
| David Merrick | Producer | 
| Hank Moonjean | Associate Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Supporting Actor | Scott Wilson | Nominated | 
| Golden Globes | Best Supporting Actress | Karen Black | Nominated | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 21 | 33 | 14 | 
| 2024 | 5 | 23 | 31 | 15 | 
| 2024 | 6 | 24 | 50 | 13 | 
| 2024 | 7 | 23 | 39 | 15 | 
| 2024 | 8 | 26 | 56 | 15 | 
| 2024 | 9 | 17 | 27 | 13 | 
| 2024 | 10 | 20 | 31 | 12 | 
| 2024 | 11 | 19 | 35 | 11 | 
| 2024 | 12 | 17 | 23 | 10 | 
| 2025 | 1 | 19 | 27 | 13 | 
| 2025 | 2 | 13 | 20 | 3 | 
| 2025 | 3 | 6 | 17 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 2 | 
| 2025 | 6 | 2 | 3 | 2 | 
| 2025 | 7 | 3 | 10 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 6 | 9 | 3 | 
| 2025 | 10 | 6 | 7 | 4 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 723 | 748 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 9 | 648 | 799 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 5 | 926 | 926 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 4 | 877 | 877 | 
"Nick" (Sam Waterston) lives in a cottage on the edge of the estate owned by the enigmatic "Gatsby" (Robert Redford) and is fascinated by the man. He has old money wealth and regularly hosts lavish parties for strangers whom her barely knows and to which he rarely bothers to go. "Nick" is unexpected ... ly invited to one such party and then to meet the man himself who isn't quite what he was expecting. This is the start of an unusual friendship that introduces him to a life of shallow profligacy, duplicity and some fairly ghastly individuals. "Gatsby" has taken a shine to "Daisy" (Mia Farrow) who is married to the rather brutish "Tom" (Bruce Dorn) and much of the rest of this lengthy period melodrama follows the intricacies of the new relationship between these two men, and of the latter man's increasingly dubious lifestyle that isn't quite playing out as "Nick" anticipated. Now this adaptation is an almost literal one of F. Scott Fitzgerald's novel - and that might have worked were we in a theatre. We are not, though, and what we are presented with here is a wordy and frankly rather sterile and plodding character study. Too much reliance is placed on the aesthetic elements - the costumes, sets, lavishness of the parties; indeed the imagery is gorgeous. It's supposed to be a love story, but the purported relationship between Redford and Farrow just doesn't resonate. I never really understood why she was so acclaimed in the first place - her performances were always rather hit or miss. The narration from Waterston also becomes a little too flat and the contrasting existences of the fabulously wealthy and the subsistence poor is hardly developed at all. My star of the film is Karen Black's "Myrtle" - possibly the only persona here that exudes anything like a sense of personality as she juggles her marriage and her affair. This is a nasty story about selfish and thoughtless people, but this iteration simply fails to capture that emotion, or - indeed - any other emotion either. Lots and lots of style, but it's lacking soul.